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    <title>Tag: clorindo-testa | ArchDaily</title>
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        <![CDATA[When Art Came First: Spatial Experiments That Shaped Architecture in Latin America]]>
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      <link>https://www.archdaily.com/1038245/when-art-came-first-spatial-experiments-that-shaped-architecture-in-latin-america</link>
      <pubDate>Mon, 09 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>Many of the spatial ideas we now associate with contemporary architecture, collective use, and bodily experience did not originate in buildings alone. In <a href="https://www.archdaily.com/1034102/teaching-empathy-new-approaches-to-architecture-education-in-latin-america" target="_blank" rel="noopener">Latin America</a>, these ideas were often explored first through art, at a moment when <a href="https://www.archdaily.com/1030983/learning-from-artists-new-perspectives-on-public-space" target="_blank" rel="noopener">artists</a> were actively questioning how space could be occupied, shared, and experienced beyond traditional forms.</p>]]>
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        <![CDATA[Clorindo Testa's  Artistic and Architectural Experimentation: Colors and Asymmetrical Plays in Spaces of Worship]]>
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      <link>https://www.archdaily.com/1032754/clorindo-testas-artistic-and-architectural-experimentation-colors-and-asymmetrical-plays-in-spaces-of-worship</link>
      <pubDate>Tue, 12 Aug 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Amid questions, reflections, and debates, <a href="https://www.archdaily.cl/cl/872937/10-proyectos-de-clorindo-testa-que-todo-arquitecto-argentino-debe-conocer" target="_blank" rel="noopener">the work of Clorindo Testa</a> embodies an innate connection between artistic and architectural experimentation, reflected in many of his built projects, sketches, models, and plans. From the <a href="https://www.archdaily.com/991707/architectural-classics-mariano-moreno-national-library-clorindo-testa-bullrich-and-cazzaniga" target="_blank" rel="noopener">Mariano Moreno National Library</a> to the <a href="https://www.archdaily.cl/cl/02-81677/clasicos-de-arquitectura-banco-de-londres-en-buenos-aires-clorindo-testa-y-sepra" target="_blank" rel="noopener">former Bank of London building in Buenos Aires</a>, his production is of such scope, diversity, and complexity that it constitutes a major source of study, one that also includes unbuilt projects that deserve visibility and recognition on a global scale. In his final years of professional activity, two unbuilt projects of <a href="https://www.archdaily.com/category/religious-architecture" target="_blank" rel="noopener">religious architecture</a> highlight Testa’s work not only as an architect but also as a visual artist.</p>]]>
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        <![CDATA[8 Houses That Defined Modern Architecture in Argentina]]>
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      <link>https://www.archdaily.com/1026451/8-houses-that-defined-modern-architecture-in-argentina</link>
      <pubDate>Tue, 18 Feb 2025 05:00:00 +0000</pubDate>
      <dc:creator>Belén Maiztegui</dc:creator>
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        <![CDATA[<p>Modernism played an undeniable role in the renewal of architectural ideals, contributing a new attitude toward understanding new ways of living, construction techniques, and aesthetics, marking profound changes in the general perception of the world. In <a href="https://www.plataformaarquitectura.cl/cl/country/argentina?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Argentina</a>, while it is complex to define modern architectural production periodically, it is possible to mention some architects who began, starting in the 1920s, to engage with these ideas. The intellectual contributions and architectural creations of <em>Alejandro Virasoro, Alberto Prebisch, Ernesto Vautier, Fermín Beretervide, <a href="/tag/wladimiro-acosta">Wladimiro Acosta</a>, Alejo Martinez, Antonio and Carlos Vilar, Juan Kurchan, Jorge Ferrari Hardoy, <a href="/tag/antonio-bonet">Antonio Bonet</a>, Abel López Chas, Eduardo Catalano, Eduardo Sacriste, and Amancio Williams</em>, among others, often included original approaches associated with new modes of thought, manifesting an architecture resulting from the analysis of the local and regional conditions of their cities.</p>]]>
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        <![CDATA[Ítala Fulvia Villa and her Sixth Pantheon: The Story Behind Buenos Aires' Brutalist Necropolis]]>
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      <link>https://www.archdaily.com/1018401/itala-fulvia-villa-and-her-sixth-pantheon-the-story-behind-buenos-aires-brutalist-necropolis</link>
      <pubDate>Sat, 13 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Around 1949, the city of <a href="/tag/buenos-aires">Buenos Aires</a> led the construction of the <a href="https://www.archdaily.com/1012049/architecture-classics-sixth-pantheon-of-chacarita" target="_blank" rel="noopener">Sixth Pantheon</a> in the <a href="/tag/chacarita">Chacarita</a> neighborhood. Monumental in character and <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">brutalist</a> in style, this underground necropolis turned out to be the first and largest experiment in modern architecture in the funerary field. Designed by Ítala Fulvia Villa, one of the first Argentine women architects and urban planners, and a pioneer of South American modernism, along with her team comprised of Leila Cornell, Raquel S. de Días, Gunter Ernest, Carlos A. Gabutti, Ludovico Koppman, and <a href="/tag/clorindo-testa">Clorindo Testa</a>, this work was discovered by <a href="https://www.archdaily.com/author/lea-namer" target="_blank" rel="noopener">Léa Namer</a>, who conducted an in-depth investigation reflecting on the legacy of a modern utopia and a feminist rereading of history.</p>]]>
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        <![CDATA[Architecture Classics: Sixth Pantheon of Chacarita]]>
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      <link>https://www.archdaily.com/1012049/architecture-classics-sixth-pantheon-of-chacarita</link>
      <pubDate>Thu, 18 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>Léa Namer</dc:creator>
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        <![CDATA[<p>Until recently, the Sixth Pantheon of Chacarita was an icon of Argentine modern architecture that went unnoticed. Located in the heart of the city of <a href="/tag/buenos-aires">Buenos Aires</a>, this pantheon represents one of the first and one of the largest experiments in modern funerary architecture of such magnitude in the world.</p> <form class="stretch mx-2 flex flex-row gap-3 last:mb-2 md:mx-4 md:last:mb-6 lg:mx-auto lg:max-w-2xl xl:max-w-3xl"></form>]]>
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        <![CDATA[2023's AD Classics: Year in Review]]>
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      <link>https://www.archdaily.com/1011223/2023-s-ad-classics-year-in-review</link>
      <pubDate>Mon, 18 Dec 2023 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011223/2023-s-ad-classics-year-in-review</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/architecture-classics" target="_blank" rel="noopener">Architecture Classics </a>showcased on ArchDaily serve as essential archives of architectural marvels, offering a window into the past. These classics showcase our collective design wisdom and innovation globally, enriching our design knowledge. In fact, through the acknowledgment and appreciation of different styles, functions, and narratives embedded within these structures, our view of architecture and its impact worldwide can become more comprehensive.</p>]]>
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        <![CDATA[Architectural Classics: Mariano Moreno National Library / Clorindo Testa + Francisco Bullrich + Alicia Cazzaniga]]>
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      <link>https://www.archdaily.com/991707/architectural-classics-mariano-moreno-national-library-clorindo-testa-bullrich-and-cazzaniga</link>
      <pubDate>Wed, 09 Nov 2022 05:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
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        <![CDATA[<p>In the central Recoleta neighborhood of <a href="https://www.archdaily.com/tag/buenos-aires" target="_blank" rel="noopener">Buenos Aires</a>, in a large lot between Austria Street, Agüero Street, and Del Libertador Avenue, stands the current building of the Mariano Moreno National Library, designed by architects<a href="https://www.archdaily.com/tag/clorindo-testa" target="_blank" rel="noopener"> </a><a href="https://www.archdaily.com/tag/clorindo-testa" target="_blank" rel="noopener">Clorindo Testa</a>, Francisco Bullrich, and Alicia Cazzaniga. </p> <p>Built on the basis of the project that won first prize in a national competition in 1961, and completed in the early 1990s, it has become a landmark of modern Argentine architecture and an example of the variant of 20th century expressionism known as "<a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">brutalism</a>".</p>]]>
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        <![CDATA[22 Architecture Classics to Celebrate the Day of the Architect in Argentina]]>
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      <link>https://www.archdaily.com/984906/22-architecture-classics-to-celebrate-the-day-of-the-architect-in-argentina</link>
      <pubDate>Mon, 11 Jul 2022 05:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Within South America, different dates have been established to pay tribute to and honour the career, life and work of architecture professionals. While in Uruguay it is celebrated every 27th of November in relation to the creation of the first Faculty of <a href="/tag/architecture">Architecture</a>, in Brazil every 15th of December in homage to the birth of <a href="https://www.archdaily.com/tag/niemeyer" target="_blank">Oscar Niemeyer</a> or in Chile every 4th of August for the founding of the College of Architects, the Argentine Federation of Architects' Associations (FADEA) kept the 1st of July to commemorate the Day of the Argentinean Architect, respecting the establishment of the International Day of Architecture, established by the International Union of Architects (UIA) in 1985.</p>]]>
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        <![CDATA[Spotlight: Clorindo Testa]]>
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      <link>https://www.archdaily.com/778466/spotlight-clorindo-testa</link>
      <pubDate>Tue, 10 Dec 2019 05:30:00 +0000</pubDate>
      <dc:creator>David Douglass-Jaimes</dc:creator>
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        <![CDATA[<p>Relatively unknown outside his home country,&nbsp;<a href="https://www.archdaily.com/office/clorindo-testa">Clorindo Testa</a> (December 10, 1923 &ndash; April 11, 2013)&nbsp;was one of Argentina&rsquo;s most important 20th-century architects. Consistently defying categorization, Testa had a hand in two of Buenos Aires&rsquo; most iconic buildings, the Bank of London and South America, and the National Library, as well as many others throughout his long career. Characteristically enigmatic, Testa would only ever acknowledge <a href="http://www.archdaily.com/office/le-corbusier" target="_blank">Le Corbusier</a>&nbsp;as&nbsp;an influence, saying, &ldquo;<a href="http://www.architectural-review.com/rethink/clorindo-testa-1923-2013/8647159.fullarticle">I never paid attention to other architects</a>.&rdquo; As a former colleague Juan Fontana described,&nbsp;<a href="http://www.zdnet.com/article/the-legacy-of-argentine-architect-clorindo-testa-1923-2013/">Testa spoke the language of brutalism with an Argentine accent</a>.</p>]]>
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        <![CDATA[AD Classics: Bank of London and South America / Clorindo Testa + SEPRA]]>
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      <link>https://www.archdaily.com/774458/ad-classics-bank-of-london-and-south-america-clorindo-testa-plus-sepra</link>
      <pubDate>Wed, 09 Jan 2019 16:30:00 +0000</pubDate>
      <dc:creator>David Douglass-Jaimes</dc:creator>
      <category>
        <![CDATA[Services]]>
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        <![CDATA[<p dir="ltr"><em>This article was originally published on October 19, 2015. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>The Bank of London and South America (Banco de Londres y América del Sud, or BLAS) in <a href="/tag/buenos-aires">Buenos Aires</a> defies convention and categorization, much like the architect primarily credited with its design, <a href="/tag/clorindo-testa">Clorindo Testa</a>. A unique client relationship, guided by the bank’s staff architect Gerald Wakeham, and a supportive collaboration with the firm Sánchez Elía, Peralta Ramos and Agostini (SEPRA) resulted in a building that continues to evoke surprise and fascination.</p>]]>
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        <![CDATA[The Importance of the Section in Architectural Representation and Practice]]>
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      <link>https://www.archdaily.com/896353/the-importance-of-the-section-in-architectural-representation-and-practice</link>
      <pubDate>Sun, 08 Jul 2018 08:00:00 +0000</pubDate>
      <dc:creator>Julia Daudén</dc:creator>
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        <![CDATA[<p>Architectural comprehension as a field deals with representation as a synthesis of varied efforts —constructive, compositional, spatial, and technical qualities— which are then articulated in the constructed building. For this purpose, it is essential to think about <a href="https://www.archdaily.com/tag/architectural-representation" target="_blank">the graphic representation</a> that presupposes all these efforts, since it is both a procedure and a product of architectural design.</p>]]>
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        <![CDATA[Protection and Preservation Policies are Fundamental for the Rescue of Abandoned Architecture in Argentina]]>
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      <link>https://www.archdaily.com/886746/protection-and-preservation-policies-are-fundamental-for-the-rescue-of-abandoned-architecture-in-argentina</link>
      <pubDate>Sat, 20 Jan 2018 16:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
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        <![CDATA[<p>It is difficult to forget about the demolition of <a href="https://www.archdaily.com/tag/clorindo-testa">Clorindo Testa</a>’s Commissariat of Santo Pipó and with it, the demolition of part of the Argentine architecture.</p>]]>
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        <![CDATA[The Guardian's Rowan Moore Names 10 Best Concrete Buildings]]>
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      <link>https://www.archdaily.com/781525/the-guardians-rowan-moore-names-10-best-concrete-buildings</link>
      <pubDate>Thu, 11 Feb 2016 06:00:00 +0000</pubDate>
      <dc:creator>Vladimir Gintoff</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/781525/the-guardians-rowan-moore-names-10-best-concrete-buildings</guid>
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        <![CDATA[<p dir="ltr">“Concrete has the ability to be primitive and technological, massive and levitating, to combine the properties of steel with those of mud,” says <a href="http://www.theguardian.com/profile/rowan-moore?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Rowan Moore</a> in his list of <a href="http://www.theguardian.com/artanddesign/2016/jan/08/10-best-concrete-buildings-architecture-pantheon-gaudi-corbusier?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The 10 best concrete buildings</a> created for The Guardian. Through examples spanning three continents, Moore unites old standbys with unexpected wonders, all of which show the varied possibilities inherent in mixing water, aggregate, and cement. In a list that incorporates examples from Classical times to the present, Moore establishes concrete’s unique ability to adapt to different times, styles, applications, and treatments.</p>]]>
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