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    <title>Tag: ephemeral-architecture | ArchDaily</title>
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        <![CDATA[When Movement Becomes Sacred Space: The Architecture of India’s Pilgrimage Landscapes]]>
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      <link>https://www.archdaily.com/1042873/when-movement-becomes-sacred-space-the-architecture-of-indias-pilgrimage-landscapes</link>
      <pubDate>Mon, 06 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>At the helm of <a href="https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes">architectural discourse on sacred architecture</a>, attention almost always settles on the monument. <a href="https://www.archdaily.com/category/temple">Temples</a>, <a href="https://www.archdaily.com/search/projects/categories/mosque">mosques</a>, <a href="https://www.archdaily.com/search/projects/categories/monastery">monasteries</a>, and <a href="https://www.archdaily.com/search/projects/categories/churches">churches</a> dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across <a href="https://www.archdaily.com/country/india/page/1">India</a>, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which <a href="/tag/pilgrimage">pilgrimage</a> actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[What Textiles and Translucency Bring to Public Space: 5 Lightweight Interventions]]>
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      <link>https://www.archdaily.com/1040654/what-textiles-and-translucency-bring-to-public-space-5-lightweight-interventions</link>
      <pubDate>Thu, 16 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[<p>What do lightweight materials bring to public space with an ethical, ecological, and non-extractive design principle? Various textile textures offer a point of entry, being closer to the body than heavy conventional structural materials. Through its <a href="https://www.archdaily.com/1030731/understanding-soft-architecture-the-shift-from-monument-to-moment" target="_blank" rel="noopener">flexibility and responsiveness</a>, it enables a form of soft enclosure rather than a fixed boundary in architectural space. Responding to minimal environmental stimuli, the fabric brings continuous movements into space. When layered or assembled, it produces gradations of density, depth, and enclosure, while recent innovative fabrication technologies extend the possibilities of its form and structural durability.</p>]]>
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        <![CDATA[The City as a Laboratory of Processes: A Decade of Urban Experimentation with Concéntrico]]>
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      <link>https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</link>
      <pubDate>Mon, 08 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>As cities continue to develop, we are seeing ever more <a href="https://www.archdaily.com/992594/rethinking-traditional-city-planning-14-projects-from-emerging-practices-in-europe?ad_source=search&amp;ad_medium=search_result_articles">well-planned</a>, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and <a href="https://www.archdaily.com/994586/new-uses-and-contemporary-guidelines-for-public-spaces?ad_source=search&amp;ad_medium=search_result_articles">guidelines improve</a> and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, <a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles">shedding the messy</a>, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing <a href="https://www.archdaily.com/1032309/co-designing-with-nature-how-communities-are-becoming-stewards-of-urban-biodiversity?ad_source=search&amp;ad_medium=search_result_articles">community improvisation</a> in the grey zones of regulation.</p>]]>
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        <![CDATA[From Symbols to Architecture: In Conversation with EXTUDIO, ENORME Studio, and Smart and Green Design, Authors of the Spanish Pavilion at Expo Osaka 2025]]>
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      <link>https://www.archdaily.com/1032371/from-symbols-to-architecture-in-conversation-with-extudio-enorme-studio-and-smart-and-green-design-authors-of-the-spanish-pavilion-at-expo-osaka-2025</link>
      <pubDate>Fri, 01 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[<p>Since its opening in April, <a href="https://www.archdaily.com/tag/expo-2025-osaka" target="_blank" rel="noopener">Expo Osaka </a>has welcomed millions of visitors from around the world, standing as a true showcase of innovation, architecture, and design. Among its highlights is the Grand Ring, designed by Japanese architect <a href="https://www.archdaily.com/tag/sou-fujimoto" target="_blank" rel="noopener">Sou Fujimoto</a>, considered the <a href="https://www.archdaily.com/1020560/completion-of-sou-fujimotos-grand-ring-highlights-expo-2025-osakas-master-plan" target="_blank" rel="noopener">largest timber architectural structure in the world</a>. Under the theme of Expo 2025 — <em data-start="349" data-end="391">“Designing Future Society for Our Lives”</em>, along with <em data-start="404" data-end="458">Saving Lives, Empowering Lives, and Connecting Lives</em> — more than 150 countries have used their pavilions to address key topics in contemporary architecture, such as circular construction, cultural memory, and innovation and technology aimed at shaping a sustainable built environment for the future.</p>]]>
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        <![CDATA[Concéntrico 2025: The Politics of Urban Presence]]>
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      <link>https://www.archdaily.com/1031401/concentrico-2025-the-politics-of-urban-presence</link>
      <pubDate>Thu, 26 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Every June, the Spanish city of <a href="https://www.archdaily.com/tag/logrono">Logroño</a> transforms into a space of architectural dialogue, opening its streets, plazas, riverbanks, and traffic islands to temporary structures that redefine how cities are inhabited. For ten editions, <a href="https://www.archdaily.com/tag/concentrico">Concéntrico</a> has worked not as a specialized fair or an architecture biennale, but as a portable museum — a curatorial gesture that brings a dispersed collection of <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary architecture</a> into public space. Set in a city suspended between arid plains and distant mountains, far from the circuits of capital cities and cultural institutions, Concéntrico presents itself as a temporary promise. It's a reminder that even cities that are often overlooked can host architecture that is current, diverse, and speculative. In this sense, the festival is less about celebration and more about activation.</p>]]>
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        <![CDATA[Learning from Artists: New Perspectives on Public Space]]>
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      <link>https://www.archdaily.com/1030983/learning-from-artists-new-perspectives-on-public-space</link>
      <pubDate>Thu, 19 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/public-space">Public space</a> has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary masterplans</a>, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.</p>]]>
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        <![CDATA[Serbia’s Wool Installation Explores Circular Design at Venice Architecture Biennale 2025]]>
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      <link>https://www.archdaily.com/1030501/serbias-wool-installation-explores-circular-design-at-venice-architecture-biennale-2025</link>
      <pubDate>Tue, 27 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="187" data-end="935">The <a href="https://www.archdaily.com/tag/serbian-pavilion" target="_blank" rel="noopener">Serbian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th Venice Architecture Biennale</a> consists of an <a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">immersive installation</a> made of <a href="/tag/wool">wool</a>. The exhibition, titled <em data-start="324" data-end="348">Unraveling: New Spaces</em>, was curated by architect <a href="/tag/slobodan-jovic">Slobodan Jović</a> and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Biennale's Giardini</a>, is occupied by an ephemeral installation that follows the principles of <a href="https://www.archdaily.com/tag/circular-design" target="_blank" rel="noopener">circular design</a>, effectively producing<a href="https://www.archdaily.com/tag/zero-waste" target="_blank" rel="noopener"> no waste</a>. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the <a href="https://www.archdaily.com/tag/venice-biennale" target="_blank" rel="noopener">Biennale's exhibition</a>.</p>]]>
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        <![CDATA[Serpentine Reveals New Details of Marina Tabassum's "A Capsule in Time" 2025 Pavilion]]>
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      <link>https://www.archdaily.com/1026244/serpentine-announces-marina-tabassum-as-the-designer-of-the-2025-pavilion</link>
      <pubDate>Wed, 21 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/marina-tabassum">Bangladeshi architect and educator Marina Tabassum</a> and her firm, <a href="https://www.archdaily.com/office/marina-tabassum-architects">Marina Tabassum Architects</a>, have been selected to design the 2025 <a href="https://www.archdaily.com/tag/serpentine-pavilion">Serpentine</a> <a href="/tag/pavilion">Pavilion</a>. Titled "A Capsule in Time," the proposal takes inspiration from the ephemeral nature of architecture in the Bengal Delta, incorporating a semi-transparent structure intended to evoke a sense of community and connection. The Pavilion will open to the public on June 6th, until 26 October 2025, with a press preview two days before the opening. Tabassum's pavilion will mark the 25th year since the Serpentine's first commission of <a href="https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years">Zaha Hadid's inaugural structure in Hyde Park in 2000</a>. </p>]]>
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        <![CDATA[Pavilions in Urban Spaces: On the Experimentation, Recycling, and Reuse of Materials]]>
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      <link>https://www.archdaily.com/1021424/pavilions-in-urban-spaces-on-the-experimentation-recycling-and-reuse-of-materials</link>
      <pubDate>Thu, 15 May 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>How do <a href="https://www.archdaily.com/search/projects/categories/pavilion" target="_blank" rel="noopener">pavilions</a> emerge in architecture? What role do they play in urban spaces? Beyond the multiple interpretations that exist around the world, the pavilion, as an architectural principle and typology, tends toward extroversion, often associated with a centrifugal nature and visual openness toward the horizon, which is linked to its origins as a tent offering shelter from the elements. <a href="/tag/pavilions">Pavilions</a> are usually identified as isolated and independent structures that can promote lateral openings in the <a href="/tag/urban-space">urban space</a>, panoramic or introspective views, technological reflections, and <a href="https://www.archdaily.com/1007973/sustainability-and-innovation-in-ephemeral-architecture-15-wooden-pavilions" target="_blank" rel="noopener">material experiments</a> that are recognizable from the outside or once inside.</p>]]>
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        <![CDATA[An Interconnected Mushroom Grove and a Shelter from the Desert Sun: 8 Installations at Burning Man 2024]]>
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      <link>https://www.archdaily.com/1021223/an-interconnected-mushroom-grove-and-a-shelter-from-the-desert-sun-8-installations-at-burning-man-2024</link>
      <pubDate>Mon, 16 Sep 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Known for its unconventional art installations and striking desert setting,<a href="https://www.archdaily.com/1020690/first-look-at-burning-man-2023-exploring-curiouser-and-curiouser-art-installations?ad_campaign=normal-tag" target="_blank" rel="noopener"> the Burning Man festival has concluded this year </a>with an array of temporary installations spread across the <a href="/tag/black-rock">Black Rock</a> <a href="/tag/desert">Desert</a> in <a href="/tag/nevada">Nevada</a>. The festival's 2024 theme, "Curiouser &amp; Curiouser," inspired by Lewis Carroll's <em>Alice in Wonderland</em>, encouraged participants to embrace wonder and whimsy.</p>]]>
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        <![CDATA[First Look at Burning Man 2024: Exploring Curiouser & Curiouser Art Installations]]>
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      <link>https://www.archdaily.com/1020690/first-look-at-burning-man-2023-exploring-curiouser-and-curiouser-art-installations</link>
      <pubDate>Fri, 30 Aug 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Every August, the Black Rock <a href="/tag/desert">Desert</a> in <a href="/tag/nevada">Nevada</a> transforms into a vibrant city for <a href="https://www.archdaily.com/tag/burning-man">Burning Man</a>, a week-long <a href="/tag/festival">festival</a> that culminates in the ceremonial burning of a large wooden effigy. Established in 1986, the festival is renowned for its <a href="https://www.archdaily.com/1011026/2023-music-festival-installations-at-the-intersection-of-art-technology-and-architecture?ad_campaign=normal-tag">unconventional art installations</a> and striking desert setting. While varied in their expression, the installations follow a central theme of the year. For this edition, the title “<a href="https://journal.burningman.org/2023/10/philosophical-center/the-theme/2024-curiouser-curiouser/?_gl=1%2Atz1uw3%2A_ga%2AMTM5MTcxMjUwNy4xNzI0Mzk3NDg3%2A_ga_FWW1ZLL84X%2AMTcyNTAwNDU5OC41LjEuMTcyNTAwNTEzMS4wLjAuMA..%2A_ga_411YJ8ZFDE%2AMTcyNTAwNDU5OC41LjEuMTcyNTAwNTEzMS4wLjAuMA..%2A_ga_4334FXWCMM%2AMTcyNTAwNDU5OC41LjEuMTcyNTAwNTEzMS4wLjAuMA..&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Curiouser &amp; Curiouser</a>” takes inspiration from the Mad Hatter from Lewis Carroll’s Alice in Wonderland, prompting participants to engage with wonder and embrace the whimsical and mysterious. This year’s <a href="https://www.archdaily.com/1013376/burning-man-reveals-the-2024-temple-designed-with-neo-gothic-and-khaizaran-influences?ad_campaign=normal-tag">central temple installation is designed by Caroline Ghosn</a> to represent togetherness and mutual respect. Following a Burning Man Tradition, the temple design is selected following an international competition.</p>]]>
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        <![CDATA[Ephemeral Architectures: Engaging Communities through Temporary Structures]]>
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      <link>https://www.archdaily.com/1019356/ephemeral-architectures-engaging-communities-through-temporary-structures</link>
      <pubDate>Fri, 16 Aug 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ephemeral-architecture">Ephemeral architectures</a>, characterized by their temporary and flexible nature, have emerged as powerful tools for revitalizing urban spaces and fostering architectural creativity. These transient installations <a href="https://www.archdaily.com/993876/community-and-identity-central-topics-in-ephemeral-architecture-in-2022">transform public areas, engaging communities, and prompting reflections on the potential futures of our cities.</a> By temporarily <a href="https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environments?ad_campaign=normal-tag">transforming environments</a>, ephemeral architectures encourage both architects and the public to reimagine the possibilities of urban living. This dynamic interplay, between the temporary and the permanent, challenges traditional architectural practices and opens up new avenues for sustainable and inclusive urban development.</p>]]>
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        <![CDATA[TAC! Urban Architecture Festival 2024: Discover the Pavilion by Óscar Cruz García and Pablo Paradinas Sastre in Vigo, Spain]]>
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      <link>https://www.archdaily.com/1018404/tac-urban-architecture-festival-2024-discover-the-pavilion-by-scar-cruz-garcia-and-pablo-paradinas-sastre-in-vigo-spain</link>
      <pubDate>Tue, 09 Jul 2024 04:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Until July 14, 2024, the pavilion ¡Qué faena(r)! ('What a Task!') by Óscar Cruz García and Pablo Paradinas Sastre will be installed at Puerta del Sol in <a href="/tag/vigo">Vigo</a>, one of the two winning temporary pavilions of the third edition of TAC! Urban <a href="/tag/architecture">Architecture</a> Festival. Reflecting on <a href="https://www.archdaily.com/tag/public-spaces" target="_blank" rel="noopener">public spaces</a> and the regeneration of urban centers as the main theme of this new edition, the proposal combines <a href="https://www.archdaily.com/tag/tradition" target="_blank" rel="noopener">tradition</a> and <a href="https://www.archdaily.com/tag/innovation" target="_blank" rel="noopener">innovation</a>, involving local producers and artisans during the process and simultaneously reusing <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> considered waste, such as fishing nets, rusty 'bombos,' recovered wood from bateas, and granite blocks that gain a second life after fulfilling their mission in the sea.</p>]]>
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        <![CDATA[Temporary Architecture in India: Marketplaces and Bazaars]]>
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      <link>https://www.archdaily.com/1014809/temporary-architecture-in-india-marketplaces-and-bazaars</link>
      <pubDate>Mon, 25 Mar 2024 05:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>India's urbanscapes are characterized by a negotiation between the formal and the informal; permanence and impermanence. Structured amidst the concrete high-rises and planned neighborhoods, makeshift markets and bazaars form the core of city life. <a class="editor-rtfLink" href="https://www.archdaily.com/1001999/the-paradox-of-sustainable-architecture-durability-and-transience" target="_blank" rel="noopener">Often composed of sustainable structures</a>, these transient commercial hubs exhibit a form of rudimentary architecture that spreads its roots deep in India's cultural and economic traditions.</p>]]>
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        <![CDATA[The Paradox of Sustainable Architecture: Durability and Transience]]>
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      <link>https://www.archdaily.com/1001999/the-paradox-of-sustainable-architecture-durability-and-transience</link>
      <pubDate>Mon, 01 Jan 2024 08:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1001999/the-paradox-of-sustainable-architecture-durability-and-transience</guid>
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        <![CDATA[<p>To convey the might and prestige of their empire, the Romans constructed <a class="editor-rtfLink" href="https://www.ancient-origins.net/ancient-places-europe/roman-architecture-0011303?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">enduring architecture as symbols of their long-lasting reign</a>. Emperors employed grand public works as assertions of their status and reputation. Conversely, Japanese architecture has long embraced ideas of change and renewal, evident in the <a class="editor-rtfLink" href="https://www.japanfs.org/en/news/archives/news_id034293.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">ritualistic rebuilding of Shinto shrines</a>. A practice, known as <em>shikinen sengu</em>, is observed at Ise Jingu, where the shrine is purposefully dismantled and reconstructed every twenty years. Across the world, philosophies around permanence and impermanence pervaded architectural traditions. Amidst the climate crisis, how do these tenets apply to modern architectural design?</p>]]>
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        <![CDATA[Jim Denevan's Monumental Land Art Debutes in Abu Dhabi]]>
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      <link>https://www.archdaily.com/1010340/jim-denevans-monumental-land-art-debutes-in-abu-dhabi</link>
      <pubDate>Wed, 29 Nov 2023 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>“Self Similar,” a sprawling and immersive land artwork created by Jim Denevan has just debuted in <a href="https://www.archdaily.com/city/abu-dhabi" target="_blank" rel="noopener">Abu Dhabi,</a> <a href="/tag/uae">UAE</a> as part of a more extensive city-wide exhibition. Curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, along with Alia Zaal Lootah, this city-wide <a href="https://www.archdaily.com/tag/exhibitions" target="_blank" rel="noopener">exhibition</a> showcases 35 distinct <a href="https://www.archdaily.com/tag/site-specific" target="_blank" rel="noopener">site-specific artworks </a>by both local and international artists. Scheduled to run until January 30, 2024, the exhibit is a diverse collection aiming to engage audiences.</p>]]>
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        <![CDATA[Sustainability and Innovation in Ephemeral Architecture: 15 Wooden Pavilions]]>
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      <link>https://www.archdaily.com/1007973/sustainability-and-innovation-in-ephemeral-architecture-15-wooden-pavilions</link>
      <pubDate>Fri, 20 Oct 2023 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
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        <![CDATA[<p>Throughout the modern era, <a href="https://www.archdaily.com/search/projects/categories/pavilion">pavilion architecture</a> has consistently reflected cutting-edge architectural trends. These temporary or semi-permanent structures, often featured in exhibitions, fairs, cultural events, and sports gatherings, provide a platform for exploring new materials and design concepts. Pavilion designs are intended for easy assembly and disassembly and are typically used for short durations, making it crucial to consider reducing environmental impact without sacrificing aesthetics and innovation. In this endeavor, wood emerges as a key ally.</p>]]>
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