<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: drawing | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Architecture in Japanese Manga: Exploring the World of Jujutsu Kaisen]]>
      </title>
      <link>https://www.archdaily.com/984575/architecture-in-japanese-manga-exploring-the-world-of-jujutsu-kaisen</link>
      <pubDate>Mon, 04 Jul 2022 04:00:00 +0000</pubDate>
      <dc:creator>Jullia Joson</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/984575/architecture-in-japanese-manga-exploring-the-world-of-jujutsu-kaisen</guid>
      <description>
        <![CDATA[<p>Manga is an umbrella term for a wide variety of comic books and graphic novels originally produced and published in <a href="/tag/japan">Japan</a>, and unlike western comic books that we may be more familiar with seeing printed in full color, are primarily published in black and white. <a href="https://www.nypl.org/blog/2018/12/27/beginners-guide-manga?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Manga</a> is the Japanese word for comics published in Japan, with the word itself comprising of two <a href="https://www.japan-guide.com/e/e2046.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">kanji</a> characters: man (漫) meaning 'whimsical' and ga (画) meaning 'pictures'.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62bf/0cef/3e4b/3194/9a00/0006/newsletter/Shibuya_Tower.jpg?1656687851"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Between Commercial and Real: Reflections on Architectural Representation]]>
      </title>
      <link>https://www.archdaily.com/980642/between-commercial-and-real-reflections-on-architectural-representation</link>
      <pubDate>Wed, 27 Apr 2022 05:00:00 +0000</pubDate>
      <dc:creator>Giovana Martino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/980642/between-commercial-and-real-reflections-on-architectural-representation</guid>
      <description>
        <![CDATA[<p dir="ltr">Architecture uses drawings as a form of communication. Whether to represent ideas, communicate spaces and their ambiences or even technically understand constructive issues, there are many types of drawings and tools used to make them. It is up to the architects to find, within their knowledge, preferences and goals, the best way to communicate. If, on the one hand, the work drawings are more technical, rigid and standardized, so that they can be used for constructive execution, those used to understand the project by the client are usually freer and have greater visual appeal. It is within this aesthetic freedom that we question: how far can we go with these representations without confusing people?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/625e/bbd0/cbb4/8201/6651/c168/newsletter/kiyoaki-takeda-architects.jpg?1650375639"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[An Urban Cube House in Hungary and a Port of Culture in Ukraine: 10 Unbuilt Projects Submitted to ArchDaily]]>
      </title>
      <link>https://www.archdaily.com/979708/an-urban-cube-house-in-hungary-and-a-port-of-culture-in-ukraine-10-unbuilt-projects-submitted-to-archdaily</link>
      <pubDate>Wed, 06 Apr 2022 04:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/979708/an-urban-cube-house-in-hungary-and-a-port-of-culture-in-ukraine-10-unbuilt-projects-submitted-to-archdaily</guid>
      <description>
        <![CDATA[<p>Along with several other imperative factors, the success of an architectural project relies heavily on how it is communicated to its users and builders. Most architects opt for realistic computer generated renders to showcase their projects, while others choose to explore different techniques, translating their architectural narratives through photo collages, sketches, animation, hyper-realistic miniature models, walkthroughs, diagrams, and occasionally, script. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/624c/5f92/3e4b/31f0/f700/0063/newsletter/Courtesy_of_Charette__By__Lau_Yee_Mu__Ang_Hui_Yi__Melissa_Ho_Er_Shwen___Chia_Hui_Yen_-_First_Prize_3.jpg?1649172354"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook ]]>
      </title>
      <link>https://www.archdaily.com/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook</link>
      <pubDate>Sat, 05 Feb 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook</guid>
      <description>
        <![CDATA[<p><em>‘’The delight I get out of doing buildings is to say: Screw you, it can be built’’ </em>says Architect <a href="https://www.archdaily.com/office/sir-peter-cook?ad_source=search&amp;ad_medium=search_result_professionals">Peter Cook</a> in conversation with <a href="https://www.archdaily.com/tag/louisiana-channel">Louisiana Channel</a>, where he discusses his determination to <a href="https://www.archdaily.com/802591/peter-cook-on-how-drawing-enables-architects-to-learn-communicate-and-experiment?ad_source=search&amp;ad_medium=search_result_articles">communicate ideas through vivid Architectural drawings</a> and the skepticism he has faced in regards to his ambitious design proposals and their outlandish appearance.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61fd/1119/3e4b/31fb/f900/0022/newsletter/screenshot_play.jpg?1643974931"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Drawing from an Architect’s Perspective:  Interview with Ken Shuttleworth to Mark 5 years of The Architecture Drawing Prize]]>
      </title>
      <link>https://www.archdaily.com/968184/drawing-from-an-architects-perspective-interview-with-ken-shuttleworth-to-mark-5-years-of-the-architecture-drawing-prize</link>
      <pubDate>Fri, 10 Sep 2021 03:30:00 +0000</pubDate>
      <dc:creator>Jonathan Glancey</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/968184/drawing-from-an-architects-perspective-interview-with-ken-shuttleworth-to-mark-5-years-of-the-architecture-drawing-prize</guid>
      <description>
        <![CDATA[<p><em>This short essay, written by the author and critic <a href="/tag/jonathan-glancey">Jonathan Glancey</a>, coincides with the launch of the inaugural </em><a href="https://thedrawingprize.worldarchitecturefestival.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architecture Drawing Prize</a><em> – a <a href="/tag/competition">competition</a> curated by the <a href="https://www.worldarchitecturefestival.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">World Architecture Festival</a>, the <a href="http://www.soane.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sir John Soane's Museum</a>, and <a href="http://www.makearchitects.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Make</a>. The deadline for the award is the 17th of September 2021.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6139/eefb/f91c/8128/9600/0020/newsletter/SZ112_01.jpg?1631186674"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Many Architects Think as They Draw. I Don’t Do That”: In Conversation With Mikkel Frost ]]>
      </title>
      <link>https://www.archdaily.com/962949/many-architects-think-as-they-draw-i-dont-do-that-in-conversation-with-mikkel-frost</link>
      <pubDate>Sat, 03 Jul 2021 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/962949/many-architects-think-as-they-draw-i-dont-do-that-in-conversation-with-mikkel-frost</guid>
      <description>
        <![CDATA[<p>Talking to the <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank">Louisiana Channel</a>, Danish architect <a href="/tag/mikkel-frost">Mikkel Frost</a>, talks about how he visualises his ideas and represents his architectural concepts - through the mediums of pen, ink and watercolours. Frost views his use of drawing as different from other architects, who "think as they draw". Frost, on the other hand, "prints" the image he already has in his mind, saying "I'm many steps ahead of what I draw, basically printing the whiteboard in my mind." </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/60de/e432/f91c/8157/ac00/000a/newsletter/Feauture_Image_Screenshot.jpg?1625220135"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Morpholio Launches Smart Hatch, Propelling the Trace App into a New Era of Digital Hand Drawing]]>
      </title>
      <link>https://www.archdaily.com/957487/morpholio-launches-smart-hatch-propelling-the-trace-app-into-a-new-era-of-digital-hand-drawing</link>
      <pubDate>Wed, 24 Feb 2021 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/957487/morpholio-launches-smart-hatch-propelling-the-trace-app-into-a-new-era-of-digital-hand-drawing</guid>
      <description>
        <![CDATA[<p>Morpholio has just released “<a href="https://www.youtube.com/watch?feature=youtu.be&amp;utm_medium=website&amp;utm_source=archdaily.com&amp;v=P3qP1ybQTlU" target="_blank">Smart Hatch</a>”, a new addition featured in its <a href="http://www.morpholioapps.com/trace/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Trace app</a>, famous for sketching and drafting, as well as storing and organizing ideas by layers. Making drawing details, elevations, plans, and sections by hand way easier, Smart Hatch calculates the areas for the user and fills their drawings with the sketch style hatch they desire.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6034/ce11/f91c/81ca/6200/0189/newsletter/Final_Smart_Hatch_02b_Tommy_Sutanto_Morpholio_Trace_Best_Apps.jpg?1614073342"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Klaus Jan Philipp Explores the History of Architectural Drawings from the Middle Ages to the Present]]>
      </title>
      <link>https://www.archdaily.com/949340/klaus-jan-philipp-explores-the-history-of-architectural-drawings-from-the-middle-ages-to-the-present</link>
      <pubDate>Sun, 18 Oct 2020 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/949340/klaus-jan-philipp-explores-the-history-of-architectural-drawings-from-the-middle-ages-to-the-present</guid>
      <description>
        <![CDATA[<p>Throughout history, drawing has been the essential medium of conveying architectural ideas, operating on multiple levels, from the practical application of serving the construction process to the more artistic quality of expressing a vision and providing an impression of what the architecture will be like. The book <a href="https://www.degruyter.com/view/title/320045?language=en&amp;result=1&amp;rskey=Dbokrh&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architecture – Drawn, From the Middle Ages to the Present</a>, authored by University of Stuttgart Prof. Dr. Phil. <a href="/tag/klaus-jan-philipp">Klaus Jan Philipp</a>, recounts the historical development of architectural drawings, exploring all the different inventions, revolutions and continuities spanning eight centuries of architectural representation.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5f83/1b93/63c0/17c2/6000/0233/newsletter/Norman_Foster's_Willis_Faber_and_Dumas_Headquarters__interior_perspective__by_Helmut_Jacoby.jpg?1602427755"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Draw in Order to See]]>
      </title>
      <link>https://www.archdaily.com/947822/draw-in-order-to-see</link>
      <pubDate>Tue, 15 Sep 2020 16:30:00 +0000</pubDate>
      <dc:creator>Jonathan Glancey</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/947822/draw-in-order-to-see</guid>
      <description>
        <![CDATA[<p class="p1">Why should any 21<sup>st</sup> Century architect bother to draw by hand? There is, after all, an abundance of readily available digital tools that make pens and pencils seem little more than primeval artefacts. Fondly regarded, perhaps, yet as charmingly irrelevant to contemporary architecture as heavy horses are to today’s farmers or typewriters are to newspaper journalists.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5f61/1660/63c0/179b/5800/0053/newsletter/DrawSee_50.jpg?1600198214"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[HomeTown  by Archisource - Stay-Home International Drawing Challenge!]]>
      </title>
      <link>https://www.archdaily.com/939622/hometown-by-archisource-stay-home-international-drawing-challenge</link>
      <pubDate>Thu, 14 May 2020 11:49:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/939622/hometown-by-archisource-stay-home-international-drawing-challenge</guid>
      <description>
        <![CDATA[<p>&lsquo;Only a room away&rsquo;</p>
<p>HomeTown is a new stay-home international drawing challenge!</p>
<p>A free, open-to-all, collective drawing challenge that aims to create a giant tessellated isometric drawing from creatives around the world!</p>
<p>Draw your insight into staying at home during lockdown and join this international collaboration!</p>
<p>The challenge aims to show how we can remain connected in these unprecedented times and that whilst we&rsquo;re all &lsquo;only a room away&rsquo;, regardless of the country or distance apart, we are united by creativity.</p>
<p>Inspired by MC Escher&rsquo;s incredible isometric drawings we want to collectively build HomeTown, a new virtual city. Using the template provided, we want</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ebd/140d/b357/6510/6b00/01ef/newsletter/open-uri20200514-21855-120yy3.jpg?1589449730"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Trinity Buoy Wharf Drawing Prize]]>
      </title>
      <link>https://www.archdaily.com/939110/trinity-buoy-wharf-drawing-prize</link>
      <pubDate>Thu, 07 May 2020 11:44:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/939110/trinity-buoy-wharf-drawing-prize</guid>
      <description>
        <![CDATA[<p>The Trinity Buoy Wharf Drawing Prize is now launching a milestone edition. <br>2020 will be the 3rd year of support for the Trinity Buoy Wharf Drawing Prize by the Trinity Buoy Wharf Trust and the 25th consecutive annual exhibition since 1994. </p><p>To mark this special year, the call for entries is going international, and is now open for artists from the UK and around the world. Other new addition: the Working Drawing Award, which focuses on the role of working drawings in art, architecture, design, engineering, manufacturing, science and more, will have a dedicated selection panel and its own display</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5eb3/d847/b357/65f8/f900/056f/newsletter/open-uri20200507-18601-qz60ho.jpg?1588844591"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Social Distancing - Housing Block]]>
      </title>
      <link>https://www.archdaily.com/938885/social-distancing-housing-block</link>
      <pubDate>Tue, 05 May 2020 13:06:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/938885/social-distancing-housing-block</guid>
      <description>
        <![CDATA[<p>Our world is changing fast, while ambitions and challenges match in importance. In this context, design can play a huge role. How do we imagine the world to be? What range of possibilities we haven&rsquo;t discovered yet? What&rsquo;s a Non-Architecture for a World in crisis? In 2020 we started the second phase of competitions to address the issues of tomorrow.</p>
<p>In line with our style we propose 9+1 themes &ndash; ten critical topics to work on, but this time they come with a framework to make sure that each theme is explored from different design angles. Rather than a program, a</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5eb1/486b/b357/6566/6000/0425/newsletter/open-uri20200505-22592-lfhd4y.jpg?1588676705"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Healing - Alternative Designs for Quarantine Cities]]>
      </title>
      <link>https://www.archdaily.com/938884/healing-alternative-designs-for-quarantine-cities</link>
      <pubDate>Tue, 05 May 2020 13:03:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/938884/healing-alternative-designs-for-quarantine-cities</guid>
      <description>
        <![CDATA[<p>Our world is changing fast, while ambitions and challenges match in importance. In this context, design can play a huge role. How do we imagine the world to be? What range of possibilities we haven&rsquo;t discovered yet? What&rsquo;s a Non-Architecture for a World in crisis? In 2020 we started the second phase of competitions to address the issues of tomorrow.</p>
<p>In line with our style we propose 9+1 themes &ndash; ten critical topics to work on, but this time they come with a framework to make sure that each theme is explored from different design angles. Rather than a program, a</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5eb1/47f8/b357/6566/6000/0422/newsletter/open-uri20200505-22592-5mg2f.jpg?1588676590"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[PlayHouse Competition - Call for Entries]]>
      </title>
      <link>https://www.archdaily.com/937226/playhouse-competition-call-for-entries</link>
      <pubDate>Wed, 08 Apr 2020 12:50:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/937226/playhouse-competition-call-for-entries</guid>
      <description>
        <![CDATA[<p>Hacking the home to make play part of everyday</p>
<p><br />(a) Competition Overview</p>
<p>Play is an essential part of all our lives, whether child or adult. Be it playing sports, a board game or simply sharing jokes with friends, play is just as important to adults as building a den or playing dress-up is to a child. <br />The Coronavirus outbreak has left many of us having to spend extended periods of time at home in lockdown, restricting the opportunity to socialise and play in ways that we are used to.</p>
<p>How can we use creativity to encourage play at these unique</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e8d/ac6c/b357/6584/b700/0217/newsletter/open-uri20200408-20906-fqtymm.jpg?1586343000"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[International Drawing Competition]]>
      </title>
      <link>https://www.archdaily.com/936578/international-drawing-competition</link>
      <pubDate>Mon, 30 Mar 2020 12:27:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/936578/international-drawing-competition</guid>
      <description>
        <![CDATA[<p>BRIEF:</p>
<p>Archue &ndash; A complete Architecture Platform presents &lsquo;International Drawing Competition&rsquo;.</p>
<p>Our first competition celebrating the talent of architecture and design students and young professionals through a single drawing.</p>
<p>This competition is in no way limited to architecture and we very much welcome those from other arts and design industries.</p>
<p>At Archue we truly believe in the power of a drawing to communicate and represent more than what you see on the surface and are excited to judge an array of innovative and high quality works.</p>
<p>You can submit any drawing be it an axonometric, Isometric, 3D render, Visualisation or Sketch. Drawings can be</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e81/c957/b357/651b/7e00/09e2/newsletter/open-uri20200330-1063-u56fka.jpg?1585563985"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Re-draw.02: Open Call Guggenheim Experimental Architecture Representation]]>
      </title>
      <link>https://www.archdaily.com/936119/re-dra2-open-call-guggenheim-experimental-architecture-representation</link>
      <pubDate>Mon, 23 Mar 2020 10:23:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/936119/re-dra2-open-call-guggenheim-experimental-architecture-representation</guid>
      <description>
        <![CDATA[<p>The aim of the RE-DRAW competition is to develop one drawing to &lsquo;represent&rsquo; an iconic architecture. The participants are asked to draft one image, with absolute freedom of scale, technique and level of abstraction.</p>
<p>We encourage creativity, criticality and innovation. The drawing can highlight functional aspects of the building, showing a deep understanding of one or more design aspects. It can focus on the aesthetic qualities, experimenting and mastering a drawing technique with hyper-realistic outcomes, or it can be an optical deformation, a caricatural interpretation, a distant abstraction of the built architecture.</p>
<p>The drawing can strengthen a conventional interpretation of architecture,</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e78/9bf6/b357/6549/2a00/07b4/newsletter/open-uri20200323-26918-9j4vq2.jpg?1584962541"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Black and White Show]]>
      </title>
      <link>https://www.archdaily.com/933891/black-and-white-show</link>
      <pubDate>Mon, 17 Feb 2020 12:49:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/933891/black-and-white-show</guid>
      <description>
        <![CDATA[<p>Grey Cube Gallery proudly presents the first Black &amp; White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award &amp; Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e4a/7d99/6ee6/7e12/bb00/02af/newsletter/open-uri20200217-18205-15rfnli.jpg?1581940113"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[International Art Competition Landscapes]]>
      </title>
      <link>https://www.archdaily.com/931514/international-art-competition-landscapes</link>
      <pubDate>Wed, 08 Jan 2020 14:43:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/931514/international-art-competition-landscapes</guid>
      <description>
        <![CDATA[<p>Contemporary Art Room Gallery is proud to announce their 1st &ldquo;Landscapes&rdquo; Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e15/dc45/3312/fd49/1700/0212/newsletter/open-uri20200108-18735-k475yu.jpg?1578490944"></enclosure>
    </item>
  </channel>
</rss>
