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    <title>Tag: eugene-viollet-le-duc | ArchDaily</title>
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        <![CDATA[Notre Dame de Paris Announces Reopening Date and Proposes Constroversial Entrance Fee]]>
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      <link>https://www.archdaily.com/1022862/notre-dame-de-paris-announces-reopening-date-and-proposes-constroversial-entrance-fee</link>
      <pubDate>Mon, 28 Oct 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Over 5 years after a devastating <a href="https://www.archdaily.com/915355/france-announces-competition-to-redesign-the-spire-of-notre-dame">fire threatened to destroy</a> Paris' most famous cathedral, <a href="/tag/notre-dame">Notre Dame</a> is <a href="https://www.theguardian.com/world/2024/oct/26/notre-dame-entrance-fee-france-catholic-church-opposed?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">scheduled to reopen</a> to the public on December 8, 2024. The heritage building has been undergoing an extensive and, at times, controversial restoration process aiming to <a href="https://www.archdaily.com/1006304/notre-dame-cathedral-rebuilds-timber-roof-and-regains-spire?ad_campaign=normal-tag">rebuild its timber roof and reconstruct the collapsed spire</a>, a 19th-century addition to the gothic cathedral designed by French architect Eugène <a href="https://www.archdaily.com/tag/viollet-le-duc">Viollet-le-Duc</a>'s design. In preparation for the grand reopening, France's culture minister, Rachida Dati, has proposed <a href="https://www.theguardian.com/world/2024/oct/26/notre-dame-entrance-fee-france-catholic-church-opposed?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">introducing a €5 entrance fee</a> to contribute to a fund aimed at protecting the country's historical churches and monuments.</p>]]>
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        <![CDATA[The Reconstruction of Notre Dame’s Spire Nears Completion]]>
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      <link>https://www.archdaily.com/1010932/the-reconstruction-of-notre-dames-spire-nears-completion</link>
      <pubDate>Mon, 11 Dec 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>In April 2019, a <a href="https://www.archdaily.com/915138/fire-at-the-notre-dame-cathedral?ad_campaign=normal-tag" target="_blank" rel="noopener">devastating fire engulfed the 860-year-old Notre Dame Cathedral in Pars</a>, severely damaging its wooden roof and leading to the collapse of the 19th-century spire, originally designed by <a href="/tag/viollet-le-duc">Viollet-le-Duc</a>. Immediately after, French President <a href="https://www.nytimes.com/2019/04/16/world/europe/notre-dame-fire-investigation.html?searchResultPosition=14&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Emmanuel Macron promised</a> that the iconic monument would be restored in just 5 years, an ambitious deadline. As the restoration of the roof structures nears completion, in February 2023, the scaffolding for the reconstruction of the spire has been assembled. The Spire is expected to be finished <a href="https://www.nytimes.com/2023/12/08/world/europe/notre-dame-reopening-paris-france.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">by the end of the month</a>.</p>]]>
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        <![CDATA[More Update on Notre Dame: The Spire Will be Restored According to the Original Design]]>
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      <link>https://www.archdaily.com/943631/more-update-on-notre-dame-the-spire-will-be-restored-according-to-the-original-design</link>
      <pubDate>Tue, 14 Jul 2020 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The spire of the <a href="/tag/notre-dame">Notre Dame</a> cathedral, destroyed during the fires of 2019, will be restored according to the original 19th-century Gothic design, as reported by French President Emmanuel Macron. Built in 1860, to replace the original structure removed in 1792, the spire, not exactly a medieval structure, was designed by <a href="/tag/eugene-viollet-le-duc">Eugène Viollet-le-Duc</a> who found inspiration in the original architectural epoch of the Cathedral.</p>]]>
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      <title>
        <![CDATA[Studying the "Manual of Section": Architecture's Most Intriguing Drawing]]>
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      <link>https://www.archdaily.com/793424/studying-the-manual-of-section-architectures-most-intriguing-drawing</link>
      <pubDate>Thu, 29 Aug 2019 04:00:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
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        <![CDATA[<p dir="ltr">For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.</p>]]>
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        <![CDATA[AD Classics: Royal Basilica of Saint-Denis / Abbot Suger]]>
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      <link>https://www.archdaily.com/797766/ad-classics-royal-basilica-of-saint-denis-abbot-suger</link>
      <pubDate>Fri, 02 Dec 2016 04:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Religious Buildings]]>
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        <![CDATA[<p id="docs-internal-guid-7d7b95f1-e073-becb-f1d8-4f509321b0ae" dir="ltr">The origin of <a href="/tag/gothic">Gothic</a> architecture, a style which defined <a href="/tag/europe">Europe</a> in the later <a href="/tag/middle-ages">Middle Ages</a>, can be traced to a single abbey church in the northern suburbs of <a href="/tag/paris">Paris</a>. The Basilique royale de <a href="/tag/saint-denis">Saint-Denis</a> (Royal Basilica of Saint-Denis), constructed on the site of an abbey and reliquary established in Carolingian (800-888 CE) times, was partially rebuilt under the administration of Abbot <a href="/tag/suger">Suger</a> in the early 12th Century; these additions—utilizing a variety of structural and stylistic techniques developed in the construction of Romanesque churches in the preceding centuries—would set medieval architecture on a new course that would carry it through the rest of the epoch.</p>]]>
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      <title>
        <![CDATA[Building on the Built: the Work of Jonathan Tuckey Design]]>
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      <link>https://www.archdaily.com/787224/exhibition-review-building-on-the-built-the-work-of-jonathan-tuckey-design-london</link>
      <pubDate>Thu, 12 May 2016 04:00:00 +0000</pubDate>
      <dc:creator>Daniel Marmot</dc:creator>
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        <![CDATA[<p dir="ltr">In Granary Square, located in <a href="/tag/london">London</a>’s King’s Cross, there is a fragment of the poem Brill by Aidan Dunn set into the ground, which reads: “King’s Cross, dense with angels and histories. There are cities beneath your pavements, cities behind your skies.” Anchored by the converted granary building and a rejuvenated stretch of canal, Argent’s ongoing King’s Cross development is an appropriate setting for <strong><a href="http://www.jonathantuckey.com/building-on-the-built/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Building on the Built</a></strong>, an exhibition which presents the work of London-based practice Jonathan Tuckey Design.</p>]]>
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      <title>
        <![CDATA[Uncovering Viollet-le-Duc's "Unexpected" Career]]>
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      <link>https://www.archdaily.com/573855/uncovering-viollet-le-duc-s-unexpected-career</link>
      <pubDate>Tue, 02 Dec 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><a href="http://en.wikipedia.org/wiki/Eug%C3%A8ne_Viollet-le-Duc?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Eugène Viollet-le-Duc</a>, the French architect most famous for the 'restoration' of <em>Notre-Dame de Paris</em>, is a person we unequivocally associate with 19th century <a href="/tag/gothic-revival">Gothic Revival</a>. Although there is no doubt that his interpretive restorations of medieval French monuments were some of his greatest achievements, a new exhibition at Paris' <em><a href="http://www.citechaillot.fr/en/expositions/temporary_exhibitions/25622-viollet-le-duc_visionary_archaeologist.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cité de l'architecture et du patrimoine</a></em> seeks to uncover a "well-connected character who pursued an uninterrupted career drawing, building, teaching, restoring, and many other things."</p>]]>
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