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    <title>Tag: cultural | ArchDaily</title>
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        <![CDATA[Snøhetta's Shanghai Grand Opera House Nears Completion Ahead of October Opening]]>
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      <link>https://www.archdaily.com/1054028/snohettas-shanghai-grand-opera-house-nears-completion-ahead-of-october-opening</link>
      <pubDate>Tue, 07 Jul 2026 10:45:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a>'s <a href="/tag/shanghai">Shanghai</a> Grand <a href="/tag/opera-house">Opera House</a> has entered its final construction phase. Preparations are underway for the building's official opening on October 17, 2026, kicking off a performance season featuring 82 performances across 47 acclaimed productions. <a href="https://www.archdaily.com/914325/snohettas-shanghai-grand-opera-house-evokes-the-image-of-an-unfolding-fan" target="_blank" rel="noopener">Snøhetta's spiralling design for the new cultural venue</a> was selected via an international competition in 2016. In 2019, the architecture firm, along with <a href="https://www.archdaily.com/office/ecadi" target="_blank" rel="noopener">East China Architectural Design &amp; Research Institute</a> (ECADI), <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>, and <a href="https://www.archdaily.com/professional/nagata-acoustics" target="_blank" rel="noopener">Nagata Acoustics</a>, was formally commissioned to deliver the building from concept to completion. <a href="https://www.archdaily.com/1009338/unveiling-new-images-of-snohettas-spiraling-shanghai-opera-house" target="_blank" rel="noopener">The project was originally set to be completed in 2025</a>, as part of <a href="https://www.archdaily.com/1031298/from-expansion-to-enhancement-shanghais-urban-development-framework" target="_blank" rel="noopener">a broader cultural master plan</a> aimed at reinforcing Shanghai's role as an international centre of culture and innovation.</p>]]>
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        <![CDATA[BIG Designs Dual-Volume EVE Music Hall Amid Agricultural Landscape in Čepin, Croatia]]>
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      <link>https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia</link>
      <pubDate>Fri, 05 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG – Bjarke Ingels Group</a> is nearing completion of the EVE <a href="/tag/music-hall">Music Hall</a> in Čepin, eastern <a href="https://www.archdaily.com/country/croatia" target="_blank" rel="noopener">Croatia</a>, designed in collaboration with <a href="https://www.archdaily.com/professional/sirrah-projekt" target="_blank" rel="noopener">SIRRAH projekt</a> and <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.</p>]]>
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        <![CDATA[Architecture as Soft Power: Cultural Diplomacy and Its Role in Shaping Architectural Production]]>
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      <link>https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</link>
      <pubDate>Sat, 18 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.culturaldiplomacy.org/index.php?en_culturaldiplomacy=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cultural diplomacy</a> refers to the use of cultural expression and creative exchange to foster understanding and build relationships between nations. In this context, <a href="https://www.archdaily.com/tag/architecture">architecture</a> has long played a distinctive role. Beyond its functional and aesthetic dimensions, it serves as a medium of communication, a language through which countries express identity, values, and ambition on the global stage.</p>]]>
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        <![CDATA[The Brazilian Pavilion Examines the Amazon’s Ancestral Infrastructures at the 2025 Venice Biennale]]>
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      <link>https://www.archdaily.com/1024091/architecture-as-a-cultural-artifact-brazil-announces-participation-in-venice-biennale-2025</link>
      <pubDate>Mon, 29 Sep 2025 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>The Brazilian <a href="/tag/pavilion">Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a>, <a href="https://www.archdaily.com/1029971/the-2025-venice-architecture-biennale-opens-on-saturday-may-10th" target="_blank" rel="noopener">open since May 10, 2025</a>, is curated by <a href="https://www.archdaily.com/office/plano-coletivo" target="_blank" rel="noopener">Plano Coletivo</a>, a group formed by architects <a href="/tag/luciana-saboia">Luciana Saboia</a>, <a href="/tag/eder-alencar">Eder Alencar</a>, and <a href="/tag/matheus-seco">Matheus Seco</a>. Titled <a href="https://www.archdaily.com/1032890/re-invention-brazil-pavilion-at-the-venice-architecture-biennale-plano-coletivo" target="_blank" rel="noopener">"(RE)INVENTION,"</a> the exhibition represents <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil </a>through a multidisciplinary approach that connects architecture, nature, and social infrastructure. Presented at the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini</a> pavilion, the project is organized by the <a href="https://www.archdaily.com/tag/fundacao-bienal-de-sao-paulo" target="_blank" rel="noopener">Fundação Bienal de São Paulo</a> in collaboration with Brazil's Ministry of Culture and Ministry of Foreign Affairs. The exhibition reflects on the recent archaeological discovery of ancestral infrastructure in the <a href="https://www.archdaily.com/tag/amazon" target="_blank" rel="noopener">Amazon </a>to examine the socio-environmental contradictions of contemporary cities. It invites visitors to learn from ancestral knowledge and explore the interdependence between humans, land, and nature as a foundation for more sustainable futures.</p>]]>
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        <![CDATA[Tadao Ando’s National Museum of Uzbekistan Breaks Ground in Tashkent]]>
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      <link>https://www.archdaily.com/1033501/tadao-andos-national-museum-of-uzbekistan-breaks-ground-in-tashkent</link>
      <pubDate>Thu, 28 Aug 2025 04:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> Art and Culture Development Foundation (ACDF) has announced the groundbreaking of the National <a href="https://www.archdaily.com/tag/museum/page/1">Museum</a> of <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a>, designed by Japanese architect <a href="https://www.archdaily.com/tag/tadao-ando/page/1">Tadao Ando</a>. Marking Ando's first major project in <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a>, the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> is envisioned as both an architectural and <a href="https://www.archdaily.com/tag/cultural">cultural</a> <a href="https://www.archdaily.com/tag/landmark">landmark</a> in <a href="https://www.archdaily.com/tag/tashkent/page/1">Tashkent</a>. Planned to open in March 2028, the building reflects <a href="https://www.archdaily.com/tag/tadao-ando/page/1">Ando</a>'s <a href="https://www.archdaily.com/tag/minimalist">minimalist</a> architectural language, integrating references to <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a>'s <a href="https://www.archdaily.com/tag/heritage">heritage</a> with his characteristic use of <a href="https://www.archdaily.com/tag/geometry">geometry</a>, <a href="https://www.archdaily.com/tag/natural-light">natural light</a>, and spatial clarity. </p>]]>
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        <![CDATA[LAGI 2025 Fiji Highlights Participatory Design in Renewable Infrastructure]]>
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      <link>https://www.archdaily.com/1033206/lagi-2025-fiji-highlights-participatory-design-in-renewable-infrastructure</link>
      <pubDate>Mon, 18 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033206/lagi-2025-fiji-highlights-participatory-design-in-renewable-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/land-art-generator-initiative" target="_blank" rel="noopener">The Land Art Generator Initiative (LAGI)</a> has announced the winners of its 2025 competition in Marou Village, <a href="https://www.archdaily.com/country/fiji/page/1">Fiji</a>. Developed in partnership with the local community and supported by the <a href="https://www.archdaily.com/country/fiji/page/1">Fiji</a> Department of <a href="https://www.archdaily.com/tag/energy">Energy</a>, the <a href="https://www.archdaily.com/country/fiji/page/1">Fiji</a> <a href="https://www.archdaily.com/tag/rural">Rural</a> Electrification Fund, and the <a href="https://www.archdaily.com/tag/united-nations/page/1">United Nations</a> Development Program, <a href="https://lagi2025fiji.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">LAGI 2025</a> invited designers from around the world to envision <a href="https://www.archdaily.com/tag/renewable-energy">renewable energy</a> and <a href="https://www.archdaily.com/tag/water">water</a> systems that could also serve as cultural and <a href="https://www.archdaily.com/tag/social">social spaces</a>. From over 200 entries representing 45 countries, two projects were selected: <em>The O</em> by Alberto Roncelli and <em>Ligavatuvuce</em> by Young Kang.</p>]]>
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        <![CDATA[Foster + Partners Reveals Design for Retail Plaza on Istanbul’s Golden Horn]]>
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      <link>https://www.archdaily.com/1032862/foster-plus-partners-reveals-design-for-retail-plaza-on-istanbuls-golden-horn</link>
      <pubDate>Wed, 06 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032862/foster-plus-partners-reveals-design-for-retail-plaza-on-istanbuls-golden-horn</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/foster-plus-partners" target="_blank" rel="noopener">Foster + Partners</a> has revealed designs for a retail plaza located on the northern bank of the Golden Horn in <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a>, <a href="https://www.archdaily.com/tag/turkey">Türkiye</a>. The project forms part of the larger Tersane <a href="https://www.archdaily.com/tag/master-plan">master plan</a>, which proposes to redevelop 1.6 kilometers of previously underutilized <a href="https://www.archdaily.com/tag/waterfront">waterfront</a>. The master plan integrates a mix of <a href="https://www.archdaily.com/tag/retail">retail</a>, <a href="https://www.archdaily.com/tag/residential">residential</a>, <a href="https://www.archdaily.com/tag/hospitality">hospitality</a>, <a href="https://www.archdaily.com/tag/cultural">cultural buildings,</a> and landscaped <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>, aiming to enhance access along the shoreline. The plaza sits within close proximity to several of <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a>'s <a href="https://www.archdaily.com/tag/historic">historic</a> <a href="https://www.archdaily.com/tag/landmarks">landmarks</a>, drawing on the area's maritime and <a href="https://www.archdaily.com/tag/industrial">industrial heritage</a>. The design's scale and material choices reflect this context, seeking to align with the site's <a href="https://www.archdaily.com/tag/historic">historic</a> layers while introducing a <a href="https://www.archdaily.com/tag/contemporary">contemporary</a> retail environment.</p>]]>
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        <![CDATA[Building Methods in Focus: The Solid vs Hollow Partitioning Debate]]>
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      <link>https://www.archdaily.com/1021729/building-methods-in-focus-the-solid-vs-hollow-partitioning-debate</link>
      <pubDate>Mon, 30 Sep 2024 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021729/building-methods-in-focus-the-solid-vs-hollow-partitioning-debate</guid>
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        <![CDATA[<p>Two primary building approaches are commonly identified in architecture and design: <a href="https://www.archdaily.com/tag/solid-construction">solid</a> versus <a href="https://www.archdaily.com/980641/how-to-use-hollow-elements-in-home-architecture">hollow construction</a>. These methods vary significantly across different cultures and regions, specifically for <a href="https://www.archdaily.com/tag/interior-partition-system">interior partitioning systems</a>, when they appear interchangeable. Each has its own established practices influenced by local materials, labor preferences, climatic conditions, and cultural traditions. When architects and designers focus on their local context, it is easy to overlook the broader construction assumptions, limiting design flexibility and methodology. This raises an important question: How do these two building approaches differ?</p>]]>
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        <![CDATA[Tokyo International Forum, Designed by Rafael Viñoly Architects, Receives the Twenty-Five Year AIA Award]]>
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      <link>https://www.archdaily.com/1018283/tokyo-international-forum-designed-by-rafael-vinoly-architects-receives-the-twenty-five-year-aia-award</link>
      <pubDate>Mon, 01 Jul 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018283/tokyo-international-forum-designed-by-rafael-vinoly-architects-receives-the-twenty-five-year-aia-award</guid>
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        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/office/rafael-vinoly-architects">Rafael Viñoly Architects’ </a>Tokyo International Forum has been honored with the prestigious <a href="https://www.archdaily.com/tag/twenty-five-year-award">AIA Twenty-five Year Award.</a> Celebrating its “distinctive transparent character and capacity to engage with the public in the largest metropolitan area in the world.” Rafael Viñoly Architects was first selected to design the structure through <a href="/tag/japan">Japan</a>’s first international design competition facilitated by <a href="https://www.archdaily.com/office/kenzo-tange">Kenzo Tange,</a> the architect of <a href="/tag/tokyo">Tokyo</a>’s City Hall and the first Japanese laureate of the <a href="https://www.archdaily.com/tag/pritzker-prize-2022#:~:text=The%202022%20laureate%20of%20architecture's,of%20the%202017%20Serpentine%20Pavilion." target="_blank" rel="noopener">Pritzker Prize. </a></p>]]>
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        <![CDATA[Winspear Opera House / Foster + Partners]]>
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      <link>https://www.archdaily.com/41069/winspear-opera-house-foster-partners</link>
      <pubDate>Wed, 05 Jun 2024 15:00:00 +0000</pubDate>
      <dc:creator>Igor Fracalossi</dc:creator>
      <category>
        <![CDATA[opera house]]>
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        <![CDATA[<p>The new Winspear Opera House in <a href="/tag/dallas">Dallas</a> redefines the essence of an opera house for the twenty first century, breaking down barriers to make opera more accessible for a wider audience. Responding to the Dallas climate, a generous solar canopy extends from the building, revealing below a fully glazed sixty foot high lobby. This establishes a direct relationship between inside and outside, enhancing transparency. Beneath the canopy, which forms an integral part of the environmental strategy - a shaded pedestrian plaza creates a major new public space for Dallas, defined by the masterplan for the Performing Arts District. The masterplan was designed by Foster + Partners and OMA with Michel Desvigne.</p>]]>
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        <![CDATA[Henning Larsen Architects Reveals Jeddah Opera House in Saudi Arabia]]>
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      <link>https://www.archdaily.com/1015981/henning-larsen-architects-reveals-jeddah-opera-house-in-saudi-arabia</link>
      <pubDate>Thu, 25 Apr 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015981/henning-larsen-architects-reveals-jeddah-opera-house-in-saudi-arabia</guid>
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        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/office/henning-larsen">Henning Larsen Architect </a>has just revealed the designs for The <a href="https://www.archdaily.com/tag/jeddah">Jeddah</a> <a href="/tag/opera-house">Opera House</a>, a new local <a href="https://www.archdaily.com/tag/landmark">landmark</a> in <a href="/tag/saudi-arabia">Saudi Arabia</a>. Drawing inspiration from the historical Al-Balad neighborhood, the Opera House celebrates culture and regional <a href="https://www.archdaily.com/tag/geography">geography</a>. Situated along the <a href="https://www.archdaily.com/tag/red-sea-project">Red Sea waterfront</a>, the opera house aims to connect residents and visitors to the sea through a culture spine under a natural canopy. Extending from the city, through the opera house, to the water, this “spine” forms an integral part of the Jeddah Central <a href="https://www.archdaily.com/tag/masterplan">masterplan</a> for the new Opera Quarter.</p>]]>
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        <![CDATA[Reimagining the Role of Culture: Manifesta Announces 15th Biennial in Barcelona, Spain]]>
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      <link>https://www.archdaily.com/1015508/reimagining-the-role-of-culture-manifesta-announces-15th-biennial-in-barcelona-spain</link>
      <pubDate>Wed, 10 Apr 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/manifesta">Manifesta</a> 15 <a href="/tag/barcelona">Barcelona</a> Metropolitana has unveiled a decentralized <a href="https://www.archdaily.com/tag/biennale" target="_blank" rel="noopener">biennial</a> event spanning across the landscape of Barcelona. Taking place from September 8<sup>th</sup> to November 24<sup>th</sup>, this edition of Manifesta, the European Nomadic Biennial, introduces a regionalized strategy. Famous for its avant-garde exploration of global challenges through cultural lenses, the approach aims to empower citizens in catalyzing a <a href="https://www.archdaily.com/tag/socio-ecological">socio-ecological</a> transformation across <a href="https://www.archdaily.com/tag/catalonia" target="_blank" rel="noopener">Catalonia</a>. The event aims to reimagine the role of culture in societal transformation through art, dialogue, and collective action.</p>]]>
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        <![CDATA[Unveiling New Images of Snøhetta's Spiraling Shanghai Opera House ]]>
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      <link>https://www.archdaily.com/1009338/unveiling-new-images-of-snohettas-spiraling-shanghai-opera-house</link>
      <pubDate>Wed, 08 Nov 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a> has just released construction images showing the progress on the studio’s long-awaited <a href="https://www.archdaily.com/tag/shanghai" target="_blank" rel="noopener">Shanghai</a> Grand <a href="/tag/opera-house">Opera House</a> in <a href="/tag/china">China</a>. With its iconic fan-shaped roof, the firm has been commissioned the scheme in 2019 following an international design competition. The project is set to be completed in 2025, seeking to <a href="https://www.archdaily.com/914325/snohettas-shanghai-grand-opera-house-evokes-the-image-of-an-unfolding-fan">attract a broad audience for traditional, classical, and experimental performances</a>.</p>]]>
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        <![CDATA[A Cultural Incubator in Indonesia and a Spiraling Gallery in South Korea: 8 Unbuilt Cultural Centers Submitted by the ArchDaily Community]]>
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      <link>https://www.archdaily.com/991753/a-cultural-incubator-in-indonesia-and-a-spiraling-gallery-in-south-korea-8-unbuilt-cultural-centers-submitted-to-archdaily</link>
      <pubDate>Sun, 19 Feb 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>This week's curated selection of Best <a href="https://www.archdaily.com/tag/unbuilt-architecture">Unbuilt Architecture</a> highlights <a href="https://www.archdaily.com/contact">cultural</a> centers by the <a href="https://www.archdaily.com/contact" target="_blank" rel="noopener">ArchDaily community</a>. From a spiral- gallery symbolizing the Jinju culture in <a href="/tag/south-korea">South Korea</a>, a building devoted to Irish culture to a gallery to serve as a cultural incubator for <a href="/tag/indonesia">Indonesia</a>, this round-up of unbuilt projects showcases how architects, community, and institutions team up to promote culture, arts, history, and reflection. </p>]]>
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        <![CDATA[Beirut, One Year Later: People-Driven Reconstruction Efforts Midst Devastated Nation]]>
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      <link>https://www.archdaily.com/966166/beirut-one-year-later-people-driven-reconstruction-efforts-midst-devastated-nation</link>
      <pubDate>Thu, 05 Aug 2021 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/966166/beirut-one-year-later-people-driven-reconstruction-efforts-midst-devastated-nation</guid>
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        <![CDATA[<p>Exactly a year ago, on <a href="https://www.archdaily.com/946829/beirut-between-a-threatened-architectural-heritage-and-a-traumatized-collective-memory" target="_blank">August 4, 2020</a>, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of <a href="/tag/beirut">Beirut</a>, ripping through the port and the eastern part of the capital. One of the <a href="https://www.amnesty.org/en/latest/news/2021/08/lebanon-one-year-on-from-beirut-explosion-authorities-shamelessly-obstruct-justice/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">biggest urban tragedies of modern times</a>, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over <a href="https://lebanon.unfpa.org/en/publications/beirut-explosion-situation-report-no9?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">80,000 commercial, residential and public spaces</a>. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around <a href="https://www.theguardian.com/world/2021/jul/31/a-year-after-beirut-blast-lebanon-sinks-deep-into-mire-of-corruption?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">US$15 billion</a> in property damage, in times of Covid, political and social unrest, and economic collapse.</p>]]>
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        <![CDATA[Miralles Tagliabue EMBT Wins Competition to Design Shenzhen's Conservatory of Music]]>
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      <link>https://www.archdaily.com/959143/miralles-tagliabue-embt-wins-competition-to-design-shenzhens-conservatory-of-music</link>
      <pubDate>Fri, 26 Mar 2021 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Miralles Tagliabue <a href="/tag/embt">EMBT</a>, directed by <a href="/tag/benedetta-tagliabue">Benedetta Tagliabue</a>, has won the international <a href="/tag/competition">competition</a> to design the <a href="/tag/shenzhen">Shenzhen</a> Conservatory of <a href="/tag/music">Music</a>, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.</p>]]>
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        <![CDATA[Aldeburgh Music Creative Campus / Haworth Tompkins]]>
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      <link>https://www.archdaily.com/43371/aldeburgh-music-haworth-tompkins</link>
      <pubDate>Tue, 19 Jan 2021 08:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
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        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>Aldeburgh Music's new creative campus at Snape Maltings opened to the public on May 9th. The project, part of a phased development of grade 2 listed 19th century maltings buildings at the edge of the Suffolk marshes, brings a range of derelict granaries and kilns into use as rehearsal and occasional public performance spaces grouped around a communal foyer. The centrepiece of the project is a new build orchestral rehearsal room, the Britten Studio, designed to complement the nearby concert hall (by Arup Associates, completed in 1970). The rehearsal room incorporates retractable seating for 350, enabling it to be used as a public venue.  A second space, the Jerwood Kiln Studio, was converted from a derelict kiln and can also accommodate public performances when required.  The central foyer and technical get in was formed from an existing granary sandwiched between older structures, its eccentric timber roof adapted and a new concrete mezzanine installed.</p>]]>
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        <![CDATA[Equestrian Centre / Carlos Castanheira + Clara Bastai]]>
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      <link>https://www.archdaily.com/598648/equestrian-centre-carlos-castanheira-and-clara-bastai</link>
      <pubDate>Sun, 04 Oct 2020 15:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Heritage]]>
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      <guid isPermaLink="false">https://www.archdaily.com/598648/equestrian-centre-carlos-castanheira-and-clara-bastai</guid>
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        <![CDATA[<p>We always worry about the well being of the people who will inhabit the spaces that we design and hope to see built. To inhabit is to occupy those spaces and to perform the vital functions of comfort, of work or pleasure. In reality, it is to do with ordering and giving form to functions.</p>]]>
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