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    <title>Tag: curation | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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        <![CDATA[Curatorial Work as City-Making: Design Trust’s Marisa Yiu on Exhibitions and Spatial Agency]]>
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      <link>https://www.archdaily.com/1041822/curatorial-work-as-city-making-design-trusts-marisa-yiu-on-exhibitions-and-spatial-agency</link>
      <pubDate>Thu, 28 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>In <a href="/tag/hong-kong">Hong Kong</a>, where architecture is often driven by real estate logic, <a href="https://www.archdaily.com/1039154/making-infrastructure-visible-when-systems-become-architecture?ad_source=search&amp;ad_medium=search_result_articles">infrastructure</a>, and accelerated <a href="https://www.archdaily.com/1039650/form-function-and-funding-the-high-tech-urbanism-of-san-francisco?ad_source=search&amp;ad_medium=search_result_articles">development</a>, the space for <a href="https://www.archdaily.com/949316/the-evolution-in-understanding-of-human-scales-in-architecture">bodily-scaled</a> civic experimentation can be surprisingly narrow. This is where <a href="https://designtrust.hk?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Design Trust </a>has become distinctive. As a grant-making and project-enabling platform, it supports <a href="https://www.archdaily.com/1038245/when-art-came-first-spatial-experiments-that-shaped-architecture-in-latin-america?ad_source=search&amp;ad_medium=search_result_articles">spatial interventions</a> that sit between architecture, research, and public programming—work that is often too modest, collective, or uncertain to fit conventional client–architect pipelines.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[“Material Is Where the Story Begins”: Studio NEiDA on Building Through Craft and Context]]>
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      <link>https://www.archdaily.com/1040373/material-is-where-the-story-begins-studio-neida-on-building-through-craft-and-context</link>
      <pubDate>Fri, 10 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Studio NEiDA operates at the intersection of architectural <a href="https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice?ad_source=search&amp;ad_medium=search_result_articles">practice</a>, research, and <a href="https://www.archdaily.com/1039787/concentrico-2026-features-smiljan-radic-installation-and-26-urban-interventions-in-logrono-spain?ad_source=search&amp;ad_medium=search_result_articles">curatorial work</a>, with a consistent focus on how buildings emerge from the <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=search_result_articles">material</a> and cultural conditions of a place. Rather than treating materiality as a finishing language, the studio frames it as the beginning of an architectural narrative—starting from what is locally available, they look at what <a href="https://www.archdaily.com/1039504/how-contemporary-design-fairs-are-redefining-craft?ad_source=search&amp;ad_medium=search_result_articles">craft knowledge</a> exists on the ground, and how those resources and skills situate a project within an architectural lineage. This approach foregrounds limitations and possibilities as productive forces, and positions design as an <a href="https://www.archdaily.com/1034118/the-continuous-project-a-case-of-iterative-placemaking-in-long-yau-china?ad_source=search&amp;ad_medium=search_result_articles">iterative process</a> of aligning spatial intent with the realities of construction culture and vernacular intelligence.</p>]]>
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        <![CDATA[La Biennale di Venezia Unveils Renovated Central Pavilion at the Giardini]]>
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      <link>https://www.archdaily.com/1039873/la-biennale-di-venezia-unveils-renovated-central-pavilion-at-the-giardini</link>
      <pubDate>Mon, 23 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/la-biennale-di-venezia/page/1">La Biennale di Venezia</a> has unveiled the renovated <a href="https://www.archdaily.com/1036315/the-2025-venice-architecture-biennale-ends-marking-the-events-most-visited-edition?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all#:~:text=the%20temporary%20closure%20of%20the%20Central%20Pavilion%20for%20restoration.">Central Pavilion at the Giardini</a>, completing a comprehensive intervention delivered between December 2024 and March 2026 as part of a broader national program to enhance cultural infrastructure. Funded by the Italian Ministry of Culture under the <a href="https://www.italiadomani.gov.it/en/strumenti/documenti/archivio-documenti/national-recovery-and-reslieince-plan.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">National Recovery and Resilience Plan (PNRR)</a> and its complementary investment program (PNC), the project contributes to the development of a permanent hub for cultural production and exchange in <a href="https://www.archdaily.com/tag/venice/page/1">Venice</a>. The works form part of a wider initiative involving multiple sites associated with the <a href="https://www.archdaily.com/tag/venice-biennale">Biennale</a>, including the <a href="https://www.archdaily.com/tag/giardini/page/1">Giardini</a>, the <a href="https://www.archdaily.com/tag/arsenale/page/1">Arsenale</a>, and other locations across the city, developed in coordination with local authorities and heritage institutions.</p>]]>
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        <![CDATA[Error 404: Architectural Memory in the Age of Algorithms]]>
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      <link>https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</link>
      <pubDate>Sat, 07 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</guid>
      <description>
        <![CDATA[<p>Before the digital turn, architecture's memory was largely tangible. It lived in the weight of drawings, the patina of models, and the thickness of books. To preserve architecture meant to preserve its traces, the documents, sketches, and photographs through which buildings could be remembered long after their material form had changed or disappeared. The <a href="https://www.archdaily.com/tag/modern-architecture">modern architectural archive</a>, as it developed in the 20th century, was both a refuge and a device of legitimacy. Institutions such as the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture">Canadian Centre for Architecture</a>, <a href="https://www.archdaily.com.br/br/tag/casa-da-arquitectura">Casa da Arquitectura</a>, or the <a href="https://www.archdaily.com/tag/deutsches-architekturmuseum">Deutsches Architekturmuseum</a> were built upon the conviction that to preserve architecture was to preserve its documents.</p>]]>
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        <![CDATA[Behind the Scenes, On Display: Self-Curated Journeys through the Museum Archive]]>
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      <link>https://www.archdaily.com/1034544/behind-the-scenes-on-display-self-curated-journeys-through-the-museum-archive</link>
      <pubDate>Sat, 04 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles">museum and gallery</a> visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a <a href="https://www.archdaily.com/1032763/from-little-venice-to-venice-the-narrative-of-carlo-scarpas-venezuela-pavilion?ad_source=search&amp;ad_medium=search_result_articles">specific narrative</a>, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong <a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces?ad_source=search&amp;ad_medium=search_result_articles">curatorial voice</a>— led by noted artists or curators—to set institutional stance and shape interpretation.</p>]]>
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        <![CDATA[Inaugural Copenhagen Architecture Biennial 2025 Unveils "Slow Down" Theme]]>
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      <link>https://www.archdaily.com/1023311/inaugural-copenhagen-architecture-biennial-2025-unveils-slow-down-theme</link>
      <pubDate>Fri, 08 Nov 2024 06:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>The inaugural <a href="/tag/copenhagen-architecture-biennial">Copenhagen Architecture Biennial</a>, set to take place from September 18 to October 19, 2025, has announced its first curatorial theme, "Slow Down." Organized by CAFx, the biennial builds upon the foundation of the annua<a href="https://www.archdaily.com/1001796/copenhagen-architecture-festival">l Copenhagen Architecture Festival, </a>established in 2014, evolving into a larger international platform aimed at deepening engagement with architectural issues. This transition marks a shift in focus toward more comprehensive and long-term dialogue around the built environment's role in shaping society and addressing contemporary challenges.</p>]]>
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        <![CDATA[“Resources For a Future”: Tallinn Architecture Biennale Announces Program and Curation for 2024 Edition]]>
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      <link>https://www.archdaily.com/1017788/resources-for-a-future-tallinn-architecture-biennale-announces-program-and-curation-for-2024-edition</link>
      <pubDate>Tue, 18 Jun 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p class="p1">The 7th <a href="https://www.archdaily.com/tag/tallinn-architecture-biennale">Tallinn Architecture Biennale (TAB 2024)</a> will commence on October 9th, 2024, at various venues around the city. Organized by the Estonian Centre for Architecture, this edition of the global architecture exhibition explores “Resources For a Future,” hoping to encourage dialogue, <a href="https://www.archdaily.com/tag/interdisciplinary">interdisciplinary</a> work, and innovation within architecture. The event targets both architects and the general public and includes a comprehensive program featuring workshops, panels, seminars, and Open House Tallinn. </p>]]>
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        <![CDATA["Intelligens. Natural. Artificial. Collective": Carlo Ratti Announces Theme and Title for 2025 Venice Architecture Biennale ]]>
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      <link>https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale</link>
      <pubDate>Wed, 08 May 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/carlo-ratti">Carlo Ratti, </a>the curator of the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">19th International Architecture Exhibition - La Biennale di Venezia,</a> along with The President of La Biennale di Venezia, Pietrangelo Buttafuocco, have just revealed highly anticipated details for the upcoming edition. Titled "Intelligens," the exhibition will be running from May 24th to November 23rd, 2025 in Giardini, the <a href="https://www.archdaily.com/tag/pavillon-de-larsenal">Arsenale</a>, and various landmark locations throughout Venice.</p>]]>
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        <![CDATA[New Exhibition Co-Curated by Kazuyo Sejima Explores the Art and Architecture Programme Reviving the Island of Inujima]]>
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      <link>https://www.archdaily.com/979803/new-exhibition-co-curated-by-kazuyo-sejima-explores-the-art-and-architecture-programme-reviving-the-island-of-inujima</link>
      <pubDate>Thu, 07 Apr 2022 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>A new exhibition at the <a class="editor-rtfLink" href="https://www.japanhouselondon.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Japan House</a> in <a href="/tag/london">London</a> explores the large-scale art and architecture project driving the transformation of the Japanese island of Inujima for the past 13 years. Titled <a class="editor-rtfLink" href="https://www.japanhouselondon.uk/whats-on/2022/symbiosis-living-island/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Symbiosis: Living Island</a>, the show co-curated by the project's artistic director Yūko Hasegawa and architect <a href="/tag/kazuyo-sejima">Kazuyo Sejima</a> showcases how the innovative scheme of accessible art, pavilions and creative projects brought together artists and locals in the effort to revitalize and secure a future for this island in the Seto Inland Sea confronted with diminishing population. Running from 21 May to 4 September 2022, the exhibition takes visitors on a journey around the island that illustrates the transformative impact of the Inujima' <a href="/tag/art">Art</a> House Project' through architectural models, photography, videos and testimonies of the residents.</p>]]>
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