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    <title>Tag: brutalismo | ArchDaily</title>
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        <![CDATA[AD Classics: Palmas 555 / Sordo Madaleno Arquitectos]]>
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      <link>https://www.archdaily.com/1041834/ad-classics-palmas-555-sordo-madaleno-arquitectos</link>
      <pubDate>Fri, 29 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Natalia Yunis</dc:creator>
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        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p>Palmas 555 is a building that stands out in the urban landscape of <a href="http://www.plataformaarquitectura.cl/cl/tag/ciudad-de-mexico?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Mexico City</a> due to its special volumetry and innovative design. This corporate office building was designed and constructed by <a href="http://www.plataformaarquitectura.cl/cl/tag/juan-sordo-madaleno?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Juan Sordo Madaleno</a> together with José Adolfo Wiechers and José Ignacio de Abiega as Associate Architects in 1975.</p>]]>
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        <![CDATA[Espai Verd: The Habitable Utopia of Valencia's Green Cathedral]]>
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      <pubDate>Wed, 06 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Even the most distracted passerby is captured by the <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">monumental</a> presence of this structure located in the established <a href="https://www.archdaily.com/795699/courtyard-residence-in-benimaclet-carmel-gradoli-and-arturo-sanz-architects">Valencian</a> neighborhood of <a href="https://www.archdaily.com.br/br/city/valencia">Benimaclet</a>. Before it, any attempt at rational comprehension dissolves. The constructive logic seems to slip away as space unfolds in tensions and detours where nothing is immediately revealed. Between masses of <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">concrete</a> and the insurgency of <a href="https://www.archdaily.com.br/search/br/projects/categories/monumentos">vegetation</a>, an almost choreographic play of planes, angles, and rotations emerges. In the vertigo of this encounter, one realizes that the building was not designed to be understood, but to be experienced.</p>]]>
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