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    <title>Tag: building-materials | ArchDaily</title>
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        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[The Death of Dry Powder? Why Ready-Mixed Finishes Are Taking Over]]>
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      <link>https://www.archdaily.com/1041865/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over</link>
      <pubDate>Fri, 05 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>In an industry defined by engineering tolerances and performance certainty, interior finishing still relies on a process that introduces variability into every project. Even experienced applicators often depend on judgement-based mixing—estimating water ratios and adjusting by feel until the material appears workable. While skill reduces variability, it does not eliminate it. The result is inherent inconsistency that transfers directly onto the finished surface.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</guid>
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        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[“Material Is Where the Story Begins”: Studio NEiDA on Building Through Craft and Context]]>
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      <link>https://www.archdaily.com/1040373/material-is-where-the-story-begins-studio-neida-on-building-through-craft-and-context</link>
      <pubDate>Fri, 10 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Studio NEiDA operates at the intersection of architectural <a href="https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice?ad_source=search&amp;ad_medium=search_result_articles">practice</a>, research, and <a href="https://www.archdaily.com/1039787/concentrico-2026-features-smiljan-radic-installation-and-26-urban-interventions-in-logrono-spain?ad_source=search&amp;ad_medium=search_result_articles">curatorial work</a>, with a consistent focus on how buildings emerge from the <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=search_result_articles">material</a> and cultural conditions of a place. Rather than treating materiality as a finishing language, the studio frames it as the beginning of an architectural narrative—starting from what is locally available, they look at what <a href="https://www.archdaily.com/1039504/how-contemporary-design-fairs-are-redefining-craft?ad_source=search&amp;ad_medium=search_result_articles">craft knowledge</a> exists on the ground, and how those resources and skills situate a project within an architectural lineage. This approach foregrounds limitations and possibilities as productive forces, and positions design as an <a href="https://www.archdaily.com/1034118/the-continuous-project-a-case-of-iterative-placemaking-in-long-yau-china?ad_source=search&amp;ad_medium=search_result_articles">iterative process</a> of aligning spatial intent with the realities of construction culture and vernacular intelligence.</p>]]>
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        <![CDATA[Arquivo: Deconstruction and Material Reuse for a Circular Architecture]]>
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      <link>https://www.archdaily.com/1040433/arquivo-deconstruction-and-material-reuse-for-a-circular-architecture</link>
      <pubDate>Thu, 09 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
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        <![CDATA[<p>The construction industry today faces an unavoidable paradox: the urgent need for sustainable solutions for the future of cities collides with the exhaustion of the term "sustainability" itself, often reduced to a hollow commercial label. In this scenario, <a href="https://www.archdaily.com/tag/arquivo-reuso" target="_blank" rel="noopener">Arquivo</a> – one of the winners of <a href="https://www.archdaily.com/tag/archdaily-next-practices">ArchDaily's 2025 Next Practices Award</a> – emerges as a facilitator and mediator between different stakeholders in the construction field through <a href="https://www.archdaily.com/974056/deconstruct-do-not-demolish-the-practice-of-reuse-of-materials-in-architecture">disassembly – or rather, de-construction – and the reuse of building elements</a>. Etymologically, if "construction" derives from the Latin <em>construere</em> (to heap up, assemble), the prefix "de-" imposes a conceptual inversion: it is not about destroying, but about disassembling with intelligence to understand the logic of the parts.</p>]]>
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        <![CDATA[How to Measure the Life Cycle of a Construction Material?]]>
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      <link>https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</link>
      <pubDate>Tue, 31 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</guid>
      <description>
        <![CDATA[<p>As a major driver of <a href="https://www.archdaily.com/tag/natural-resources" target="_blank" rel="noopener">natural resource</a> consumption, <a href="https://www.archdaily.com/tag/energy" target="_blank" rel="noopener">energy</a> use, and <a href="https://www.archdaily.com/tag/greenhouse-gas-emissions" target="_blank" rel="noopener">greenhouse gas emissions</a>, the construction industry has a significant impact on the environment, <a href="https://www.unep.org/resources/report/global-status-report-buildings-and-construction-20242025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">consuming 32% of global energy and contributing to 34% of global CO₂ emissions</a>. Building materials play a crucial role in shaping the built environment. Through principles of circular economy, renewable and self-sufficient solutions, and technological innovations, analyzing the environmental performance of each material highlights the opportunity to review and assess the different stages of its life cycle.</p>]]>
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        <![CDATA[Smiljan Radić: Material Explorations Between Ephemerality and Permanence]]>
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      <link>https://www.archdaily.com/1039595/smiljan-radic-material-explorations-between-ephemerality-and-permanence</link>
      <pubDate>Sat, 21 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez and Eduardo Souza</dc:creator>
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        <![CDATA[<p>Chilean architect <a href="https://www.archdaily.com/1039546/smiljan-radic-clarke-get-to-know-the-2026-pritzker-winners-work">Smiljan Radić Clarke</a> has developed a body of work that resists easy categorization. His buildings often seem both ancient and provisional, carrying a monumental presence while retaining an unexpected sense of fragility. Stone, concrete, timber, fabric, and fiberglass are combined in unexpected ways, producing architectures that hover between permanence and ephemerality. Rather than pursuing a stable formal language, the <a href="https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture">2026 Pritzker laureate</a> approaches architecture as an open field of experimentation, where material behavior and structural perception are constantly tested.</p>]]>
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        <![CDATA[Legacy in Matter: Material Traditions in South American Architecture]]>
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      <link>https://www.archdaily.com/1038929/legacy-in-matter-material-traditions-in-south-american-architecture</link>
      <pubDate>Sun, 08 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038929/legacy-in-matter-material-traditions-in-south-american-architecture</guid>
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        <![CDATA[<p>Across <a href="https://www.archdaily.com/1035776/community-centered-architecture-redefining-the-role-of-architects-in-south-america">South America</a>, architecture endures through the materials it uses, those that persist over time. <a href="https://www.archdaily.com/tag/bamboo" target="_blank" rel="noopener">Bamboo</a>, <a href="https://www.archdaily.com/tag/brick">brick</a>, <a href="https://www.archdaily.com/tag/wood">wood</a>, and <a href="https://www.archdaily.com/tag/concrete">concrete</a> appear across regions, connecting climate, labor, and culture in ways that ensure their persistence through generations. Their continuity does not depend solely on preservation or heritage. It depends on use.</p>]]>
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        <![CDATA[What Happens When Solar Is Treated as a Building Material?]]>
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      <link>https://www.archdaily.com/1038939/what-happens-when-solar-is-treated-as-a-building-material</link>
      <pubDate>Tue, 24 Feb 2026 07:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038939/what-happens-when-solar-is-treated-as-a-building-material</guid>
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        <![CDATA[<p>As environmental accountability becomes embedded in design culture, the building envelope is being reconsidered not just as a protective skin, but as an active energy-producing surface. Treating solar technology as a material rather than an attachment reshapes how architecture is conceived and detailed. Color, texture, rhythm, and assembly become inseparable from performance. Building-Integrated Photovoltaics (BIPV) operate within this expanded definition of materiality. By integrating solar technology into façades and rainscreens from the earliest project stages, architects can reduce redundancy, align energy goals with design intent, and rethink how envelopes are composed. Yet translating this ambition into buildable systems requires technical precision and construction intelligence.</p>]]>
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        <![CDATA[Heritage in Motion: Bangkok’s Buildings That Continue to Become]]>
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      <link>https://www.archdaily.com/1038668/heritage-in-motion-bangkoks-buildings-that-continue-to-become</link>
      <pubDate>Sun, 15 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038668/heritage-in-motion-bangkoks-buildings-that-continue-to-become</guid>
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        <![CDATA[<p>Architectural <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">heritage</a> is not only what a building was, but what it<em> </em>continues to become: a long process of building, rebuilding, and re-occupying over time. Where opportunities allow, this continuity produces a<a href="https://www.archdaily.com/1031816/which-layer-remains-restoration-identity-and-contemporary-design-in-spain?ad_source=search&amp;ad_medium=search_result_articles"> layered condition</a>—one in which visitors can witness, experience, and feel the gradual shifting of a building's fabric, materiality, spatial order, and patterns of use, and occasionally even participate in that transformation.</p>]]>
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        <![CDATA[sauerbruch hutton Exhibition in Paris Explores the Technical and Atmospheric Potential of Wood]]>
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      <link>https://www.archdaily.com/1038595/sauerbruch-hutton-exhibition-in-paris-explores-the-technical-and-atmospheric-potential-of-wood</link>
      <pubDate>Mon, 09 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The recently inaugurated exhibition <a href="http://www.galerie-architecture.fr/en/exposition.php?ID=249&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">matière en résonance</a> ("resonant matter") brings together a wide range of models and a curated selection of photographs to present <a href="https://www.archdaily.com/office/sauerbruch-hutton" target="_blank" rel="noopener">sauerbruch hutton</a>'s ongoing exploration of timber. The exhibition starts from the premise that while the age of concrete defined the twentieth century, the early twenty-first century has seen <a href="https://www.archdaily.com/tag/timber-buildings" target="_blank" rel="noopener">a worldwide resurgence of timber</a>, a much older building material. Timber is presented as offering "a different version of modernity" and as the subject of renewed interest that reawakens long-standing collective imaginaries. Over more than two decades, the Berlin-based architecture practice has explored the possibilities of <a href="https://www.archdaily.com/996319/the-meteoric-rise-of-cross-laminated-timber-construction-50-projects-that-use-engineered-wood-architecture" target="_blank" rel="noopener">timber construction</a>, from façade elements to load-bearing structures and modular systems. The exhibition reflects the results of this sustained investigation, reinforcing both technical innovation and the embodied qualities of timber across a diverse range of European contexts. The exhibition will be on view from 3 to 28 February 2026 at the Galerie d'Architecture de Paris.</p>]]>
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        <![CDATA[From Material Intelligence to Circularity: Lessons from Architecture in 2025]]>
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      <link>https://www.archdaily.com/1037330/from-material-intelligence-to-circularity-lessons-from-architecture-in-2025</link>
      <pubDate>Tue, 06 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="139" data-end="916">Which materials have taken center stage in the architectural discourse of 2025? Which projects have rediscovered new construction practices and methods through material innovation? While the future of building materials still appears uncertain, year after year, experimentation and research continue to reveal diverse practices, initiatives, and efforts dedicated to understanding their value and responsibility within the built environment. From <a href="https://www.archdaily.com/1025000/residues-that-build-a-school-in-india-made-from-sugarcane-bagasse" target="_blank" rel="noopener">agricultural waste that reduces carbon footprints</a> to <a href="https://www.archdaily.com/1025575/from-disposable-to-sustainable-the-transformation-of-recycled-polyurethane-into-high-performance-products" target="_blank" rel="noopener">recycled plastics given new life</a>, and <a href="https://www.archdaily.com/1031069/exploring-living-building-materials-through-robotic-earth-printing" target="_blank" rel="noopener">living materials</a> that engage with emerging technologies while reconnecting with nature, 2025 has highlighted and strengthened the role of <a href="https://www.archdaily.com/1033945/the-architect-as-mediator-of-materials-lessons-from-hybrid-habitats" target="_blank" rel="noopener">architects as mediators between materials</a>, disciplines, knowledge, and interests from diverse origins.</p>]]>
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        <![CDATA[Timber Tectonics: 10 Projects Rethinking Wood Construction in Contemporary China]]>
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      <link>https://www.archdaily.com/1032530/timber-tectonics-10-projects-rethinking-wood-construction-in-contemporary-china</link>
      <pubDate>Thu, 25 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>In much of <a href="/tag/china">China</a>, <a href="https://www.archdaily.com/1030307/in-concrete-we-find-poetry?ad_source=search&amp;ad_medium=search_result_articles">concrete</a> remains the dominant construction material. Despite growing concerns over its environmental impact, concrete continues to align with the priorities of many developers and clients—it is fast, cost-effective, and <a href="https://www.archdaily.com/965799/durable-and-reusable-new-technologies-for-silestone-surfaces-that-embrace-the-circular-economy?ad_source=search&amp;ad_medium=search_result_articles">highly durable</a>. As a result, most building types in China still rely heavily on concrete. This reliance is further reinforced by China's position as the world's largest producer of <a href="https://www.archdaily.com/968785/concrete-can-be-a-more-sustainable-material?ad_source=search&amp;ad_medium=search_result_articles">Portland cement</a>. A deeply entrenched supply chain, rooted in raw material manufacturing and economic infrastructure, ensures that concrete remains the default choice in the construction industry.</p>]]>
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        <![CDATA[Layers of Meaning: Exploring the Depth of Architectural Envelopes]]>
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      <link>https://www.archdaily.com/1014920/from-thin-veils-to-thick-barriers-exploring-different-widths-in-architectural-envelopes</link>
      <pubDate>Tue, 09 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>José Tomás Franco and Eduardo Souza</dc:creator>
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        <![CDATA[<p>Architecture has always played a key role in providing shelter and protection for human beings. In prehistoric times, we sought refuge in caves, taking advantage of rock structures for protection against the natural elements and predators. Over time, shelters began to be made from materials found in nature, such as branches, leaves, and animal skins, evolving into more permanent and complex homes, with walls made of stone, bricks or wood, roofs to protect against rain and sun, and doors to control access. As we developed more advanced building skills, we used materials such as wood, stone, and clay and architecture evolved significantly, with the construction of temples, palaces, and fortifications that provided not only shelter but also symbolized power, status, and cultural identity. Even so, our buildings can continue to be seen as shells that protect us from the outside world. </p>]]>
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        <![CDATA[Make Materials Matter: Louisiana Channel Releases New Documentary on Danish Architect Søren Pihlmann]]>
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      <link>https://www.archdaily.com/1036214/make-materials-matter-louisiana-channel-releases-new-documentary-on-danish-architect-soren-pihlmann</link>
      <pubDate>Fri, 21 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, a web TV platform based at the <a href="https://www.archdaily.com/tag/louisiana-museum-of-modern-art" target="_blank" rel="noopener">Louisiana Museum of Modern Art</a> in <a href="https://www.archdaily.com/search/projects/country/denmark" target="_blank" rel="noopener">Denmark</a>, is launching a new film titled <em>Søren Pihlmann: Make Materials Matter</em>. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of <a href="https://www.archdaily.com/office/pihlmann-architects" target="_blank" rel="noopener">Pihlmann Architects</a>, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a>. The film provides a behind-the-scenes look at the <a href="https://www.archdaily.com/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion" target="_blank" rel="noopener">process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale</a>. Led by <a href="https://www.archdaily.com/tag/soren-pihlmann" target="_blank" rel="noopener">Søren Pihlmann</a>, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini</a>, transforming it into a material laboratory and experimental construction site. <a href="https://www.archdaily.com/1026012/denmark-presents-build-of-site-by-soren-pihlmann-at-la-biennale-di-venezia-2025" target="_blank" rel="noopener">The result is a process exhibition</a> that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.</p>]]>
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        <![CDATA[Beyond Disaster Relief: The Evolution of Super-Adobe Into Permanent Structures in Hormuz, Iran]]>
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      <link>https://www.archdaily.com/1035199/beyond-disaster-relief-the-evolution-of-super-adobe-into-permanent-structures-in-hormuz-iran</link>
      <pubDate>Wed, 29 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035199/beyond-disaster-relief-the-evolution-of-super-adobe-into-permanent-structures-in-hormuz-iran</guid>
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        <![CDATA[<p>Hormuz Island, located in <a href="https://www.archdaily.com/country/iran/page/1">Iran</a>, was a strategically significant port in the <a href="https://www.archdaily.com/tag/persian-gulf">Persian Gulf</a>, characterized by its landscape of colorful mountains. Despite its tourist appeal, the island faces significant socio-economic problems, with the local population having historically faced economic hardship. In response, the <a href="https://www.archdaily.com/952361/presence-in-hormuz-2-zav-architects?ad_source=search&amp;ad_medium=projects_tab">Majara Complex</a> by <a href="https://www.archdaily.com/office/zav-architects?ad_name=project-specs&amp;ad_medium=single">ZAV Architects</a> was conceived not merely as a building but as a deliberate architectural intervention designed to give control, opportunity, and economic benefit directly to the local community. To do this, the project channeled investment into local human resources and prioritized accessible construction techniques, creating a pathway for localized wealth creation. This allowed the<a href="https://the.akdn/en/how-we-work/our-agencies/aga-khan-trust-culture/akaa/majara-complex-and-community-redevelopment?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Majara Complex </a>to be one of the recipients of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture">Aga Khan Award for Architecture</a> in 2025.</p>]]>
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        <![CDATA[From Overlooked Waste to Circular Opportunity: Plastics in Construction]]>
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      <link>https://www.archdaily.com/1034866/from-overlooked-waste-to-circular-opportunity-plastics-in-construction</link>
      <pubDate>Tue, 14 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034866/from-overlooked-waste-to-circular-opportunity-plastics-in-construction</guid>
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        <![CDATA[<p>Like the famous Russian Matryoshka doll, opening a package often feels like uncovering endless layers. Inside a cardboard box, there might be molded Styrofoam, then several plastic air pillows, and finally, individual plastic wrapping around each piece. Even a small product can leave behind a trail of plastic waste far larger than its size. Now imagine <a href="https://www.archdaily.com/944297/towards-a-common-practice-of-material-recycling" target="_blank" rel="noopener">this logic applied to a construction site</a> where every component, every delivery of materials, often arrives wrapped in multiple layers of protection. What already seems excessive in retail becomes monumental when repeated daily on large construction projects. </p>]]>
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        <![CDATA[Raw Interiors: 35 Projects that Use Exposed Wood and Concrete]]>
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      <link>https://www.archdaily.com/933343/raw-interiors-20-projects-that-used-exposed-wood-and-concrete</link>
      <pubDate>Fri, 03 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/933343/raw-interiors-20-projects-that-used-exposed-wood-and-concrete</guid>
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        <![CDATA[<p>Interior design has been characterized by infinite alternatives in coatings, finishes, and furniture <a href="https://www.archdaily.com/1021321/seamless-surfaces-exploring-the-benefits-of-liquid-applied-finishes-with-12-interior-design-projects" target="_blank" rel="noopener">to achieve unique and unrepeatable spaces</a>. Designers are constantly coming up with innovative solutions and materials specifically created for a distinctive spatial perception. However, there is also a trend that seeks the warmth of the interior spaces by <a href="https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity" target="_blank" rel="noopener">exposing the raw building materials as they are</a>. The richness of materials such as <a href="https://www.archdaily.com/tag/wood" target="_blank" rel="noopener">wood</a> and <a href="https://www.archdaily.com/tag/concrete" target="_blank" rel="noopener">concrete</a> gives that feeling of durability and low maintenance that, combined with an attention-to-detail design, makes spaces look warm yet stay true in essence. See below for 35 examples of interior spaces where concrete and wood appear in their almost purest state.</p>]]>
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