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    <title>Tag: early-works | ArchDaily</title>
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        <![CDATA[Zaha Hadid on Russian Artist Kazimir Malevich]]>
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      <link>https://www.archdaily.com/530641/zaha-hadid-on-russian-artist-kazimir-malevich</link>
      <pubDate>Thu, 24 Jul 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>In an <a href="https://www.royalacademy.org.uk/article/258?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">article for London's <em>Royal Academy of Arts</em> Magazine</a> entitled <em>Plane Sailing</em>, <a href="http://www.archdaily.com/tag/zaha-hadid/">Zaha Hadid</a> discusses the influence of Russian Suprematist painter <a href="http://en.wikipedia.org/wiki/Kazimir_Malevich?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kazimir Malevich</a> on her own design work. In Hadid's early work, such as <em>The Peak Blue Slabs</em> (1982/83), the visual connections to Malevich's strict, regular shapes and lines are evident.</p>]]>
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