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    <title>Tag: article | ArchDaily</title>
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        <![CDATA[The History of the UIA World Congress of Architecture and the Cities That Shaped It]]>
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      <link>https://www.archdaily.com/en/1042418/the-history-of-the-uia-world-congress-of-architecture-and-the-cities-that-shaped-it</link>
      <pubDate>Tue, 23 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Every three years, the<a href="https://www.uia-architectes.org/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> International Union of Architects'</a> (UIA) <a href="/en/tag/world-congress">World Congress</a> lands in a different city, under a different theme set years in advance. A quick mapping of these <a href="https://www.uia-architectes.org/en/architecture-events/world-congresses-of-architects/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">host cities</a> reveals a deliberate pattern: throughout the decades, the UIA has purposefully chosen a wide range of venues across all continents, rendering each edition a snapshot of what mattered in that specific place, at that exact moment. The result of this geographic rotation has been a diverse kaleidoscope of conversations, analyzing the profession from countless angles and adapting it to changing times. But 2026 is different; this time<a href="https://uia2026bcn.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> the UIA is repeating a host city</a> for the first time: <a href="https://www.archdaily.com/tag/barcelona" target="_blank" rel="noopener">Barcelona</a>, under the theme "<a href="https://www.archdaily.com/tag/uia-2026-barcelona" target="_blank" rel="noopener">Becoming. Architectures for a planet in transition</a>". </p>]]>
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        <![CDATA[Building on the Moon: NASA's Architectural Strategy for Permanent Lunar Habitation]]>
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      <link>https://www.archdaily.com/en/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation</link>
      <pubDate>Mon, 15 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>After <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">Artemis II's</a> return to Earth, <a href="/en/tag/nasa">NASA</a> unveiled a new phased plan to<a href="https://www.theglobeandmail.com/investing/markets/stocks/INTC-Q/pressreleases/2354808/nasa-has-big-plans-for-the-moon-here-are-some-of-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> establish a Moon Base</a>. Although most of the media's attention went to rockets, budgets, and geopolitical competition, a quieter question was lingering for architects in the background: How can a human being actually live on the surface of the Moon, and for how long? The establishment of a permanent <a href="https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth?ad_source=search&amp;ad_medium=search_result_articles">human presence on the Moon</a> marks a fundamental shift in space exploration that requires a new architectural paradigm. In their presentation, NASA officials suggested the strategy would drift away from highly constrained, vehicle-dependent environments toward autonomous, site-adaptive, and eventually permanently habitable structures. </p>]]>
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        <![CDATA[Tropical Hotels in Costa Rica: Six Projects to Explore Climate-Sensitive Architecture in Central America]]>
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      <link>https://www.archdaily.com/en/1038309/tropical-hotels-in-costa-rica-six-projects-to-explore-climate-sensitive-architecture-in-central-america</link>
      <pubDate>Wed, 11 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>In the coastal and jungle regions of <a href="https://www.archdaily.com/country/costa-rica/page/1">Costa Rica</a>, high humidity and intense solar radiation dictate an <a href="https://www.archdaily.com/928807/design-guidelines-for-contemporary-tropical-architecture?ad_source=search&amp;ad_medium=search_result_articles">architectural strategy</a> centered on permeability rather than enclosure. Unlike the airtight envelopes required in cold climates to retain heat, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_source=search&amp;ad_medium=search_result_articles">Costa Rican architecture </a>uses the building envelope as a climatic filter to maximize air exchange. The primary mechanism for managing these <a href="https://www.archdaily.com/1030029/transitional-spaces-for-the-heat-6-central-american-projects-that-cool-from-the-outside-in?ad_source=search&amp;ad_medium=search_result_articles">thermal gradients</a> seems to be the oversized roof overhang. By extending the roof plane significantly beyond the floor plate, architects create a permanent buffer of deep shade that reduces solar gain and lowers the ambient temperature before air enters the structure. This strategy, combined with permeable or non-existent walls, allows for constant airflow. This is a critical technical requirement for <a href="https://www.archdaily.com/1027537/designing-with-humidity-how-architecture-adapts-to-the-worlds-dampest-climates?ad_source=search&amp;ad_medium=search_result_articles">humidity control </a>and the prevention of material degradation through mold and rot.</p>]]>
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        <![CDATA[Saving the City Fabric: Blanche Lemco van Ginkel and the Preservation of Old Montreal]]>
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      <link>https://www.archdaily.com/en/1037718/saving-the-city-fabric-blanche-lemco-van-ginkel-and-the-preservation-of-old-montreal</link>
      <pubDate>Wed, 14 Jan 2026 05:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>The architectural history of <a href="https://www.archdaily.com/1026387/reconsidering-brutalist-renovations-a-transformation-of-the-boston-city-hall-for-the-public?ad_source=search&amp;ad_medium=search_result_articles">North American cities</a> in the 20th century is often characterized by the pursuit of urban renewal. In the United States, <a href="https://www.archdaily.com/1022579/the-rose-kennedy-greenway-how-boston-unpaved-its-way-to-a-greener-city-center?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Boston</a>, <a href="https://www.archdaily.com/1023649/transforming-portland-how-a-demolished-highway-became-a-pioneering-waterfront-park?ad_source=search&amp;ad_medium=search_result_articles">Portland</a>, and <a href="https://www.archdaily.com/tag/san-francisco">San Francisco</a> are just some examples of when municipal governments prioritized high-speed vehicular infrastructure over the existing urban fabric. In <a href="https://www.archdaily.com/country/canada/page/1">Canada</a>, <a href="/en/tag/montreal">Montreal</a> would have followed this trajectory if not for the intervention of <a href="https://www.archdaily.com/1025621/saving-montreals-architectural-heritage-phyllis-lamberts-legacy-of-community-driven-change?ad_source=search&amp;ad_medium=search_result_articles">several figures</a> throughout its history, most notably <a href="https://pioneeringwomen.bwaf.org/blanche-lemco-van-ginkel/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Blanche Lemco van Ginkel</a> (1923–2022). A Harvard-trained planner and architect who, along with her husband Sandy Van Ginkel, advocated for the preservation of urban heritage while applying the principles of modernist infrastructure. </p>]]>
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        <![CDATA[Historic Materials in the Digital Age: How Digitally Assisted Stone Carving Adds a New Dimension to Heritage Restoration ]]>
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      <link>https://www.archdaily.com/en/1029725/historic-materials-in-the-digital-age-how-digitally-assisted-stone-carving-adds-a-new-dimension-to-heritage-restoration</link>
      <pubDate>Mon, 29 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Heritage restoration has always been an intricate process that requires delicate balancing between preserving the integrity of historic materials while integrating contemporary techniques that can enhance accuracy, efficiency, and resilience. With <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/multimedia/renovating-centre-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the restoration process of Parliament Hill</a> in <a href="/en/tag/ottawa">Ottawa</a>, Canada's capital city, this intersection of tradition and technology is now on full display. <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/discover/east-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The East Block</a>, built in 1865, offers a compelling example of how digital tools can support the efforts of heritage restoration and contribute to a centuries-old craft such as stone carving.</p>]]>
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        <![CDATA[Ornamentation in the Age of Algorithms and Robotics: Can Technology Bring Back Architectural Detail?]]>
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      <link>https://www.archdaily.com/en/1036298/ornamentation-in-the-age-of-algorithms-and-robotics-can-technology-bring-back-architectural-detail</link>
      <pubDate>Sun, 30 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Architectural ornamentation has been a recurrent <a href="https://www.archdaily.com/777615/synthesized-ornament-and-the-emerging-role-of-minimalist-decoration?ad_source=search&amp;ad_medium=search_result_articles">subject of debate</a> across the industry for decades. A practice that was largely abandoned during the <a href="https://www.archdaily.com/tag/archdaily-topic-2025-100-years-of-modernism">Modernist movement</a> could now be standing on a platform that might, again, allow its resurgence, due to the current convergence of robotics, <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence </a>(AI), and digital fabrication. Technology has seemingly removed the primary obstacle to decorative detail: the high cost of skilled manual labor. However, this new technical capacity demands a critical examination: What does ornamentation truly represent, and what do we gain or lose by resurrecting it through algorithmic design?</p>]]>
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        <![CDATA[Beyond Disaster Relief: The Evolution of Super-Adobe Into Permanent Structures in Hormuz, Iran]]>
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      <link>https://www.archdaily.com/en/1035199/beyond-disaster-relief-the-evolution-of-super-adobe-into-permanent-structures-in-hormuz-iran</link>
      <pubDate>Wed, 29 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Hormuz Island, located in <a href="https://www.archdaily.com/country/iran/page/1">Iran</a>, was a strategically significant port in the <a href="https://www.archdaily.com/tag/persian-gulf">Persian Gulf</a>, characterized by its landscape of colorful mountains. Despite its tourist appeal, the island faces significant socio-economic problems, with the local population having historically faced economic hardship. In response, the <a href="https://www.archdaily.com/952361/presence-in-hormuz-2-zav-architects?ad_source=search&amp;ad_medium=projects_tab">Majara Complex</a> by <a href="https://www.archdaily.com/office/zav-architects?ad_name=project-specs&amp;ad_medium=single">ZAV Architects</a> was conceived not merely as a building but as a deliberate architectural intervention designed to give control, opportunity, and economic benefit directly to the local community. To do this, the project channeled investment into local human resources and prioritized accessible construction techniques, creating a pathway for localized wealth creation. This allowed the<a href="https://the.akdn/en/how-we-work/our-agencies/aga-khan-trust-culture/akaa/majara-complex-and-community-redevelopment?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Majara Complex </a>to be one of the recipients of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture">Aga Khan Award for Architecture</a> in 2025.</p>]]>
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        <![CDATA[Beyond the Metropolis: Strategies for Residential Projects in the Taiwanese Countryside]]>
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      <link>https://www.archdaily.com/en/1034767/beyond-the-metropolis-strategies-for-residential-projects-in-the-taiwanese-countryside</link>
      <pubDate>Sun, 12 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>The island of <a href="https://www.archdaily.com/country/taiwan/page/1">Taiwan</a> presents a varied natural and topographical context, characterized by a land area of 36,197 square kilometers and a high <a href="https://eng.stat.gov.tw/Point.aspx?n=4208&amp;sid=t.9&amp;sms=11713&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">population density </a>of 644 people per square kilometer. Its <a href="http://twgeog.ntnugeog.org/en/geology/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">geological location</a>, situated on the edges of the Eurasian and Philippine Sea plates, has resulted in a predominantly mountainous and rugged topography. While this forces the majority of the <a href="https://www.taiwan.gov.tw/content_1.php?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">23 million residents</a> to inhabit<a href="https://www.archdaily.com/1034420/shifting-urban-perspectives-beimens-journey-from-obstacle-to-urban-anchor-in-taipei?ad_source=search&amp;ad_medium=search_result_articles"> large urban centers</a> on the western coastal plains, the island maintains an active <a href="https://www.archdaily.com/1031867/rhythms-of-the-soil-architecture-as-agroecology?ad_source=search&amp;ad_medium=search_result_articles">agricultural sector</a>, with approximately 22% of its land allocated to farming.</p>]]>
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        <![CDATA[When the World Came to Montreal: The Urban Legacy of Canada’s Expo 67]]>
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      <link>https://www.archdaily.com/en/1027277/when-the-world-came-to-montreal-the-urban-legacy-of-canadas-expo-67</link>
      <pubDate>Thu, 27 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1027277/when-the-world-came-to-montreal-the-urban-legacy-of-canadas-expo-67</guid>
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        <![CDATA[<p>Canada's <a href="https://www.archdaily.com/928981/a-new-landscape-in-montreal-weaves-together-icons-of-the-citys-expo-67?ad_source=search&amp;ad_medium=search_result_articles">Expo 67</a> stands as one of the <a href="https://www.thecanadianencyclopedia.ca/en/article/expo-67?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">most successful world expos ever held</a>, setting records and leaving an enduring impact on <a href="https://www.archdaily.com/tag/montreal">Montreal's</a> urban landscape. As part of Canada's 100 years celebrations, the event provided an opportunity for the city to <a href="https://guides.loc.gov/quebec/Expo-67-vive-quebec-libre?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">showcase its cultural and technological achievements</a> on a global platform. With over <a href="https://www.parcjeandrapeau.com/en/expo-67-universal-exposition-montreal/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">50 million visitors in just six months</a>, it shattered attendance records, including an astonishing 569,500 visitors in a single day. An unprecedented feat for a world fair at the time. Now, 58 years later, and with the <a href="https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202204/202204_09_en.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Osaka Expo 2025</a> set to showcase how to design the future society for our lives, it is worth revisiting the <a href="https://unesdoc.unesco.org/ark:/48223/pf0000059683?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">legacy of Expo 67</a> and exploring the urban transformations it brought to <a href="https://www.archdaily.com/tag/montreal">Montreal</a>.</p>]]>
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        <![CDATA[Lina Ghotmeh on Stone Garden: ''It Has to Resist any Earthquake, and That’s Why it also Resisted the Explosion in the Port'']]>
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      <link>https://www.archdaily.com/en/976713/lina-ghotmeh-on-stone-garden-it-has-to-resist-any-earthquake-and-thats-why-it-also-resisted-the-explosion-in-the-port</link>
      <pubDate>Sat, 19 Feb 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p>‘’<em>We’re in a seismic area. <a href="/en/tag/beirut">Beirut</a> has been buried seven times, so it has to resist any earthquake, and that’s why it also resisted the explosion in the port,</em>’’ expresses <a href="https://www.archdaily.com/office/lina-ghotmeh-architecture?ad_source=search&amp;ad_medium=search_result_professionals">Lina Ghotmeh</a> in conversation with <a href="https://www.archdaily.com/tag/louisiana-channel">Louisiana Channel</a>, in regards to the <a href="https://www.archdaily.com/950128/stone-garden-apartment-building-lina-ghotmeh-architecture?ad_source=search&amp;ad_medium=projects_tab">Stone Garden</a>. A building constructed with resilience in mind, in a city that has been buried within rubble and rebuilt multiple times.</p>]]>
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        <![CDATA[''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook ]]>
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      <link>https://www.archdaily.com/en/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook</link>
      <pubDate>Sat, 05 Feb 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook</guid>
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        <![CDATA[<p><em>‘’The delight I get out of doing buildings is to say: Screw you, it can be built’’ </em>says Architect <a href="https://www.archdaily.com/office/sir-peter-cook?ad_source=search&amp;ad_medium=search_result_professionals">Peter Cook</a> in conversation with <a href="https://www.archdaily.com/tag/louisiana-channel">Louisiana Channel</a>, where he discusses his determination to <a href="https://www.archdaily.com/802591/peter-cook-on-how-drawing-enables-architects-to-learn-communicate-and-experiment?ad_source=search&amp;ad_medium=search_result_articles">communicate ideas through vivid Architectural drawings</a> and the skepticism he has faced in regards to his ambitious design proposals and their outlandish appearance.</p>]]>
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        <![CDATA[How Could Modern Self-Build Communities Challenge the Role of the Architect?]]>
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      <link>https://www.archdaily.com/en/895190/how-could-modern-self-build-communities-challenge-the-role-of-the-architect</link>
      <pubDate>Sat, 07 Jul 2018 09:30:00 +0000</pubDate>
      <dc:creator>Tom Dobbins</dc:creator>
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        <![CDATA[<p>“<a href="https://www.archdaily.com/tag/self-assembly">Self-build</a>”: no mention of an architect, or anyone else for that matter. Maybe it’s a prehistoric urge that makes this idea so enticing; our earliest ancestors constructed their primitive huts to suit their unique needs and reflect their status or style. “Self-build” promises to physically re-connect people to the <a href="https://www.archdaily.com/tag/houses">homes</a> they live in.</p>]]>
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        <![CDATA[Seeing Red: 4 Times the Color Has Enhanced Architecture and Why]]>
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      <link>https://www.archdaily.com/en/895083/seeing-red-4-times-the-color-has-enhanced-architecture-and-why</link>
      <pubDate>Mon, 11 Jun 2018 06:00:00 +0000</pubDate>
      <dc:creator>Tom Dobbins</dc:creator>
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        <![CDATA[<p>Red is everywhere. From stop signs to bricks and lipstick to wine, our constant use of the color in everyday objects has slowly taken over our subconscious. <a href="/en/tag/red">Red</a> is a <a href="https://www.archdaily.com/tag/color">color</a> that always blends with the context, telling us how to feel or what to think, but why are we attracted to it? Why did cavemen choose ochre-based paint to draw on their walls? Why do revolutions always seem to use red to stir support? Why do we parade celebrities down red carpets, when green or blue would surely do the same job? While the answers to these questions may be vague and indefinite, red’s use in architecture is almost always meticulously calculated.</p>]]>
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        <![CDATA[How to Design When There is No Gravity]]>
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      <link>https://www.archdaily.com/en/893842/how-to-design-when-there-is-no-gravity</link>
      <pubDate>Sat, 05 May 2018 09:30:00 +0000</pubDate>
      <dc:creator>David Nixon</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/893842/how-to-design-when-there-is-no-gravity</guid>
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        <![CDATA[<p id="docs-internal-guid-8826b4ba-2c53-0ce6-72fc-2123d933eada" dir="ltr">Not many architects will come across the challenge of building in outer space, but who knows what the future will hold... <a href="https://www.archdaily.com/888161/9-innovative-projects-tackling-the-unexplored-realms-of-sea-and-space-win-jacques-rougerie-competition">asteroid mining and space photobioreactors</a>? In a recent <a href="/en/tag/article">article</a>, <a href="http://www.metropolismag.com/interiors/international-space-station-workplace-design/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><em>Metropolis Magazine</em> looks into</a> the design of the International Space Station, examining how our conventional rules of architecture become obsolete in zero gravity. Walls, ceilings, and floors can be interchangeable, and "form follows function" is taken to the extreme.</p>]]>
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        <![CDATA[Photographer Zsolt Hlinka Captures Geometric Compositions in the Evolution of Vienna's Architecture]]>
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      <link>https://www.archdaily.com/en/892826/photographer-zsolt-hlinka-captures-geometric-compositions-in-the-evolution-of-viennas-architecture</link>
      <pubDate>Sun, 22 Apr 2018 09:30:00 +0000</pubDate>
      <dc:creator>Ella Thorns</dc:creator>
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        <![CDATA[<p>In his latest photo series, "Viennametry," Hungarian photographer and printmaker <a href="/en/tag/zsolt-hlinka">Zsolt Hlinka</a> captures the unexplored voids in <a href="https://www.archdaily.com/tag/vienna">Vienna</a>’s patchwork of historical and contemporary architecture. After previously studying the <a href="https://www.archdaily.com/883204/zsolt-hlinkas-photo-collages-portray-the-buildings-of-budapest-in-perfect-symmetry">symmetrical corner buildings of grandiose Budapest</a>, Hlinka has moved north to <a href="/en/tag/austria">Austria</a> on his quest to find geometry and symmetry within the urban landscape.</p>]]>
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        <![CDATA[B.V. Doshi's Ultimate Lesson To Us]]>
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      <link>https://www.archdaily.com/en/890423/bv-doshis-ultimate-lesson-to-us</link>
      <pubDate>Tue, 13 Mar 2018 08:00:00 +0000</pubDate>
      <dc:creator>The Leewardists</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> Laureate, <a href="https://www.archdaily.com/tag/balkrishna-doshi">Balkrishna Doshi</a>, has imparted many lessons through his poetic architecture. Drawing upon local craft and culture, he has created buildings that focus on community and humanity. Doshi once described design as "nothing but a humble understanding of materials, a natural instinct for solutions, and respect for nature," the philosophy evident in his architecture which combines the natural environment with a focus on the human. Here, <a href="https://www.archdaily.com/author/the-leewardists">The Leewardists</a> illustrates one of his famous quotes and show how B.V. Doshi has inspired generations of students and practitioners in the universal values he displays in his architecture. </p>]]>
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        <![CDATA[Woods Bagot to Transform 82-Year-Old Chinese Textile Mill Into Entertainment Destination]]>
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      <link>https://www.archdaily.com/en/889128/woods-bagot-to-transform-82-year-old-chinese-textile-mill-into-entertainment-destination</link>
      <pubDate>Fri, 02 Mar 2018 08:00:00 +0000</pubDate>
      <dc:creator>Lindsey Leardi</dc:creator>
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        <![CDATA[<p dir="ltr">Fosun Group hired <a href="https://www.archdaily.com/office/woods-bagot">Woods Bagot</a> to transform commercial planning of Dahua, an 82-year-old <a href="https://www.archdaily.com/506043/tianhua-to-transform-97-year-old-chinese-textile-mill-into-art-gallery">historic textile mill</a>, into <a href="https://www.archdaily.com/country/china">China’s</a> next <a href="https://www.archdaily.com/search/projects/categories/retail">retail</a> and <a href="/en/tag/entertainment">entertainment</a> district. Located in <a href="https://www.archdaily.com/tag/xian">Xi’an’s</a> urban center, the site sits next to Daming Palace, the Tang Dynasty’s royal residence and a national heritage site which attracts thousands of tourists each year. </p>]]>
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        <![CDATA[Art Jameel Announces New Multidisciplinary Art Center in Saudi Arabia]]>
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      <link>https://www.archdaily.com/en/887869/art-jameel-announces-new-multidisciplinary-art-center-in-saudi-arabia</link>
      <pubDate>Sun, 04 Feb 2018 16:00:00 +0000</pubDate>
      <dc:creator>Lindsey Leardi</dc:creator>
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        <![CDATA[<p dir="ltr">Thanks to <a href="https://www.archdaily.com/tag/art-jameel">Art Jameel</a>, a <a href="https://www.archdaily.com/tag/middle-east">Middle Eastern</a> non-profit arts organization, a new arts district is taking shape in <a href="https://www.archdaily.com/tag/jeddah">Jeddah</a>, <a href="https://www.archdaily.com/country/saudi-arabia">Saudi Arabia</a>. Since the crowning of Prince Mohammad bin Salman, Saudi Arabia has shifted focus from oil to arts and <a href="https://www.archdaily.com/tag/technology">technology</a>. The new <a href="https://www.archdaily.com/tag/multidisciplinary">multidisciplinary</a> <a href="https://www.archdaily.com/tag/art-center">art center</a>, named Hayy, is a 17,000 square meter step in the right direction.</p>]]>
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