<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: craftsman | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 10 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
      </title>
      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Thu, 09 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a44/f184/bdfc/1a01/8a6a/3a8a/newsletter/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure_2.jpg?1782903177"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Artisans of the Reiwa Era" Documentary Showcases Traditional Japanese Wood Construction and Craftsmanship]]>
      </title>
      <link>https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</link>
      <pubDate>Mon, 13 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</guid>
      <description>
        <![CDATA[<p>Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of <a href="https://www.archdaily.com/city/yokohama" target="_blank" rel="noopener">Yokohama</a>, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from <a href="https://www.archdaily.com/city/kyoto" target="_blank" rel="noopener">Kyoto</a>, <a href="https://www.archdaily.com/city/kamakura" target="_blank" rel="noopener">Kamakura</a>, and other areas of <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>. Rinshunkaku, one of the garden's gems, is a prime example of traditional <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> and <a href="https://www.archdaily.com/tag/wood-construction" target="_blank" rel="noopener">wood construction</a>. Its historical value motivated a large-scale <a href="https://www.archdaily.com/search/projects/categories/restoration/country/japan" target="_blank" rel="noopener">restoration project</a> in 2019, documented in the film <a href="https://vimeo.com/1090404501?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em data-start="968" data-end="995">Artisans of the Reiwa Era</em></a> (<em data-start="997" data-end="1022">Reiwa no Shokunin-tachi</em>), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/687e/60ed/6df6/fa75/08c1/5a3a/newsletter/artisans-of-reiwa-the-restoration-of-rinshunkaku-documentary_1.jpg?1753112833"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Capsule Retreat: Building Through Process in Lebanon’s Mountain Landscape]]>
      </title>
      <link>https://www.archdaily.com/1040414/capsule-retreat-building-through-process-in-lebanons-mountain-landscape</link>
      <pubDate>Mon, 13 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040414/capsule-retreat-building-through-process-in-lebanons-mountain-landscape</guid>
      <description>
        <![CDATA[<p>Set within the mountainous landscape of Zabbougha, <a href="https://www.archdaily.com/tag/Lebanon">Lebanon</a>, <a href="https://eastarchitecture.net/architecture/works/capsule-retreat?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Capsule Retreat by EAST Architecture Studio</a> is shaped through the process of its making. The project unfolds through material decisions, on-site adjustments, and evolving conditions, allowing construction itself to guide its spatial logic.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69d5/caf9/7950/303e/c139/2b8c/newsletter/capsule-retreat-building-through-process-in-the-mountains-of-lebanon_12.jpg?1775618866"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Historic Materials in the Digital Age: How Digitally Assisted Stone Carving Adds a New Dimension to Heritage Restoration ]]>
      </title>
      <link>https://www.archdaily.com/1029725/historic-materials-in-the-digital-age-how-digitally-assisted-stone-carving-adds-a-new-dimension-to-heritage-restoration</link>
      <pubDate>Mon, 29 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029725/historic-materials-in-the-digital-age-how-digitally-assisted-stone-carving-adds-a-new-dimension-to-heritage-restoration</guid>
      <description>
        <![CDATA[<p>Heritage restoration has always been an intricate process that requires delicate balancing between preserving the integrity of historic materials while integrating contemporary techniques that can enhance accuracy, efficiency, and resilience. With <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/multimedia/renovating-centre-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the restoration process of Parliament Hill</a> in <a href="/tag/ottawa">Ottawa</a>, Canada's capital city, this intersection of tradition and technology is now on full display. <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/discover/east-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The East Block</a>, built in 1865, offers a compelling example of how digital tools can support the efforts of heritage restoration and contribute to a centuries-old craft such as stone carving.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6814/34d8/4ea2/d901/8b37/1853/newsletter/historic-materials-in-the-digital-age-how-digitally-assisted-stone-carving-adds-a-new-dimension-to-heritage-restoration_7.jpg?1746154728"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Line of Fragile Radiance: Neon Light as Atelier, Architecture, and Archive]]>
      </title>
      <link>https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive</link>
      <pubDate>Sun, 07 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive</guid>
      <description>
        <![CDATA[<p>The fragility—and temporal beauty—of <a href="https://www.archdaily.com/645768/light-matters-a-flash-back-to-the-glittering-age-of-las-vegas-at-the-neon-museum?ad_source=search&amp;ad_medium=search_result_articles">neon </a>has captivated audiences since the early 1900s. First shown commercially by French engineer Georges Claude at the 1910 Paris Motor Show, neon spread rapidly, achieving <a href="https://northamericansigns.com/golden-age-neon/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">broad popularity in the United States from the 1920s</a> through the 1950s. Mid-century America saw it everywhere: from the casinos of the Las Vegas Strip to roadside motor inns along Route 66 and the spectacle of Times Square. By the latter half of the century, however, many signs were scrapped or left to decay, and numerous municipalities restricted neon as visually garish or power-hungry—<a href="https://www.nationalgeographic.com/travel/article/why-neon-lights-are-glowing-again-across-the-us?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">despite the technology's comparatively modest energy use</a>. In the U.S., renewed interest in neon arguably didn't meaningfully return until the early 2000s.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/692d/41f0/080a/9a74/0ee7/85e6/newsletter/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive_1.jpg?1764573686"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Ornamentation in the Age of Algorithms and Robotics: Can Technology Bring Back Architectural Detail?]]>
      </title>
      <link>https://www.archdaily.com/1036298/ornamentation-in-the-age-of-algorithms-and-robotics-can-technology-bring-back-architectural-detail</link>
      <pubDate>Sun, 30 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036298/ornamentation-in-the-age-of-algorithms-and-robotics-can-technology-bring-back-architectural-detail</guid>
      <description>
        <![CDATA[<p>Architectural ornamentation has been a recurrent <a href="https://www.archdaily.com/777615/synthesized-ornament-and-the-emerging-role-of-minimalist-decoration?ad_source=search&amp;ad_medium=search_result_articles">subject of debate</a> across the industry for decades. A practice that was largely abandoned during the <a href="https://www.archdaily.com/tag/archdaily-topic-2025-100-years-of-modernism">Modernist movement</a> could now be standing on a platform that might, again, allow its resurgence, due to the current convergence of robotics, <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence </a>(AI), and digital fabrication. Technology has seemingly removed the primary obstacle to decorative detail: the high cost of skilled manual labor. However, this new technical capacity demands a critical examination: What does ornamentation truly represent, and what do we gain or lose by resurrecting it through algorithmic design?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6920/abf4/9d2d/f601/8869/3cce/newsletter/ornamentation-in-the-age-of-algorithms-and-robotics-could-technology-allow-the-return-of-architectural-detail_3.jpg?1763748861"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Slovenian Pavilion Highlights the Relationship Between Architect, Craftsman, and Architecture at the Venice Architecture Biennale 2025]]>
      </title>
      <link>https://www.archdaily.com/1030246/slovenian-pavilion-highlights-the-relationship-between-architect-craftsman-and-architecture-at-the-venice-architecture-biennale-2025</link>
      <pubDate>Fri, 16 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030246/slovenian-pavilion-highlights-the-relationship-between-architect-craftsman-and-architecture-at-the-venice-architecture-biennale-2025</guid>
      <description>
        <![CDATA[<p>The Slovenian <a href="/tag/pavilion">Pavilion</a> at <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=1">the 19th International Architecture Exhibition – La Biennale di Venezia</a> presents Master Builders, a project curated by <a href="/tag/ana-kosi">Ana Kosi</a> and <a href="/tag/ognen-arsov">Ognen Arsov</a> and organized by the <a href="https://www.archdaily.com/tag/museum-of-architecture-and-design/page/1">Museum of Architecture and Design</a> (MAO). The project addresses the evolution of <a href="https://www.archdaily.com/tag/construction-technology">construction technology</a>, encompassing robotics, <a href="https://www.archdaily.com/tag/prefabrication">prefabrication</a>, <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence</a>, <a href="https://www.archdaily.com/tag/3d-printing/page/1">3D printing</a>, and other emerging tools, while drawing attention to a notable paradox within this technological shift, and also emphasizing that the quality of the built environment continues to rely heavily on the tacit knowledge of skilled craftsmen. By constructing a series of totems, the project examines the collaborative dynamics between architect and craftsman, revealing how this relationship shapes the material realization of architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6827/051c/fd31/0801/80ca/f396/newsletter/slovenian-pavilion-highlights-the-relationship-between-architect-craftsman-and-architecture-at-the-venice-architecture-biennale-2025_8.jpg?1747387705"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Atelier Brückner Completes the Uzbekistan Pavilion at Expo Osaka 2025]]>
      </title>
      <link>https://www.archdaily.com/1020085/atelier-bruckner-reveals-design-for-the-uzbekistan-pavilion-at-expo-osaka-2025</link>
      <pubDate>Fri, 02 May 2025 04:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020085/atelier-bruckner-reveals-design-for-the-uzbekistan-pavilion-at-expo-osaka-2025</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> has revealed the latest photographs of the pavilion for <a href="https://www.archdaily.com/tag/expo-2025-osaka">Expo 2025 in Osaka</a>, <a href="https://www.archdaily.com/country/japan/page/1">Japan,</a> after the recent opening. Designed by <a href="https://www.archdaily.com/office/atelier-bruckner">Atelier Brückner</a> and realized by NUSSLI, the pavilion aims to showcase the country's vision for the future under the Expo's broader theme, <a href="https://www.archdaily.com/998553/expo-2025-osaka-kansai-japan-announces-opening-dates?ad_campaign=special-tag">"Designing the Future Society for Our Lives."</a> Composed of modular, reusable wooden elements, the pavilion's architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/680b/39dc/7922/e301/8762/bb5b/newsletter/atelier-bruckner-completes-the-uzbekistan-pavilion-at-expo-osaka-2025_4.jpg?1745566230"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Common Sight to Cultural Symbol: The Rise and Decline of Bamboo Scaffolding in Hong Kong]]>
      </title>
      <link>https://www.archdaily.com/1029052/from-common-sight-to-cultural-symbol-the-rise-and-decline-of-bamboo-scaffolding-in-hong-kong</link>
      <pubDate>Sun, 20 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029052/from-common-sight-to-cultural-symbol-the-rise-and-decline-of-bamboo-scaffolding-in-hong-kong</guid>
      <description>
        <![CDATA[<p>The<a href="https://www.archdaily.com/793364/watch-how-bamboo-scaffolding-was-used-to-build-hong-kongs-skyscrapers"> bamboo scaffolding</a> building typology—temporary, agile, and deeply rooted in tradition—particularly, the <a href="https://www.icho.hk/en/web/icho/representative_list_bamboo_theatre.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">bamboo shed theatre building</a> technique, is recognized as an item of Intangible <a href="/tag/cultural-heritage">Cultural Heritage</a> in <a href="https://www.archdaily.com/country/hong-kong">Hong Kong</a>. As one walks through the city, especially in busy urban districts, it's nearly impossible not to encounter a bamboo scaffold within a five-minute radius. <a href="/tag/bamboo">Bamboo</a> scaffolding is arguably the most iconic construction material in Hong Kong, valued for its abundance, sustainability, flexibility, adaptability, and—most importantly—scalability. These qualities have contributed to its widespread use in <a href="https://www.archdaily.com/1023454/climate-responsive-temporary-pavilions-exploring-4-ephemeral-structures-across-europe?ad_source=search&amp;ad_medium=search_result_articles">temporary construction</a>, from building maintenance and renovations to festival stages and sporting events.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67fc/05fd/7d32/1801/88d8/8eb4/newsletter/from-common-sight-to-cultural-symbol-the-rise-and-decline-of-bamboo-scaffolding-in-hong-kong_1.jpg?1744569859"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Who Is Liu Jiakun? 10 Things to Know About the 2025 Pritzker Architecture Laureate]]>
      </title>
      <link>https://www.archdaily.com/1027570/who-is-liu-jiakun-10-things-to-know-about-the-2025-pritzker-architecture-laureate</link>
      <pubDate>Tue, 04 Mar 2025 09:59:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027570/who-is-liu-jiakun-10-things-to-know-about-the-2025-pritzker-architecture-laureate</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/liu-jiakun">Liu Jiakun,</a> the 2025 <a href="/tag/pritzker-prize">Pritzker Prize</a> winner, has spent decades redefining Chinese architecture by combining utopia with function and social engagement with personal memory. His buildings are reflections of the everyday lives of ordinary people, crafted with an understanding of place, culture, and <a href="https://www.archdaily.com/tag/materiality">materiality</a>. Rejecting the pursuit of a fixed architectural style, Jiakun believes in a strategy rather than a signature aesthetic, tailoring each project to its specific <a href="https://www.archdaily.com/tag/contextualism">context</a> and needs. His work integrates history with contemporary <a href="https://www.archdaily.com/tag/urban-design">urban needs</a>, collectivism with individual experience, and density with openness, offering timely solutions to the challenges of rapid urbanization.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67c6/05bd/2e62/9501/89ca/48a3/newsletter/new_3.jpg?1741030853"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Exploring Fluid Forms in Indian Architecture: A Cultural Perspective]]>
      </title>
      <link>https://www.archdaily.com/1024861/exploring-fluid-forms-in-indian-architecture-a-cultural-perspective</link>
      <pubDate>Mon, 23 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024861/exploring-fluid-forms-in-indian-architecture-a-cultural-perspective</guid>
      <description>
        <![CDATA[<p>This year marked another milestone for Indian architects in pushing the boundaries of contemporary practice nationwide. A noticeable trend among the projects featured on ArchDaily has been the embrace of fluid forms, a subtle homage to vernacular practices that parallels a gradual departure from India's legacy of modernist design rhetoric. Indian architecture praxis has evolved to reflect a deeper engagement with local contexts alongside a willingness to experiment with global influences. This approach is likely to subsist in the coming years, opening the door for new architectural expressions in the country.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6761/f136/8d8d/7f01/87d6/b301/newsletter/exploring-fluid-forms-in-indian-architecture-a-cultural-perspective_4.jpg?1734471997"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Creating Harmony with the Place: In Conversation with Kengo Kuma]]>
      </title>
      <link>https://www.archdaily.com/1011041/creating-harmony-with-the-place-in-conversation-with-kengo-kuma</link>
      <pubDate>Thu, 25 Apr 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011041/creating-harmony-with-the-place-in-conversation-with-kengo-kuma</guid>
      <description>
        <![CDATA[<p>The 3<sup>rd</sup> edition of <a href="https://www.shapingthecity.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Shaping the City</a>, a forum on sustainable urban development, took place in <a href="/tag/venice">Venice</a> between November 24-25, following successful events in Chicago and New Orleans. Organized by the European Cultural Centre, this forum was running in parallel to the 2023 Venice <a href="/tag/architecture">Architecture</a> Biennial exhibition, Time Space Existence. The event, hosted at Palazzo Michiel del Brusà in Cannaregio, brings together global urban planners, architects, academics, and politicians. Notably, <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Japanese architect Kengo Kuma</a> was among the experts invited to explore the intersection of nature and the built environment in Japanese architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6579/98db/96f8/0c5d/3654/da90/newsletter/creating-harmony-with-the-place-in-conversation-with-kengo-kuma_4.jpg?1702467825"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Merits of Greenwashing: Social Stigma around Natural Construction in India]]>
      </title>
      <link>https://www.archdaily.com/1013861/the-merits-of-greenwashing-social-stigma-around-natural-construction-in-india</link>
      <pubDate>Wed, 28 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013861/the-merits-of-greenwashing-social-stigma-around-natural-construction-in-india</guid>
      <description>
        <![CDATA[<p>In recent years, <a href="https://www.archdaily.com/992851/pioneering-the-revival-of-earth-architecture-egypt-france-and-india">India has seen a resurgence of interest in natural building materials</a>, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65de/9f80/d898/3c75/86c6/e859/newsletter/the-merits-of-greenwashing-natural-materials-and-construction-in-india_1.jpg?1709088648"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Indoor-Outdoor Homes in Lithuania: 20 Projects with Oversized Windows that Invite Nature]]>
      </title>
      <link>https://www.archdaily.com/1009749/indoor-outdoor-homes-in-lithuania-20-projects-with-oversized-windows-that-invite-nature</link>
      <pubDate>Wed, 15 Nov 2023 04:00:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009749/indoor-outdoor-homes-in-lithuania-20-projects-with-oversized-windows-that-invite-nature</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/lithuania">Lithuania</a>'s architectural narrative is a mosaic of diverse influences and styles, representing its historical evolution, cultural heritage, and resilience through changing times. Despite a focus on traditional <a href="https://www.archdaily.com/tag/craftsmanship">craftsmanship</a>, functional <a href="https://www.archdaily.com/tag/minimalism">minimalism</a>, and <a href="https://www.archdaily.com/tag/sustainability">sustainable materials</a>, the country's design language has been profoundly influenced by its geopolitical position and historical events, resulting in a blend of styles from different periods. A key factor that cuts across all expressions, however, is Lithuanian architecture's seamless connection with its <a href="https://www.archdaily.com/tag/nature">natural</a> surroundings.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6554/4217/f96c/7675/3e07/1106/newsletter/indoor-outdoor-homes-in-lithuania-20-projects-with-oversized-windows-that-highlight-nature_24.jpg?1700020765"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Customizable Bathroom Fittings With Re-Purposed and Crystal Glass Materials]]>
      </title>
      <link>https://www.archdaily.com/1007990/customizable-bathroom-fittings-with-re-purposed-and-crystal-glass-materials</link>
      <pubDate>Tue, 17 Oct 2023 06:45:00 +0000</pubDate>
      <dc:creator>Camila Prieto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1007990/customizable-bathroom-fittings-with-re-purposed-and-crystal-glass-materials</guid>
      <description>
        <![CDATA[<p>In addition to contributing to the functionality of the space, bathroom fittings underlie the overall aesthetics of a chosen design style. Within their technical features –as well as the possible materials, finishes, and styles–, fittings play a role in both the visual appeal of a space, while also focusing on comfort and user experience. This is part of <a href="https://www.dornbracht.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Dornbracht's</a> continuous re-imagination of bathrooms as living spaces, in which the brand seeks to create innovative solutions based on proportion, precision, progressiveness, performance, and personality. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6524/54d2/6fa7/bc20/0bd6/213c/newsletter/customizing-bathroom-fittings-mem-collection-in-collaboration-with-nature-squared-and-glass-design_16.jpg?1696879859"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Crafts against Climate Change: Eco-materials from India ]]>
      </title>
      <link>https://www.archdaily.com/987512/crafts-against-climate-change-eco-materials-from-india</link>
      <pubDate>Mon, 22 Aug 2022 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/987512/crafts-against-climate-change-eco-materials-from-india</guid>
      <description>
        <![CDATA[<p>Indians have traditionally lived close to the earth, their cultures shaped by symbiotic relationships with ecosystems. Indian arts and crafts strongly <a href="https://scroll.in/magazine/846278/from-kashmir-to-telangana-environmental-degradation-is-destroying-indian-craft-traditions?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">rely on nature</a> for its form, philosophy, and existence. Native landscapes aroused the artistic sensibilities of resident communities, evolving craft practices that met utilitarian and ritualistic needs. The intersectionality of ecology and culture is evident through ancestral forms of craft. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62fe/6424/d09c/777f/981b/45dd/newsletter/crafts-against-climate-change-eco-materials-from-india_4.jpg?1660838976"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pasadena Heritage Craftsman Weekend]]>
      </title>
      <link>https://www.archdaily.com/904460/pasadena-heritage-craftsman-weekend</link>
      <pubDate>Mon, 22 Oct 2018 18:11:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/904460/pasadena-heritage-craftsman-weekend</guid>
      <description>
        <![CDATA[<p>In its 27th year, Pasadena Heritage will present the Annual Craftsman Weekend on November 9-11, 2018. The Weekend will feature house tours of notable Craftsman properties, along with bus and walking tours of the surrounding neighborhoods. Other events scheduled include a Show and Sale with exhibitors of antique and contemporary furniture and decorative arts, a silent auction, workshops and presentations. In addition, Pasadena Heritage will be offering exclusive receptions at historic locations throughout the weekend.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5bce/3c7c/f197/cc4d/db00/002a/newsletter/open-uri20181022-17063-1guil4i.jpg?1540242548"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Markham Place Neighborhood Walking Tour]]>
      </title>
      <link>https://www.archdaily.com/901792/markham-place-neighborhood-walking-tour</link>
      <pubDate>Mon, 10 Sep 2018 13:10:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/901792/markham-place-neighborhood-walking-tour</guid>
      <description>
        <![CDATA[<p>The Governor Markham Landmark District is one of the oldest neighborhoods in the City of Pasadena, and residences included in the District parallel Pasadena&rsquo;s growth from incorporation as a city in 1886. Ninety-four percent of the homes were constructed between 1891 and 1933. This area became an official Landmark District in 2005 and was listed on the National Register of Historic Places in 2012, nominated by Pasadena Heritage.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5b96/973f/f197/ccf4/0a00/036f/newsletter/open-uri20180910-6510-3ph4l1.jpg?1536595762"></enclosure>
    </item>
  </channel>
</rss>
