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    <title>Tag: authorship | ArchDaily</title>
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      <title>
        <![CDATA[PREVI Lima and the Politics of Resident Authorship in Social Housing]]>
      </title>
      <link>https://www.archdaily.com/1042148/previ-lima-and-the-politics-of-resident-authorship-in-social-housing</link>
      <pubDate>Tue, 09 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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      <description>
        <![CDATA[<p>Architects are accustomed to being credited for buildings long after construction ends. Names remain attached to projects through photographs, publications, and histories, often decades after the original drawings were produced. Buildings, on the other hand, rarely remain faithful to that narrative for long. Families grow, technologies change, businesses emerge, and daily life introduces demands that no plan can fully anticipate. Over time, architecture accumulates modifications, repairs, additions, and improvisations that gradually distance it from its original form.</p>]]>
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      <title>
        <![CDATA[Women in Architecture: Progress, Gaps, and the Work Still Ahead]]>
      </title>
      <link>https://www.archdaily.com/1039447/women-in-architecture-progress-gaps-and-the-work-still-ahead</link>
      <pubDate>Mon, 09 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Each year, <a href="https://www.archdaily.com/tag/archdaily-international-days" target="_blank" rel="noopener">International Women's Day</a> brings renewed attention to questions of <a href="https://www.archdaily.com/tag/gender" target="_blank" rel="noopener">gender</a> within many professional fields, <a href="https://www.archdaily.com/tag/women-in-architecture" target="_blank" rel="noopener">architecture among them</a>. Public conversations often center on celebrating prominent figures or highlighting notable projects, moments that briefly illuminate the contributions of women within the discipline. Yet the visibility produced by these occasions sits within a longer and more complex trajectory. Over the past several decades, the architectural profession has undergone gradual shifts that have expanded opportunities and broadened participation, even as longstanding structures continue to shape how careers develop and how architectural work becomes visible.</p>]]>
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      <title>
        <![CDATA[The Machine in the Age of Collective Practice]]>
      </title>
      <link>https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice</link>
      <pubDate>Wed, 25 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion"><em>Opinion</em></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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      <title>
        <![CDATA[Architectural Authorship in the Age of the Collective Practices]]>
      </title>
      <link>https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices</link>
      <pubDate>Wed, 17 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices</guid>
      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[The Story of Miyashita Park: Resistance, Partnership, and Publicness]]>
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      <link>https://www.archdaily.com/1036305/the-story-of-miyashita-park-resistance-partnership-and-publicness</link>
      <pubDate>Thu, 27 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036305/the-story-of-miyashita-park-resistance-partnership-and-publicness</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/925328/postcard-pittsburgh-an-urban-renewal-of-an-underrated-american-city?ad_source=search&amp;ad_medium=search_result_articles">Urban renewal</a> is inherently fraught—financially complex, politically exposed, <a href="https://www.archdaily.com/1033199/architecture-and-agency-rethinking-authorship-through-participatory-design?ad_source=search&amp;ad_medium=search_result_articles">stakeholder-dense</a>, and almost guaranteed to leave someone dissatisfied. Precisely for these reasons, many cities default to inertia rather than risk the upheaval that comes with reworking entrenched<a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles"> urban fabrics</a>, their residences, and their dynamics; once the "sleeping bear" is prodded, unexpected complications tend to multiply.</p>]]>
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        <![CDATA[The Architecture of Restraint: When Choosing Not to Build Becomes Design]]>
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      <link>https://www.archdaily.com/1035638/the-architecture-of-restraint-when-choosing-not-to-build-becomes-design</link>
      <pubDate>Wed, 19 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In a world facing <a href="https://www.archdaily.com/tag/emergency-architecture">ecological exhaustion and spatial saturation</a>, the act of building has come to represent both creation and consumption. For decades, architectural progress was measured by the new: new materials, new technologies, new monuments of ambition. Yet today, the discipline is increasingly shaped by another form of intelligence, one that values what already exists. Architects are learning that <a href="https://www.archdaily.com/1033320/how-not-to-build-architecture-by-the-absence-of-intervention">doing less can mean designing more</a>, and this shift marks the emergence of what might be called an <em>architecture of restraint</em>: a practice defined by care, maintenance, and the <a href="https://www.archdaily.com/1031192/the-european-citizens-initiative-houseeurope-receives-the-2025-obel-award?ad_campaign=special-tag">deliberate choice not to build</a>.</p>]]>
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        <![CDATA[Chaos White Paper Reveals How AI Is Transforming Roles, Risks, and Skills in Architecture]]>
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      <link>https://www.archdaily.com/1035718/chaos-white-paper-reveals-how-ai-is-transforming-roles-risks-and-skills-in-architecture</link>
      <pubDate>Thu, 06 Nov 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Nearly three years after artificial intelligence captured the world's attention, architecture is still searching for stable ground in the conversation. Between confident claims and cautious trials, many professionals still question whether—and how—AI is truly changing everyday practice.</p>]]>
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        <![CDATA[The Spatial Agency Gap: Rethinking Public Space through Co-Designing with Foreign Domestic Workers]]>
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      <link>https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers</link>
      <pubDate>Sat, 25 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/965321/from-hidden-backrooms-to-storage-units-foreign-domestic-workers-and-the-evolution-of-their-living-space?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Domestic workers</a> in Hong Kong and <a href="/tag/singapore">Singapore</a> are the city's quiet infrastructure. In Hong Kong alone, there are a total of roughly <a href="https://data.gov.hk/en-data/dataset/hk-immd-set4-statistics-fdh?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">300,000 domestic workers</a>, serving a portion of the approximate <a href="https://www.censtatd.gov.hk/en/scode500.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2.7 million households</a>. Their care labor sustains dual-income family routines: <a href="https://www.archdaily.com/1033207/kindergarten-architecture-imaginative-spaces-shaping-childhood-and-creativity?ad_source=search&amp;ad_medium=search_result_articles">childcare</a>, <a href="https://www.archdaily.com/1011354/inter-generational-homes-addressing-diverse-needs-under-one-roof?ad_source=search&amp;ad_medium=search_result_articles">eldercare</a>, cooking, cleaning, and the everyday logistics that make professional life possible. Yet the people who hold this balance together remain largely invisible in policy—and, crucially, in space.</p>]]>
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        <![CDATA[Cover Me Softly: Beta 2024 Explores Architecture as an Act of Copying, Imitating, or Stealing]]>
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      <link>https://www.archdaily.com/1024195/cover-me-softly-beta-2024-explores-architecture-as-an-act-of-copying-imitating-or-stealing</link>
      <pubDate>Fri, 29 Nov 2024 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/timisoara-architecture-biennial">2024 Beta Architecture Biennial</a>, in <a href="https://www.archdaily.com/tag/timisoara-architecture-biennial">Timișoara</a>, <a href="/tag/romania">Romania</a>, marks the tenth anniversary of this influential event. <a href="https://www.archdaily.com/1012231/oana-stanescu-chosen-as-curator-of-beta-2024-the-timisoara-architecture-biennial?ad_campaign=normal-tag">Curated by Oana Stănescu</a>, this year's biennial, titled "<em><a href="https://betacity.eu/en/tema-beta-2024-cover-me-softly/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">cover me softly</a></em>," explores the nuanced relationship between originality and influence, challenging conventional notions of copying, imitation, and appropriation. In addition to the <a href="https://betacity.eu/en/beta-awards/results/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Beta Awards</a>, aiming to highlight significant contributions to architecture from across Romania, Hungary, and Serbia, the main exhibition offers a distinctive interpretation of recurring themes of the architectural field.</p>]]>
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        <![CDATA[The Second Studio Podcast: Interview with Jai Kumaran]]>
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      <link>https://www.archdaily.com/1012126/the-second-studio-podcast-interview-with-jai-kumaran</link>
      <pubDate>Sun, 14 Jan 2024 03:30:00 +0000</pubDate>
      <dc:creator>The Second Studio Podcast</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012126/the-second-studio-podcast-interview-with-jai-kumaran</guid>
      <description>
        <![CDATA[<p>The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects <a href="https://www.archdaily.com/tag/david-lee">David Lee</a> and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.</p>]]>
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      <title>
        <![CDATA[Copyrights for Architectural Imagery in the AI Era]]>
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      <link>https://www.archdaily.com/992140/copyrights-for-architectural-imagery-in-the-ai-era</link>
      <pubDate>Sat, 18 Feb 2023 08:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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      <description>
        <![CDATA[<p>Architecture is a referential discipline. From ziggurats, machines for living, to contemporary biophilic high-rises designs, it is impossible to know whether ideas are genuinely novel or whether they have been conceptualized before. Artificial intelligence has ignited the conversation on <a href="https://www.wipo.int/portal/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">intellectual property (IP)</a> even more. As millions generate unique graphic work by typing keywords, controversies have arisen, specifically concerning protecting creative work and the <a href="/tag/copyright">Copyright</a> of architects in their creations. Therefore, understanding the scope of what is protected helps determine whether<a href="https://creativecommons.org/about/cclicenses/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> licenses</a> are sufficient, whether <a href="https://auditoriodetenerife.com/images/auditorio/Congresos_eventos_y_localizaciones/AUDITORIO._CONDICIONES_USO_IMAGEN.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">trademark</a> registration's long road is worth it; or perhaps a graphic piece cannot be protected and belongs to the public domain.</p>]]>
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        <![CDATA["I Wanted to Look at Places in a New Three-Dimensional Way": In Conversation with Daniel Libeskind]]>
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      <link>https://www.archdaily.com/979592/i-wanted-to-look-at-places-in-a-new-three-dimensional-way-in-conversation-with-daniel-libeskind</link>
      <pubDate>Tue, 05 Apr 2022 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the <a href="/tag/jewish-museum">Jewish Museum</a> in <a href="/tag/berlin">Berlin</a> before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.</p>]]>
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        <![CDATA[OASE 101: Microcosm: Searching for the City in Its Interiors]]>
      </title>
      <link>https://www.archdaily.com/911875/oase-101-microcosm-searching-for-the-city-in-its-interiors</link>
      <pubDate>Thu, 21 Feb 2019 08:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <category>
        <![CDATA[Urban & Land Use Planning]]>
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        <![CDATA[<p>This issue of OASE proactively confronts a disturbing trend: the encroaching standardization of interiors as civilization moves inwards. Rather than simply identifying the issue, the editors single out projects for interiors that derive their significance from a specific approach and show a recognizable element of authorship.</p><p>In the modern city, everyday life is increasingly moving towards the inside of buildings. The interiors of department stores, market halls, administration buildings, museums or theaters are part of the experience of the urban dweller. Every inner world of the city has its own character atmosphere and representative architectural language that supports its specific societal</p>]]>
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        <![CDATA[Architecture's "Dark Products": What Do Architects Claim Ownership of in the Design Process?]]>
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      <link>https://www.archdaily.com/890989/architectures-dark-products-what-do-architects-claim-ownership-of-in-the-design-process</link>
      <pubDate>Sun, 06 Jan 2019 08:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p dir="ltr">Why do we build? How do we build? Who do we ultimately build for? These have been questions that have dominated the worlds of both practice and pedagogy since the early ages of architecture. On a basic level, those questions can be answered almost reflexively, with a formulaic response. But is it time to look beyond just the simple <em>why</em>, <em>how</em>, and <em>who</em>?</p>]]>
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