Tag: bauhaus | ArchDaily

20th Century Design in Flux: ArchDaily’s May Editorial Focus

Romullo Baratto — Fri, 01 May 2026 08:00:00 +0000

"The story of architecture is not wrong," argued Lesley Lokko in her introduction to the Venice Architecture Biennale 2023, "but it is incomplete." For most of the 20th century, architectural history spoke in one tongue: a singular, dominant narrative centered on a handful of movements, names, and cities, whose reach and influence appeared universal precisely because alternative voices were rendered inaudible. Design movements, however, rarely traveled intact across borders. They were frequently absorbed, resisted, reinterpreted, and transformed depending on geography, politics, economy, climate, and available materials. What arrived in one place as doctrine became, somewhere else, something entirely different.

A Bauhaus Bathroom: Design Competition For a Public Restroom at Gropius House

Rene Submissions — Mon, 17 Nov 2025 08:45:00 +0000

Utilitarian and mass-produced, the portable toilet at the Gropius House unexpectedly echoes Bauhaus values. But it was always meant to be a stop-gap solution that is clearly inelegant and does not meet contemporary accessibility standards. It fails to adequately welcome visitors to this iconic property.

Through this competition, Historic New England is soliciting thoughtful, inventive ideas to solve this problem for future generations of visitors.

The competition invites designers to channel the Bauhaus spirit – experiment with materials, push boundaries, and collaborate across disciplines from architecture to landscape to graphics to industrial design – to create a permanent restroom solution and to

From Design Fiction to Design Futures: The Changing Role of Architecture in Cultural Production

Ankitha Gattupalli — Mon, 13 Oct 2025 07:30:00 +0000

When Archigram published their fanatical vision for pneumatic cities and walking megastructures in the 1960s, they seemed to be designing buildings. Beneath the surface, the avant-gardeists were pushing culture through radical alternatives to lifestyles and forms of organizing in the city. Laboratories found themselves between the lines of copy on Domus or Casabella magazines, propositions doubling as blueprints for the civilizations to come. From Gropius's Bauhaus in 1919 to Arcosanti's desert experiments in the 1970s, architecture operated as a form of cultural prophecy. Built form was the argument. The drawing was the vision. Today, we live in a world that remarkably resembles what the starchitects of the 1900s imagined - modular construction, interconnected digital cities, and automated systems. Yet contemporary architecture rarely proposes culture with the same totalizing confidence.

Choreographing Space: Architecture and Dance as Interdisciplinary Practices

Diogo Borges Ferreira — Thu, 18 Sep 2025 07:30:00 +0000

"Dance, dance… otherwise we are lost." This oft-cited phrase by Pina Bausch encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and contested through the body. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.

From Salt Factory to Art Museum: The Story Behind the Schaudepot in Essen, Germany

Camilla Ghisleni — Wed, 27 Aug 2025 07:30:00 +0000

Once the largest coal mine in Europe, the Zollverein complex in Essen, Germany, has undergone a remarkable transformation over the past twenty-five years. What was once a landscape of abandoned industrial facilities is now a laboratory of contemporary architecture, featuring works by Rem Koolhaas, Norman Foster, and SANAA. Their interventions bridge the site’s industrial past with its imagined future. Spanning 100 hectares, the UNESCO World Heritage site has become a global model of adaptive reuse, redefining what it means to preserve industrial heritage. Within this context stands the Ruhr Museum and its enigmatic art repository, the Schaudepot. Located in the complex’s former salt factory, the museum impresses not only with its collection but also with its architecture, which transforms a 1960s industrial building into a vibrant cultural venue.

Living Cycles in Regenerative Architecture: Lessons from the Goetheanum

Enrique Tovar — Tue, 22 Jul 2025 07:30:00 +0000

As climate uncertainty and ecosystem changes reshape design priorities, architecture plays an increasingly active role in these discussions, rather than merely observing. Within this perspective, the idea of making a "re" encourages a conscious step back to rethink, reconnect, and realign the relationship between buildings and their environments. This approach, central to regenerative architecture, extends beyond specific technologies or scales, encompassing everything from master plans that aim to re-naturalize cities to national pavilions that combine art and science.

Towards an Architecture of Many Intelligences: How Collective Knowledge Shapes the Built Environment

Diogo Borges Ferreira — Thu, 08 May 2025 07:30:00 +0000

As architecture navigates a rapidly changing world shaped by ecological urgency, social transformation, and technological acceleration, the notion of intelligence is shifting. No longer confined to individual cognition or artificial computation, intelligence can emerge from cultural memory, collective practices, and adaptive systems. In this broader sense, architecture becomes a field of convergence, where natural, artificial, and social intelligences intersect to offer new ways of designing and building.

Hannes Meyer: Exploring the Legacy of a Former Bauhaus Director

Mohieldin Gamal — Tue, 18 Mar 2025 05:00:00 +0000

In March 2025, the actor Adrian Brody rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, The Brutalist. The film is about a Bauhaus-educated architect who escaped Nazi Germany in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, Walter Gropius and Mies van der Rohe respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, Hannes Meyer, who took a different path from his colleagues.

Modernism in Africa: Shedding Light on Nigeria’s Rich Heritage of Education Buildings

Mohieldin Gamal — Tue, 04 Feb 2025 06:00:00 +0000

In late 2024, an important addition was made to the growing literature on Modern architecture in Africa. "Modernism in Africa: The Architecture of Angola, Ghana, Mozambique, Nigeria, Rwanda, South Africa, Sudan, Tanzania, Uganda" was published by Docomomo International and Birkhäuser, shedding light on multiple previously unpublished buildings. The book has a focus on education, although other building types are included. Amongst these are several university buildings in Nigeria which are explored here. Like other Modern buildings on the continent, they illustrate historical narratives of independence, decoloniality, international relations, and architectural education.

Reflecting on Architectural Details and Construction Systems in 2024

Jonathan Yeung — Mon, 16 Dec 2024 04:00:00 +0000

In 2024, a diverse range of topics have been comprehensively explored, some focusing specifically on architectural details and construction systems. These articles provide valuable insights into architecture's often-overlooked technical and functional aspects. By shifting attention away from aesthetics, materials, and spatial massing, they reveal the importance of intricate details and the construction systems underpinning contemporary projects' larger architectural vision.

Architectural Details of the Bauhaus Movement: Revisiting the Glass Corners and Tubular Steel Construction

Jonathan Yeung — Sat, 31 Aug 2024 07:30:00 +0000

Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include Marcel Breuer’s Wassily Chair, the B55 Chair, the Bauhaus typeface, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of Breuer’s renowned furniture pieces but also have influenced the much-celebrated architectural glass details of Mies van der Rohe. How were Bauhaus's details executed, and how might they be translated into contemporary details today?

What Does Midcentury Modern Even Mean These Days?

George Dodds — Fri, 08 Sep 2023 03:30:00 +0000

This article was originally published on Common Edge.

5 Iconic Designers and Their Furniture Milestones: Aalto, Gray, Le Corbusier, Van der Rohe & Panton

Maria Deister — Tue, 05 Sep 2023 07:30:00 +0000

The 20th century is almost certainly the most important period when it comes to interior design icons. The list of protagonists who have contributed to making this era of design such a great one is certainly too long to truly do justice to all of them and their classic furniture designs. For this reason, here we present just a small selection of architects and designers such as Eileen Gray, Le Corbusier and Verner Panton, who have written design history over the past century, and which still continue to make an impression to this day – all of whom can be found on the Architonic Platform. Our journey includes extraordinary talents from all corners of the world: A look back at the furniture world of yesterday, which was then of tomorrow, and today still shines as brightly and timelessly as ever.

From Art Nouveau to the Bauhaus: How Home Interiors Looked in Popular Art Movements

Paul Yakubu — Fri, 18 Aug 2023 07:30:00 +0000

Art has always been a means for people to connect with space, and art movements have served as a platform for exploring new relationships with architecture. By incorporating art into buildings and interior spaces, they have been transformed, resulting in a fusion that creates beautiful, inspiring, and spiritually uplifting environments. Throughout history, various art movements, such as the Renaissance in the 17th century, Baroque in the 18th century, and Art Nouveau, Art Déco, and Bauhaus in the early 20th century, have had a significant impact on architecture. Architects drew inspiration from the ideals, concepts, stylistic approaches, and techniques of these movements, using them to create large-scale habitable structures. As the home is a fundamental expression of an architectural movement and the simplest canvas to exhibit the artistic ethos of any particular era, studying the interior spaces of houses provides a detailed picture of art's influence on spatial organization, furniture design, product patterns, and user interaction.

A Bauhaus Exhibition Center in Germany and a Rehabilitated UNESCO World Heritage Site in Tunisia: 8 Unbuilt Museums Submitted by the ArchDaily Community

Maria-Cristina Florian — Thu, 18 May 2023 07:30:00 +0000

As repositories of knowledge and catalysts for innovation, museums represent an architectural typology filled with opportunities. They act as an intermediary between the general public and artists, historians, and researchers, creating the medium for the display of cultures and creativity while also striving to make knowledge accessible to all. Through careful curation and exhibition design, they provide a platform for education and research, fostering an understanding and appreciation of diverse cultures, histories, and ideas. For architects, they also present an opportunity to conceive spaces aligned with the exhibits on display to create an immersive experience for the visitors.

6 Schools That Defined Their Own Architectural Styles

Megan Schires — Sat, 01 Apr 2023 05:30:00 +0000

Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.

A New Collective Led by Sabine Marcelis Revitalizes the Story of Women in the Bauhaus Movement

Maria-Cristina Florian — Mon, 03 Oct 2022 06:30:00 +0000

The Women Bauhaus is a new art collective of five female artists led by mentor Sabine Marcelis, who are taking inspiration from the legacy of women in the Bauhaus movement. The project was commissioned by luxury skincare brand La Prairie as part of its ongoing patronage of the arts. The projects developed are taking inspiration from Bauhaus icons such as textile artists Otti Berger, Benita Koch-Otte, and sculptor, metalsmith, and designer Marianne Brandt. The initiative also hopes to bring attention to the often-overlooked legacy of women who joined the Bauhaus movement, and whose struggles to affirm themselves as artists and designers are rarely recognized.

Styling Interiors with Design Icons: Eames, Breuer, Jacobsen, & Bellini

Maria Deister — Wed, 22 Jun 2022 00:30:00 +0000

In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and Charles Eames, Marcel Breuer, Arne Jacobsen and Mario Bellini and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. Find out more on the Architonic Platform.