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    <title>Tag: ciam | ArchDaily</title>
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        <![CDATA[Brasília and Chandigarh: Two Modernist Utopias Separated by an Ocean]]>
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      <link>https://www.archdaily.com/1041821/brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart</link>
      <pubDate>Fri, 05 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Between the 1950s and 1960s, two cities were built that would leave a lasting mark on the <a href="https://www.archdaily.com.br/br/925778/afinal-por-que-ainda-falamos-sobre-o-modernismo">history of architecture and urbanism</a>. Born of the same <a href="https://www.archdaily.com.br/br/tag/modernismo">concept</a>, yet separated by more than 14,000 kilometers, <a href="https://www.archdaily.com.br/br/tag/brasilia">Brasília</a>, in <a href="https://www.archdaily.com/search/projects/country/brazil">Brazil</a>, and <a href="https://www.archdaily.com.br/br/tag/chandigarh">Chandigarh</a>, in <a href="https://www.archdaily.com/br/country/india">India</a>—both steeped in <a href="https://www.archdaily.com.br/br/947780/os-5-pontos-da-arquitetura-moderna-e-suas-aplicacoes-em-projetos-contemporaneos">modernist principles</a>—were planned and <a href="https://www.archdaily.com.br/br/764820/6-cidades-politicamente-motivadas-construidas-do-zero?ad_campaign=normal-tag">built from scratch</a>.</p>]]>
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        <![CDATA[Everything Is (Not) Architecture: Environmental Design and Architecture’s Slippery Slope]]>
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      <link>https://www.archdaily.com/1000158/everything-is-not-architecture-environmental-design-and-architectures-slippery-slope</link>
      <pubDate>Fri, 28 Apr 2023 03:30:00 +0000</pubDate>
      <dc:creator>George Dodds</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/everything-is-not-architecture-environmental-design-and-architectures-slippery-slope/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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      <title>
        <![CDATA[The Legacy of Jane Drew: A Trailblazer for Women in Architecture]]>
      </title>
      <link>https://www.archdaily.com/997916/the-legacy-of-jane-drew-a-trailblazer-for-women-in-architecture</link>
      <pubDate>Tue, 14 Mar 2023 05:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p>In 1950, the famous <a href="/tag/le-corbusier">Le Corbusier</a> was asked to design the new state capital of <a href="https://www.archdaily.com/596081/ciam-4-and-the-unanimous-origins-of-modernist-urban-planning">Chandigarh</a> for Punjab following its separation and recent independence. The opportunity to create a new utopia was unparalleled- and is now seen as one of the greatest urban experiments in the history of planning and architecture. The city employed grid street patterns, European-style thoroughfares, and raw concrete buildings- the zenith of Corbusier’s ideals throughout his career. But what is lesser known about the ideation and realization of <a href="https://www.archdaily.com/596081/ciam-4-and-the-unanimous-origins-of-modernist-urban-planning">Chandigarh</a>, was the woman who brought her experience of designing social housing across Africa to the project. For three years, working alongside Corbusier, and helping him design some of the best-known buildings in <a href="https://www.archdaily.com/596081/ciam-4-and-the-unanimous-origins-of-modernist-urban-planning">Chandigarh</a>, was Jane Drew.</p>]]>
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        <![CDATA[Imagining Megastructures: How Utopia Can Shape Our Understanding of Technology]]>
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      <link>https://www.archdaily.com/793097/imagining-megastructures-how-utopia-can-shape-our-understanding-of-technology</link>
      <pubDate>Thu, 11 Aug 2016 10:45:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-8eadb0b4-750b-b290-ee1c-a7df7f272c0d" dir="ltr">“Utopia”: the word was coined by Sir Thomas More in 1516 when he started questioning the possibility of a perfect world where society would suffer no wars or insecurities, a place where everyone would prosper and fulfill both individual and collective ambitions. Yet such a perfect society can only exist with the creation of perfect built infrastructure, which possibly explains why architects have often fantasized on megastructures and how to “order” this dreamed society.</p>]]>
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        <![CDATA['An Installation In Four Acts' - Exploring Structuralism At Rotterdam's Nieuwe Instituut]]>
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      <link>https://www.archdaily.com/582387/review-structuralism-nieuwe-instituut-rotterdam</link>
      <pubDate>Mon, 05 Jan 2015 01:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>Great movements in architecture are usually set in motion by a dull societal ache or as a response to a sudden, unforeseen reorientation of a community at large. The Dutch city of <a href="http://www.archdaily.com/tag/rotterdam/">Rotterdam</a> - vast swathes of which were cast into oblivion during the blitz of May 1940 - has been at the forefront of many shifts in approach to the built environment. It is therefore fitting that the latest exhibition at the <em><a href="http://www.archdaily.com/tag/het-nieuwe-instituut/">Nieuwe Instituut</a></em> (formerly the NAi), simply titled <em>Structuralism</em>, is being held in the city that was <a href="http://www.archdaily.com/568231/rotterdam-named-europe-s-best-city-by-the-academy-of-urbanism/">recently named Europe’s best</a>.</p>]]>
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        <![CDATA[What Can Be Learnt From The Smithsons' "New Brutalism" In 2014?]]>
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      <link>https://www.archdaily.com/519027/what-can-be-learnt-from-the-smithsons-new-brutalism-in-2014</link>
      <pubDate>Sun, 22 Jun 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/sheffield/">Sheffield</a> born Alison Gill, later to be known as <a href="http://www.archdaily.com/tag/alison-and-peter-smithson/">Alison Smithson</a>, was one half of one of the most influential <a href="http://www.archdaily.com/tag/brutalism/">Brutalist</a> architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and <a href="http://www.archdaily.com/tag/alison-and-peter-smithson/">Peter Smithson's</a> architecture still resonates well into the 21st century, most notably <a href="http://www.archdaily.com/517501/interview-sam-jacob-and-wouter-vanstiphout-curators-of-a-clockwork-jerusalem-at-the-2014-venice-biennale/">in the British Pavilion</a> at this year's <a href="http://www.archdaily.com/tag/venice-biennale-2014/">Venice Biennale</a>. With London's <a href="http://www.archdaily.com/150629/ad-classics-robin-hood-gardens-alison-and-peter-smithson/">Robin Hood Gardens</a>, one of their most well known and large scale social housing projects, <a href="http://www.archdaily.com/220448/robin-hood-gardens-to-be-demolished/">facing imminent demolition</a> how might their style, <a href="http://www.archdaily.com/348310/brutalism-clog/">hailed by Reyner Banham</a> in 1955 as the "new brutalism", hold the key for future housing projects?</p>]]>
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