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    <title>Tag: cultural-architecture | ArchDaily</title>
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        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[Budapest Architecture City Guide: 15 Projects Tracing a Capital Built on Layers]]>
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      <link>https://www.archdaily.com/1042327/budapest-architecture-city-guide-15-projects-tracing-a-capital-built-on-layers</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>When Buda and Pest joined in 1873, the two parts formed a capital whose identity has since been tied to this balance between geography and urban order. From the riverbanks and thermal baths to imperial monuments and infrastructural works, <a href="https://www.archdaily.com/tag/budapest" target="_blank" rel="noopener">Budapest's architecture carries the traces of these overlapping histories</a>.</p>]]>
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        <![CDATA[RCR Arquitectes Designs New Paris Cultural Institution "Large" on Île Seguin]]>
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      <link>https://www.archdaily.com/1056611/rcr-arquitectes-designs-new-paris-cultural-institution-large-on-ile-seguin</link>
      <pubDate>Wed, 08 Jul 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>A new space dedicated to contemporary art on the Île Seguin, in the Greater <a href="/tag/paris">Paris</a> area, is opening in October 2026. The new cultural institution, named "Large," will be housed in a building designed by Catalan architects and <a href="https://www.archdaily.com/806200/2017-pritzker-prize-rcr-arquitectes-rafael-aranda-carme-pigem-ramon-vilalta" target="_blank" rel="noopener">Pritzker Prize recipients RCR Arquitectes</a>, the studio's first project in Paris. It is situated on La Pointe des Arts, a large-scale redevelopment of the Île Seguin's former industrial area into a mixed-use complex spanning more than 53,000 m² and focused on arts and culture. The project's architectural massing follows the stratification concept set out in the masterplan by <a href="https://www.archdaily.com/office/ateliers-jean-nouvel" target="_blank" rel="noopener">Ateliers Jean Nouvel</a>. The institution will open with the exhibition "Imaginary Engine: From Masterpieces of the Collection Renault to Artists of Today," bringing together 55 artists from 23 countries to explore the relationship between humanity and machines, in tribute to the site's industrial history and Renault's decades-long collaboration with artists.</p>]]>
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        <![CDATA[Snøhetta's Shanghai Grand Opera House Nears Completion Ahead of October Opening]]>
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      <link>https://www.archdaily.com/1054028/snohettas-shanghai-grand-opera-house-nears-completion-ahead-of-october-opening</link>
      <pubDate>Tue, 07 Jul 2026 10:45:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a>'s <a href="/tag/shanghai">Shanghai</a> Grand <a href="/tag/opera-house">Opera House</a> has entered its final construction phase. Preparations are underway for the building's official opening on October 17, 2026, kicking off a performance season featuring 82 performances across 47 acclaimed productions. <a href="https://www.archdaily.com/914325/snohettas-shanghai-grand-opera-house-evokes-the-image-of-an-unfolding-fan" target="_blank" rel="noopener">Snøhetta's spiralling design for the new cultural venue</a> was selected via an international competition in 2016. In 2019, the architecture firm, along with <a href="https://www.archdaily.com/office/ecadi" target="_blank" rel="noopener">East China Architectural Design &amp; Research Institute</a> (ECADI), <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>, and <a href="https://www.archdaily.com/professional/nagata-acoustics" target="_blank" rel="noopener">Nagata Acoustics</a>, was formally commissioned to deliver the building from concept to completion. <a href="https://www.archdaily.com/1009338/unveiling-new-images-of-snohettas-spiraling-shanghai-opera-house" target="_blank" rel="noopener">The project was originally set to be completed in 2025</a>, as part of <a href="https://www.archdaily.com/1031298/from-expansion-to-enhancement-shanghais-urban-development-framework" target="_blank" rel="noopener">a broader cultural master plan</a> aimed at reinforcing Shanghai's role as an international centre of culture and innovation.</p>]]>
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        <![CDATA[When Movement Becomes Sacred Space: The Architecture of India’s Pilgrimage Landscapes]]>
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      <link>https://www.archdaily.com/1042873/when-movement-becomes-sacred-space-the-architecture-of-indias-pilgrimage-landscapes</link>
      <pubDate>Mon, 06 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>At the helm of <a href="https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes">architectural discourse on sacred architecture</a>, attention almost always settles on the monument. <a href="https://www.archdaily.com/category/temple">Temples</a>, <a href="https://www.archdaily.com/search/projects/categories/mosque">mosques</a>, <a href="https://www.archdaily.com/search/projects/categories/monastery">monasteries</a>, and <a href="https://www.archdaily.com/search/projects/categories/churches">churches</a> dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across <a href="https://www.archdaily.com/country/india/page/1">India</a>, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which <a href="/tag/pilgrimage">pilgrimage</a> actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.</p>]]>
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        <![CDATA[Construction Begins on Frank Gehry's Dar al Funoon Abu Dhabi Performing Arts Center]]>
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      <link>https://www.archdaily.com/1053993/construction-begins-on-frank-gehrys-dar-al-funoon-abu-dhabi-performing-arts-center</link>
      <pubDate>Mon, 06 Jul 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Dar al Funoon Abu Dhabi, the new performing arts institution designed by <a href="https://www.archdaily.com/1036716/frank-gehry-visionary-architect-of-the-bilbao-guggenheim-dies-at-96" target="_blank" rel="noopener">the late architect Frank Gehry</a>, is among his final works. Translating to "House of the Arts," the landmark building, commissioned by Abu Dhabi's Department of Culture and Tourism, was designed as a global hub for the performing arts and is expected to open in 2030. The project adds to Gehry's work in the emirate, which also includes <a href="https://www.archdaily.com/916177/gehrys-guggenheim-abu-dhabi-set-to-begin-construction" target="_blank" rel="noopener">the upcoming Guggenheim Abu Dhabi</a>, and follows the city's designation as a UNESCO Creative City of Music in 2021.</p>]]>
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        <![CDATA[BIG Reveals New Images of the National Juneteenth Museum Ahead of Construction in Fort Worth, Texas]]>
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      <link>https://www.archdaily.com/1042834/big-reveals-new-images-of-the-national-juneteenth-museum-ahead-of-construction-in-fort-worth-texas</link>
      <pubDate>Mon, 29 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042834/big-reveals-new-images-of-the-national-juneteenth-museum-ahead-of-construction-in-fort-worth-texas</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group">Bjarke Ingels Group (BIG)</a> has unveiled new images of <a href="https://www.archdaily.com/984211/big-honors-the-legacy-and-freedom-of-african-americans-with-a-national-juneteenth-museum-in-texas">the National Juneteenth Museum</a>, offering a closer look at the design of the 72,000-square-foot institution planned for <a href="https://www.archdaily.com/tag/fort-worth/page/1">Fort Worth</a>, <a href="https://www.archdaily.com/tag/texas/page/1">Texas</a>. Designed in collaboration with <a href="https://www.alligoodsong.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alligood Song Architecture</a> and architect of record <a href="https://kai-db.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">KAI Enterprises</a>, the project is scheduled to begin construction in fall 2026 and will serve as a national center dedicated to preserving the history and legacy of <a href="https://www.archdaily.com/1031343/on-juneteenth-discover-8-museums-and-cultural-institutions-dedicated-to-african-american-history-and-culture">Juneteenth</a>. Led by activist Dr. Opal Lee, widely recognized as the "Grandmother of Juneteenth," the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> combines exhibition spaces with community-oriented programs intended to support both cultural preservation and neighborhood revitalization.</p>]]>
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        <![CDATA["I Don't Separate Architecture and Infrastructure": Interview With Shohei Shigematsu on OMA's New Museum Addition]]>
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      <link>https://www.archdaily.com/1042708/i-dont-separate-architecture-and-infrastructure-interview-with-shohei-shigematsu-on-omas-new-museum-addition</link>
      <pubDate>Thu, 25 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>When the New Museum's original SANAA-designed building, a stack of shifted opaque boxes wrapped in a metal mesh skin, opened in 2007, it already seemed destined for some form of expansion to relieve the vertical pressure created by its constrained circulation and limited footprint. In March, <a href="https://www.archdaily.com/1039814/new-museum-of-contemporary-art-oma" target="_blank" rel="noopener">the museum unveiled its long-anticipated addition, designed by OMA's Shohei Shigematsu and Rem Koolhaas</a>. The angular and slightly set-back companion building doubles the museum's exhibition capacity while reshaping the institution's relationship to the city and to the original <a href="/tag/sanaa">SANAA</a> structure by <a href="/tag/kazuyo-sejima">Kazuyo Sejima</a> and Ryue Nishizawa.</p>]]>
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        <![CDATA[The London Museum Moves to Smithfield's Restored General Market Ahead of Long-Awaited Opening]]>
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      <link>https://www.archdaily.com/1042614/the-london-museum-moves-to-smithfields-restored-general-market-ahead-of-long-awaited-opening</link>
      <pubDate>Mon, 22 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042614/the-london-museum-moves-to-smithfields-restored-general-market-ahead-of-long-awaited-opening</guid>
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        <![CDATA[<p>The original <a href="/tag/museum-of-london">Museum of London</a> building at London Wall permanently closed to the public in December 2022 to prepare for its relocation. Despite community claims to preserve the modernist building, <a href="https://www.archdaily.com/1024498/the-museum-of-london-exploring-the-brutalist-landmark-facing-demolition" target="_blank" rel="noopener">demolition plans for the brutalist landmark were approved in 2024</a> to make way for the London Wall West redevelopment project. The Museum of London was then officially rebranded as the London Museum and <a href="https://www.archdaily.com/944062/museum-of-londons-new-home-receives-planning-approval" target="_blank" rel="noopener">relocated to the historic General Market in Smithfield</a>. The decade-long restoration project of the new location was <a href="https://www.archdaily.com/792230/stanton-williams-and-asif-khan-selected-to-design-future-home-for-the-museum-of-london" target="_blank" rel="noopener">carried out by Stanton Williams and Asif Khan, alongside conservation architect Julian Harrap</a>. The official opening of the Museum's new permanent galleries is scheduled for November 28, 2026.</p>]]>
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        <![CDATA[Architectural Recognition and New Projects Around the World: This Week's Review]]>
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      <link>https://www.archdaily.com/1042563/architectural-recognition-and-new-projects-around-the-world-this-weeks-review</link>
      <pubDate>Thu, 18 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">This week</a>'s coverage brought together a range of news, projects, and announcements from across the architectural world. Stories included conversations ahead of the <a href="https://www.archdaily.com/tag/uia-world-congress-of-architecture">UIA World Congress</a> 2026, where architects, critics, and award organizers are set to discuss the evolving role of architectural recognition, alongside<a href="https://www.archdaily.com/1042384/big-to-design-three-building-stem-university-campus-in-arkansas-united-states?ad_campaign=normal-tag"> BIG's proposal for a new university campus in Bentonville</a>, Arkansas. The week also featured updates on major public and cultural projects, from the redevelopment of <a href="https://www.archdaily.com/1042360/designs-unveiled-for-new-york-citys-penn-station-by-pau-and-hntb-hok?ad_campaign=normal-tag">New York's Penn Station</a> to the ongoing transformation of <a href="https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london?ad_campaign=normal-tag">London's Olympia</a> and the completion of a <a href="https://www.archdaily.com/1042491/zaha-hadid-architects-songshan-lake-exhibition-and-performance-center-opens-in-dongguanm-china">new cultural center in Dongguan, China</a>. It also marked the <a href="https://www.archdaily.com/1042483/lorcan-oherlihy-founding-principal-of-loha-passes-away-at-66">passing of Lorcan O'Herlihy, founder of LOHA</a>, whose practice became known for its commitment to housing, urban density, and socially engaged design across Los Angeles and beyond.</p>]]>
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        <![CDATA[ZHA's Songshan Lake Exhibition and Performance Center Opens in Dongguanm, China]]>
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      <link>https://www.archdaily.com/1042491/zaha-hadid-architects-songshan-lake-exhibition-and-performance-center-opens-in-dongguanm-china</link>
      <pubDate>Wed, 17 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The Songshan Lake Exhibition and Performance Center, designed by <a href="https://www.archdaily.com/office/zaha-hadid-architects" target="_blank" rel="noopener">ZHA</a> in collaboration with the Beijing Institute of Architectural Design, is a new cultural and sports facility in <a href="https://www.archdaily.com/city/dongguan" target="_blank" rel="noopener">Dongguan </a>City, <a href="https://www.archdaily.com/country/china/page/1" target="_blank" rel="noopener">China</a>. It's located in the city's High-Tech Industrial Development Zone, a technological innovation and science city established in 2001 as a hub for research, development, and high-tech manufacturing. Covering a total floor area of 45,000 square metres, the new cultural centre was designed to be a civic and cultural anchor for the Guangdong-Hong Kong-Macao Greater Bay Area (GBA). The construction of the riverside building started in 2021, and the complex was officially opened on March 30, 2026.</p>]]>
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        <![CDATA[Herzog & de Meuron to Redevelop Tirana's Communist-Era Palace of Congresses]]>
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      <link>https://www.archdaily.com/1042313/herzog-and-de-meuron-to-revitalize-tiranas-communist-era-palace-of-congresses</link>
      <pubDate>Wed, 10 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On June 3, 2026, <a href="https://www.archdaily.cl/cl/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a> was selected to revitalize the Palace of Congresses building in <a href="https://www.archdaily.com/tag/tirana" target="_blank" rel="noopener">Tirana</a>, <a href="https://www.archdaily.com/country/albania" target="_blank" rel="noopener">Albania</a>. The project was designed along with collaborators Julian Beqiri, Marsela Demaj, Michel Desvigne Paysagistes (MDP), ARUP, LDK, Gentian Shkurti, SUEB Industries sh.p.k., The Space Factory Ltd, MBBM, and KLAR sh.p.k. The <a href="https://en.wikipedia.org/wiki/Palace_of_Congresses?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Palace of Congresses</a> (or Pallati i Kongreseve) was built during the People's Socialist Republic of Albania and opened in 1986 to host the Congresses of the Party of Labour of Albania and other official activities. The International <a href="/tag/competition">Competition</a> for the Redevelopment of the Palace of Congresses, carried out by the Albanian government, <a href="https://www.kryeministria.al/en/newsroom/hyn-ne-fazen-finale-konkursi-nderkombetar-per-rikualifikimin-e-pallatit-te-kongreseve/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">called for a comprehensive transformation of the building</a> while preserving its historical identity. The project should address serious infrastructural issues and bring the Palace to contemporary standards in terms of technology, functionality, and quality of spaces.</p>]]>
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        <![CDATA[BIG Designs Dual-Volume EVE Music Hall Amid Agricultural Landscape in Čepin, Croatia]]>
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      <link>https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia</link>
      <pubDate>Fri, 05 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG – Bjarke Ingels Group</a> is nearing completion of the EVE <a href="/tag/music-hall">Music Hall</a> in Čepin, eastern <a href="https://www.archdaily.com/country/croatia" target="_blank" rel="noopener">Croatia</a>, designed in collaboration with <a href="https://www.archdaily.com/professional/sirrah-projekt" target="_blank" rel="noopener">SIRRAH projekt</a> and <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.</p>]]>
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        <![CDATA[First Look at the Serpentine Pavilion and Getty Center Modernization Plans Revealed: This Week’s Review]]>
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      <link>https://www.archdaily.com/1042189/first-look-at-the-serpentine-pavilion-and-getty-center-modernization-plans-revealed-this-weeks-review</link>
      <pubDate>Thu, 04 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">This week</a>, architecture's cultural dimension took center stage through a series of new platforms, institutional developments, and public-facing projects that expand how the discipline is discussed, preserved, and experienced. From the announcement of participants for the inaugural <a href="https://www.archdaily.com/tag/pan-african-architecture-biennale">Pan-African Biennale</a> in <a href="https://www.archdaily.com/tag/nairobi/page/1">Nairobi</a> and the unveiling of<a href="https://www.archdaily.com/tag/concentrico"> Concéntrico Festival</a>'s urban interventions across Logroño, to the opening of <a href="https://www.archdaily.com/tag/la-biennale-di-venezia/page/1">La Biennale di Venezia</a>'s new archival headquarters at the <a href="https://www.archdaily.com/tag/arsenale/page/1">Arsenale</a>, architecture emerged as a vehicle for research, exchange, and collective reflection. Alongside these initiatives, projects such as the expansion of <a href="https://www.archdaily.com/tag/crystal-bridges/page/1">Crystal Bridges Museum</a> in <a href="https://www.archdaily.com/tag/arkansas/page/1">Arkansas</a> and the opening of the 2026 <a href="https://www.archdaily.com/tag/serpentine-pavilion/page/1">Serpentine Pavilion</a> demonstrate how cultural institutions continue to invest in new spaces for gathering and engagement. This week's selection spans <a href="https://www.archdaily.com/country/kenya/page/1">Kenya</a>, <a href="https://www.archdaily.com/country/spain/page/1">Spain</a>, <a href="https://www.archdaily.com/country/albania/page/1">Albania</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi Arabia</a>, <a href="https://www.archdaily.com/country/italy/page/1">Italy</a>, <a href="https://www.archdaily.com/country/lebanon/page/1">Lebanon</a>, the <a href="https://www.archdaily.com/country/united-kingdom/page/1">United Kingdom</a>, and the <a href="https://www.archdaily.com/country/united-states/page/1">United States</a>, reflecting the diverse contexts in which cultural institutions, public events, and architectural initiatives continue to evolve.</p>]]>
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        <![CDATA[From Sacred to Public: 5 Disused Churches Reimagined as Cultural Spaces ]]>
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      <link>https://www.archdaily.com/1041970/from-sacred-to-public-5-disused-churches-reimagined-as-cultural-spaces</link>
      <pubDate>Tue, 02 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>The conversion of disused <a href="https://www.archdaily.com/tag/church">religious temples</a> through cultural programs constitutes one of the most compelling <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> strategies in contemporary urban planning. This functional compatibility seems to be rooted in the specific characteristics of <a href="https://www.archdaily.com/tag/church">churches</a>: their central naves offer large-scale, clear floor plans and monumental cross-sections that easily accommodate the volumetric requirements of museums, theaters, or community hubs. Furthermore, the <a href="https://www.archdaily.com/tag/acoustic">acoustic</a> properties inherent to their vaulted ceilings, combined with intentional natural lighting filtered through stained glass windows or domes, create the spatial conditions for activities ranging from the<a href="https://www.archdaily.com/tag/performing-arts"> performing arts</a> to the exhibition of cultural artifacts. By assuming a public and cultural role, these buildings not only avoid demolition or physical abandonment but also preserve their status as urban and identity landmarks within the city fabric, revitalizing their immediate surroundings without altering their historical significance.</p>]]>
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        <![CDATA[Studio NEiDA Designs The Falcon Cinema in Ghana, a Community Art Centre Dedicated to African Film]]>
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      <link>https://www.archdaily.com/1042031/studio-neida-designs-the-falcon-cinema-in-ghana-a-community-art-centre-dedicated-to-african-film</link>
      <pubDate>Mon, 01 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042031/studio-neida-designs-the-falcon-cinema-in-ghana-a-community-art-centre-dedicated-to-african-film</guid>
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        <![CDATA[<p>Designed by <a href="https://www.archdaily.cl/cl/office/studio-neida" target="_blank" rel="noopener">Studio NEiDA</a>, The Falcon <a href="/tag/cinema">Cinema</a> is a community and art centre located in Berekuso, <a href="https://www.archdaily.com/country/ghana" target="_blank" rel="noopener">Ghana</a>, commissioned by film curator and Founding Director Jacqueline Nsiah. The cinema's mission is to create a home for cineastes to preserve Africa's cinematic legacy while hosting critical and creative thinking about contemporary filmmaking on the continent, designed and curated with <a href="https://www.archdaily.com/1041933/pan-african-biennale-unveils-participants-for-its-inaugural-edition-in-nairobi" target="_blank" rel="noopener">a pan-African approach</a>. The programme includes a 250-seat and a 150-seat screening room, a restaurant, an archive, communal spaces, an education hub, and an outdoor cinema. A second compound is planned for a future phase, to house living quarters for filmmakers in residence. Still in the design phase, the project started in 2024 and is expected to be completed in 2027.</p>]]>
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        <![CDATA["A Place Remembers What Has Happened:" Tsuyoshi Tane on Memory as a Design Driver in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</link>
      <pubDate>Wed, 27 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Tsuyoshi Tane</a> is a <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> born in 1979 in <a href="https://www.archdaily.com/tag/tokyo/page/1">Tokyo</a> and based in <a href="https://www.archdaily.com/tag/paris">Paris</a>, where he founded<a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals"> ATTA – Atelier Tsuyoshi Tane Architects</a> in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, filmed in his Paris studio, Tane reflects on <a href="https://www.archdaily.com/tag/architecture">architecture</a> as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, <a href="https://www.archdaily.com/tag/architecture">architecture</a> is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.</p>]]>
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        <![CDATA[MAC Panamá Selects Palma + Taller TO to Design Its New Museum Building]]>
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      <link>https://www.archdaily.com/1041838/mac-panama-selects-palma-plus-taller-to-to-design-its-new-museum-building</link>
      <pubDate>Tue, 26 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041838/mac-panama-selects-palma-plus-taller-to-to-design-its-new-museum-building</guid>
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        <![CDATA[<p>Following <a href="https://www.archdaily.com/1037862/international-design-competition-for-the-new-building-of-the-museum-of-contemporary-art-of-panama" target="_blank" rel="noopener">an international design competition launched in January 2026</a>, the Museum of <a href="/tag/contemporary-art">Contemporary Art</a> of Panama (MAC Panamá) announced the selection of Mexican architects <a href="https://www.archdaily.com/office/palmamx" target="_blank" rel="noopener">Palma </a>+ <a href="https://www.t-o.mx/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Taller TO</a> to design its new building. The museum is described as "a new cultural infrastructure open to the city, conceived from the identity, climate, and landscape of <a href="https://www.archdaily.com/country/panama" target="_blank" rel="noopener">Panama</a>." The future museum headquarters will be located in the corregimiento of San Francisco, to consolidate the area as a hub of cultural activity. The selection criteria involved the relationship between the museum and the city, prioritizing proposals with integrated elements for community engagement and framing the building as a cultural infrastructure, enriching the contemporary urban environment of <a href="https://www.archdaily.com/city/panama" target="_blank" rel="noopener">Panama City</a>.</p>]]>
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