<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: architecture-office | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Belgium’s Architecture Offices Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/1034289/belgiums-architecture-offices-through-the-lens-of-marc-goodwin</link>
      <pubDate>Mon, 20 Oct 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034289/belgiums-architecture-offices-through-the-lens-of-marc-goodwin</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/photographer/page/1">Photographer</a> <a href="https://www.archdaily.com/photographer/marc-goodwin">Marc Goodwin</a> has extended his<a href="https://www.archdaily.com/978173/explore-architecture-studios-from-around-the-world-through-the-lens-of-marc-goodwin"> Atlas of Architectural Atmospheres</a> to <a href="https://www.archdaily.com/country/belgium/page/1">Belgium</a>, capturing the workspaces of <a href="https://www.archdaily.com/tag/architecture">architecture</a> studios in <a href="https://www.archdaily.com/tag/antwerp/page/1">Antwerp</a>, <a href="https://www.archdaily.com/tag/brussels/page/1">Brussels</a>, and <a href="https://www.archdaily.com/tag/ghent/page/1">Ghent</a>. The series includes large offices such as<a href="https://www.archdaily.com/office/b-architecten/page/1"> B-architecten</a>, <a href="https://www.archdaily.com/office/polo/page/1">POLO</a>, and <a href="https://www.archdaily.com/office/binst-architects?ad_name=project-specs&amp;ad_medium=single">Binst Architects</a>, alongside smaller-scale practices like <a href="https://www.archdaily.com/office/studio-okami-architects?ad_name=project-specs&amp;ad_medium=single">Studio Okami</a>, Stand Van Zaken, and Bruno Spaas Architectuur. Many of them occupy buildings with layered pasts from former <a href="https://www.archdaily.com/tag/workshops">workshops</a>, to <a href="https://www.archdaily.com/tag/cinema">cinemas</a>, and from storage facilities, to <a href="https://www.archdaily.com/tag/waterfront">waterfront</a> structures.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68cd/21af/67a7/a401/899d/954a/newsletter/belgian-offices-through-the-lens-of-marc-goodwin_27.jpg?1758273997"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture Offices in Porto Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/1028765/architecture-offices-in-porto-through-the-lens-of-marc-goodwin</link>
      <pubDate>Thu, 17 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028765/architecture-offices-in-porto-through-the-lens-of-marc-goodwin</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1020613/porto-architecture-city-guide-24-sites-showcasing-the-essence-of-portugals-invincible-city">Porto's architectural legacy</a> has long been shaped by the weight of history and the clarity of form. From the work of <a href="https://www.archdaily.com/office/alvaro-siza-vieira">Álvaro Siza</a> to the dense network of studios emerging from the city's schools, <a href="https://www.archdaily.com/tag/porto">Porto</a> offers a unique blend of continuity and reinvention. Here, architecture is not only a matter of design but often one of endurance — of working within constraints, of drawing with precision, and of navigating a built environment marked by permanence and resistance to spectacle.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ef/a9a1/2936/7001/88d6/c0b4/newsletter/architecture-offices-in-porto-through-the-lens-of-marc-goodwin_30.jpg?1743759806"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Case Studies in Community-Centered Living: Innovative Residential Design]]>
      </title>
      <link>https://www.archdaily.com/1027788/case-studies-in-community-centered-living-innovative-residential-design</link>
      <pubDate>Tue, 18 Mar 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027788/case-studies-in-community-centered-living-innovative-residential-design</guid>
      <description>
        <![CDATA[<p>Architecture evolves, particularly in how it reflects the relationships between people, their behavior, and the environment. Even subtle variations in these dynamics can influence how we think and live in our communities. <a href="https://www.worldbank.org/en/topic/urbandevelopment/overview?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">According to the World Bank</a>, 56% of the population currently lives in urban environments, and it is estimated that by 2050 this number will reach 70%. This projection echoes the <a href="https://www.archdaily.com/tag/urban-growth">speed and magnitude of urban growth</a>, posing challenges for architects and design firms, from the viability of buildings to the sustainability of the <a href="https://www.archdaily.com/tag/built-environment">built environment</a>, encompassing <a href="https://www.archdaily.com/tag/residential-architecture">residential architecture</a> and other typologies that influence daily life.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ce/b1b2/6fa6/0801/8951/0edc/newsletter/how-ipa-architecture-and-more-is-shaping-sustainable-residential-and-human-driven-design_1.jpg?1741599225"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture Offices in Taiwan Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/1014233/architecture-offices-in-taiwan-through-the-lens-of-marc-goodwin</link>
      <pubDate>Thu, 15 Aug 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014233/architecture-offices-in-taiwan-through-the-lens-of-marc-goodwin</guid>
      <description>
        <![CDATA[<p>Further developing his <a href="https://www.archdaily.com/978173/explore-architecture-studios-from-around-the-world-through-the-lens-of-marc-goodwin" target="_blank" rel="noopener">collection of photographic series featuring architecture offices from around the world</a>, Archmospheres photographer <a href="https://www.archdaily.com/photographer/marc-goodwin">Marc Goodwin</a> is now exploring workspaces in Taiwan. Among the included offices are well-known studios such as <a href="https://www.archdaily.com/tag/fieldoffice" target="_blank" rel="noopener">Fieldoffice Architects</a>, an office whose output has significant cultural importance as they represent an example of Taiwanese Deconstructivist <a href="/tag/architecture">Architecture</a>, in addition to other offices such as <a href="https://www.archdaily.com/office/kris-yao-artech" target="_blank" rel="noopener"> KRIS YAO | ARTECH</a>, <a href="https://www.archdaily.com/office/divooe-zein-architects" target="_blank" rel="noopener">Divooe Zein Architects</a>, and <a href="https://www.archdaily.com/office/hii-architects" target="_blank" rel="noopener">hii architects</a>. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65e9/83ae/a2a7/c501/7ca7/eaa9/newsletter/architecture-offices-in-taiwan-through-the-lens-of-marc-goodwin_1.jpg?1709802435"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Second Studio Podcast: Concepts in Architecture Offices]]>
      </title>
      <link>https://www.archdaily.com/1018823/the-second-studio-podcast-concepts-in-architecture-offices</link>
      <pubDate>Sun, 14 Jul 2024 03:30:00 +0000</pubDate>
      <dc:creator>The Second Studio Podcast</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018823/the-second-studio-podcast-concepts-in-architecture-offices</guid>
      <description>
        <![CDATA[<p>The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects <a href="https://www.archdaily.com/tag/david-lee">David Lee</a> and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6692/25b1/1f85/4a75/1205/08f8/newsletter/the-second-studio-podcast-concepts-in-architecture-offices_1.jpg?1720853950"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Japanese Architecture Offices Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/1013971/japanese-architecture-offices-through-the-lens-of-marc-goodwin</link>
      <pubDate>Fri, 03 May 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013971/japanese-architecture-offices-through-the-lens-of-marc-goodwin</guid>
      <description>
        <![CDATA[<p>Continuing his work <a href="https://www.archdaily.com/978173/explore-architecture-studios-from-around-the-world-through-the-lens-of-marc-goodwin">exploring the office spaces of architecture studios from around the world</a>, Archmospheres photographer <a href="https://www.archdaily.com/photographer/marc-goodwin">Marc Goodwin</a> has reached <a href="/tag/japan">Japan</a>, where he captured the workspace of architecture studios such as <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma &amp; Associates</a>, <a href="https://www.archdaily.com/office/tato-architects">Tato Architects</a>, <a href="https://www.archdaily.com/office/akihisa-hirata">Akihisa Hirata</a>, and <a href="https://www.archdaily.com/office/nori-architects">Nori Architects</a>. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65e1/b4b1/95e7/e10a/9071/d161/newsletter/japanese-architecture-offices-through-the-lens-of-marc-goodwin_36.jpg?1709290700"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Interiors Can Benefit From Indirect Lighting]]>
      </title>
      <link>https://www.archdaily.com/999709/how-interiors-can-benefit-from-indirect-lighting</link>
      <pubDate>Tue, 09 May 2023 04:30:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/999709/how-interiors-can-benefit-from-indirect-lighting</guid>
      <description>
        <![CDATA[<p>The importance of lighting in interior design cannot be overstated: done right, it not only accentuates a space's architectural features but also makes inhabitants feel at ease. As Carmelo Zappulla of <a href="/tag/lighting">Lighting</a> Studio <a href="https://www.architonic.com/en/microsite/external-reference/10002024?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">External Reference</a> explains in an <a href="https://www.architonic.com/en/story/simon-keane-cowell-you-cannot-consider-space-without-light-carmelo-zappulla-of-external-reference/20289144?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">interview with Architonic</a>, light is a crucial tool to add an emotional element and 'animate a space.'</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/643f/2c28/dba0/a52f/6049/8718/newsletter/bouncing-off-the-walls-how-interiors-can-benefit-from-indirect-lighting_2.jpg?1681861677"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architect Bill Hellmuth, Chairman and CEO of HOK, Passes Away at the Age of 69]]>
      </title>
      <link>https://www.archdaily.com/999262/bill-hellmuth-chairman-and-ceo-of-hok-passes-away-at-the-age-of-69</link>
      <pubDate>Tue, 11 Apr 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/999262/bill-hellmuth-chairman-and-ceo-of-hok-passes-away-at-the-age-of-69</guid>
      <description>
        <![CDATA[<p>Architect William (Bill) Hellmuth, the chairman and CEO of <a href="https://www.archdaily.com/office/hok">HOK</a>, passed away on April 6, 2023, after a long illness. Hellmuth was elected president of HOK in 2005, then CEO in 2016. He accepted the new role on the condition of remaining design principal for HOK’s Washington D.C. studio, as he enjoyed having a hands-on approach and working directly with clients and HOK project teams. One year later he was also named chairman of the firm, helping the office to raise its profile as an innovative and influential company within the design community.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6435/28a1/0769/0f38/abaa/f962/newsletter/bill-hellmuth-chairman-and-ceo-of-hok-passes-away-at-the-age-of-69_1.jpg?1681205415"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Our Ambition Is to Redefine What a Large Company Can Be”:  In Conversation With Shawn Basler of Perkins Eastman]]>
      </title>
      <link>https://www.archdaily.com/998900/our-ambition-is-to-redefine-what-a-large-company-can-be-in-conversation-with-shawn-basler-of-perkins-eastman</link>
      <pubDate>Tue, 11 Apr 2023 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/998900/our-ambition-is-to-redefine-what-a-large-company-can-be-in-conversation-with-shawn-basler-of-perkins-eastman</guid>
      <description>
        <![CDATA[<p>Shawn Basler, a New York-based architect, founded his firm Basler Mosa Design Group in 2000; seven years later he merged with <a href="https://www.archdaily.com/office/perkins-eastman">Perkins Eastman</a>, one of the world’s biggest and most dynamically growing architectural practices. He is now co-CEO/Executive Director—with Nick Leahy and Andrew J. Adelhardt III—of this 1,100-strong global force headquartered in <a href="/tag/new-york">New York</a> City and operating a total of 24 offices, seven of which are outside of the U.S., namely in Shanghai, Mumbai, Dubai, Singapore, Vancouver, Toronto, and Guayaquil in Ecuador. In addition to designing many international projects, Basler shares the responsibility for fostering the firm’s growth around the world.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/642a/cd1a/dbc4/a301/949b/3f0b/newsletter/our-ambition-is-to-redefine-what-a-large-company-can-be-in-conversation-with-shawn-basler-of-perkins-eastman_9.jpg?1680526628"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[What Is Gen Z Looking for in the Workplace?]]>
      </title>
      <link>https://www.archdaily.com/987893/what-is-gen-z-looking-for-in-the-workplace</link>
      <pubDate>Thu, 25 Aug 2022 03:30:00 +0000</pubDate>
      <dc:creator>Amanda Schneider</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/987893/what-is-gen-z-looking-for-in-the-workplace</guid>
      <description>
        <![CDATA[<p class="size-regular">Every new generation enters the workplace with its own communication style. From viral TikToks to provocative statements like “We rarely use email,” <a href="/tag/gen-z">Gen Z</a>’s entrée into the workforce will certainly make its own waves. But what do we need to consider as we recruit, try to retain, and sell to this next generation of designers? </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6307/1d81/79c4/8957/8f0f/5555/newsletter/what-is-gen-z-looking-for-in-the-workplace_1.jpg?1661410705"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[UK Architects No Longer Recognized in EU Countries Following Brexit ]]>
      </title>
      <link>https://www.archdaily.com/959569/uk-architects-no-longer-recognized-in-eu-countries-following-brexit</link>
      <pubDate>Tue, 06 Apr 2021 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/959569/uk-architects-no-longer-recognized-in-eu-countries-following-brexit</guid>
      <description>
        <![CDATA[<p dir="ltr">The <a href="https://arb.org.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architects Registration Board</a>, which is responsible for the licensing and registration of architects in the <a href="/tag/united-kingdom">United Kingdom</a>, has announced that UK architects no longer have an automatic recognition of their qualifications in EU countries following the country’s exit from the Union. This decision signifies that architects who wish to pursue their career in the Union’s 27 countries, are obliged to present compliance certificates and specific documentation to relevant authorities in each country. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/606c/0f0f/f91c/8155/b900/015d/newsletter/Central_London.jpg?1617694473"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Creative Spaces: Rainer Taepper Captures Series of Architectural Offices]]>
      </title>
      <link>https://www.archdaily.com/955710/creative-spaces-rainer-taepper-captures-series-of-architectural-offices</link>
      <pubDate>Fri, 05 Feb 2021 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/955710/creative-spaces-rainer-taepper-captures-series-of-architectural-offices</guid>
      <description>
        <![CDATA[<p>Seeking to give insights into the architectural creative centers of the world, <a href="https://www.rainertaepper.com/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Rainer Taepper</a> created an <a href="https://www.archdaily.com/956006/the-office-ii?ad_medium=widget&amp;ad_name=publications-index" target="_blank">architectural book</a> that doesn’t feature buildings and plans. Looking behind the scenes, the architecture photographer highlighted both the working spaces of international design firms and the creative people, who contribute to the conception of a building.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/600e/cff9/63c0/17c6/4a00/0002/newsletter/big-rainer-taepper-architekturfotografie-03.jpg?1611583473"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Olson Kundig's Innovative Office Renovation and Expansion]]>
      </title>
      <link>https://www.archdaily.com/920730/olson-kundigs-innovative-office-renovation-and-expansion</link>
      <pubDate>Sat, 13 Jul 2019 10:00:00 +0000</pubDate>
      <dc:creator>Lilly Cao</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/920730/olson-kundigs-innovative-office-renovation-and-expansion</guid>
      <description>
        <![CDATA[<p>Olson Kundig is one of the quintessential Seattle-based architectural practices, with a focus on creativity, experimentation, and craftsmanship that has allowed them to expand on a global scale over the past few decades. This expansion has necessitated office improvements and renovations throughout the years, the most recent of which occurred in 2018. As explored in a <a href="https://www.metropolismag.com/architecture/olson-kundig-office-redesign/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">recent article by Metropolis Magazine</a>, this 2018 expansion reflected key values of collaboration and flexibility, expressed through the firm's unique visual and kinetic language.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d24/c7e6/284d/d118/df00/0101/newsletter/andrew_pogue_1.jpg?1562691544"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Zones Design Office / Zones Design]]>
      </title>
      <link>https://www.archdaily.com/902365/zones-design-office-zones-design</link>
      <pubDate>Tue, 04 Jun 2019 21:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/902365/zones-design-office-zones-design</guid>
      <description>
        <![CDATA[<p>ZONES DESIGN recently completed the design of its new office space. The project is located in the Creative World Park of Hongshan District in <a href="/tag/wuhan">Wuhan</a> City. The space of 6.5 meters is divided into upper and lower layers by means of slitting and reorganization, and the parts are made overhead. Overhanging treatment. <a href="/tag/zones-design">ZONES DESIGN</a> has always hoped to capture the hidden design logic in space by adopting a simple and effective design method to enhance the spatial level while adding a unique design perspective.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ba3/5580/f197/cc1b/4800/0192/newsletter/2.jpg?1537430901"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Tala Studios / Archer Architects]]>
      </title>
      <link>https://www.archdaily.com/908944/tala-studios-archer-architects</link>
      <pubDate>Mon, 07 Jan 2019 14:00:00 +0000</pubDate>
      <dc:creator>Martita Vial della Maggiora</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/908944/tala-studios-archer-architects</guid>
      <description>
        <![CDATA[<p class="p1">September 2018 saw British lighting brand Tala celebrate a major milestone with the opening of Tala Studios - its new global headquarters situated in the heart of London’s East End.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5c2f/58b0/08a5/e549/4e00/0080/newsletter/Tala_Studios_1.jpg?1546606755"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MONOARCHI Shanghai Office / MONOARCHI]]>
      </title>
      <link>https://www.archdaily.com/903892/monoarchi-shanghai-office-monoarchi</link>
      <pubDate>Tue, 16 Oct 2018 19:00:00 +0000</pubDate>
      <dc:creator>舒岳康 - SHU Yuekang</dc:creator>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/903892/monoarchi-shanghai-office-monoarchi</guid>
      <description>
        <![CDATA[<p class="Body">MONOARCHI is a young architecture design company based in <a href="/tag/shanghai">Shanghai</a>. The office is located at the core of the Former Shanghai French Concession. The original neighborhood is referred to the buildings Britain and Spain back in the 1940s. After more a hundred years of history, the neighborhood still retains the peace. As an important witness of the history of Shanghai, it is listed as a protective historical building. The existing neighborhood is a residential area, we, as architects who are obsessed with working in spaces with stories, renovated a building inside this neighborhood and moved in in 2018.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5bc3/6443/f197/cc91/e100/00d9/newsletter/monoarchi_office_3.jpg?1539531822"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Revealing the Mystery Behind the Architect: What Was James Stirling Really Like?]]>
      </title>
      <link>https://www.archdaily.com/896436/revealing-the-mystery-behind-the-architect-what-was-james-stirling-really-like</link>
      <pubDate>Tue, 14 Aug 2018 08:30:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/896436/revealing-the-mystery-behind-the-architect-what-was-james-stirling-really-like</guid>
      <description>
        <![CDATA[<p dir="ltr"><a href="https://www.archdaily.com/tag/james-stirling">James Stirling</a> (1926-1992) was a British architect who is considered by many as the premier architect of his generation and an innovator in postwar architecture. Some of his most famous projects include the Sackler Museum, <a href="https://www.archdaily.com/tag/no-1-poultry">No 1 Poultry</a>, and the <a href="https://www.archdaily.com/124725/ad-classics-neue-staatsgalerie-james-stirling">Neue Staatsgalerie</a>. Through the influence of his teacher Colin Rowe, <a href="https://www.archdaily.com/tag/james-stirling">Stirling</a> had a deep understanding of architectural history, yet never adopted a singular doctrine. His career began with designs that were more aligned with what would later be labeled as the high-tech style, but evolved into buildings that were a series of dynamic and often colorful arrangements. Stirling’s aesthetic tropes ultimately gave the final push that broke architecture free from the clutch of post-war European Modernism as he turned the <a href="https://www.archdaily.com/tag/Modernism">Modernist</a> canon of “form follows function” into a hyperbole by celebrating the expression of a building’s program with his over-the-top details. <a href="https://www.archdaily.com/tag/james-stirling">Stirling</a>’s work is still largely influential, and the recursive wave of history has shown that the underlying implications of his oeuvre remains somewhere in all architectural practice of the present day.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5b22/c783/f197/cc06/de00/0071/newsletter/3784951758_87be60796f_b.jpg?1529005951"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Running a Practice from the Road: Tips from a Digital Nomad]]>
      </title>
      <link>https://www.archdaily.com/899242/running-a-practice-from-the-road-tips-from-a-digital-nomad</link>
      <pubDate>Tue, 31 Jul 2018 09:30:00 +0000</pubDate>
      <dc:creator>Chris Barnes</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/899242/running-a-practice-from-the-road-tips-from-a-digital-nomad</guid>
      <description>
        <![CDATA[<p><em>This article was originally published on <a href="http://www.archdaily.com/tag/archipreneur">Archipreneur</a> by architect Chris Barnes who, with his wife Bonnie Robin, runs the practice Field <a href="/tag/office">Office</a> Architecture. </em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5b5f/e885/f197/cc69/0900/0178/newsletter/DanFarrar03.jpg?1533012093"></enclosure>
    </item>
  </channel>
</rss>
