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    <title>Tag: design | ArchDaily</title>
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      <title>
        <![CDATA[From Homes to Coffee Shops: Adaptive Reuse Projects Transforming Domestic History]]>
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      <link>https://www.archdaily.com/1042938/from-homes-to-coffee-shops-adaptive-reuse-projects-transforming-domestic-history</link>
      <pubDate>Wed, 08 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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      <description>
        <![CDATA[<p>In the twenty-first century agenda, <a href="https://www.archdaily.com/970632/adaptive-reuse-as-a-strategy-for-sustainable-urban-development-and-regeneration" target="_blank" rel="noopener">adaptive reuse</a> is understood as a creative and meaningful approach to the development of the built environment. In the face of an era marked by adaptation and transformation, the shaping of human experiences aligns with the principle of "reuse, reduce, recycle." From the authenticity of place to the inherent value of materials, working in dialogue with the past makes it possible to envision new futures that engage with the uses, traditions, and beliefs of earlier eras. By considering each building as a collection of tangible and intangible elements that shape its <a href="https://www.archdaily.com/tag/identity" target="_blank" rel="noopener">identity</a>, <a href="https://www.archdaily.com/971532/interventions-in-pre-existing-architecture-adaptive-reuse-projects-by-renowned-architects" target="_blank" rel="noopener">adaptive reuse interventions</a> require a deep understanding not only of construction methods, structural systems, and spatial rhythms, but also of the cultures that built, inhabited, and will one day occupy these places.</p>]]>
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        <![CDATA[Beyond Human: Architecture as a Participant in Living Systems]]>
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      <link>https://www.archdaily.com/1042820/beyond-human-architecture-as-a-participant-in-living-systems</link>
      <pubDate>Tue, 07 Jul 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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      <description>
        <![CDATA[<p>The built environment has historically served humans as a mechanism of <a href="https://www.archdaily.com/1042032/design-as-repair-how-architecture-is-advancing-environmental-justice?ad_source=search&amp;ad_medium=search_result_articles">environmental control.</a> Through our intellectual capacities and ability to organize, we have used buildings to actively influence and terraform the immediate context in which they are inserted, often treating geography, water, and ecosystems as resources to be extracted and managed. However, more and more, architecture is transitioning from exploiting physical and biological matter to <a href="https://www.archdaily.com/1040845/the-courtyard-as-architectures-lightest-cooling-system?ad_source=search&amp;ad_medium=search_result_articles">actively collaborating with it</a>. This shift demands that architects explore how buildings and their materials grow, transform, decay, and <a href="https://www.archdaily.com/798567/spotlight-wang-shu?ad_source=search&amp;ad_medium=search_result_articles">persist beyond human timelines</a>. This thinking also serves as a starting point for the profession to reflect on how it influences the natural world, as well as the <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species">non-human species </a>around it, creating networks and connections between humans, buildings, living organisms, and natural environments.</p>]]>
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        <![CDATA[How ICFF 2026 Converges Design, Culture and Commerce in New York ]]>
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      <link>https://www.archdaily.com/1042426/how-icff-2026-converges-design-culture-and-commerce-in-new-york</link>
      <pubDate>Mon, 22 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Under the theme Common Ground, ICFF 2026 brought together the international design community through a shared focus on craftsmanship and innovation. From May 17–19, 2026, <a href="http://www.icff.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ICFF (International Contemporary Furniture Fair)</a> returned to the Javits Center for a landmark edition that celebrated the global design community during <a href="http://www.nycxdesign.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NYCxDESIGN</a>.</p>]]>
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        <![CDATA[When Function Meets Design: Hygiene, Efficiency and Maintenance in Bathroom Spaces]]>
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      <link>https://www.archdaily.com/1042425/when-function-meets-design-hygiene-efficiency-and-maintenance-in-bathroom-spaces</link>
      <pubDate>Mon, 22 Jun 2026 01:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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      <description>
        <![CDATA[<p>From lighting and materials to colors, textures, and forms, <a href="https://www.archdaily.com/979969/emotional-decor-the-trend-of-spaces-geared-towards-emotion">every design decision shapes how people perceive, experience, and interact with architecture</a>. In contemporary interiors, these choices are no longer understood as merely aesthetic or functional, influencing comfort, behavior, mood, and even the way users evaluate the quality of a space. <a href="https://www.archdaily.com/883594/draw-inspiration-from-these-21st-century-bathroom-designs">Bathroom design</a>, in particular, now creates carefully curated environments with a distinct identity, where every element contributes to the overall spatial experience.</p>]]>
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        <![CDATA[TheatreDNA, 10 Years In, Is Changing How Performing Arts Venues are Planned, Designed & Operated]]>
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      <link>https://www.archdaily.com/1040860/theatredna-10-years-in-is-changing-how-performing-arts-venues-are-planned-designed-and-operated</link>
      <pubDate>Fri, 12 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Over the past decade, the definition of a performing arts venue has shifted. No longer singular-purpose destinations, today's cultural facilities are expected to operate as flexible, revenue-generating, community-centered ecosystems. This evolution has challenged architects, operators, and owners to rethink not just how venues are designed, but how they function over time.</p>]]>
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        <![CDATA[3daysofdesign 2026 Returns to Copenhagen With City-Wide Exhibitions and Events]]>
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      <link>https://www.archdaily.com/1042245/3daysofdesign-2026-returns-to-copenhagen-with-city-wide-exhibitions-and-events</link>
      <pubDate>Mon, 08 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>From June 10-12, 2026, <a href="https://www.archdaily.com/tag/3daysofdesign">3daysofdesign</a> returns to <a href="https://www.archdaily.com/tag/copenhagen/page/1">Copenhagen</a> with a <a href="https://www.3daysofdesign.dk/events?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">city-wide program</a> of exhibitions, installations, talks, and showroom presentations organized around the theme "Make This Moment Matter." Taking place across eight <a href="/tag/design">Design</a> Districts throughout the Danish capital, this year's festival brings together design brands, cultural institutions, studios, and practitioners to explore contemporary questions shaping design and the built environment. As part of the program, <a href="https://www.archdaily.com/tag/cobe/page/1">Cobe</a> and <a href="https://www.archdaily.com/?ad_name=small-logo">ArchDaily</a> will host the public launch of a guest-edited edition of <a href="https://www.archdaily.com/1041502/cobe-notes-x-archdaily-irl-on-thresholds-in-architecture">Cobe Notes, under the theme Thresholds</a>, at the Cobe Bookcafé, <a href="https://www.archdaily.com/1035510/the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability">Nordhavn</a> on June 10.</p>]]>
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        <![CDATA[Material Culture and Heritage in Contemporary Cinema Architecture]]>
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      <link>https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture</link>
      <pubDate>Tue, 26 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="0" data-end="625">Over the years, cinema architecture has continually reinvented itself. From cinematic experiences that engage multiple senses to material technologies that reinterpret the aesthetics of past eras, the concept of the movie theater has enabled the recovery, revitalization, and renewal of numerous obsolete, ruined, or even historically protected spaces. Just as the <a href="https://www.archdaily.com/1033717/from-ruin-to-cultural-hub-the-transformation-of-zanzibars-majestic-cinema" target="_blank" rel="noopener">Majestic Cinema reflects an important community function in Zanzibar, Tanzania</a>, many twentieth-century buildings have found in <a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a> an opportunity to restore and preserve cultures, memories, and traditions that remain meaningful to their communities.</p>]]>
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        <![CDATA[Making a Characterful Entrance: The Architectural Impact of Wooden Bi-Folding Doors]]>
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      <link>https://www.archdaily.com/1041525/making-a-characterful-entrance-the-architectural-impact-of-wooden-bi-folding-doors</link>
      <pubDate>Thu, 21 May 2026 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>Bi-folding doors flood a room with light, offering the spatial flexibility to establish a dialogue with the surroundings.<a href="https://solarlux.com/en/systems/woodline.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> The Woodline series by Solarlux</a> integrates manufacturing quality and technical expertise with architectural freedom, providing transparent facade solutions for versatile, sustainable architecture. The natural surfaces further enhance the building envelope with a distinct tactile quality.</p>]]>
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        <![CDATA[The Soft Control of Space: Design for Decision-Making]]>
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      <link>https://www.archdaily.com/1040960/the-soft-control-of-space-design-for-decision-making</link>
      <pubDate>Mon, 18 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040960/the-soft-control-of-space-design-for-decision-making</guid>
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        <![CDATA[<p>"There is no space without event, <a href="https://www.archdaily.com/548021/bernard-tschumi-on-his-education-work-and-writings">no architecture without action</a>." When <a href="/tag/bernard-tschumi">Bernard Tschumi</a> wrote these words, he was articulating a fundamental principle of the architect's practice. <a href="/tag/architecture">Architecture</a> is about behavior. Every stroke of a pen on a floor plan is a proposition about how occupants will move or what actions become possible.</p>]]>
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        <![CDATA[ParkTEA: An ArchDaily Student Project Awards Winner Reimagining the City for Cognitive Diversity]]>
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      <link>https://www.archdaily.com/1041256/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity</link>
      <pubDate>Tue, 12 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>Public space is often designed around a narrow idea of how people move, interact, and respond to their surroundings. <a href="https://www.archdaily.com/campus/awards/spa-2025/10639226" target="_blank" rel="noopener">ParkTEA</a> starts from a different position. The city can also make room for those who experience space through different sensory and <a href="https://www.archdaily.com/1038300/the-kitchen-as-a-social-space-everyday-rituals-and-the-making-of-place" target="_blank" rel="noopener">social conditions</a>.</p>]]>
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        <![CDATA[Designing a Brand: How Apple Built an Architectural Language of Glass and Order]]>
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      <link>https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order</link>
      <pubDate>Tue, 12 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order</guid>
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        <![CDATA[<p>In 2026, <a href="/tag/apple">Apple</a> marked fifty years since its founding. Over the past two decades, Apple has developed a <a href="https://www.archdaily.com/1019182/a-decade-of-redefining-experience-retail-15-apple-stores-designed-by-foster-plus-partners-in-city-centers" target="_blank" rel="noopener">consistent architectural language that extends its brand into the built environment</a>, transforming stores, workplaces, and public-facing spaces into active components of its identity. These environments guide movement, frame interaction, and condition the ways in which users encounter both products and the company itself.</p>]]>
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        <![CDATA[Beyond the Shell: Félix Candela’s Palacio de los Deportes for the 1968 Mexico Olympics]]>
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      <link>https://www.archdaily.com/1041169/beyond-the-shell-felix-candelas-palacio-de-los-deportes-for-the-1968-mexico-olympics</link>
      <pubDate>Fri, 08 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041169/beyond-the-shell-felix-candelas-palacio-de-los-deportes-for-the-1968-mexico-olympics</guid>
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        <![CDATA[<p>When <a href="https://www.archdaily.com/tag/mexico-city">Mexico City</a> hosted the <a href="https://www.archdaily.com/tag/olympics">Olympics</a> in <a href="/tag/1968">1968</a>, it was the first time the Games had been awarded to a Latin American country as well as the first time for a Spanish-speaking nation to host them. This made the games a good opportunity to <a href="https://www.olympics.com/ioc/news/mexico-1968-the-games-that-broke-the-mould?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">project Mexico and its culture</a> internationally, thus prompting the government to constitute an organizing committee with prominent local talent. They appointed <a href="https://mexiconewsdaily.com/culture/who-was-pedro-ramirez-vazquez-mexicos-genius-modernist/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pedro Ramírez Vázquez</a> as its president, a Mexican architect who held significant influence over the state's mid-century building program. <a href="https://informesdelaconstruccion.revistas.csic.es/index.php/informesdelaconstruccion/article/view/3795/4283?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">His approach</a> was explicit: architecture as a synthesis of international modernist technique with Pre-Columbian references and local material culture. Under his direction, the committee would oversee the construction and adaptation of venues distributed across the southern districts of Mexico City, nearly all designed and built by local architects, engineers, and technicians. </p>]]>
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        <![CDATA[Buildner Launches Unbuilt 2026 and Reveals Unbuilt 2025 Winners]]>
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      <link>https://www.archdaily.com/1040984/buildner-launches-unbuilt-2026-and-reveals-unbuilt-2025-winners</link>
      <pubDate>Thu, 07 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040984/buildner-launches-unbuilt-2026-and-reveals-unbuilt-2025-winners</guid>
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        <![CDATA[<p><a href="https://architecturecompetitions.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Buildner</strong></a><strong> </strong>has launched <a href="https://architecturecompetitions.com/unbuilt2026/archd?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Buildner's Unbuilt Award 2026</strong></a>, the third edition of its annual competition, offering a 100,000 EUR prize fund.</p>]]>
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        <![CDATA[20th Century Design in Flux: ArchDaily’s May Editorial Focus]]>
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      <link>https://www.archdaily.com/1041123/20th-century-design-in-flux-archdailys-may-editorial-focus</link>
      <pubDate>Fri, 01 May 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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      <description>
        <![CDATA[<p>"The story of architecture is not wrong," argued <a href="https://www.labiennale.org/en/architecture/2023/introduction-lesley-lokko?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Lesley Lokko in her introduction</a> to the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023" target="_blank" rel="noopener">Venice Architecture Biennale 2023</a>, "but it is incomplete." For most of the 20th century, architectural history spoke in one tongue: a singular, dominant narrative centered on a handful of movements, names, and cities, whose reach and influence appeared universal precisely because alternative voices were rendered inaudible. <a href="/tag/design">Design</a> movements, however, rarely traveled intact across borders. They were frequently absorbed, resisted, reinterpreted, and transformed depending on geography, politics, economy, climate, and available materials. What arrived in one place as doctrine became, somewhere else, something entirely different.</p>]]>
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        <![CDATA[“We Live in Toxic Interior Environments”: Interview with Healthy Materials Lab]]>
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      <link>https://www.archdaily.com/1040371/we-live-in-toxic-interior-environments-interview-with-healthy-materials-lab</link>
      <pubDate>Wed, 08 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>The well-known phrase "man is what he eats" (<em>Der Mensch ist, was er isst</em>), by Ludwig Feuerbach, asserts that the physical, mental, and even moral constitution of human beings is directly linked to what they consume. Today, this idea is widely internalized, with growing awareness around food, nutrition, and the impact of what we ingest on our bodies. Yet, this same level of awareness doesn't extend to the environments we inhabit, where materials continue to be treated as technical decisions rather than active agents in the relationship between body and space. Considering that a large portion of the global population spends around <a href="https://www.epa.gov/indoor-air-quality-iaq/improving-your-indoor-environment?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">90% of their time indoors</a>, it is rarely discussed what actually composes these spaces at their most fundamental level: <a href="https://www.archdaily.com/1038929/legacy-in-matter-material-traditions-in-south-american-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">materials</a>. Walls, floors, and finishes are often approached as technical or aesthetic choices, when in reality they can function as continuous sources of exposure to potentially harmful substances.</p>]]>
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        <![CDATA[How Contemporary Design Fairs Are Redefining Craft]]>
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      <link>https://www.archdaily.com/1039504/how-contemporary-design-fairs-are-redefining-craft</link>
      <pubDate>Fri, 20 Mar 2026 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>In an age dominated by screens and digital images, the full character of a designed object often remains hidden. Only when encountering an object in person can one sense its texture, notice how it interacts with light, or even perceive its subtle smell. These sensory qualities— so difficult to convey online—reveal why design fairs continue to matter. Increasingly, these fairs have become spaces for experimentation in contemporary design, where ideas about materials, collaboration, and social responsibility are publicly explored. Curated programs, exhibitions, and experimental installations transform these events into environments where designers, manufacturers, and researchers test new possibilities for the built realm.</p>]]>
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        <![CDATA[When Architects Design Time: Tadao Ando and the Meaning of Youth]]>
      </title>
      <link>https://www.archdaily.com/1037010/when-architects-design-time-tadao-ando-and-the-meaning-of-youth</link>
      <pubDate>Mon, 09 Mar 2026 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Tadao Ando has joined forces with <a href="https://www.cauny.com/pages/cauny-x-ando?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Cauny</a> to design the newest watch in <em data-start="70" data-end="94">The Architects of Time</em> <em>Series</em>. This is a collection of watches designed by some of the greatest architects of our time—an initiative that the nearly century-old brand launched in 2019 with none other than Álvaro Siza. From then until today, the collection has proven to be a Pritzker Prize–based tour de force: Siza, Rafael Moneo, Eduardo Souto Moura, and, this year, Tadao Ando.</p>]]>
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        <![CDATA[Smart Booking Systems as a Tool for Acoustic Space Efficiency]]>
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      <link>https://www.archdaily.com/1038867/smart-booking-systems-as-a-tool-for-acoustic-space-efficiency</link>
      <pubDate>Mon, 23 Feb 2026 02:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038867/smart-booking-systems-as-a-tool-for-acoustic-space-efficiency</guid>
      <description>
        <![CDATA[<p>Contemporary workplaces promise collaboration, yet they increasingly struggle to provide spaces for privacy. In an era dominated by <a href="https://www.archdaily.com/884192/why-open-plan-offices-dont-work-and-some-alternatives-that-do" target="_blank" rel="noopener">open-plan layouts</a>, small acoustic spaces like phone booths and focus pods have become essential for maintaining productivity and privacy. However, the paradox of "booking conflicts" alongside "underutilized spaces" has turned these areas into operational challenges. The question, then, is how workplaces can balance <a href="https://www.archdaily.com/tag/eficiency" target="_blank" rel="noopener">efficiency</a>, productivity, and individualized user experiences within increasingly complex environments.</p>]]>
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