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    <title>Tag: digital-architecture | ArchDaily</title>
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        <![CDATA[How AI Is Transforming the Architectural Visualization Workflow]]>
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      <link>https://www.archdaily.com/1041348/how-ai-is-transforming-the-architectural-visualization-workflow</link>
      <pubDate>Wed, 13 May 2026 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Architectural visualization has long played a key role in communicating and shaping design ideas. Today, that role is expanding. With the rise of artificial intelligence, visualization is becoming more deeply embedded throughout the <a href="https://www.google.com/url?q=https%3A%2F%2Fblog.chaos.com%2Fnew-archviz-workflow%3Futm_source%3Darchdaily%26utm_medium%3Dpaid_media%26utm_campaign%3DAI&amp;sa=D&amp;source=editors&amp;usg=AOvVaw2mRvgjFARZYvQidx4oq0VO&amp;ust=1778171493528209&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">entire design workflow</a>, supporting faster iteration and more informed decision making.</p>]]>
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        <![CDATA[From Data to Digital Twins: Japan’s PLATEAU Project Offers Open-Access Models of More Than 250 Cities]]>
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      <link>https://www.archdaily.com/1040412/from-data-to-digital-twins-japans-plateau-project-offers-open-access-models-of-more-than-250-cities</link>
      <pubDate>Wed, 08 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>"Map the New World" is the motto of <a href="https://www.mlit.go.jp/plateau/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Project PLATEAU</a>, led by Japan's Ministry of Land, Infrastructure, Transport and Tourism (MLIT), to develop and expand access to 3D models representing the diversity of cities across the country. <a href="https://worldpopulationreview.com/cities/japan?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Japan comprises a total of 744 cities</a>, including 14 with populations exceeding one million, 190 with between 100,000 and one million inhabitants, and 540 with populations between 10,000 and 100,000. To date, 3D models of more than 250 cities have been made available as open data through the country's public G-Spatial Information Center, and can also be accessed via an online browser viewer. According to public authorities, the project aims to strengthen urban resilience by providing society with new tools to address local challenges. This involves not only urban space modeling but also collaboration with local governments, private companies, and technology communities. The project also includes a digital reconstruction of the <a href="https://www.archdaily.com/1034995/expo-osaka-2025-concludes-after-six-months-of-discussions-on-saving-empowering-and-connecting-lives?ad_campaign=special-tag" target="_blank" rel="noopener">recently closed Osaka World Expo site</a>.</p>]]>
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        <![CDATA[From Deconstructivism to Barrier-Breaking Achievements: Zaha Hadid’s Legacy 10 Years After Her Passing]]>
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      <link>https://www.archdaily.com/1040206/from-deconstructivism-to-barrier-breaking-achievements-zaha-hadids-legacy-10-years-after-her-passing</link>
      <pubDate>Wed, 01 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Between June 23 and August 30, 1988, <a href="https://www.archdaily.com/868063/ad-classics-1988-deconstructivist-exhibition-johnson-wigley-new-york-museum-of-modern-art-moma" target="_blank" rel="noopener">The Museum of Modern Art (MoMA) in New York held an exhibition titled <em>Deconstructivist Architecture</em></a>, as part of a program "conceived to examine current developments in architecture." Curated by <a href="https://www.archdaily.com/office/philip-johnson" target="_blank" rel="noopener">Philip Johnson</a> and <a href="https://www.archdaily.com/tag/mark-wigley" target="_blank" rel="noopener">Mark Wigley</a>, <a href="https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/6526/releases/MOMA_1988_0029_29.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">it focused on the contemporary work of seven international architects</a>: Coop Himmelblau, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and a young Zaha M. Hadid. At 37 years old, her work was presented to the world as an example of "the emergence of a new sensibility in architecture." The material on display was not a model or a blueprint, but <a href="https://www.archdaily.com/798362/the-creative-process-of-zaha-hadid-as-revealed-through-her-paintings" target="_blank" rel="noopener">a painting, The Peak</a>, submitted for an architectural competition in Hong Kong in 1983. From this starting point, her contribution to architecture deepened along the same lines recognized at the time of her inclusion in the exhibition: the development of a distinctive, mathematical, and, in her own words, "fluid" architectural language, and her emergence as a leading female figure in a field historically dominated by men.</p>]]>
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        <![CDATA[Designing for Obsolescence in an Age of Perpetual Upgrades]]>
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      <link>https://www.archdaily.com/1039883/designing-for-obsolescence-in-an-age-of-perpetual-upgrades</link>
      <pubDate>Tue, 24 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>In the nineteenth century, entire railway networks became obsolete almost overnight, not due to physical deterioration, but because of changes in the technical standards that supported them. The expansion of railroads across Europe and North America adopted different track gauges (the transverse distance between rails), and as a dominant standard gradually emerged, these infrastructures became incompatible with one another. This required large-scale adaptations, conversions, or even complete reconstruction, in what became known as the "<a href="https://en.wikipedia.org/wiki/British_Gauge_War?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Gauge War</a>."</p>]]>
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        <![CDATA[Rethinking Architecture at the Scale of Planetary Systems]]>
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      <link>https://www.archdaily.com/1039255/rethinking-architecture-at-the-scale-of-planetary-systems</link>
      <pubDate>Tue, 17 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Architecture has traditionally been described as a discipline concerned with space, form, and material presence. Yet this understanding becomes increasingly limited when confronted with the conditions that shape contemporary construction. Buildings no longer emerge from a stable relationship between site, program, and material. Instead, they are produced within a dense web of <a href="https://www.archdaily.com/tag/technology">technological systems</a> that operate across territorial, ecological, and temporal scales. Energy networks, <a href="https://www.archdaily.com/tag/data-center">data infrastructures</a>, <a href="https://www.archdaily.com/1034406/beyond-manufactured-landscapes-quarries-as-sites-for-interdisciplinary-collaboration">extraction processes</a>, and <a href="https://www.archdaily.com/tag/logistics">global logistics</a> shape architecture as decisively as climate or urban context.</p>]]>
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        <![CDATA[Error 404: Architectural Memory in the Age of Algorithms]]>
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      <link>https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</link>
      <pubDate>Sat, 07 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</guid>
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        <![CDATA[<p>Before the digital turn, architecture's memory was largely tangible. It lived in the weight of drawings, the patina of models, and the thickness of books. To preserve architecture meant to preserve its traces, the documents, sketches, and photographs through which buildings could be remembered long after their material form had changed or disappeared. The <a href="https://www.archdaily.com/tag/modern-architecture">modern architectural archive</a>, as it developed in the 20th century, was both a refuge and a device of legitimacy. Institutions such as the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture">Canadian Centre for Architecture</a>, <a href="https://www.archdaily.com.br/br/tag/casa-da-arquitectura">Casa da Arquitectura</a>, or the <a href="https://www.archdaily.com/tag/deutsches-architekturmuseum">Deutsches Architekturmuseum</a> were built upon the conviction that to preserve architecture was to preserve its documents.</p>]]>
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        <![CDATA[Architecture as a Platform: What Makes a Building Evolve?]]>
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      <link>https://www.archdaily.com/1038868/architecture-as-a-platform-what-makes-a-building-evolve</link>
      <pubDate>Tue, 03 Mar 2026 09:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>Not long ago, recent enough to feel current, architecture entered a moment in which <a href="https://www.archdaily.com/1016212/architecture-as-a-product-what-makes-a-building-worth-repeating" target="_blank" rel="noopener">buildings became legible as products</a>. The framing offered discipline and a refreshed perspective to an industry that often deems novelty more precious than operational clarity. Nudging exercises of "form" towards repeatability, user experience, performance, and scalability prepared buildings to be a "product" that could now be evaluated. <a href="/tag/architecture">Architecture</a> is more answerable to how well it works, how clearly it communicates its use, and how consistently it delivers its intended experience.</p>]]>
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        <![CDATA[The Machine in the Age of Collective Practice]]>
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      <link>https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice</link>
      <pubDate>Wed, 25 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice</guid>
      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion"><em>Opinion</em></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[Architectural Authorship in the Age of the Collective Practices]]>
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      <link>https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices</link>
      <pubDate>Wed, 17 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices</guid>
      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[How Will BIM 2.0, AI Assistance, and Integrated Workflows Shape the Architect’s Design Experience?]]>
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      <link>https://www.archdaily.com/1035178/how-will-bim-ai-assistance-and-integrated-workflows-shape-the-architects-design-experience</link>
      <pubDate>Fri, 24 Oct 2025 02:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>When architects are still students, a moment often marks a turning point: their first encounter with software. It's not just about learning a tool but discovering a space where ideas transcend physical models, taking shape in a digital environment and beginning a relationship many will carry throughout their careers. What happens next? <a href="https://www.archdaily.com/tag/software">Software keeps evolving</a>, and with it, the design experience. In recent years, this evolution has accelerated—<a href="https://www.archdaily.com/1034327/the-plan-and-the-prompt-how-ai-is-rewiring-design-and-practice?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">machine learning, AI, prompts</a>, and integrated workflows have moved from the periphery to the core of design practice, becoming part of the shared language between software and users. As these tools take hold, a key question emerges: How will this reshape our experience of <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">designing architecture in the future?</a></p>]]>
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        <![CDATA[Immersive Spaces: When Architecture Turns Into Experience]]>
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      <link>https://www.archdaily.com/1034856/immersive-spaces-when-architecture-turns-into-experience</link>
      <pubDate>Mon, 20 Oct 2025 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034856/immersive-spaces-when-architecture-turns-into-experience</guid>
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        <![CDATA[<p>In the <a href="https://www.musee-orangerie.fr/en/node/197502?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Water Lilies rooms at the Musée de l'Orangerie in Paris, Claude Monet</a> conceived a 360-degree gallery where visitors are enveloped by continuous landscapes, dissolving the boundaries between painting and environment. There, he sought not merely to represent nature through his distinctive style, but to construct an atmosphere, a perceptual state that the visitor literally inhabits. Architecture, traditionally associated with materiality and permanence, thus gains a new dimension of time, movement, and sensory experience.</p>]]>
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        <![CDATA[From Martian Hydrospheres to Forest-Like Cities: 6 Radical Urban Visions Unveiled at the Venice 2025 Architecture Biennale]]>
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      <link>https://www.archdaily.com/1031792/from-martian-hydrospheres-to-forest-like-cities-6-radical-urban-visions-unveiled-at-the-venice-2025-architecture-biennale</link>
      <pubDate>Fri, 04 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031792/from-martian-hydrospheres-to-forest-like-cities-6-radical-urban-visions-unveiled-at-the-venice-2025-architecture-biennale</guid>
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        <![CDATA[<p data-start="221" data-end="780">Cities today are being reimagined as living, evolving organisms, combining digital intelligence, ecological systems, and new materials to shape radical futures. At <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=3" target="_blank" rel="noopener">Carlo Ratti's "Intelligens. Natural. Artificial. Collective."</a> biennial, over <a href="https://www.archdaily.com/1031098/an-unfolding-crisis-with-a-hopeful-outlook-highlights-from-the-projects-exhibited-at-venice-architecture-biennale-2025?ad_campaign=normal-tag" target="_blank" rel="noopener">750 participants challenge established boundaries</a> between architecture, landscape, and technology. Several conceptual projects <a href="https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale">showcased in the main exhibition</a> challenge conventional boundaries between architecture, <a href="https://www.archdaily.com/category/landscape-architecture">landscape</a>, and technology. From bio-adaptive <a href="https://www.archdaily.com/tag/urban-design">urban</a> systems and <a href="https://www.archdaily.com/tag/mars">Martian</a> water-based settlements to immersive symphonies of satellite data, these works collectively envision new models for cohabitation, <a href="https://www.archdaily.com/tag/resilience">resilience</a>, and planetary awareness.</p>]]>
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        <![CDATA[Beyond the Image: Rethinking Architecture in the Age of AI]]>
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      <link>https://www.archdaily.com/1031415/beyond-the-image-rethinking-architecture-in-the-age-of-ai</link>
      <pubDate>Tue, 24 Jun 2025 08:00:00 +0000</pubDate>
      <dc:creator>ArchDaily</dc:creator>
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        <![CDATA[<p>Artificial intelligence is becoming an undeniable presence in our daily lives. It teaches, generates content, and disrupts the fragile boundaries—both visual and imaginative—that once governed our interactions on social media. On platforms like Instagram, we witness a flood of imagery where every kind of speculative exercise is freely shared, recalibrating our understanding of the relationship between architecture and image. Amid this transformation, entire professions find themselves on uncertain ground, as <a href="/tag/ai">AI</a> begins to challenge areas once defined by human expertise.</p>]]>
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        <![CDATA[Ma Yansong Curates China’s Pavilion at the Venice Architecture Biennale 2025, Exploring Coexistence Through Nature and Technology]]>
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      <link>https://www.archdaily.com/1029950/ma-yansong-curates-chinas-pavilion-at-the-venice-architecture-biennale-2025-exploring-coexistence-through-nature-and-technology</link>
      <pubDate>Tue, 27 May 2025 04:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029950/ma-yansong-curates-chinas-pavilion-at-the-venice-architecture-biennale-2025-exploring-coexistence-through-nature-and-technology</guid>
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        <![CDATA[<p data-start="139" data-end="686">The Pavilion of <a href="https://www.archdaily.com/country/china/page/1">China</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">19th International Architecture Exhibition</a> - La Biennale di Venezia presents the exhibition CO-EXIST, curated by <a href="https://www.archdaily.com/tag/ma-yansong">Ma Yansong, founder of MAD Architects,</a> and organized by the Ministry of Culture and Tourism of the People's <a href="https://www.archdaily.com/country/china/page/1">Republic of China</a> at the <a href="https://www.archdaily.com/tag/arsenale">Arsenale</a>. Through ten works by twelve interdisciplinary groups, the pavilion examines how traditional Chinese philosophical thought can inform architectural responses in the age of advanced technology and artificial intelligence. </p>]]>
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        <![CDATA[ 25 Years Prototyping the Future: Inside IAAC’s Master in Advanced Architecture]]>
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      <link>https://www.archdaily.com/1030292/25-years-prototyping-the-future-inside-iaacs-master-in-advanced-architecture</link>
      <pubDate>Fri, 23 May 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030292/25-years-prototyping-the-future-inside-iaacs-master-in-advanced-architecture</guid>
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        <![CDATA[<p>The <a href="https://iaac.net/masters/master-in-advanced-architecture/%20?utm_campaign=archdaily_web_may_2025&amp;utm_content=maa&amp;utm_medium=archdaily&amp;utm_source=archdaily" target="_blank" rel="noopener">Master in Advanced Architecture</a> at IAAC celebrates its 25th anniversary as one of the most forward-looking programs in architectural education. Founded in 2000 in Barcelona, the program was created as a space for experimentation—where design meets technology, ecology and critical thinking, far from the conventions of traditional architectural training.</p>]]>
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        <![CDATA[Independent Heritage Documentation: How Digital Tools and Photogrammetry Are Reshaping Preservation Efforts]]>
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      <link>https://www.archdaily.com/1026993/independent-heritage-documentation-how-digital-tools-and-photogrammetry-are-reshaping-preservation-efforts</link>
      <pubDate>Wed, 19 Feb 2025 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026993/independent-heritage-documentation-how-digital-tools-and-photogrammetry-are-reshaping-preservation-efforts</guid>
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        <![CDATA[<p>The use of technology has become vital in the documentation and conservation of heritage, especially in difficult or urgent circumstances. After many landmarks of the historic city of <a href="https://www.archdaily.com/786837/this-3d-model-shows-the-damage-caused-by-isis-to-palmyras-temple-of-bel?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">Palmyra </a>were destroyed during Syria's war in 2015, conservators built three-dimensional digital models of the destroyed city to aid its future reconstruction. The destruction of the Buddhas of Bamiyan in Afghanistan in 2001 with very little prior documentation prompted action in the documentation of vulnerable monuments, such as the establishment of <a href="https://www.archdaily.com/798012/cyark-captures-culture-and-preserves-history-in-the-face-of-isis-in-syria?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">CyArk</a>. More recently, detailed digital surveys and a heritage <a href="/tag/bim">BIM</a> model were essential in the <a href="https://www.archdaily.com/1025809/how-did-bim-help-notre-dame-rise-from-the-ashes?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">restoration of Notre-Dame Cathedral</a> in Paris after it was devastated by fire in 2019.</p>]]>
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        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
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      <link>https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
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        <![CDATA[The Continued Relevance of Models in Architecture's Digital Era]]>
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      <link>https://www.archdaily.com/1021794/the-continued-relevance-of-models-in-architectures-digital-era</link>
      <pubDate>Fri, 18 Oct 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021794/the-continued-relevance-of-models-in-architectures-digital-era</guid>
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        <![CDATA[<p>For centuries, <a href="https://www.archdaily.com/tag/models">models</a> have been central to <a href="https://www.archdaily.com/tag/architectural-design">architectural design</a>, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the <a href="https://www.archdaily.com/tag/renaissance">Renaissance</a> to <a href="https://www.archdaily.com/tag/modernism">Modernism</a>, models have been instrumental in the construction and reflection processes, offering insights into form, <a href="https://www.archdaily.com/949316/the-evolution-in-understanding-of-human-scales-in-architecture">proportion</a>, and spatial relationships. However, in today's digital age, where <a href="https://www.archdaily.com/tag/3d-modeling">3D models</a><strong> </strong>and <a href="https://www.archdaily.com/tag/virtual-reality">Virtual Reality</a><strong> </strong>(VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary architecture</a>?</p>]]>
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