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    <title>Tag: arts-and-crafts | ArchDaily</title>
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        <![CDATA[Art Nouveau Revisited: Craft, Materiality, and Detail in Contemporary Hospitality Spaces]]>
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      <link>https://www.archdaily.com/1041091/art-nouveau-revisited-craft-materiality-and-detail-in-contemporary-hospitality-spaces</link>
      <pubDate>Fri, 01 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[<p>At the turn of the 20th century, parallel, yet connected movements around the world ushered in a new style and architectural era. From the <a href="/tag/arts-and-crafts">Arts and Crafts</a> in England, <a href="https://www.archdaily.com/974955/what-is-art-nouveau" target="_blank" rel="noopener">Art Nouveau</a>, then <a href="/tag/art-deco">Art Deco</a> in France, or the Jugendstil in Germany/Austria, these design and artistic developments spread around the world and took on different forms depending on their context. The basis remained similar, though, with a focus on artisanal value and craftsmanship; the use of wood, glass, and various metals; the integration of organic forms into the exterior facade and interior structure; and the refined incorporation of <a href="https://www.archdaily.com/1036298/ornamentation-in-the-age-of-algorithms-and-robotics-can-technology-bring-back-architectural-detail" target="_blank" rel="noopener">ornamentation</a> as an architectural element, often as vegetation or geometric patterns.</p>]]>
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        <![CDATA[Enriching Architecture: Stained Glass ]]>
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      <link>https://www.archdaily.com/984419/enriching-architecture-stained-glass</link>
      <pubDate>Sat, 02 Jul 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p dir="ltr">Predominantly associated with places of worship, <a href="https://mymodernmet.com/stained-glass-history/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">stained glass has been used by artisans across the globe for thousands of years</a> in an array of art ventures and installations. Intensifying architecture with vivid color, the process of stained glass refers to a particular action in which glass has been <a href="https://mymodernmet.com/stained-glass-history/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">colored via metallic oxides during its manufacture</a>, using different additives in order to create a range of hues and tones.</p>]]>
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        <![CDATA[The Unfamiliar History of an Expressionist, Crafty Bauhaus]]>
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      <link>https://www.archdaily.com/911606/the-unfamiliar-history-of-an-expressionist-crafty-bauhaus</link>
      <pubDate>Sat, 16 Feb 2019 08:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-245e6470-7fff-8370-86c4-27d094e3aca5" dir="ltr">Every famed design <a href="https://www.archdaily.com/tag/movement" target="_blank">movement</a> has an interesting story of how it managed to influence architecture and design through the years. Despite their impact, not all movements began with the same principles they managed to ultimately lead with, and <a href="https://www.archdaily.com/tag/bauhaus" target="_blank">Bauhaus</a> is no exception. The clean-cut modernist archetype, which has pioneered <a href="https://www.archdaily.com/tag/modernism" target="_blank">modern</a> architecture for a <a href="https://www.archdaily.com/tag/bauhaus-100" target="_blank">century</a> now, was once an experimental design institution of <a href="https://www.archdaily.com/tag/expressionism" target="_blank">expressionism</a>, unbound creativity, and handcraft, bridging the styles of <a href="https://www.archdaily.com/tag/art-nouveau" target="_blank">Art Nouveau</a> and <a href="/tag/arts-and-crafts">Arts and Crafts</a> with Modernist designs.</p>]]>
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