Tag: art-exhibition | ArchDaily

8 National Pavilion Highlights from the 2026 Venice Art Biennale

Antonia Piñeiro — Wed, 13 May 2026 05:30:00 +0000

In December 2024, art curator Koyo Kouoh became the first African woman selected to curate the 61st International Art Exhibition of La Biennale di Venezia. She proposed an introspective and sensitive approach to the exhibition, shaped by themes of grief, memory, spirituality, and global exhaustion. Following her premature passing in May 2025, the Biennale decided to continue with the same curatorial project, titled In Minor Keys. Wolff Architects was appointed by Kouoh in early 2025 to realize the exhibition design and scenography, focused on "the transformative spatial power of the threshold as a portal to alternative comprehension and experiences." The event was inaugurated on Saturday, May 9, and will run until Sunday, November 22, 2026, across the Giardini della Biennale, the Arsenale di Venezia, and other locations throughout Venice.

Art Paris 2026 Returns to the Grand Palais, Framing Language and Reparation Within an Architectural Landmark

Reyyan Dogan — Thu, 26 Mar 2026 06:30:00 +0000

Art Paris will return to the Grand Palais from 9-12 April 2026, marking the 28th edition of the fair at the recently renovated landmark. Reopened following its most extensive restoration in over a century, the 77,000-square-meter building, transformed under the direction of Chatillon Architectes, now accommodates large-scale cultural events across its nave and balcony spaces. Bringing together approximately 165 galleries from around twenty countries, the fair is structured around two curatorial themes, language and reparation, presented within an updated spatial framework defined by improved circulation and expanded exhibition areas.

Full Circle: Richard Fleischner with David Smith, Christo, Claes Oldenburg, Barnett Newman, & other Monumenta Artists

Rene Submissions — Mon, 02 Feb 2026 10:20:00 +0000

In 1974, Monumenta’s 54 works by 40 artists made headlines as one of the world’s first large-scale outdoor sculpture exhibitions. Fifty-one years later, FULL CIRCLE returns to this canonical exhibition through the lens of works by Richard Fleischner, one of Monumenta’s last surviving artists, and his contemporaries.

FULL CIRCLE focuses on Fleischner’s “Sod Maze” at Chateau-sur-Mer and illuminates his early career with archival materials in conversation with contemporaries including Christo, David Smith, Claes Oldenburg, Alexander Liberman, and Barnett Newman. Complemented by encaustics and works related to Fleischner’s ongoing Rowdy Meadow earthwork—home to contemporary masters like Richard Serra, Anish Kapoor, and Andy Goldsworthy—the exhibit traces a

Staging Culture: The Architect as Curator

Diogo Borges Ferreira — Thu, 23 Oct 2025 07:30:00 +0000

Architecture has never been confined to the act of building. It constantly negotiates between material practice and intellectual reflection, yet throughout the twentieth and twenty-first centuries, many architects felt that the built project alone was insufficient to address the full range of questions facing the discipline. Economic pressures, political contexts, and programmatic demands often narrowed the scope of practice.

Fondation Cartier Reopens in Jean-Nouvel-Designed Paris Building With Exhibition by Formafantasma

Antonia Piñeiro — Mon, 20 Oct 2025 05:30:00 +0000

On October 25, 2025, the Fondation Cartier Pour l'Art Contemporain will open its new premises to the public with an inaugural exhibition drawn from its own Collection, entitled Exposition Générale. Located in the heart of Paris, the new space occupies a Haussmannian building that once housed the Grands Magasins du Louvre, recently reimagined by Jean Nouvel. Conceived as a dynamic architecture with five mobile platforms, the building was designed to expand the possibilities of a traditional exhibition venue. These mechanisms aim to accommodate all forms of visual expression, including photography, cinema, the performing arts, science, and craft, within a space that resonates with the urban life of Paris and engages with questions of urban planning and ecology. Within these parameters, the inaugural exhibition brings together more than 600 works by over 100 artists in a contemporary scenography designed by Formafantasma.

Behind the Scenes, On Display: Self-Curated Journeys through the Museum Archive

Jonathan Yeung — Sat, 04 Oct 2025 07:30:00 +0000

The museum and gallery visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a specific narrative, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong curatorial voice— led by noted artists or curators—to set institutional stance and shape interpretation.

Ernesto Neto’s Textile Art Installation at Paris’ Grand Palais Captured by Paul Clemence

Antonia Piñeiro — Thu, 12 Jun 2025 05:30:00 +0000

The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.

Art Galleries Integrated into the Urban Fabric: 12 Projects Bringing Art and Culture to Neighborhoods

Paula Pintos — Fri, 25 Oct 2024 07:30:00 +0000

The relationship between art and humanity dates back to the origins of civilization. Museums have become spaces where vast collections of art and artifacts narrate the history of time, humankind, cities, and countless stories about cultures and societies. Over the years, the museum's role has evolved, taking on different forms and scales, including the modern-day art gallery. The importance of art and culture in contemporary cities and neighborhoods is undeniable. However, galleries serve multiple roles in integrating art and culture into daily life. Why are these spaces valuable to communities? How do they support emerging artists? How can galleries revitalize neighborhoods?

A Tale of Two Cities: The Role of Art in Kochi and Kassel's Cultural Revival

Ankitha Gattupalli — Mon, 07 Oct 2024 07:30:00 +0000

Along India's southwest coast dotted with a mix of colonial architecture and ancient heritage, the city of Kochi stands as a relic of foreign influence. A previously colonized town by the Portuguese, Dutch, and British now breathes new life into its built landscape. Across the world, in the German city of Kassel, the scars of World War II are etched into the environment, deep under its revived cultural soul. Both Kochi and Kassel, though worlds apart in geography and history, shared a commonality: the power of art and festivals to heal. In the aftermath of historical trauma, these cities found renewal in the creative expression of artists from around the globe.

Musée du Louvre Selects WHY Architecture and BGC for Byzantine and Eastern Christian Art Expansion

Maria-Cristina Florian — Thu, 26 Sep 2024 06:30:00 +0000

The Louvre Museum in Paris has announced the American-French consortium WHY Architecture -BGC as the winner of an international competition for the exhibition design of the museum's ninth department, dedicated to Byzantine and Eastern Christian Art. The 5,500-square-meter project aims to offer a more balanced and connected narrative of the Roman, Byzantine, and Islamic civilizations, fostering a greater understanding of the influences and relationships between artistic expressions of these historical regions. The spaces are expected to open to the public in 2027.

Sou Fujimoto's Imaginative Structures: A 3D Drawing Exhibition at the Utzon Center, Denmark

Maria-Cristina Florian — Mon, 02 Sep 2024 06:30:00 +0000

The Utzon Center in Denmark has announced the opening of “Primitive Future: Everything Is Circulating,” a solo exhibition dedicated to exploring the work of renowned Japanese architect Sou Fujimoto. Marking the first time his work is presented in Denmark, this exhibition offers a glimpse into Fujimoto’s vision, waving together the themes of nature and architecture. The exhibition's centerpiece is an expansive 500-meter-long steel wire installation that serves as a three-dimensional sketch, framing 12 of Fujimoto’s architectural projects.

Lindau Art Museum Celebrates Christo and Jeanne-Claude with Exhibition in Germany

Nour Fakharany — Mon, 27 May 2024 05:30:00 +0000

The Lindau Art Museum is hosting an exhibition titled “Christo and Jeanne-Claude - A Lifelong Journey.” Running from April 13th to October 13th, 2024, this display marks the first comprehensive museum exhibition on Christo and Jeanne-Claude in southern Germany, created in collaboration with the Christo and Janne-Claude Foundation. Featuring artistic drawings, detailed collages, early objects, and photographs, the exhibition documents the lifelong journey that led the artists to their famous large-scale temporary projects.

Immersive Spaces: Shaping Profound Experiences Through Architecture and Art

Carla Bonilla Huaroc — Sun, 18 Feb 2024 07:30:00 +0000

Immersive spaces are heavily sensorial environments meant to create impactful experiences crafted through intentionally curated architecture, light, imagery, sound, and sometimes even smell. To "immerse" oneself is to be wholly enveloped in a world shaped solely by immediate sensory input. Using digital tools to craft these environments to showcase art, create compelling exhibitions, and feature performance events has become increasingly popular. Evocative experiences like these can offer a respite from the inundation of personalized digital content and foster shared, grounding encounters. The design of these can exist at the intersection of architecture, graphic design, visual art, lighting design, music, and performance. They underscore the power of interdisciplinary collaboration to craft memorable moments. So, what role does architecture play in shaping these?

Christo and Jeanne-Claude’s L’Arc de Triomphe Wrapped to Be Recycled by Parley for the Oceans

Maria-Cristina Florian — Thu, 05 Oct 2023 06:30:00 +0000

Two years ago, on September 18, 2021, Christo and Jeanne-Claude's L'Arc de Triomphe, Wrapped, 1961–2021, was inaugurated. The monumental public artwork wrapped the Parisian monument in over 25,000 square meters of silvery fabric tied in place with 7,000 meters of red rope. The materials, all made out of woven polypropylene, a type of thermoplastic, are now being reused, upcycled, and recycled, following the artists’ vision. Most of the materials will be transformed to serve practical uses for future public events in Paris. The Christo and Jeanne-Claude Foundation is also collaborating with Gagosian to bring Christo’s early works to London’s East End for an exhibition open from October 6-22, 2023.

Tideland Studio Applies Architectural Technologies to Create a Sensorial Understanding of Environmental Changes

Maria-Cristina Florian — Thu, 14 Sep 2023 07:30:00 +0000

While it is undeniable that the surrounding environment is changing due to human activity, the effects can be difficult to perceive directly, as they are often illustrated with unrelatable pictures of far-away places or overused graphics and statistics. Danish office Tideland Studio aims to change this. Through their work, they aim to bring forth a new type of sensible understanding of the changes happening around us. They work across disciplines, melding research, art, and architecture while employing the newest survey and fabrication technologies to give presence to the abstract phenomena that shape our planet. Because of their practical approach to research and the new perspectives that they open toward extreme environments affected by climate change, ArchDaily has selected Tideland Studio as one of the 2023 New Practices. The annual survey highlights emerging offices that use innovation and forward-looking processes to rethink the ways in which we practice architecture.

Sumayya Vally on the First Islamic Arts Biennale: "Claim, Reclaim, Configure, and Reconfigure"

Christele Harrouk — Wed, 26 Apr 2023 07:30:00 +0000

The First Islamic Arts Biennale, artistically directed by Sumayya Vally, opened on January 2023 and is still ongoing until May 23, 2023, in Jeddah, Saudi Arabia. The inaugural event was commissioned and produced by the Diriyah Biennale Foundation and was curated by Vally alongside Dr. Julian Raby, Dr. Omniya Abdel Barr, and Dr. Saad Al-Rashid. The biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport, designed by Skidmore, Owings & Merrill and winner of the 1983 Aga Khan Award, as a cultural space to redefine Islamic Arts from "within, in a way, that connects some of these art forms and forms of artistic expression to the experience and rituals" of those that live it.

Anish Kapoor Unveils His First Permanent Public Artwork in New York City

Maria-Cristina Florian — Mon, 27 Feb 2023 06:30:00 +0000

On January 31^st, construction scaffolding and barriers were disassembled from the site at 56 Leonard Street, revealing Anish Kapoor’s first permanent artwork in New York City. The 48-foot-long, 19-foot-tall, 40-ton sculpture is nestled partially beneath the Herzog & de Meuron-designed residential building in the Tribeca neighborhood in Lower Manhattan. The mirrored sculpture is reminiscent of Kapoor;’s work called Cloud Gate, also known as “The Bean,” in Chicago, US.

Africa at Architecture Biennials: Questioning Difficult Histories of Representation

Matthew Maganga — Mon, 02 Jan 2023 07:30:00 +0000

From the Tbilisi Architecture Biennial to the Sharjah Architecture Triennial, architecture exhibitions are ever-increasing fixtures on cultural calendars around the contemporary world. New editions of architecture exhibitions rest on a foundation propagated by exhibitions of the past – and these historical expositions, to a great degree, have shaped the architectural discourse we have today. But as these exhibitions were born out of a western framework, African historical representations on the biennial and triennial architectural stage have often been reductive, with an assortment of cultures flattened into one, and distinct architectural styles meshed in an incoherent manner.