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    <title>Tag: construction-technology | ArchDaily</title>
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        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[Shamballa Opens in Italy as a 3D-Printed Research Site Exploring Self-Sufficient Sustainable Living]]>
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      <link>https://www.archdaily.com/1042422/shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living</link>
      <pubDate>Mon, 15 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Shamballa, an 8-hectare open-air laboratory and research site dedicated to sustainable living and advanced architectural <a href="https://www.archdaily.com/tag/3d-printing" target="_blank" rel="noopener">3D printing</a>, was inaugurated on June 8, 2026, in the hills of the Emilia-Romagna region in northern <a href="https://www.archdaily.com/country/italy" target="_blank" rel="noopener">Italy</a>. The project is a collaboration between WASP, a 3D printing technology company, and Olfattiva, an aromatherapy and botanical perfumery company, hosting a makers laboratory, a medicinal <a href="https://www.archdaily.com/tag/botanic-garden" target="_blank" rel="noopener">botanical garden</a>, and "Itaca," a self-sufficient farm built using 3D printing. The building was designed as a model for 3D-printed construction, representing a certified and replicable structure. The outdoor areas host research and development centers, forming an experimental "ecosystem" to develop new ideas in bio-construction and sustainable living, along with automated gardens, rainwater harvesting systems, and initiatives focused on micro circular economies.</p>]]>
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        <![CDATA[Expanding Practice: Architecture Think Tanks at the Intersection of Research and Design]]>
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      <link>https://www.archdaily.com/1029255/expanding-practice-architecture-think-tanks-at-the-intersection-of-research-and-design</link>
      <pubDate>Wed, 31 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In <a href="https://www.archdaily.com/tag/architecture">architecture</a>, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, <a href="https://www.archdaily.com/1009199/our-cities-arent-dead-yet">how cities are changing</a>, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: <a href="https://www.archdaily.com/tag/studio">studios</a>, <a href="https://www.archdaily.com/tag/collective">collectives</a>, and <a href="https://www.archdaily.com/tag/foundation">foundations</a> that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.</p>]]>
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        <![CDATA[Barriers to BIM: Why India’s Construction Culture Slows Technology Adoption]]>
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      <link>https://www.archdaily.com/1032759/barriers-to-bim-why-indias-construction-culture-slows-technology-adoption</link>
      <pubDate>Mon, 04 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>Touted as the new era in construction, Building Information Modeling (BIM) has captured global attention with its <a href="https://www.archdaily.com/888727/what-is-bim-and-why-does-it-seem-to-be-fundamental-in-the-current-architectural-design" target="_blank" rel="noopener">promise of seamless coordination, trimmed budgets, and newfound efficiencies</a>. Yet in India's construction landscape, the adoption of technology tells a more nuanced story about cultural barriers and technical limitations.</p>]]>
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        <![CDATA[Slovenian Pavilion Highlights the Relationship Between Architect, Craftsman, and Architecture at the Venice Architecture Biennale 2025]]>
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      <link>https://www.archdaily.com/1030246/slovenian-pavilion-highlights-the-relationship-between-architect-craftsman-and-architecture-at-the-venice-architecture-biennale-2025</link>
      <pubDate>Fri, 16 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The Slovenian <a href="/tag/pavilion">Pavilion</a> at <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=1">the 19th International Architecture Exhibition – La Biennale di Venezia</a> presents Master Builders, a project curated by <a href="/tag/ana-kosi">Ana Kosi</a> and <a href="/tag/ognen-arsov">Ognen Arsov</a> and organized by the <a href="https://www.archdaily.com/tag/museum-of-architecture-and-design/page/1">Museum of Architecture and Design</a> (MAO). The project addresses the evolution of <a href="https://www.archdaily.com/tag/construction-technology">construction technology</a>, encompassing robotics, <a href="https://www.archdaily.com/tag/prefabrication">prefabrication</a>, <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence</a>, <a href="https://www.archdaily.com/tag/3d-printing/page/1">3D printing</a>, and other emerging tools, while drawing attention to a notable paradox within this technological shift, and also emphasizing that the quality of the built environment continues to rely heavily on the tacit knowledge of skilled craftsmen. By constructing a series of totems, the project examines the collaborative dynamics between architect and craftsman, revealing how this relationship shapes the material realization of architecture.</p>]]>
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        <![CDATA[From Common Sight to Cultural Symbol: The Rise and Decline of Bamboo Scaffolding in Hong Kong]]>
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      <link>https://www.archdaily.com/1029052/from-common-sight-to-cultural-symbol-the-rise-and-decline-of-bamboo-scaffolding-in-hong-kong</link>
      <pubDate>Sun, 20 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The<a href="https://www.archdaily.com/793364/watch-how-bamboo-scaffolding-was-used-to-build-hong-kongs-skyscrapers"> bamboo scaffolding</a> building typology—temporary, agile, and deeply rooted in tradition—particularly, the <a href="https://www.icho.hk/en/web/icho/representative_list_bamboo_theatre.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">bamboo shed theatre building</a> technique, is recognized as an item of Intangible <a href="/tag/cultural-heritage">Cultural Heritage</a> in <a href="https://www.archdaily.com/country/hong-kong">Hong Kong</a>. As one walks through the city, especially in busy urban districts, it's nearly impossible not to encounter a bamboo scaffold within a five-minute radius. <a href="/tag/bamboo">Bamboo</a> scaffolding is arguably the most iconic construction material in Hong Kong, valued for its abundance, sustainability, flexibility, adaptability, and—most importantly—scalability. These qualities have contributed to its widespread use in <a href="https://www.archdaily.com/1023454/climate-responsive-temporary-pavilions-exploring-4-ephemeral-structures-across-europe?ad_source=search&amp;ad_medium=search_result_articles">temporary construction</a>, from building maintenance and renovations to festival stages and sporting events.</p>]]>
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        <![CDATA[The Economics of Vertical Growth in India: Addressing Urban Density and Sprawl]]>
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      <link>https://www.archdaily.com/1028945/the-economics-of-vertical-growth-in-india-addressing-urban-density-and-sprawl</link>
      <pubDate>Mon, 14 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>India finds itself a watershed moment with its urban evolution. With the United Nations projecting <a href="https://www.un.org/development/desa/en/news/population/2018-revision-of-world-urbanization-prospects.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">urbanization to reach 68% by 2050</a>, the country's metropolitan regions needs to adapt to increasing populations while maintaining equity and quality of life. India's urban population is expected to exceed 600 million by 2030, drawing attention to both urban density and sprawl. As an emerging player in the domain of high-rise development, <a href="/tag/india">India</a> is restructuring how it engages with urban growth by shifting from horizontal sprawl to vertical expansion.</p>]]>
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