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    <title>Tag: concrete | ArchDaily</title>
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    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
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      <title>
        <![CDATA[How Buildner’s Concrete Pavilion Winners Are Rethinking Architecture's Most Common Material]]>
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      <link>https://www.archdaily.com/1041618/how-buildners-concrete-pavilion-winners-are-rethinking-architectures-most-common-material</link>
      <pubDate>Tue, 02 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p><a href="https://architecturecompetitions.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Buildner</a> has announced the results of its competition, the <a href="https://architecturecompetitions.com/concretepavilion/archd?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Concrete Pavilion</strong></a>. Part of Buildner's Material Studies series, the competition invited architects and designers to explore the architectural potential of <a href="/tag/concrete">concrete</a> through the design of an experimental pavilion. Participants were challenged to reconsider the material beyond its conventional use, investigating its spatial, structural, and sensory possibilities.</p>]]>
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        <![CDATA[Beyond the Shell: Félix Candela’s Palacio de los Deportes for the 1968 Mexico Olympics]]>
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      <link>https://www.archdaily.com/1041169/beyond-the-shell-felix-candelas-palacio-de-los-deportes-for-the-1968-mexico-olympics</link>
      <pubDate>Fri, 08 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>When <a href="https://www.archdaily.com/tag/mexico-city">Mexico City</a> hosted the <a href="https://www.archdaily.com/tag/olympics">Olympics</a> in <a href="/tag/1968">1968</a>, it was the first time the Games had been awarded to a Latin American country as well as the first time for a Spanish-speaking nation to host them. This made the games a good opportunity to <a href="https://www.olympics.com/ioc/news/mexico-1968-the-games-that-broke-the-mould?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">project Mexico and its culture</a> internationally, thus prompting the government to constitute an organizing committee with prominent local talent. They appointed <a href="https://mexiconewsdaily.com/culture/who-was-pedro-ramirez-vazquez-mexicos-genius-modernist/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pedro Ramírez Vázquez</a> as its president, a Mexican architect who held significant influence over the state's mid-century building program. <a href="https://informesdelaconstruccion.revistas.csic.es/index.php/informesdelaconstruccion/article/view/3795/4283?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">His approach</a> was explicit: architecture as a synthesis of international modernist technique with Pre-Columbian references and local material culture. Under his direction, the committee would oversee the construction and adaptation of venues distributed across the southern districts of Mexico City, nearly all designed and built by local architects, engineers, and technicians. </p>]]>
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        <![CDATA[Espai Verd: The Habitable Utopia of Valencia's Green Cathedral]]>
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      <link>https://www.archdaily.com/1041037/espai-verd-the-habitable-utopia-of-valencias-green-cathedral</link>
      <pubDate>Wed, 06 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Even the most distracted passerby is captured by the <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">monumental</a> presence of this structure located in the established <a href="https://www.archdaily.com/795699/courtyard-residence-in-benimaclet-carmel-gradoli-and-arturo-sanz-architects">Valencian</a> neighborhood of <a href="https://www.archdaily.com.br/br/city/valencia">Benimaclet</a>. Before it, any attempt at rational comprehension dissolves. The constructive logic seems to slip away as space unfolds in tensions and detours where nothing is immediately revealed. Between masses of <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">concrete</a> and the insurgency of <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">vegetation</a>, an almost choreographic play of planes, angles, and rotations emerges. In the vertigo of this encounter, one realizes that the building was not designed to be understood, but to be experienced.</p>]]>
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        <![CDATA[The Alchemy of Mass: Peter Zumthor and the Perception of Lightness]]>
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      <link>https://www.archdaily.com/1040865/the-alchemy-of-mass-peter-zumthor-and-the-perception-of-lightness</link>
      <pubDate>Fri, 24 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>Architecture begins as an encounter with gravity. It is t<a href="https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus" target="_blank" rel="noopener">he ancient act of placing weight upon the earth</a>, of persuading matter to stand, hold, and shelter. Within this fundamental condition of heaviness, however, lies a quieter possibility: density itself can generate a sense of lightness—a perceptual condition in which the body, fully convinced of matter's weight, begins to experience space as suspension.</p>]]>
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        <![CDATA[Peter Zumthor’s LACMA David Geffen Galleries Open in Los Angeles]]>
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      <link>https://www.archdaily.com/1040778/peter-zumthors-lacma-david-geffen-galleries-open-in-los-angeles</link>
      <pubDate>Mon, 20 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On Sunday, April 19, 2026, the<a href="https://www.archdaily.com/tag/los-angeles-county-museum-of-art"> Los Angeles County Museum of Art</a> (<a href="https://www.archdaily.com/tag/lacma">LACMA</a>) opened its new David Geffen <a href="/tag/galleries">Galleries</a> to the public. Designed by architect<a href="https://www.archdaily.com/tag/peter-zumthor"> Peter Zumthor</a>, the building offers an elevated exhibition space for the museum's permanent collection. All artworks are presented in a single-level open space, in a non-hierarchical layout of cultures, traditions, and eras, spanning 6,000 years of art history across approximately 155,000 objects. The space is flexible, accommodating diverse curatorial projects as well as visitors' individual paths.<a href="https://www.archdaily.com/1023049/lacma-sets-april-2026-opening-for-peter-zumthor-designed-galleries-in-los-angeles-united-states?ad_campaign=normal-tag"> The project marks a new step in the institution's two-decade transformation</a> into a global art museum and the most comprehensive in the western United States.</p>]]>
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        <![CDATA[Capsule Retreat: Building Through Process in Lebanon’s Mountain Landscape]]>
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      <link>https://www.archdaily.com/1040414/capsule-retreat-building-through-process-in-lebanons-mountain-landscape</link>
      <pubDate>Mon, 13 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>Set within the mountainous landscape of Zabbougha, <a href="https://www.archdaily.com/tag/Lebanon">Lebanon</a>, <a href="https://eastarchitecture.net/architecture/works/capsule-retreat?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Capsule Retreat by EAST Architecture Studio</a> is shaped through the process of its making. The project unfolds through material decisions, on-site adjustments, and evolving conditions, allowing construction itself to guide its spatial logic.</p>]]>
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        <![CDATA[How to Measure the Life Cycle of a Construction Material?]]>
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      <link>https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</link>
      <pubDate>Tue, 31 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</guid>
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        <![CDATA[<p>As a major driver of <a href="https://www.archdaily.com/tag/natural-resources" target="_blank" rel="noopener">natural resource</a> consumption, <a href="https://www.archdaily.com/tag/energy" target="_blank" rel="noopener">energy</a> use, and <a href="https://www.archdaily.com/tag/greenhouse-gas-emissions" target="_blank" rel="noopener">greenhouse gas emissions</a>, the construction industry has a significant impact on the environment, <a href="https://www.unep.org/resources/report/global-status-report-buildings-and-construction-20242025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">consuming 32% of global energy and contributing to 34% of global CO₂ emissions</a>. Building materials play a crucial role in shaping the built environment. Through principles of circular economy, renewable and self-sufficient solutions, and technological innovations, analyzing the environmental performance of each material highlights the opportunity to review and assess the different stages of its life cycle.</p>]]>
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        <![CDATA[Christian Kerez’s Pearling Path Car Parks Being Demolished in Muharraq, Bahrain]]>
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      <link>https://www.archdaily.com/1039913/christian-kerezs-pearling-path-car-parks-being-demolished-in-muharraq-bahrain</link>
      <pubDate>Tue, 24 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1024951/four-car-parks-christian-kerez?ad_source=search&amp;ad_medium=projects_tab">Parking structures</a> designed by <a href="https://www.archdaily.com/tag/christian-kerez/page/1">Christian Kerez</a> along the <a href="https://www.archdaily.com/1030426/muharraq-architecture-city-guide-10-projects-through-the-bahraini-citys-developing-pearling-path?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Pearling Path in Bahrain</a> are being demolished as part of an ongoing redevelopment initiative in <a href="https://www.archdaily.com/tag/muharraq/page/1">Muharraq</a>. <a href="https://alwatannews.net/uploads/pdf/2026/02/28/watan-20260228-1.pdf?ts=015513&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Local reports state</a> that the removal of the car parks is tied to a broader plan to reorganize the historic area and improve access to key heritage sites, including the Sheikh Isa bin Ali House. While the full extent of the intervention has not been officially detailed, available information indicates that multiple structures within the four-part project are affected and that work is already underway.</p>]]>
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        <![CDATA[OMA / Shohei Shigematsu Designs Ellipsoidal Pavilion for Mushroom Cultivation at Casa Wabi in Oaxaca, Mexico]]>
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      <link>https://www.archdaily.com/1039439/oma-shohei-shigematsu-designs-ellipsoidal-pavilion-for-mushroom-cultivation-at-casa-wabi-in-oaxaca-mexico</link>
      <pubDate>Mon, 09 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039439/oma-shohei-shigematsu-designs-ellipsoidal-pavilion-for-mushroom-cultivation-at-casa-wabi-in-oaxaca-mexico</guid>
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        <![CDATA[<p>A domed, ellipsoidal pavilion for mushroom production designed by <a href="https://www.archdaily.com/office/oma" target="_blank" rel="noopener">OMA </a>for <a href="https://www.archdaily.com/885736/fundacion-casa-wabi-headquarters-alberto-kalach" target="_blank" rel="noopener">Fundación Casa Wabi</a> opened on March 4, 2026. The building is located within Casa Wabi's 25-hectare site in <a href="https://www.archdaily.com/city/oaxaca" target="_blank" rel="noopener">Oaxaca</a>, <a href="https://www.archdaily.com/country/mexico" target="_blank" rel="noopener">Mexico</a>, on the Pacific coast, about 30 minutes from the city of <a href="https://www.archdaily.com/city/puerto-escondido" target="_blank" rel="noopener">Puerto Escondido</a>. Casa Wabi is a foundation created by artist Bosco Sodi that promotes the exchange of ideas between artists of various disciplines and local communities. <a href="https://www.archdaily.com/788480/wabi-house-tadao-ando-architect-and-associates" target="_blank" rel="noopener">The foundation's flagship building was designed by Japanese architect Tadao Ando</a> and completed in 2014. The OMA-designed pavilion adds a new space for cultivating mushrooms and fostering exchange between food, art, nature, and local communities to the foundation's facilities, which include a multipurpose palapa, six bedrooms, two enclosed studios, six open studios, a screening room and auditorium, a 450-m² exhibition hall, and various workspaces.</p>]]>
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        <![CDATA[Intestines of a Building: Aziza Chaouni on Architecture’s Systems and Resources]]>
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      <link>https://www.archdaily.com/1038912/intestines-of-a-building-aziza-chaouni-on-architectures-systems-and-resources</link>
      <pubDate>Sun, 01 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>In an age so obsessed with skincare and appearances, few architects are truly interested in the intestines of our buildings. With a practice rooted in<a href="https://www.archdaily.com/1036611/beyond-universal-models-the-turn-toward-situated-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> contextual awareness </a>and technical pragmatism, sensitive to the needs of the people it serves and to resource limitations, Moroccan architect <a href="https://www.archdaily.com/tag/aziza-chaouni-projects" target="_blank" rel="noopener">Aziza Chaouni</a> focuses on the hidden systems that allow architecture to be. Over the past two decades, she has been working on projects across different geographies, <a href="https://www.archdaily.com/1038830/land-of-wells-designing-for-saharan-nomads" target="_blank" rel="noopener">particularly in the Saharan region</a>, actively engaging with its communities and heritage.</p>]]>
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        <![CDATA[Calibrated Rawness: Studio 1:1 and the Discipline of Making in Hong Kong and Beyond]]>
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      <link>https://www.archdaily.com/1038994/calibrated-rawness-studio-1-1-and-the-discipline-of-making-in-hong-kong-and-beyond</link>
      <pubDate>Thu, 26 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>In Hong Kong, where <a href="https://www.archdaily.com/1037695/from-industry-to-the-living-room-metal-furniture-in-interior-architecture?ad_source=search&amp;ad_medium=search_result_articles">interiors</a> and small buildings are routinely caught between two extremes—high-gloss "luxury" <a href="https://www.archdaily.com/1038239/rethinking-interior-surfaces-from-finishes-to-frameworks?ad_source=search&amp;ad_medium=search_result_articles">finishes</a> on one end, and budget-cautious industrial roughness on the other—a third attitude has emerged through the <a href="https://www.archdaily.com/1035639/dialogue-with-the-code-calibrating-standards-for-adaptive-reuse-to-thrive?ad_source=search&amp;ad_medium=search_result_articles">calibration</a> of both: a uniquely precise, relevant, and materially honest execution that is not dependent on price point. This is calibrated rawness. Calibrated rawness describes an architecture that retains the directness of matter and materiality—concrete, metal, blockwork, <a href="https://www.archdaily.com/999584/uncoated-11-apartments-with-visible-structure?ad_source=search&amp;ad_medium=search_result_articles">exposed structure</a>, visible services—while subjecting it to rigorous control.</p>]]>
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        <![CDATA[Beyond Imported Icons: Tao Ho and a Local Modernism for Hong Kong]]>
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      <link>https://www.archdaily.com/1038835/beyond-imported-icons-reading-hong-kong-through-tao-ho</link>
      <pubDate>Thu, 19 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>When Hong Kong's architectural story is told, it is often reduced to a handful of icons. Many people most readily name<a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize?ad_medium=office_landing&amp;ad_name=article"> I.M. Pei</a>—Pritzker Prize laureate and architect of the <a href="https://www.archdaily.com/153297/ad-classics-bank-of-china-tower-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Bank of China Tower</a> in Central (1990), as well as global works such as the <a href="https://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Le Grand Louvre</a> in Paris and the <a href="https://www.archdaily.com/639108/miho-museum-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Miho Museum</a> in Shiga. Looking elsewhere, one also encounters a long lineage of British and international architects whose imprints have shaped the city's institutional skyline: from Ron Phillips' civic works—most notably the former Murray Building (1969), now <a href="https://www.archdaily.com/894626/the-murray-foster-plus-partners?ad_source=search&amp;ad_medium=projects_tab">The Murray Hotel</a>, and <a href="/tag/hong-kong">Hong Kong</a> City Hall (1962)—to Norman Foster's infrastructural and corporate monuments, including the Hongkong and Shanghai Banking Corporation (HSBC) Tower (1986) and Hong Kong International Airport (1998), and, more recently, Zaha Hadid Architects' <a href="https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects?ad_source=search&amp;ad_medium=search_result_articles">The Henderson</a> (2024).</p>]]>
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        <![CDATA[Architecture as a Living Medium: Get to Know the Works of IGArchitects]]>
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      <link>https://www.archdaily.com/1037835/architecture-as-a-living-medium-get-to-know-the-works-of-igarchitects</link>
      <pubDate>Fri, 16 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[<p>Founded in 2020 by Masato Igarashi,<a href="https://www.archdaily.com/office/igarchitects" target="_blank" rel="noopener"> IGArchitects</a> is an architectural practice based in <a href="/tag/tokyo">Tokyo</a> and <a href="/tag/saitama">Saitama</a>, <a href="/tag/japan">Japan</a>. The studio, one of <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">the winners of the ArchDaily 2025 Next Practices Awards,</a> explores enduring architecture through a careful yet assertive treatment of structure, scale, and materiality. Prior to establishing his own practice, Igarashi worked at the large-scale firm Shimizu Sekkei as well as the Suppose Design Office, gaining experience across projects ranging from major developments to smaller, concept-driven works. This breadth of experience continues to inform IGArchitects' current focus on residential and commercial architecture across Japan.</p>]]>
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        <![CDATA[How Architects Are Responding to Technology That Turns Buildings into Carbon Sinks]]>
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      <link>https://www.archdaily.com/1036678/how-architects-are-responding-to-technology-that-turns-buildings-into-carbon-sinks</link>
      <pubDate>Tue, 09 Dec 2025 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>During the <em>Time Space Existence </em>exhibition, organized by the European Cultural Centre in Venice, the building-solutions company <a href="https://www.holcim.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Holcim</a> and Pritzker Prize-winning architect Alejandro Aravena, with his firm <a href="/tag/elemental">ELEMENTAL</a>, unveiled a full-scale prototype that introduces a new approach in incremental housing solutions.</p>]]>
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        <![CDATA[Interior Design Trends of 2025]]>
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      <link>https://www.archdaily.com/1036727/interior-design-trends-of-2025</link>
      <pubDate>Tue, 09 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>As 2025 approaches its end, we look back at an eventful year in the world of interior design. <a href="https://www.archdaily.com/1024255/10-interior-design-trends-of-2024" target="_blank" rel="noopener">Last year</a>, designers favored reserved, modest approaches, a trend that continued from previous years. The emergence of artificial intelligence generated intense discussions on digital equity and misinformation, which continued into 2025, especially with the topic of the Venice <a href="/tag/architecture">Architecture</a> Biennale, <a href="https://www.archdaily.com/1031098/an-unfolding-crisis-with-a-hopeful-outlook-highlights-from-the-projects-exhibited-at-venice-architecture-biennale-2025" target="_blank" rel="noopener">Intelligens</a>. This opened the conversation to the opportunities of digital technologies, attempting a more hopeful outlook. On the other hand, completed interior design projects over the year focused more on the tangible and the pragmatic, with expressed raw materials and an appreciation of history.</p>]]>
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        <![CDATA[Architecture in Ecuador: 16 Projects Rooted in Territory, Craft, and Collective Practice ]]>
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      <link>https://www.archdaily.com/1036387/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice</link>
      <pubDate>Sat, 06 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>Between the <a href="https://www.archdaily.com/tag/andes" target="_blank" rel="noopener">Andes</a>, the coast, and the <a href="https://www.archdaily.com/tag/amazon" target="_blank" rel="noopener">Amazon</a>, <a href="https://www.archdaily.com/country/ecuador" target="_blank" rel="noopener">Ecuador's architecture</a> has evolved as a reflection of its layered geography, a place where climate, topography, and culture unite. Throughout the territory, architecture has been an act of adaptation: from <a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">vernacular traditions</a> rooted in collective labor and local materials to the colonial and modernist influences that reshaped its cities. This diversity has produced distinct constructive systems, from <a href="https://www.archdaily.com/1000165/bamboo-in-architecture-same-material-different-uses" target="_blank" rel="noopener">bamboo</a> and <a href="https://www.archdaily.com/1007191/bamboo-in-latin-american-housing-10-houses-revealing-the-future-of-the-material-in-architecture" target="_blank" rel="noopener">cane structures</a> along the coast to earth and stone constructions in the Andes, forming an archive of <a href="https://www.archdaily.com/tag/adaptability" target="_blank" rel="noopener">adaptive design</a> that continues to influence contemporary practice. </p>]]>
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        <![CDATA[Design Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia]]>
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      <link>https://www.archdaily.com/1036211/design-ethos-of-subtraction-and-addition-10-adaptive-reuse-projects-for-commercial-and-social-spaces-in-asia</link>
      <pubDate>Fri, 21 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
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        <![CDATA[<p>While <a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a> has been increasingly acknowledged as a vital architectural strategy worldwide, <a href="https://www.archdaily.com/1018525/hong-kongs-adaptive-reuse-projects-a-case-study-in-urban-renewal-for-cities-with-a-colonial-history" target="_blank" rel="noopener">its discourse and implementation in Asia are still expanding</a>—driven by growing ecological awareness and a shifting understanding of architectural knowledge. Rather than accelerating a developmentalist model centered on demolition and new construction, architects today are confronted with a different approach to the built environment: treating the existing structure as a resource—an archive of materials, spatial organizations, and informal histories.</p>]]>
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        <![CDATA[Elemental Shores in the Asia-Pacific: Concrete Recasts the Beach House]]>
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      <link>https://www.archdaily.com/1036100/elemental-shores-in-the-asia-pacific-concrete-recasts-the-beach-house</link>
      <pubDate>Thu, 20 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Living <a href="https://www.archdaily.com/995242/rest-on-the-beach-5-hotels-on-the-brazilian-coast?ad_source=search&amp;ad_medium=search_result_articles">by the beach</a> has long been a defining aspiration—drawn by the promise of tempered <a href="https://www.archdaily.com/1027467/designing-in-harmony-with-nature-architecture-in-urban-wetlands-and-the-pursuit-of-territorial-well-being?ad_source=search&amp;ad_medium=search_result_articles">nature</a>, privacy, and immediate access to the water. Historically, <a href="https://www.archdaily.com/298762/ad-round-up-beach-houses-part-vi?ad_source=search&amp;ad_medium=search_result_articles">beach houses</a> tended to be rustic and pared back: partly because servicing remote sites and delivering materials was difficult, and partly because their charm lay in being closer to <a href="https://www.archdaily.com/1012356/elements-of-a-complete-architecture-the-furniture-of-louis-i-kahn?ad_source=search&amp;ad_medium=search_result_articles">the elements</a>—simpler, rougher, more direct.</p>]]>
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