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    <title>Tag: contemporary-art | ArchDaily</title>
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        <![CDATA[MVRDV and Balance Architettura to Renovate Turin's Civic Gallery of Modern and Contemporary Art]]>
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      <link>https://www.archdaily.com/1054001/mvrdv-and-balance-architettura-to-renovate-turins-civic-gallery-of-modern-and-contemporary-art</link>
      <pubDate>Mon, 06 Jul 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/mvrdv?ad_source=search&amp;ad_medium=search_result_professionals">MVRDV</a> and <a href="https://www.archdaily.com/office/balance-architettura-bla?ad_source=search&amp;ad_medium=search_result_professionals">Balance Architettura</a> have unveiled their proposal for the renovation of the Civic Gallery of Modern and <a href="https://www.archdaily.com/tag/contemporary-art">Contemporary Art</a> (GAM) in <a href="https://www.archdaily.com/tag/turin/page/1">Turin</a>, <a href="https://www.archdaily.com/country/italy/page/1">Italy</a>, following their selection through a public competition in December 2025. The project seeks to restore the spatial qualities of the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a>'s 1959 building while introducing new exhibition strategies, publicly accessible storage, and flexible display systems designed to accommodate evolving curatorial needs. Conceived as both an architectural <a href="https://www.archdaily.com/tag/restoration">restoration</a> and an institutional transformation, the proposal aims to reconnect the museum with the surrounding city while adapting it to contemporary approaches to exhibition-making and public engagement. The project is supported by Fondazione Torino Musei and funded by Fondazione Compagnia di San Paolo, and the construction is expected to begin during the second half of 2027.</p>]]>
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        <![CDATA[MAC Panamá Selects Palma + Taller TO to Design Its New Museum Building]]>
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      <link>https://www.archdaily.com/1041838/mac-panama-selects-palma-plus-taller-to-to-design-its-new-museum-building</link>
      <pubDate>Tue, 26 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Following <a href="https://www.archdaily.com/1037862/international-design-competition-for-the-new-building-of-the-museum-of-contemporary-art-of-panama" target="_blank" rel="noopener">an international design competition launched in January 2026</a>, the Museum of <a href="/tag/contemporary-art">Contemporary Art</a> of Panama (MAC Panamá) announced the selection of Mexican architects <a href="https://www.archdaily.com/office/palmamx" target="_blank" rel="noopener">Palma </a>+ <a href="https://www.t-o.mx/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Taller TO</a> to design its new building. The museum is described as "a new cultural infrastructure open to the city, conceived from the identity, climate, and landscape of <a href="https://www.archdaily.com/country/panama" target="_blank" rel="noopener">Panama</a>." The future museum headquarters will be located in the corregimiento of San Francisco, to consolidate the area as a hub of cultural activity. The selection criteria involved the relationship between the museum and the city, prioritizing proposals with integrated elements for community engagement and framing the building as a cultural infrastructure, enriching the contemporary urban environment of <a href="https://www.archdaily.com/city/panama" target="_blank" rel="noopener">Panama City</a>.</p>]]>
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        <![CDATA[8 National Pavilion Highlights from the 2026 Venice Art Biennale]]>
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      <link>https://www.archdaily.com/1041443/8-national-pavilion-highlights-from-the-2026-venice-art-biennale</link>
      <pubDate>Wed, 13 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>In December 2024, <a href="https://www.archdaily.com/1024394/venice-art-biennale-appoints-koyo-kouoh-as-director-of-the-61st-international-art-exhibition?ad_campaign=normal-tag" target="_blank" rel="noopener">art curator Koyo Kouoh became the first African woman selected to curate the 61st International Art Exhibition of La Biennale di Venezia</a>. She proposed an introspective and sensitive approach to the exhibition, shaped by themes of grief, memory, spirituality, and global exhaustion. Following her premature passing in May 2025, the Biennale decided to continue with the same curatorial project, titled In Minor Keys. <a href="https://www.archdaily.com/office/wolff-architects" target="_blank" rel="noopener">Wolff Architects </a>was appointed by <a href="https://www.archdaily.com/tag/koyo-kouoh" target="_blank" rel="noopener">Kouoh </a>in early 2025 to realize the exhibition design and scenography, focused on "the transformative spatial power of the threshold as a portal to alternative comprehension and experiences." The event was inaugurated on Saturday, May 9, and will run until Sunday, November 22, 2026, across the <a href="/tag/giardini">Giardini</a> della Biennale, the <a href="/tag/arsenale">Arsenale</a> di Venezia, and other locations throughout Venice.</p>]]>
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        <![CDATA[In Other Worlds by Liam Young Reimagines Cities, Landscapes, and Climate Futures at the Barbican Centre]]>
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      <link>https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre</link>
      <pubDate>Fri, 08 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/barbican">The Barbican Centre</a> has announced In Other Worlds, a major immersive <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> by speculative architect, filmmaker, and artist <a href="https://www.archdaily.com/tag/liam-young/page/1">Liam Young</a>, opening from May 21 through September 6, 2026. Occupying three distinct locations within the <a href="https://www.archdaily.com/tag/barbican">Barbican</a> complex, the Silk Street Entrance, The Curve gallery, and Car Park 5, the exhibition will transform <a href="https://www.archdaily.com/1024907/the-barbican-center-to-undergo-major-renewal-and-upgrade-planned-to-begin-first-phase-in-2027?ad_campaign=normal-tag">the Brutalist cultural landmark</a> into a sequence of cinematic environments examining <a href="https://www.archdaily.com/tag/architecture">architecture</a>, infrastructure, climate futures, and planetary urbanism. Developed in collaboration with writers, scientists, filmmakers, musicians, and performers, the project brings together large-scale projections, LED installations, sound environments, graphic narratives, costumes, and speculative artifacts to explore how fiction and spatial storytelling can shape conversations around environmental and technological change.</p>]]>
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        <![CDATA[Kengo Kuma & Associates Present Site-Specific Installation “Earth | Tree” at Copenhagen Contemporary]]>
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      <link>https://www.archdaily.com/1040347/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary</link>
      <pubDate>Fri, 03 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> <a href="https://www.archdaily.com/tag/kengo-kuma/page/1">Kengo Kuma</a> and his studio <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma &amp; Associates (KKAA)</a> have unveiled Earth | Tree, a site-specific installation at <a href="https://www.archdaily.com/tag/copenhagen/page/1">Copenhagen</a> Contemporary, developed in collaboration with Danish <a href="https://www.archdaily.com/tag/wood">wood manufacturer</a> Dinesen. Opened on March 28, 2026, as part of the institution's CCreate programme, the project occupies a former industrial hall, introducing a spatial intervention defined by <a href="/tag/timber">timber</a>, brick, and light. Led by partner <a href="/tag/yuki-ikeguchi">Yuki Ikeguchi</a>, with team members Asger T. Taarnberg, Nicolas Guichard, and Yasemin Shiner, the installation marks <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">KKAA</a>'s first <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> in <a href="https://www.archdaily.com/tag/scandinavia/page/1" target="_blank" rel="noopener">Scandinavia</a> and situates the studio's material-oriented practice within an exhibition format.</p>]]>
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        <![CDATA[Diriyah Contemporary Art Biennale 2026 Opens at JAX District in Saudi Arabia]]>
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      <link>https://www.archdaily.com/1038758/diriyah-contemporary-art-biennale-2026-opens-at-jax-district-in-saudi-arabia</link>
      <pubDate>Fri, 13 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The third edition of the <a href="https://www.archdaily.com/tag/diriyah/page/1">Diriyah</a> <a href="https://www.archdaily.com/tag/contemporary-art">Contemporary Art</a> <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a> opened on January 30, 2026, and will remain on view through May 2, 2026, in <a href="https://www.archdaily.com/tag/riyadh/page/1">Riyadh</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi Arabia</a>. Organized by <a href="https://www.archdaily.com/1025750/diriyah-biennale-foundation-bricklab?ad_source=search&amp;ad_medium=projects_tab">the Diriyah Biennale Foundation</a>, the Biennale takes place at <a href="/tag/jax-district">JAX District</a>, a former industrial area in <a href="https://www.archdaily.com/tag/diriyah/page/1">Diriyah</a> near the <a href="https://www.archdaily.com/tag/unesco-world-heritage-site/page/1">UNESCO World Heritage Site</a> of At-Turaif. Titled "في الحِلّ والترحال" / <em>In Interludes and Transitions</em>, the exhibition is led by Co-Artistic Directors Nora Razian and Sabih Ahmed, while Milan-based architect Sammy Zarka contributed as the Associate Architect and Exhibition Designer. The exhibition scenography is designed by <a href="https://www.archdaily.com/tag/formafantasma/page/1">Formafantasma</a>, and the event brings together more than 65 artists from over 37 countries, including more than 25 newly commissioned works.</p>]]>
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        <![CDATA[Forum, Depot, Maze: Toward a Plural Ecology of Museums]]>
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      <link>https://www.archdaily.com/1037909/forum-depot-maze-toward-a-plural-ecology-of-museums</link>
      <pubDate>Thu, 29 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[Snøhetta and BIAD Break Ground for the New Beijing Art Museum in Tongzhou]]>
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      <link>https://www.archdaily.com/1037818/snohetta-and-biad-break-ground-for-the-new-beijing-art-museum-in-tongzhou</link>
      <pubDate>Wed, 14 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037818/snohetta-and-biad-break-ground-for-the-new-beijing-art-museum-in-tongzhou</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta?ad_source=search&amp;ad_medium=search_result_professionals">Snøhetta</a>, in collaboration with the <a href="https://www.archdaily.com/office/beijing-institute-of-architectural-design/page/1">Beijing Institute of Architectural Design (BIAD)</a>, has won the international competition to design the Beijing Art Museum in <a href="https://www.archdaily.com/tag/tongzhou">Tongzhou District</a>, <a href="https://www.archdaily.com/tag/beijing/page/1">Beijing</a>. The project officially broke ground on December 31, 2025, with completion and public opening anticipated in 2029. Conceived as a new landmark for the eastern part of the city, the museum will form part of <a href="https://www.archdaily.com/tag/tongzhou">Tongzhou</a>'s cultural and civic development strategy as <a href="https://www.archdaily.com/tag/beijing/page/1">Beijing</a>'s sub-center. The commission marks <a href="https://www.archdaily.com/tag/snohetta">Snøhetta</a>'s second major cultural project in the <a href="https://www.archdaily.com/country/china/page/1">Chinese</a> capital, following the <a href="https://www.archdaily.com/1024024/beijing-sub-center-library-snohetta?ad_source=search&amp;ad_medium=projects_tab">Beijing Library</a>, which opened to the public in 2023 and has since become a key reference for contemporary <a href="https://www.archdaily.com/tag/civic-architecture">civic architecture</a> in the city.</p>]]>
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        <![CDATA[SANAA’s Taichung Art Museum and Library Complex Opens as a New Public Cultural Landmark in Taiwan]]>
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      <link>https://www.archdaily.com/1034405/sanaa-unveils-images-of-the-design-for-taichung-art-museum-and-library-complex-in-taiwan</link>
      <pubDate>Fri, 02 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="108" data-end="732">The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled <em>A Call of All Beings: See You Tomorrow, Same Time, Same Place</em>. The building, designed by <a href="https://www.archdaily.com/office/sanaa" target="_blank" rel="noopener">SANAA</a>, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm <a href="https://www.archdaily.com/office/ricky-liu-and-associates" target="_blank" rel="noopener">Ricky Liu &amp; Associates</a>. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for <a href="https://www.archdaily.com/city/taichung" target="_blank" rel="noopener">Taichung</a>, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central <a href="https://www.archdaily.com/country/taiwan" target="_blank" rel="noopener">Taiwan</a>.</p>]]>
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        <![CDATA[Renzo Piano Building Workshop Begins Construction of the KYKLOS Cultural Center in Piraeus, Greece]]>
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      <link>https://www.archdaily.com/1033522/renzo-piano-building-workshop-reveals-design-for-kyklos-cultural-center-in-piraeus-greece</link>
      <pubDate>Thu, 01 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="275" data-end="1030"><a href="https://www.archdaily.com/office/renzo-piano-building-workshop" target="_blank" rel="noopener">Renzo Piano Building Workshop</a>, in collaboration with Betaplan Architects (Athens) and landscape architect Camille Muller (Paris), has broken ground on a new cultural center in <a href="https://www.archdaily.com/city/piraeus" target="_blank" rel="noopener">Piraeus</a>, the port of <a href="https://www.archdaily.com/city/athens" target="_blank" rel="noopener">Athens</a>. Commissioned by The Dinos and Lia Martinos Foundation (DLMF), the project seeks to establish an international hub connected to similar art centers abroad, open to the local community, students, and visitors, and contributing to the urban and cultural fabric of the <a href="https://www.archdaily.com/city/athens" target="_blank" rel="noopener">Athens</a> metropolitan area. The complex, called <a href="https://kyklosartscentre.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">KYKLOS</a>, is planned to host contemporary art collections and cultural programming with an international outlook. Initiated in 2023, the project is currently in development, with construction planned to extend through the last quarter of 2028.</p>]]>
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        <![CDATA[Limbo Museum Opens Its Debut Exhibition Within an Unfinished Brutalist Building in Ghana, West Africa]]>
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      <link>https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa</link>
      <pubDate>Wed, 12 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The Limbo Museum is a new institution dedicated to architecture, art, and design based in <a href="https://www.archdaily.com/country/ghana" target="_blank" rel="noopener">Ghana</a>, <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>. The museum challenges the concept of the ruin, operating from a formerly abandoned <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">Brutalist estate</a> that currently conveys the image of an unfinished building. The project was founded by <a href="https://www.archdaily.com/tag/limbo-accra" target="_blank" rel="noopener">Limbo Accra</a>, a spatial design and research-based practice established in 2018 by <a href="/tag/dominique-petit-frere">Dominique Petit-Frère</a> and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond." On October 31, 2025, the museum opened its first public exhibition, <em>On the Other Side of Languish</em> by Reginald Sylvester II, developed through the institution's visiting artist residency program.</p>]]>
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        <![CDATA[Kéré Architecture Breaks Ground on Museum Ehrhardt in Plüschow, Germany]]>
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      <link>https://www.archdaily.com/1035447/kere-architecture-breaks-ground-on-museum-ehrhardt-museum-in-pluschow-germany</link>
      <pubDate>Tue, 28 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Construction has officially begun on the Museum Ehrhardt in <a href="/tag/pluschow">Plüschow</a>, northeast <a href="https://www.archdaily.com/country/germany" target="_blank" rel="noopener">Germany</a>, marking the first cultural project in Germany by <a href="https://www.archdaily.com/tag/francis-kere" target="_blank" rel="noopener">Francis Kéré</a> and his firm <a href="https://www.archdaily.com/office/kere-architecture" target="_blank" rel="noopener">Kéré Architecture</a>, as well as their first museum building in Europe. Developed in cooperation with <a href="https://www.archdaily.com/office/hk-architekten-hermann-kaufmann-plus-partner-zt" target="_blank" rel="noopener">HK Architekten and Hermann Kaufmann + Partner ZT GmbH</a>, the 1,400-square-meter museum will be dedicated to <a href="https://www.archdaily.com/tag/photography" target="_blank" rel="noopener">photography</a> and <a href="https://www.archdaily.com/tag/contemporary-art" target="_blank" rel="noopener">contemporary art</a>. The initiative was launched by Dr. Jens Ehrhardt, son of the artist Alfred Ehrhardt (1901–1984), together with his wife Elke Weicht-Ehrhardt, to honor the painter, photographer, and filmmaker who was a leading figure of <a href="https://www.archdaily.com/1027267/van-nelle-factory-the-story-behinf-a-modernist-icon-in-rotterdam" target="_blank" rel="noopener">Germany's New Objectivity movement</a>. The museum will stand near the Baltic Sea, adjacent to Schloss Plüschow, an artist residency and gallery.</p>]]>
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        <![CDATA[Fondation Cartier Reopens in Jean-Nouvel-Designed Paris Building With Exhibition by Formafantasma ]]>
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      <link>https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma</link>
      <pubDate>Mon, 20 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On October 25, 2025, the <a href="https://www.archdaily.com/tag/fondation-cartier" target="_blank" rel="noopener">Fondation Cartier </a>Pour l'Art Contemporain will open its new premises to the public with an inaugural exhibition drawn from its own Collection, entitled <em>Exposition Générale</em>. Located in the heart of <a href="https://www.archdaily.com/city/paris" target="_blank" rel="noopener">Paris</a>, the new space occupies a Haussmannian building that once housed the Grands Magasins du Louvre, <a href="https://www.archdaily.com/1021421/fondation-cartier-reveals-plans-to-move-into-a-historic-landmark-in-paris-reimagined-by-jean-nouvel" target="_blank" rel="noopener">recently reimagined by Jean Nouvel</a>. Conceived as a dynamic architecture with five mobile platforms, the building was designed to expand the possibilities of a traditional exhibition venue. These mechanisms aim to accommodate all forms of visual expression, including <a href="https://www.archdaily.com/tag/photography" target="_blank" rel="noopener">photography</a>, <a href="https://www.archdaily.com/tag/cinema" target="_blank" rel="noopener">cinema</a>, the <a href="https://www.archdaily.com/tag/performing-arts" target="_blank" rel="noopener">performing arts</a>, <a href="https://www.archdaily.com/tag/science" target="_blank" rel="noopener">science</a>, and <a href="https://www.archdaily.com/tag/craft" target="_blank" rel="noopener">craft</a>, within a space that resonates with <a href="https://www.archdaily.com/1018153/from-haussmann-to-the-olympics-the-ever-evolving-city-of-paris" target="_blank" rel="noopener">the urban life of Paris</a> and engages with questions of urban planning and ecology. Within these parameters, the inaugural exhibition brings together more than 600 works by over 100 artists in a contemporary scenography designed by <a href="https://www.archdaily.com/tag/formafantasma" target="_blank" rel="noopener">Formafantasma</a>.</p>]]>
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        <![CDATA[Choreographing Space: Architecture and Dance as Interdisciplinary Practices]]>
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      <link>https://www.archdaily.com/1033981/choreographing-space-architecture-and-dance-as-interdisciplinary-practices</link>
      <pubDate>Thu, 18 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>"Dance, dance… otherwise we are lost." This oft-cited phrase by <a href="https://www.archdaily.com.br/br/tag/pina-bausch">Pina Bausch</a> encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and <a href="https://www.archdaily.com/tag/body-and-architecture">contested through the body</a>. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.</p>]]>
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        <![CDATA[Uzbekistan’s Inaugural Bukhara Biennial 2025 Opens Across Restored Historic Landmarks]]>
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      <link>https://www.archdaily.com/1034009/uzbekistans-inaugural-bukhara-biennial-2025-opens-across-restored-historic-landmarks</link>
      <pubDate>Wed, 10 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The inaugural edition of the <a href="/tag/bukhara-biennial">Bukhara Biennial</a> opened on September 5, 2025, bringing over 70 site-specific commissions by more than 200 participants from 39 countries to the historic core of the <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbek</a> city. Commissioned by the <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> <a href="https://www.archdaily.com/tag/art">Art</a> and <a href="https://www.archdaily.com/tag/culture">Culture</a> Development Foundation (ACDF) and Commissioner Gayane Umerova, the <a href="https://www.archdaily.com/tag/biennial/page/1">Biennial</a> is described as the largest and most diverse cultural event in <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a> to date. Curated by <a href="/tag/diana-campbell">Diana Campbell</a> under the theme <em>Recipes for Broken Hearts</em>, the ten-week event is staged across a constellation of newly <a href="https://www.archdaily.com/tag/restoration">restored</a> sites, including madrassas, caravanserais, and <a href="https://www.archdaily.com/tag/mosques">mosques</a>, all part of Bukhara's <a href="https://www.archdaily.com/tag/unesco/page/1">UNESCO</a> <a href="https://www.archdaily.com/tag/world-heritage">World Heritage</a> listing. Beyond an <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> platform, the <a href="https://www.archdaily.com/tag/biennial/page/1">biennial</a> is framed as part of a broader master plan, positioning culture as a catalyst for urban <a href="https://www.archdaily.com/tag/transformation">transformation</a> and <a href="https://www.archdaily.com/tag/heritage">heritage</a> renewal.</p>]]>
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        <![CDATA[Studio KO Transforms Industrial Landmark into Tashkent’s Centre for Contemporary Arts]]>
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      <link>https://www.archdaily.com/1033909/studio-ko-transforms-industrial-landmark-into-tashkents-centre-for-contemporary-arts</link>
      <pubDate>Mon, 08 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> Art and Culture Development Foundation (ACDF) has announced the <a href="https://www.archdaily.com/tag/transformation">transformation</a> of a 1912 industrial building in <a href="https://www.archdaily.com/tag/tashkent/page/1">Tashkent</a> into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to <a href="https://www.archdaily.com/tag/contemporary-art">contemporary art</a> and <a href="https://www.archdaily.com/tag/research">research</a> in <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a>. Designed by the <a href="https://www.archdaily.com/tag/french/page/1">French</a> architecture practice <a href="https://www.archdaily.com/tag/studio-ko/page/1">Studio KO</a>, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's <a href="https://www.archdaily.com/tag/industrial">industrial</a> <a href="https://www.archdaily.com/tag/heritage">heritage</a> with a new cultural identity for the <a href="https://www.archdaily.com/tag/historic">historic site</a>. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for <a href="https://www.archdaily.com/tag/tashkent/page/1">Tashkent</a>'s first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a>'s long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.</p>]]>
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        <![CDATA[Learning from Artists: New Perspectives on Public Space]]>
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      <link>https://www.archdaily.com/1030983/learning-from-artists-new-perspectives-on-public-space</link>
      <pubDate>Thu, 19 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/public-space">Public space</a> has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary masterplans</a>, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.</p>]]>
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        <![CDATA[Ernesto Neto’s Textile Art Installation at Paris’ Grand Palais Captured by Paul Clemence]]>
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      <link>https://www.archdaily.com/1031097/ernesto-netos-textile-art-installation-at-paris-grand-palais-captured-by-paul-clemence</link>
      <pubDate>Thu, 12 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="136" data-end="713">The exhibition "Nosso Barco Tambor Terra" by Brazilian artist <a href="https://www.archdaily.com/tag/ernesto-neto" target="_blank" rel="noopener">Ernesto Neto</a>, held at the <a href="https://www.archdaily.com/1019485/le-grand-palais-renovation-chatillon-architectes" target="_blank" rel="noopener">recently renovated Grand Palais</a> in <a href="https://www.archdaily.com/city/paris" target="_blank" rel="noopener">Paris</a> from June 6 to July 25, 2025, is a large-scale, <a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">immersive installation</a> that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and <a href="https://www.archdaily.com/tag/indigenous" target="_blank" rel="noopener">Indigenous cultures</a>, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The <a href="/tag/textile">textile</a> installation was recently captured by <a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">photographer Paul Clemence</a>, who sought to portray its architectural qualities.</p>]]>
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