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    <title>Tag: decolonization | ArchDaily</title>
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      <title>
        <![CDATA[The First Pan-African Biennale Establishes a Platform for a Decolonized, African-Led Architectural Future]]>
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      <link>https://www.archdaily.com/1039935/the-first-pan-african-biennale-establishes-a-platform-for-a-decolonized-african-led-architectural-future</link>
      <pubDate>Wed, 25 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pan-african-architecture-biennale" target="_blank" rel="noopener">Pan-African Biennale </a>(PAB) is a platform for discussion and exchange on architecture, bringing together, for the first time, all countries in the African continent. To highlight African contributions to the field, it seeks to shift the narrative from one of fragility to one of resilience by raising awareness of the continent's traditions, design, culture, and collective memory. The inaugural one-week event is scheduled to take place in <a href="/tag/nairobi">Nairobi</a>, <a href="/tag/kenya">Kenya</a>, launching on September 7, 2026. As <a href="https://www.archdaily.com/1036441/pan-african-biennale-pre-launch" target="_blank" rel="noopener">the first architecture biennale of its kind on the continent</a> and <a href="https://www.archdaily.com/1036637/the-architecture-agenda-inside-the-key-events-of-2026" target="_blank" rel="noopener">a highly anticipated event</a>, the opening week will feature exhibitions, installations, keynote dialogues, and public events across the city and other satellite locations. <a href="https://www.archdaily.com/1031391/from-fragility-to-resilience-organizing-the-inaugural-pan-african-architecture-biennale" target="_blank" rel="noopener">Curated by Somali-Italian architect Omar Degan</a>, the biennale aims to shift architectural discourse by expanding contributions from studios representing all 54 African nations, exhibiting work rooted in local contexts, materials, and cultural narratives.</p>]]>
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      <title>
        <![CDATA[The Everyday Legacy of Indian Modernism: Building for the Post-Independence Middle Class]]>
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      <link>https://www.archdaily.com/1037432/the-everyday-legacy-of-indian-modernism-building-for-the-post-independence-middle-class</link>
      <pubDate>Fri, 09 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Indian <a href="https://www.archdaily.com/tag/modernism">modernism</a> is often narrated through a narrow lens: a handful of iconic institutions, <a href="https://www.archdaily.com/tag/architects">master architects</a>, and formally radical experiments that came to symbolize the nation's post-Independence aspirations. Yet this version of history overlooks the far larger body of modernist architecture that quietly shaped everyday life across the country. Beyond celebrated <a href="https://www.archdaily.com/tag/campus">campuses</a> and canonical buildings exists a vast, dispersed landscape of <a href="https://www.archdaily.com/tag/housing">housing blocks</a>, <a href="https://www.archdaily.com/tag/offices">offices</a>, <a href="https://www.archdaily.com/tag/hostel">hostels</a>, <a href="https://www.archdaily.com/tag/hospitals">hospitals</a>, <a href="https://www.archdaily.com/tag/market">markets</a>, and townships — structures that were designed to function and endure. </p>]]>
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        <![CDATA[Ancient Wisdom Meets Urban Reality: Vastu’s Role in Contemporary Indian Cities]]>
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      <link>https://www.archdaily.com/1034777/ancient-wisdom-meets-urban-reality-vastus-role-in-contemporary-indian-cities</link>
      <pubDate>Tue, 07 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>India carries an ancient lineage of tradition that has long shaped the very conception and crafting of its cities. Vastu Shastra is one such tradition, more a science than a belief, intimately woven into the principles of architectural design. The practice remains widespread and highly regarded, with <a href="https://www.trigunaprojects.com/the-impact-of-vastu-for-house-plans-on-real-estate-sales-and-purchase-choices?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">93% of homes designed to align with Vastu principles</a>. As <a href="/tag/india">India</a> urbanizes at an unprecedented pace, projected to add 416 million city dwellers by 2050, Vastu Shastra continues to influence billions of real estate decisions amid the trials of modern city living. How might an 8,000-year-old spatial science evolve to guide the design of cities housing millions?</p>]]>
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        <![CDATA[Reclaiming the Narrative: A New Generation of Museums in West Africa]]>
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      <link>https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa</link>
      <pubDate>Sun, 05 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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      <description>
        <![CDATA[<p>As countries in <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a> emerged from <a href="https://www.archdaily.com/tag/colonialism" target="_blank" rel="noopener">colonialism</a> in the mid-twentieth century, many expressed their independent identities through architecture. This process continues several decades later, exemplified by several new <a href="https://www.archdaily.com/tag/museums" target="_blank" rel="noopener">museums</a> in <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>, recently completed or in planning. Although varying in purpose and form, they have some common goals: addressing the need for restitution of many artifacts taken during colonialism and mostly kept in European museums; and defining a museum with local identity as opposed to a non-contextual import.</p>]]>
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        <![CDATA[September Editorial Topic: Architecture Without Limits]]>
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      <link>https://www.archdaily.com/1033664/september-editorial-topic-architecture-without-limits</link>
      <pubDate>Wed, 03 Sep 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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      <description>
        <![CDATA[<p>Architects today work across many worlds: from designing furniture, landscapes, and urban blocks to creating film sets, photographs, and videos. They restore and retrofit old buildings rather than build anew, while also writing, researching, and publishing. Some design virtual spaces for video games or speculate on habitats in outer space and underwater. Others engage directly with society through politics, activism, or community projects. Many experiment with biology, test new materials, and step into the role of scientist. Architects are decolonizing old narratives and decarbonizing the construction industry, and by weaving together personal passions with pressing social and environmental challenges, they are pushing the limits of the profession and expanding its scope.</p>]]>
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        <![CDATA[From Fragility to Resilience: Curating the Inaugural Pan-African Architecture Biennale]]>
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      <link>https://www.archdaily.com/1031391/from-fragility-to-resilience-organizing-the-inaugural-pan-african-architecture-biennale</link>
      <pubDate>Wed, 25 Jun 2025 03:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031391/from-fragility-to-resilience-organizing-the-inaugural-pan-african-architecture-biennale</guid>
      <description>
        <![CDATA[<p>A Pan-African <a href="/tag/biennale">Biennale</a> of <a href="/tag/architecture">Architecture</a> is planned for 2026 in <a href="https://www.archdaily.com/tag/nairobi/page/1" target="_blank" rel="noopener">Nairobi</a>, <a href="/tag/kenya">Kenya</a>. According to the curator, it "represents an unprecedented opportunity to reclaim Africa's architectural narrative, reasserting the continent's role as a global leader in urban resilience, sustainability, and cultural expression."</p>]]>
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        <![CDATA[Improvised Aesthetics: The Appropriation of Grassroots Adaptive Reuse]]>
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      <link>https://www.archdaily.com/1030953/improvised-aesthetics-the-appropriation-of-grassroots-adaptive-reuse</link>
      <pubDate>Mon, 09 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030953/improvised-aesthetics-the-appropriation-of-grassroots-adaptive-reuse</guid>
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        <![CDATA[<p>Adaptive reuse has become a buzzword in the architecture industry. Framed as a sustainable and economical solution to urban decay, the practice has been adopted by cities facing pressures of climate change, real estate constraints, and cultural preservation. Architects are increasingly being hired to <a href="https://www.archdaily.com/1013638/a-layered-architecture-adaptive-reuse-projects-that-reframe-the-past-through-bold-material-contrasts" target="_blank" rel="noopener">rehabilitate the old rather than build anew</a>. Within this discourse is a growing sentiment towards <em>who</em> gets to reuse and <em>how</em>.</p>]]>
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        <![CDATA[Architecture and Coloniality: Brazilian Modernism in Critical Perspective ]]>
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      <link>https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective</link>
      <pubDate>Wed, 05 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">Brazilian modern architecture</a> is often celebrated as a landmark of <a href="https://www.archdaily.com/tag/innovation" target="_blank" rel="noopener">innovation</a> and <a href="https://www.archdaily.com/tag/identity" target="_blank" rel="noopener">national identity</a>, projecting the country onto the international stage with iconic works and a distinctive aesthetic. However, recent research and publications have highlighted <a href="https://www.archdaily.com.br/br/1013647/desvendando-as-narrativas-coloniais-da-arquitetura-modernista-brasileira-em-nova-iorque-the-other-of-the-other" target="_blank" rel="noopener">its deep entanglement with colonial narratives</a>, both in its influences and its social impact. Although <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernism</a> emerged as an attempt to break away from European academic traditions, it remained dependent on foreign references and <a href="https://www.archdaily.com.br/br/962012/modernidade-e-colonialismo-entrevista-com-paulo-tavares-sobre-a-revista-des-habitat" target="_blank" rel="noopener">incorporated strategies of domination</a> that echoed colonial logic.</p>]]>
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        <![CDATA[From Colonization to Le Corbusier: Was Modernism in India an Imposition or an Invitation?]]>
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      <link>https://www.archdaily.com/1026202/from-colonization-to-le-corbusier-was-modernism-in-india-an-imposition-or-an-invitation</link>
      <pubDate>Mon, 27 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>When <a href="/tag/india">India</a> gained independence in 1947, the nation faced a decision that would determine the course of its architectural future: brick or concrete. A seemingly mundane choice of material was rooted in a deeper philosophical divide between two potential outcomes for post-colonial India's built environment. Pioneering figures in India's struggle for independence held opposing views - Mahatma Gandhi advocated for traditional craftsmanship while Jawaharlal Nehru embraced modernism. The architecture one sees in the subcontinent today <a href="https://www.archdaily.com/1000294/what-makes-residential-architecture-indian" target="_blank" rel="noopener">is a mosaic of both</a>, begging the question: was modernism in India a foreign imposition or a celebrated import?</p>]]>
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        <![CDATA[Architecture in South Asia: Transitions in Patronage, Practitioners, and Public Perception]]>
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      <link>https://www.archdaily.com/1016760/architecture-in-south-asia-transitions-in-patronage-practitioners-and-public-perception</link>
      <pubDate>Mon, 20 May 2024 04:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>South Asia has undergone notable transformations across economic, political, social, and various other spheres. Mirroring these patterns of societal change are the architectural practices across this region. The modern nation-states of <a href="/tag/south-asia">South Asia</a> – Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka – share similar histories and a <a href="https://www.archdaily.com/1000988/building-for-billions-indias-rise-to-becoming-the-most-populous-nation" target="_blank" rel="noopener">future characterized by rapid economic development and urbanization</a>. However, each region exhibits distinct nuances concerning the present and potential state of architectural praxis, informed by their socio-cultural contexts and emerging political climates.</p>]]>
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        <![CDATA[Amazonian Cities: What It Is Like to Live Close to the Largest Tropical Rainforest on the Planet]]>
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      <link>https://www.archdaily.com/1015837/amazonian-cities-what-it-is-like-to-live-close-to-the-largest-tropical-rainforest-on-the-planet</link>
      <pubDate>Sun, 28 Apr 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015837/amazonian-cities-what-it-is-like-to-live-close-to-the-largest-tropical-rainforest-on-the-planet</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/986163/living-in-the-amazon-in-the-21st-century-a-planning-and-urban-design-guide-for-cities-in-the-peruvian-lowland-rainforest" target="_blank" rel="noopener">The world has its eyes</a> on the <a href="https://www.archdaily.com/tag/amazon" target="_blank" rel="noopener">Amazon</a>. Geographical data about this vast territory, spanning 6.74 million square kilometers across eight countries in <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin America</a>, is constantly featured in national and international media. Headlines often highlight its sheer magnitude as the largest tropical <a href="https://www.archdaily.com/tag/forest" target="_blank" rel="noopener">rainforest</a> in the world, home to 10% of the planet's <a href="https://www.archdaily.com/tag/biodiversity" target="_blank" rel="noopener">biodiversity</a>, and responsible for 15% of the Earth's <a href="https://www.archdaily.com/tag/water" target="_blank" rel="noopener">freshwater</a>. However, little attention is paid to what transpires beneath its <a href="https://www.archdaily.com/tag/trees" target="_blank" rel="noopener">canopy</a>, on the ground where people live.</p>]]>
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        <![CDATA[Alero Olympio: A Legacy of Ecological Architecture and Decolonized Identity]]>
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      <link>https://www.archdaily.com/1015118/alero-olympio-a-legacy-of-ecological-architecture-and-decolonized-identity</link>
      <pubDate>Sat, 06 Apr 2024 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
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        <![CDATA[<p>Alero Olympio (1959-2005) was an architect and builder known for an intimately <a href="https://www.archdaily.com/tag/ecological-architecture" target="_blank" rel="noopener">ecological approach to architecture</a>. Born in <a href="/tag/ghana">Ghana</a>, she divided her practice between Ghana and <a href="/tag/scotland">Scotland</a>. She focused on work that prioritized people and was sincerely committed to social and environmental sustainability, prioritizing using locally sourced materials.</p>]]>
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        <![CDATA[“Champion of Equity and Inclusion” Lesley Lokko Receives the 2024 RIBA Royal Gold Medal]]>
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      <link>https://www.archdaily.com/1012351/champion-of-equity-and-inclusion-lesley-lokko-receives-the-2024-riba-royal-gold-medal</link>
      <pubDate>Thu, 18 Jan 2024 04:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Ghanaian-Scottish architect, academic, and curator <a href="https://www.archdaily.com/tag/lesley-lokko">Lesley Lokko</a> has been announced as the recipient of the 2024 Royal Gold Medal by the <a href="https://www.archdaily.com/tag/royal-institute-of-british-architects">Royal Institute of British Architects</a> (<a href="https://www.archdaily.com/tag/riba">RIBA</a>), becoming the first African woman to receive the award. Lokko is not a practicing architect, but as a teacher, writer, and curator she has fought to widen access to the profession and to bring forward voices that have been disregarded for far too long. As the curator of the 2023 Venice <a href="/tag/architecture">Architecture</a> Biennale, she has shifted the focus to <a href="/tag/africa">Africa</a> and its diaspora, exploring the complex themes of decolonization and decarbonization. For all her contributions to the profession, Lesley Lokko will be formally presented with the medal in May 2024 by <a href="/tag/muyiwa-oki">Muyiwa Oki</a>, <a href="https://www.archdaily.com/986427/muyiwa-oki-elected-as-riba-president#:~:text=Muyiwa%20Oki%20has%20been%20elected,starting%20on%201%20September%202023.">RIBA’s first black president</a>.</p>]]>
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        <![CDATA[A Look Back at the 18th Venice Architecture Biennale, the First to be Focused on the Culture of Africa]]>
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      <link>https://www.archdaily.com/1010535/a-look-back-at-the-18th-venice-architecture-biennale-the-first-to-be-focused-on-the-culture-of-africa</link>
      <pubDate>Fri, 01 Dec 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023" target="_blank" rel="noopener">18th International Architecture Exhibition of La Biennale di Venezia </a>closed on November 26th. A total of 285,000 people visited the exhibition, making it the second most highly attended Architecture Biennale in its history. Named "<a href="https://www.archdaily.com/982873/the-laboratory-of-the-future-the-2023-venice-architecture-biennale-announces-title-and-theme-of-its-18th-edition?ad_campaign=special-tag" target="_blank" rel="noopener">The Laboratory of the Future</a>," this edition led by <a href="https://www.archdaily.com/973597/lesley-lokko-appointed-curator-of-the-18th-international-architecture-exhibition-of-la-biennale-di-venezia" target="_blank" rel="noopener">curator Lesley Lokko</a>, has been the first to focus on <a href="/tag/africa">Africa</a> and its diaspora, exploring the “fluid and enmeshed culture of people of African descent that now straddles the globe,” in the words of the curator, with themes of decolonization and decarbonization.</p>]]>
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        <![CDATA[Kuwait Pavilion at La Biennale di Venezia Explores Consequences of Modernist Urban Planning on Historic Built Environment]]>
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      <link>https://www.archdaily.com/1001981/kuwait-pavilion-at-la-biennale-di-venezia-explores-consequences-of-modernist-urban-planning-on-historic-built-environment</link>
      <pubDate>Mon, 12 Jun 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/kuwait-city" target="_blank" rel="noopener">Kuwait</a> Pavilion, titled 'Rethinking Rethinking Kuwait,' at the 18th <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023/page/2" target="_blank" rel="noopener">International Architecture Exhibition — La Biennale di Venezia,</a> delves into innovative architectural and urban design methods arising from space and time. The project is an ongoing exploration addressing the consequences of modernist urban planning, which erased much of Kuwait's historic built environment.</p>]]>
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        <![CDATA[Finding the Indian in Contemporary Residential Architecture]]>
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      <link>https://www.archdaily.com/1000294/what-makes-residential-architecture-indian</link>
      <pubDate>Wed, 03 May 2023 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>Contemporary Indian design culture can aptly be described with one word - fusion. A close look at the trends in fashion, cinema, music, and art soon reveals the country’s<em> </em>aspirations as a globalized nation. Reveling in a new era, <a href="/tag/india">India</a>’s art and design appear as a combination of influences from traditional life and the Western world. A “neo-Indian” image informs multiple forms of cultural expression, including architecture and interior design. As Indians and Indian architecture carve the country's place in the world, a new design trend flourishes - one that is driven by modern lifestyles, international influences, a colonial past, and a desire to stay connected to its roots. </p>]]>
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        <![CDATA["Unsettling Queenstown:" The Australian Pavilion at the Venice Architecture Biennale 2023 Explores Themes of Decolonization]]>
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      <link>https://www.archdaily.com/998665/unsettling-queenstown-the-australian-pavilion-at-the-venice-architecture-biennale-2023-explores-themes-of-decolonization</link>
      <pubDate>Wed, 29 Mar 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>At this year’s International <a href="/tag/architecture">Architecture</a> Exhibition – <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023">La Biennale di Venezia</a>, the <a href="https://www.archdaily.com/tag/australian-institute-of-architects">Australian Institute of Architects</a> will present <em>Unsettling <a href="/tag/queenstown">Queenstown</a>. </em>Tackling themes of <a href="https://www.archdaily.com/tag/decolonization">decolonization</a>, the exhibition is a multi-faceted and multi-sensory installation. Creative directors <a href="/tag/anthony-coupe">Anthony Coupe</a>, <a href="/tag/julian-worrall">Julian Worrall</a>, <a href="/tag/emily-paech">Emily Paech</a>, <a href="/tag/ali-gumillya-baker">Ali Gumillya Baker</a>, and <a href="/tag/sarah-rhode">Sarah Rhode</a> have curated this exhibition as a response to the overarching theme of the Biennale <a href="https://www.archdaily.com/982873/the-laboratory-of-the-future-the-2023-venice-architecture-biennale-announces-title-and-theme-of-its-18th-edition">– "The Laboratory of the Future."</a> Moreover, <em>Unsettling Queenstown</em> will encourage audiences to imagine the future and its possibilities.</p>]]>
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        <![CDATA[2023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa]]>
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      <link>https://www.archdaily.com/996820/2023-venice-architecture-biennale-63-national-pavilions-and-89-participants-with-significant-representation-from-africa</link>
      <pubDate>Wed, 22 Feb 2023 02:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Announced today in a live presentation, the <a href="https://www.labiennale.org/en/news/biennale-architettura-2023-laboratory-future-0?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">18th International Architecture Exhibition</a>, titled <a href="https://www.archdaily.com/982873/the-laboratory-of-the-future-the-2023-venice-architecture-biennale-announces-title-and-theme-of-its-18th-edition"><em>The Laboratory of the Future</em></a>, curated by <a href="/tag/lesley-lokko">Lesley Lokko</a>, will be open to the public from May 20 to November 26, 2023, in <a href="/tag/venice">Venice</a>, <a href="/tag/italy">Italy</a>. <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023">This edition</a> will include 63 National Pavilions, 27 of which are at the Giardini, 22 at the Arsenale, and 14 in the city center of Venice. Structured in six parts, the exhibition will include 89 Participants, over half of whom are from <a href="/tag/africa">Africa</a> or the African Diaspora, with a 50/50 gender balance, and an average age of 43 for participants. Contributors include Adjaye Associates, atelier masōmī, Kéré Architecture, <a href="/tag/mass-design-group">MASS Design Group</a>, <a href="/tag/sumayya-vally">Sumayya Vally</a> and Moad Musbahi, <a href="/tag/theaster-gates">Theaster Gates</a> Studio, <a href="/tag/andres-jaque-office-for-political-innovation">Andrés Jaque / Office for Political Innovation</a>, <a href="/tag/liam-young">Liam Young</a>, Neri&amp;Hu Design and Research Office, to name a few.</p>]]>
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