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    <title>Tag: computational-design | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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      <title>
        <![CDATA[Facing the Age of Robots? Material Innovation in Architectural Structures]]>
      </title>
      <link>https://www.archdaily.com/1039340/facing-the-age-of-robots-material-innovation-in-architectural-structures</link>
      <pubDate>Tue, 10 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="0" data-end="420">By exploring the art of robotics in construction, advances in architectural technologies are increasingly shaping multiple aspects of human life. From robotic arms and drones to robots that move across large surfaces and even <a href="https://www.archdaily.com/1005043/infographic-the-evolution-of-3d-printing-in-architecture-since-1939" target="_blank" rel="noopener">3D printing</a> robots, their use in construction is accelerating research and the development of new working methods, as well as <a href="https://www.archdaily.com/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic" target="_blank" rel="noopener">structural and material experimentation</a>. In collaboration with multiple disciplines and spanning various facets of architecture, the role of robots in the contemporary landscape demonstrates a potential that extends beyond merely automating processes or reducing construction times and costs. This raises the question: Are we building architecture to serve technology, or technology to serve architecture?</p>]]>
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        <![CDATA[Error 404: Architectural Memory in the Age of Algorithms]]>
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      <link>https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</link>
      <pubDate>Sat, 07 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038820/error-404-architectural-memory-in-the-age-of-algorithms</guid>
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        <![CDATA[<p>Before the digital turn, architecture's memory was largely tangible. It lived in the weight of drawings, the patina of models, and the thickness of books. To preserve architecture meant to preserve its traces, the documents, sketches, and photographs through which buildings could be remembered long after their material form had changed or disappeared. The <a href="https://www.archdaily.com/tag/modern-architecture">modern architectural archive</a>, as it developed in the 20th century, was both a refuge and a device of legitimacy. Institutions such as the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture">Canadian Centre for Architecture</a>, <a href="https://www.archdaily.com.br/br/tag/casa-da-arquitectura">Casa da Arquitectura</a>, or the <a href="https://www.archdaily.com/tag/deutsches-architekturmuseum">Deutsches Architekturmuseum</a> were built upon the conviction that to preserve architecture was to preserve its documents.</p>]]>
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        <![CDATA[Compute Isn’t Weightless: AI Infrastructure and the Architecture of the City]]>
      </title>
      <link>https://www.archdaily.com/1039268/compute-isnt-weightless-ai-infrastructure-and-the-architecture-of-the-city</link>
      <pubDate>Thu, 05 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>As <a href="https://www.archdaily.com/1007802/will-artificial-intelligence-replace-architects?ad_source=search&amp;ad_medium=search_result_articles">artificial intelligence</a> continues to disrupt sectors of the economy and reshape entire industries, institutions and individuals alike are bracing—and rapidly adapting—to the changes that <a href="https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice?ad_source=search&amp;ad_medium=search_result_articles">machines</a> seem to hold over our heads. Yet the more precise pressure is not simply <a href="https://www.archdaily.com/1007802/will-artificial-intelligence-replace-architects?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">AI</a> altering the way people work and live, but the <a href="https://www.archdaily.com/1032520/the-economics-of-authenticity-heritage-preservation-in-mumbai-as-a-business-model?ad_source=search&amp;ad_medium=search_result_articles">business models</a> and investment logics of the companies developing these systems: the concentration of capital, the new requirements for compute, the race for compartmentalized talent, and the <a href="https://www.archdaily.com/1036992/the-invisible-city-indias-urban-infrastructure-projects-of-2025-that-deserve-attention?ad_source=search&amp;ad_medium=search_result_articles">infrastructural footprint</a> needed to sustain it. In the Greater Bay Area—anchored by Guangzhou, <a href="/tag/shenzhen">Shenzhen</a>, and Hong Kong—this dynamic is especially pronounced. Government-led initiatives are actively accelerating the industry's growth, with policy and planning mechanisms beginning to translate an ostensibly intangible field into physical form: zoning updates, earmarked land, and the emergence of AI-oriented building types, from research laboratories to large-scale data centers.</p>]]>
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        <![CDATA[Kumamoto Exhibition Explores Shoei Yoh’s Pioneering Timber Structures and Computational Design]]>
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      <link>https://www.archdaily.com/1039339/kumamoto-exhibition-explores-shoei-yohs-pioneering-timber-structures-and-computational-design</link>
      <pubDate>Thu, 05 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The Contemporary Art Museum of <a href="https://www.archdaily.com/tag/kumamoto" target="_blank" rel="noopener">Kumamoto </a>and the <a href="https://shoeiyoh.com/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Shoei Yoh Archive</a> at Kyushu University are honoring the late Japanese architect Shoei Yoh with an exhibition on view at the museum through March 9. The architect, who passed away on January 8, 2026, was born in Kumamoto in 1940 and, throughout his career, worked across product design, interiors, and architecture. He is recognized as a pioneer of contemporary <a href="/tag/timber">timber</a> construction and for his early contributions to computational design. The exhibition revisits his projects in Kumamoto through drawings and models from the Shoei Yoh Archive at Kyushu University.</p>]]>
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        <![CDATA[Designing With Living Systems: Discover the Works of Yong Ju Lee Architecture]]>
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      <link>https://www.archdaily.com/1038009/designing-with-living-systems-discover-the-works-of-yong-ju-lee-architecture</link>
      <pubDate>Sun, 25 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>What does it mean <a href="https://www.archdaily.com/1036916/circular-composites-designing-for-a-sustainable-future?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">to practice ecological responsibility beyond performance metrics or carbon calculations?</a> How can fabrication become a design method rather than a final outcome? Founded in <a href="https://www.archdaily.com/tag/seoul?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Seoul</a>, <a href="https://www.archdaily.com/office/yong-ju-lee-architecture" target="_blank" rel="noopener">Yong Ju Lee Architecture i</a>s a practice led by architect and researcher Yong Ju Lee. Across installations, <a href="https://www.archdaily.com/tag/research?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">research-driven</a> proposals, and cultural projects, the studio positions architecture as an experimental discipline rooted in making: a process in which design emerges from <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">material</a> behavior, prototyping, and fabrication logic as much as from drawing or representation. Bridging professional practice and academia, his work consistently <a href="https://www.archdaily.com/1035072/every-second-counts-every-space-matters-15-contemporary-fire-stations?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">expands the architectural toolkit through computational design, experimental material research, and an evolving commitment to ecology</a> as a responsibility and a design driver. In 2025, the studio was selected as a winner of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">ArchDaily Next Practices Awards.</a></p>]]>
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        <![CDATA[ATN Summit 2026: From an Online Platform to a New Architecture and Technology Conference]]>
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      <link>https://www.archdaily.com/1037886/atn-summit-2026-from-an-online-platform-to-a-new-architecture-and-technology-conference</link>
      <pubDate>Thu, 22 Jan 2026 07:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Founded by Oliver Thomas, the ATN Summit is the first flagship conference of the <a href="https://archi-tech.network/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Archi-Tech Network</a>, marking five years since the platform began as a grassroots initiative to share real-world architectural knowledge. Taking place on March 18–19, 2026, in <a href="/tag/london">London</a>, the <a href="https://www.atn-summit.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">ATN Summit</a> brings together architects, technologists, and industry innovators to explore how emerging technologies are reshaping architectural practice. Designed as a high-production, ideas-driven event, the Summit reflects ATN's evolution from an informal online conversation into a global platform actively engaging with the future of the <a href="https://www.archdaily.com/tag/built-environment" target="_blank" rel="noopener">built environment</a>.</p>]]>
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        <![CDATA[Computational Soundscapes: Sculpting the Visual and Invisible Dimension]]>
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      <link>https://www.archdaily.com/1036333/computational-soundscapes-sculpting-the-visual-and-invisible-dimension</link>
      <pubDate>Mon, 01 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>What defines a space first when entering: the sound or the visual impression? Architecture is often communicated through structure and surfaces, yet one of its most essential components moves unseen through the air: sound. <a href="https://www.archdaily.com/972913/what-is-soundscape-and-what-does-it-have-to-do-with-architecture">It shapes how a space feels long before a wall or ceiling is noticed</a>. Computational design brings these dimensions together, allowing architects and designers to create unique structures where acoustics and aesthetics inform one another rather than exist in parallel. By leveraging advanced algorithms, complex design processes transform into intuitive, accessible solutions that shape bespoke acoustic and visual highlights for every project. This approach combines parametric logic with material innovation, balancing efficiency, sustainability, and expressive design in equal measure.</p>]]>
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        <![CDATA[The Architect as a Scientist: New Materials Emerging Between Science and Design]]>
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      <link>https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</link>
      <pubDate>Tue, 23 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/960128/what-is-architecture-according-to-our-readers?ad_source=search&amp;ad_medium=search_result_articles">What is architecture?</a> For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and <a href="https://www.archdaily.com/930967/archdailys-best-articles-about-wood?ad_source=search&amp;ad_medium=search_result_articles">wood</a> of early buildings to the steel and <a href="/tag/concrete">concrete</a> of the 20th century, each era demanded not only an understanding of form but also of the <a href="https://www.archdaily.com/1030705/thinking-globally-building-locally-glocalization-and-the-ethical-use-of-materials?ad_source=search&amp;ad_medium=search_result_articles">properties and potential of the materials in use</a>. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.</p>]]>
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        <![CDATA[Architecture in the Age of Platforms: What Role Does Software Play in Practice Today?]]>
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      <link>https://www.archdaily.com/1031629/architecture-in-the-age-of-platforms-what-role-does-software-play-in-practice-today</link>
      <pubDate>Tue, 01 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031629/architecture-in-the-age-of-platforms-what-role-does-software-play-in-practice-today</guid>
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        <![CDATA[<p>How many software tools and platforms are involved today in developing a contemporary project? From designing a single-family house to a public library, relying on just one or two programs is no longer common. Instead, multiple tools combine, overlap, and interact <a href="https://www.archdaily.com/941296/visualizing-the-invisible-illustrating-structural-and-comfort-analyses?ad_source=search&amp;ad_medium=search_result_articles">throughout various stages, including analysis</a>, design, rendering, coordination, and construction. This widespread <a href="https://www.archdaily.com/1030348/the-tactile-twin-why-models-still-matter-in-a-virtual-world?ad_source=search&amp;ad_medium=search_result_articles">use of software in the virtual world</a> reflects not only the technical complexity of today's practice but also a more subtle yet equally significant shift: <a href="https://www.archdaily.com/tag/software">software</a> has become less a specific tool and more an environment that accompanies and even challenges the process.</p>]]>
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        <![CDATA[From Smart to Intelligent: Evolution in Architecture and Cities ]]>
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      <link>https://www.archdaily.com/1030477/from-smart-to-intelligent-evolution-in-architecture-and-cities</link>
      <pubDate>Mon, 26 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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      <description>
        <![CDATA[<p>"The limits of our design language are the limits of our design thinking". <a href="https://www.archdaily.com/920240/patrik-schumacher-on-parametric-design-and-the-early-days-of-zaha-hadid-architects">Patrik Schumacher's statement subtly hints</a> at a shift occurring in the built environment, moving beyond technological integration to embrace intelligence in the spaces and cities we occupy. The future proposes a possibility of buildings serving functions beyond housing human activity to actively participate in shaping urban life.</p>]]>
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        <![CDATA[Vernacular Building and AI: Can Data Alone Bridge the Gap?]]>
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      <link>https://www.archdaily.com/1030019/vernacular-building-and-ai-can-data-alone-bridge-the-gap</link>
      <pubDate>Tue, 20 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030019/vernacular-building-and-ai-can-data-alone-bridge-the-gap</guid>
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        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence (AI)</a> becomes increasingly embedded in society, it's essential to pause and reflect on the foundations that sustain it—and the dimensions to which it extends. At the heart of AI's learning are datasets, whose structure and content shape how these systems interpret and respond to the world. This reliance creates a deep interdependence—one that not only <a href="https://www.archdaily.com/1024493/ai-and-the-built-environment-bridging-technology-design-and-cultural-identity?ad_source=search&amp;ad_medium=search_result_articles">informs AI's capabilities</a> but also defines its potential blind spots. In light of this, we must ask: What forms of understanding might this process exclude, especially those not easily captured in digital form?</p>]]>
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        <![CDATA[Towards an Architecture of Many Intelligences: How Collective Knowledge Shapes the Built Environment]]>
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      <link>https://www.archdaily.com/1029706/towards-an-architecture-of-many-intelligences-how-collective-knowledge-shapes-the-built-environment</link>
      <pubDate>Thu, 08 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029706/towards-an-architecture-of-many-intelligences-how-collective-knowledge-shapes-the-built-environment</guid>
      <description>
        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/architecture">architecture</a> navigates a rapidly changing world shaped by <a href="https://www.archdaily.com/958188/from-past-to-future-the-urgency-of-green-in-architecture">ecological urgency</a>, social transformation, and <a href="https://www.archdaily.com/1001585/navigating-complexity-and-change-in-architecture-with-data-driven-technologies">technological acceleration</a>, the notion of intelligence is shifting. No longer confined to individual cognition or <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial computation</a>, intelligence can emerge from cultural memory, collective practices, and adaptive systems. In this broader sense, architecture becomes a field of convergence, where natural, artificial, and social intelligences intersect to offer new ways of designing and building.</p>]]>
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        <![CDATA[From AI to Artisans: How MEAN* Merges Computational Design with Middle Eastern Craftsmanship]]>
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      <link>https://www.archdaily.com/1027870/from-ai-to-artisans-how-mean-merges-computational-design-with-middle-eastern-craftsmanship-star</link>
      <pubDate>Wed, 12 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p data-start="0" data-end="890">Named one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices">ArchDaily's Best New Practices in 2024</a>, <a href="https://www.archdaily.com/tag/mean">MEAN*<em data-start="53" data-end="96"> (Middle East <a href="/tag/architecture">Architecture</a> Network)</em></a> is redefining the architectural landscape of the region by merging <a href="https://www.archdaily.com/tag/computational-design">computational design, </a><a href="https://www.archdaily.com/tag/digital-fabrication">digital fabrication</a>, and material research with <a href="https://www.archdaily.com/tag/heritage">local heritage</a>. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.</p>]]>
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        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
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      <link>https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
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        <![CDATA[“Suddenly, You Step into the Landscape through the House”: In Conversation with Ben Van Berkel of UNStudio]]>
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      <link>https://www.archdaily.com/1010625/suddenly-you-step-into-the-landscape-through-the-house-in-conversation-with-ben-van-berkel</link>
      <pubDate>Thu, 13 Feb 2025 04:00:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>In 1993 a young professional couple with two toddlers and a large suburban lot in Naarden, a town less than half an hour's drive southeast of Amsterdam, <a href="https://www.archdaily.com/1012111/ad-classics-mobius-house-unstudio" target="_blank" rel="noopener">approached Ben van Berkel to design an unusual house</a>. They envisioned it as progressive and innovative in every way possible. More than that, they wanted a kind of building that "would be recognized as a reference in terms of renewal of the architectural language." Before settling on the architect, they spoke to several candidates, including Rem Koolhaas. They chose van Berkel who five years earlier, together with his then-wife Caroline Bos co-founded their eponymous practice, because as he told me, "I went to the site and studied it carefully and already had ideas about what I called the four quadrants of the landscape. I knew what kind of house it would be. I could see clearly where different rooms would go, how they would be shaped, and how they would relate to each other." The couple couldn't resist. Yet, there would be no rush on the project which took five years to complete, most time was invested in its design, going through many iterations and refinements, all based on the Möbius loop.</p>]]>
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        <![CDATA[Computational Design in India: Dialogues between Modern and Vernacular Form]]>
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      <link>https://www.archdaily.com/1024494/computational-design-in-india-dialogues-between-modern-and-vernacular-form</link>
      <pubDate>Mon, 09 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024494/computational-design-in-india-dialogues-between-modern-and-vernacular-form</guid>
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        <![CDATA[<p>India's global identity has developed alongside <a href="https://www.archdaily.com/1016760/architecture-in-south-asia-transitions-in-patronage-practitioners-and-public-perception" target="_blank" rel="noopener">its aspirations for a unique architectural future</a>. Over time, the country's architectural landscape has evolved from vernacular traditions to foreign influences, from post-colonial revivals to modern digital expressions. Computational design has played an influential role in shaping contemporary styles, empowering homegrown architectural firms to experiment with form and structure.</p>]]>
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        <![CDATA[Construction Begins on World's Largest 3D Printed Structure in Switzerland]]>
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      <link>https://www.archdaily.com/1015232/construction-begins-on-worlds-largest-3d-printed-structure-in-switzerland</link>
      <pubDate>Wed, 03 Apr 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/construction" target="_blank" rel="noopener">Construction</a> has just begun on the Tor Alva, or the White Tower, the world’s largest <a href="https://www.archdaily.com/tag/3d-printer" target="_blank" rel="noopener">3-D printed tower</a>. Designed by architects <a href="https://www.michael-hansmeyer.com/projects?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Michael Hansmeyer</a> and <a href="https://www.archdaily.com/office/studio-benjamin-dillenburger" target="_blank" rel="noopener">Benjamin Dillenburger </a>and printed with concrete by the technology university <a href="/tag/eth-zurich">ETH Zurich</a>, 8 out of 32 structural columns have been completed. Nestled in the village of Mulegns in the<a href="https://www.archdaily.com/tag/alps" target="_blank" rel="noopener"> Swiss Alps</a>, the White Tower is designed as a venue for music and theater events. Standing at 30 meters, the design features 32 distinct Y-shaped columns, each boasting a pattern of textured details.</p>]]>
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        <![CDATA[Expanding the Architectural Prospects of Timber in Its Natural Form]]>
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      <link>https://www.archdaily.com/1006494/expanding-the-architectural-prospects-of-timber-in-its-natural-form</link>
      <pubDate>Fri, 08 Sep 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
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        <![CDATA[<p>Timber has been a popular source of construction material for thousands of years. Through sawing, milling, and other engineered wood conversion processes, various wood forms have been created and applied in products, furniture, and architecture. However, these processes can sometimes alter the basic lines of wood structure. The stems can be split, grain patterns changed, and some woods, such as oak and cedar, are easily reduced while others can become intractable. This led to the exploration of whole <a href="/tag/timber">timber</a> forms in ancient structures, such as <a href="https://www.americanpoleandtimber.com/10-oldest-historic-log-cabins-and-houses/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">log cabins</a>, which layered timber in different cross-sections to form home profiles. Through design, the use of trunks or branches of trees in their entirety can accentuate their innate mechanical properties for structural sustainability. Although these practices are fairly absent in contemporary building techniques, new technological innovations expand the prospects of timber construction in architecture.</p>]]>
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