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    <title>Tag: articles | ArchDaily</title>
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      <title>
        <![CDATA[When Movement Becomes Sacred Space: The Architecture of India’s Pilgrimage Landscapes]]>
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      <link>https://www.archdaily.com/1042873/when-movement-becomes-sacred-space-the-architecture-of-indias-pilgrimage-landscapes</link>
      <pubDate>Mon, 06 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>At the helm of <a href="https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes">architectural discourse on sacred architecture</a>, attention almost always settles on the monument. <a href="https://www.archdaily.com/category/temple">Temples</a>, <a href="https://www.archdaily.com/search/projects/categories/mosque">mosques</a>, <a href="https://www.archdaily.com/search/projects/categories/monastery">monasteries</a>, and <a href="https://www.archdaily.com/search/projects/categories/churches">churches</a> dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across <a href="https://www.archdaily.com/country/india/page/1">India</a>, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which <a href="/tag/pilgrimage">pilgrimage</a> actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.</p>]]>
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        <![CDATA[Agricultural Afterlives: When Waste Becomes Architecture]]>
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      <link>https://www.archdaily.com/1042670/agricultural-afterlives-when-waste-becomes-architecture</link>
      <pubDate>Wed, 01 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>A building material rarely begins where architecture encounters it. By the time concrete reaches a construction site, its limestone has already been quarried, processed, and transformed. Timber arrives long after the forest. Glass appears detached from the sand from which it was made. By the time materials enter construction, much of the landscape and industry that produced them has already disappeared from view.</p>]]>
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        <![CDATA[The Ecological Intelligence of Sacred Landscapes]]>
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      <link>https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</link>
      <pubDate>Sun, 28 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture often speaks about <a href="https://www.archdaily.com/tag/ecological-design">ecological design</a> as though it were a recent discovery. Biodiversity corridors, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_campaign=normal-tag">regenerative landscapes</a>, sponge cities, and <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">more-than-human urbanism</a> are presented as emerging responses to contemporary environmental crises. Across <a href="/tag/india">India</a> and the SWANA region, landscapes shaped through religious practice have long organized relationships between people, water, vegetation, and animals. <a href="https://www.researchgate.net/publication/307742632_Heritage_management_of_temple_tanks_in_an_urban_scenario_-_a_case_study_of_Thirupporur_a_traditional_town_in_the_state_of_Tamilnadu_India?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Long before ecological performance became a design metric, temple tanks stored monsoon water,</a> sacred groves protected biodiversity, and oasis settlements sustained life in some of the world's most arid environments. Few of these places emerged from explicit environmental agendas. They emerged through cultural and spiritual practices. Their environmental logic remains highly relevant today. Many of the conditions now discussed through more-than-human design have existed for centuries within landscapes architects rarely study as ecological infrastructure.</p>]]>
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        <![CDATA[The History of the UIA World Congress of Architecture and the Cities That Shaped It]]>
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      <link>https://www.archdaily.com/1042418/the-history-of-the-uia-world-congress-of-architecture-and-the-cities-that-shaped-it</link>
      <pubDate>Tue, 23 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Every three years, the<a href="https://www.uia-architectes.org/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> International Union of Architects'</a> (UIA) <a href="/tag/world-congress">World Congress</a> lands in a different city, under a different theme set years in advance. A quick mapping of these <a href="https://www.uia-architectes.org/en/architecture-events/world-congresses-of-architects/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">host cities</a> reveals a deliberate pattern: throughout the decades, the UIA has purposefully chosen a wide range of venues across all continents, rendering each edition a snapshot of what mattered in that specific place, at that exact moment. The result of this geographic rotation has been a diverse kaleidoscope of conversations, analyzing the profession from countless angles and adapting it to changing times. But 2026 is different; this time<a href="https://uia2026bcn.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> the UIA is repeating a host city</a> for the first time: <a href="https://www.archdaily.com/tag/barcelona" target="_blank" rel="noopener">Barcelona</a>, under the theme "<a href="https://www.archdaily.com/tag/uia-2026-barcelona" target="_blank" rel="noopener">Becoming. Architectures for a planet in transition</a>". </p>]]>
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        <![CDATA[Designing for Stray Cities: Architecture Beyond the Human]]>
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      <link>https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</link>
      <pubDate>Sat, 20 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture continues to draw cities as though humans occupy them alone. Plans trace circulation routes, zoning maps assign functions, and buildings are evaluated according to human comfort, safety, and efficiency. Walking through cities across <a href="https://www.archdaily.com/country/india">India</a> and Southwest Asia reveals something much more complex. Dogs sleep beneath market stalls, monkeys move across rooftops, birds nest in temple towers and mosque façades, and insects pollinate urban landscapes hidden in plain sight. These <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species?ad_campaign=normal-tag">species are woven into daily urban life</a> as consistently as human occupants. Streets, courtyards, roofs, drainage systems, markets, and vacant lots are <a href="https://www.archdaily.com/1042201/when-facades-become-habitats-architecture-making-room-for-other-species?ad_campaign=normal-tag">already occupied by multiple species simultaneously</a>. Architectural thinking has been slower to account for this reality.</p>]]>
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        <![CDATA[City-Making Through Participation: Lessons from Utopian Hours 2026]]>
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      <link>https://www.archdaily.com/1042568/city-making-through-participation-lessons-from-utopian-hours-2026</link>
      <pubDate>Fri, 19 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042568/city-making-through-participation-lessons-from-utopian-hours-2026</guid>
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        <![CDATA[<p>Who has the right to the <a href="https://www.archdaily.com/tag/city" target="_blank" rel="noopener">city</a>? <a href="https://en.wikipedia.org/wiki/Right_to_the_city?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Henri Lefebvre</a>'s writings question the structures that control <a href="https://www.archdaily.com/tag/urban-space" target="_blank" rel="noopener">urban space</a> and, instead, put the citizens at the center of decision-making. His ideas have influenced the way <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> and <a href="https://www.archdaily.com/tag/urban-design" target="_blank" rel="noopener">urban design</a> are practiced, bringing about community <a href="https://www.archdaily.com/tag/participatory-design" target="_blank" rel="noopener">participation</a> and <a href="https://www.archdaily.com/tag/co-design" target="_blank" rel="noopener">co-design</a>. These have been some of the most prominent themes at <a href="https://utopianhours.it/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Utopian Hours 2026</a>, the festival of city-making, the first part of which was held in the Dutch city of <a href="https://www.archdaily.com/tag/rotterdam" target="_blank" rel="noopener">Rotterdam</a> to mark its tenth anniversary edition. </p>]]>
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        <![CDATA[Building on the Moon: NASA's Architectural Strategy for Permanent Lunar Habitation]]>
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      <link>https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation</link>
      <pubDate>Mon, 15 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>After <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">Artemis II's</a> return to Earth, <a href="/tag/nasa">NASA</a> unveiled a new phased plan to<a href="https://www.theglobeandmail.com/investing/markets/stocks/INTC-Q/pressreleases/2354808/nasa-has-big-plans-for-the-moon-here-are-some-of-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> establish a Moon Base</a>. Although most of the media's attention went to rockets, budgets, and geopolitical competition, a quieter question was lingering for architects in the background: How can a human being actually live on the surface of the Moon, and for how long? The establishment of a permanent <a href="https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth?ad_source=search&amp;ad_medium=search_result_articles">human presence on the Moon</a> marks a fundamental shift in space exploration that requires a new architectural paradigm. In their presentation, NASA officials suggested the strategy would drift away from highly constrained, vehicle-dependent environments toward autonomous, site-adaptive, and eventually permanently habitable structures. </p>]]>
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        <![CDATA[PREVI Lima and the Politics of Resident Authorship in Social Housing]]>
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      <link>https://www.archdaily.com/1042148/previ-lima-and-the-politics-of-resident-authorship-in-social-housing</link>
      <pubDate>Tue, 09 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042148/previ-lima-and-the-politics-of-resident-authorship-in-social-housing</guid>
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        <![CDATA[<p>Architects are accustomed to being credited for buildings long after construction ends. Names remain attached to projects through photographs, publications, and histories, often decades after the original drawings were produced. Buildings, on the other hand, rarely remain faithful to that narrative for long. Families grow, technologies change, businesses emerge, and daily life introduces demands that no plan can fully anticipate. Over time, architecture accumulates modifications, repairs, additions, and improvisations that gradually distance it from its original form.</p>]]>
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        <![CDATA[Ecologies of Repair: Reconciling Our Relationship with Water]]>
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      <link>https://www.archdaily.com/1042181/ecologies-of-repair-reconciling-our-relationship-with-water</link>
      <pubDate>Mon, 08 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042181/ecologies-of-repair-reconciling-our-relationship-with-water</guid>
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        <![CDATA[<p>Ola Hassanain is a <a href="https://www.archdaily.com/country/sudan/page/1" target="_blank" rel="noopener">Sudanese</a> architect and artist operating in the <a href="https://www.archdaily.com/tag/netherlands" target="_blank" rel="noopener">Netherlands</a>, and will be exhibiting at the <a href="https://www.archdaily.com/tag/pan-african-architecture-biennale" target="_blank" rel="noopener">Pan-African Architecture Biennale</a> in <a href="https://www.archdaily.com/tag/nairobi" target="_blank" rel="noopener">Nairobi</a>, <a href="https://www.archdaily.com/country/kenya/page/1" target="_blank" rel="noopener">Kenya</a>, later in 2026. All three locations tell stories of the built environment's relationship with <a href="https://www.archdaily.com/tag/water" target="_blank" rel="noopener">water</a>. These illustrate the continuous battles between the amorphous forces of <a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">nature</a> that are the rivers and seas, and human attempts to shape and control them. In most cases, they are attempts at extraction. Catastrophes happen as a result of the overreach of these attempts or of their mismanagement, or both.</p>]]>
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        <![CDATA[Designed to Repeat, Forced to Adapt: The Parallel Architecture of Socialist Housing]]>
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      <link>https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</link>
      <pubDate>Sat, 06 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p>]]>
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        <![CDATA[From Sacred to Public: 5 Disused Churches Reimagined as Cultural Spaces ]]>
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      <link>https://www.archdaily.com/1041970/from-sacred-to-public-5-disused-churches-reimagined-as-cultural-spaces</link>
      <pubDate>Tue, 02 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041970/from-sacred-to-public-5-disused-churches-reimagined-as-cultural-spaces</guid>
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        <![CDATA[<p>The conversion of disused <a href="https://www.archdaily.com/tag/church">religious temples</a> through cultural programs constitutes one of the most compelling <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> strategies in contemporary urban planning. This functional compatibility seems to be rooted in the specific characteristics of <a href="https://www.archdaily.com/tag/church">churches</a>: their central naves offer large-scale, clear floor plans and monumental cross-sections that easily accommodate the volumetric requirements of museums, theaters, or community hubs. Furthermore, the <a href="https://www.archdaily.com/tag/acoustic">acoustic</a> properties inherent to their vaulted ceilings, combined with intentional natural lighting filtered through stained glass windows or domes, create the spatial conditions for activities ranging from the<a href="https://www.archdaily.com/tag/performing-arts"> performing arts</a> to the exhibition of cultural artifacts. By assuming a public and cultural role, these buildings not only avoid demolition or physical abandonment but also preserve their status as urban and identity landmarks within the city fabric, revitalizing their immediate surroundings without altering their historical significance.</p>]]>
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        <![CDATA[MASS: A Non-Profit Model for Architecture in Service of Society]]>
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      <link>https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society</link>
      <pubDate>Fri, 22 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>At the time of writing, an article by Martyn Evans asked '<a href="https://www.bdonline.co.uk/opinion/is-architecture-in-crisis/5141978.article?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Is Architecture in Crisis</a>?' In the same year, Reinier de Graaf published the book '<a href="https://www.amazon.com/Architecture-Against-Manifesto-Reinier-Graaf/dp/B0FFG3C6GB/ref=sr_1_1?crid=2MADIEELUJV39&amp;dib=eyJ2IjoiMSJ9.NRzTEN8J65e7QBpRQJkRoSag3eZCl8LsPcurPh3hjyTYarnGbO1c12Y9S4ZqG0Uzod6MeLQF5vKX-vuLImnlKaWqndYyRmULob_2U5VA81SvTLiSlMzOwuPx2JXVS7MPf_s0i9tX2x0RuOVFK33d_qW_iCkeQ3PEOe5N3lcZYGOAStaagxg047AZobyN_HSnzO4PE3L-jw7nE3-Uum8aVWn4LHUzoR4WzRopeSzNiQc.uqBFtn8zW20w7fpVuRYT1oUmJedSYW-bGs2pY23A3cU&amp;dib_tag=se&amp;keywords=architecture+against+architecture&amp;qid=1779021333&amp;sprefix=architecture+against+arc%2Caps%2C300&amp;sr=8-1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architecture Against Architecture</a>,' where he set out fourteen problems with the profession and discipline. The question of a <a href="https://www.archdaily.com/tag/crisis" target="_blank" rel="noopener">crisis</a> in architecture is a perennial one. Referring to <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> as a profession, it rears its head especially when <a href="https://www.archdaily.com/tag/economical-crisis" target="_blank" rel="noopener">economic downturns</a> are expected or in full swing. Simultaneously, there are ongoing questions regarding the effectiveness of architecture at dealing with the pressing matters of the globe and society—<a href="https://www.archdaily.com/tag/housing" target="_blank" rel="noopener">housing</a>, <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a>, and <a href="https://www.archdaily.com/tag/development" target="_blank" rel="noopener">human development</a>. One venture that attempts to address these questions is <a href="https://www.archdaily.com/tag/mass" target="_blank" rel="noopener">MASS</a>, established in <a href="https://www.archdaily.com/country/rwanda/page/1" target="_blank" rel="noopener">Rwanda</a> not long after the 2008 financial crisis. The clue is in the name, which stands for <em>Model of Architecture Serving Society</em>. MASS was created as a different way of practicing architecture. </p>]]>
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        <![CDATA[The Technical Reality of Mass Timber Housing: Five European Case Studies]]>
      </title>
      <link>https://www.archdaily.com/1041598/the-technical-reality-of-mass-timber-housing-five-european-case-studies</link>
      <pubDate>Wed, 20 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Recent years have seen a shifting paradigm in multi-family residential architecture, as more and more new projects are being built with <a href="https://www.archdaily.com/search/products?q=wood&amp;ad_source=project-single&amp;ad_medium=material-tags">engineered wood</a>, specifically Cross-Laminated Timber (CLT) and glued-laminated timber (glulam). Because timber is lightweight, these systems can reduce dead load and <a href="https://woodsure.ca/the-case-for-building-with-mass-timber-a-modern-solution-for-construction-challenges/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ease foundation demands</a>, which is especially useful on sites with limited bearing capacity or over existing infrastructure. From a sustainability standpoint, timber can store carbon over the life of the building and often <a href="https://perkinswill.com/mass-timber/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">reduces embodied carbon</a> compared with conventional concrete-and-steel systems. In fire design, large timber members can be engineered to char at a predictable rate, allowing the structural core to remain protected for a defined period when detailed appropriately. </p>]]>
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        <![CDATA[Oil, Glass, and Identity: Gulf Modernism Between Global Image and Local Climate]]>
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      <link>https://www.archdaily.com/1041515/oil-glass-and-identity-gulf-modernism-between-global-image-and-local-climate</link>
      <pubDate>Mon, 18 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Step from the heat of <a href="https://www.archdaily.com/tag/dubai">Dubai</a> into the lobby of a glass tower, and the <a href="https://www.archdaily.com/1039911/the-line-at-a-crossroads-revisiting-neoms-vision-for-a-utopian-city?ad_campaign=normal-tag">desert seems to disappear.</a> Outside, temperatures climb past 45 degrees Celsius; inside, the air is cold, sealed, and perfectly controlled. For decades, this contrast became the defining image of Gulf modernity. <a href="/tag/architecture">Architecture</a> became less a negotiation with climate, and more a<a href="https://www.archdaily.com/1022847/revisiting-skyscraper-design-the-benefits-of-responsive-facades-and-passive-designs?ad_campaign=normal-tag"> demonstration that climate could be overcome</a>. <a href="https://www.archdaily.com/1026899/diller-scofidio-plus-renfro-unveils-100-meter-wellness-tower-in-dubai-uae">Towers of reflective glass</a> rose from the desert as symbols of arrival, projecting financial power, technological confidence, and global ambition. Beneath this <a href="https://www.archdaily.com/1039737/unearthing-the-ground-architecture-and-the-politics-of-oil?ad_content=1039737&amp;ad_medium=widget&amp;ad_name=editors-choice">urban image sat an infrastructure built on oil</a>, cheap energy, and the continuous mechanical suppression of heat.</p>]]>
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        <![CDATA[From Spanish Presidio to the American Grid: The Hispanic Roots of San Diego’s Urban Core]]>
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      <link>https://www.archdaily.com/1041419/from-spanish-presidio-to-the-american-grid-the-hispanic-roots-of-san-diegos-urban-core</link>
      <pubDate>Sun, 17 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Very close to the Mexican border, in the southwest corner of the<a href="https://www.archdaily.com/country/united-states/page/1"> United States, </a>lies the city of <a href="https://www.archdaily.com/tag/san-diego">San Diego</a>. Its urban history began in 1769 with the arrival of a Spanish military expedition commanded by <a href="https://www.britannica.com/biography/Gaspar-de-Portola?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Gaspar de Portola</a>, which marked the first permanent settlement in the territory that was known as Alta <a href="/tag/california">California</a>. However, unlike the more formally urbanized administrative capitals and towns of <a href="https://www.archdaily.com/country/mexico/page/1">Mexico</a> and <a href="https://www.archdaily.com/tag/central-america">Central America</a>, <a href="https://www.archdaily.com/tag/san-diego">San Diego</a> was conceived as a frontier outpost. Today, it has become the second-largest city in California, just after <a href="https://www.archdaily.com/1040622/el-pueblo-de-los-angeles-the-spanish-origins-of-las-urban-grid?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Los Angeles</a>, and its urban grid tells a story about the Hispanic heritage that is intertwined with the contemporary cultural environment of the <a href="https://www.archdaily.com/country/united-states/page/1">United States</a>. </p>]]>
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        <![CDATA[Alternate Futures: Five Modernist Landmarks Reimagined for the 21st Century]]>
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      <link>https://www.archdaily.com/1041097/alternate-futures-five-modernist-landmarks-reimagined-for-the-21st-century</link>
      <pubDate>Wed, 06 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernism</a> in architecture was perhaps the first truly global building design philosophy. Established at the beginning of the twentieth century, its early proponents were heavyweights from Europe, such as <a href="https://www.archdaily.com/tag/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>, <a href="https://www.archdaily.com/tag/walter-gropius" target="_blank" rel="noopener">Walter Gropius</a>, and <a href="https://www.archdaily.com/tag/mies-van-der-rohe" target="_blank" rel="noopener">Mies van der Rohe</a>. In 1923, Le Corbusier published his seminal written work, usually translated into English as <em>Towards a New Architecture</em>. Newness, and a rejection of history, was one of the central tenets of modernism. This manifested itself in the use of new <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> such as <a href="https://www.archdaily.com/tag/steel" target="_blank" rel="noopener">steel</a> and <a href="https://www.archdaily.com/tag/concrete" target="_blank" rel="noopener">concrete</a>, which gave rise to an unprecedented freedom of formal expression. </p>]]>
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        <![CDATA[Tropical Modernism Beyond Aesthetics: The Politics of Shade and Air ]]>
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      <link>https://www.archdaily.com/1041076/tropical-modernism-beyond-aesthetics-the-politics-of-shade-and-air</link>
      <pubDate>Mon, 04 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>The image is familiar, a façade layered with <a href="https://www.archdaily.com/897428/21-examples-of-brise-soleils-in-mexico-and-its-diverse-applications">brise-soleil</a>, light softened into a patterned shadow, <a href="https://www.archdaily.com/1020060/how-to-choose-shade-structures-strategies-based-on-solar-angles-and-seasons?ad_campaign=normal-tag">interiors kept cool without machines</a>. It appears as intelligence made visible, architecture that understands the sun. This image is rarely examined closely. The same devices that temper heat also organize access, distribute comfort, and depend on particular forms of labor. What looks like a <a href="https://www.archdaily.com/1037049/building-optimism-lessons-from-climate-adaptation-in-2025?ad_campaign=normal-tag">climatic response</a> is also a decision about who gets relief from heat, and how. <a href="https://www.archdaily.com/955979/reset-a-norm-for-sustainable-architecture-in-the-tropics?ad_campaign=normal-tag">Tropical modernism</a>, often reduced to a visual language of shade and porosity, emerges instead as a set of situated practices where climate, labor, and power are negotiated differently across contexts.</p>]]>
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        <![CDATA[Regenerative Salt Landscapes: An ArchDaily Student Project Awards Winner Rethinking Extraction in Argentina]]>
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      <link>https://www.archdaily.com/1040959/regenerative-salt-landscapes-an-archdaily-student-project-awards-winner-rethinking-extraction-in-argentina</link>
      <pubDate>Wed, 29 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>When people think of <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a>, they often picture landmarks like the <a href="https://turismo.buenosaires.gob.ar/en/otros-establecimientos/obelisk?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Obelisk of Buenos Aires</a>. Yet the country spans over 2,780,400 km², making it one of the largest in <a href="/tag/south-america">South America</a> and home to a wide range of landscapes and realities that frequently go unnoticed. In fact, the province of Jujuy in northern <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a> lies within the<a href="https://en.wikipedia.org/wiki/Lithium_Triangle?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Lithium Triangle</a>: a high-altitude region shared with <a href="https://www.archdaily.com/country/bolivia/page/1">Bolivia</a> and <a href="https://www.archdaily.com/country/chile">Chile</a> that contains roughly 54% of the world's lithium reserves. Within this territory sits the <a href="https://www.argentina.gob.ar/ciencia/conae/educacion-y-formacion-masiva/materiales-educativos/salar-de-olaroz-jujuy-landsat-5-tm-8-de-febrero-de-2010?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Olaroz Salt Flat</a>, a site where today two competing dynamics converge: the expansion of industrial lithium extraction and the preservation of ancestral culture and lands inhabited by <a href="https://en.wikipedia.org/wiki/Qulla?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kolla</a> and<a href="https://es.wikipedia.org/wiki/Atacame%C3%B1os?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Atacama</a> communities, creating a clash of high-capacity <a href="https://www.archdaily.com/1039641/energy-landscapes-how-infrastructure-reshapes-territory-in-south-america?ad_source=search&amp;ad_medium=search_result_articles">industrial extraction</a> and traditional, low-impact agrarian practices.</p>]]>
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