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    <title>Tag: architectural-ruins | ArchDaily</title>
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        <![CDATA[The Architecture of Mold: What Buildings Cannot Control]]>
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      <link>https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control</link>
      <pubDate>Tue, 16 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control</guid>
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        <![CDATA[<p>Contemporary <a href="https://www.archdaily.com/983969/returning-the-building-to-the-soil-an-interview-with-the-architect-and-scientist-mae-ling-lokko" target="_blank" rel="noopener">architecture has learned to celebrate living matter</a>. Mycelium panels, algae systems, living walls, life is now welcomed into buildings, framed as innovation. Yet the same discipline that celebrates these organisms treats mold as contamination. Both are biological. Both respond to moisture, temperature, and material conditions. The difference is not scientific. It is about which forms of life architecture is willing to accept, and which it prefers to remove.</p>]]>
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        <![CDATA[Limbo Museum Opens Its Debut Exhibition Within an Unfinished Brutalist Building in Ghana, West Africa]]>
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      <link>https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa</link>
      <pubDate>Wed, 12 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa</guid>
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        <![CDATA[<p>The Limbo Museum is a new institution dedicated to architecture, art, and design based in <a href="https://www.archdaily.com/country/ghana" target="_blank" rel="noopener">Ghana</a>, <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>. The museum challenges the concept of the ruin, operating from a formerly abandoned <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">Brutalist estate</a> that currently conveys the image of an unfinished building. The project was founded by <a href="https://www.archdaily.com/tag/limbo-accra" target="_blank" rel="noopener">Limbo Accra</a>, a spatial design and research-based practice established in 2018 by <a href="/tag/dominique-petit-frere">Dominique Petit-Frère</a> and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond." On October 31, 2025, the museum opened its first public exhibition, <em>On the Other Side of Languish</em> by Reginald Sylvester II, developed through the institution's visiting artist residency program.</p>]]>
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      <title>
        <![CDATA[The Chilean Architecture Biennial Revives a Church Ruin as a Temporary Pavilion]]>
      </title>
      <link>https://www.archdaily.com/1035201/the-chilean-architecture-biennial-revives-a-church-ruin-as-a-temporary-pavilion</link>
      <pubDate>Tue, 21 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035201/the-chilean-architecture-biennial-revives-a-church-ruin-as-a-temporary-pavilion</guid>
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        <![CDATA[<p>Between September 25 and October 5, 2025, the XXIII <a href="/tag/chilean-architecture">Chilean Architecture</a> and Urbanism Biennial took place in <a href="https://www.archdaily.com/tag/santiago" target="_blank" rel="noopener">Santiago</a>. Under the title "DOUBLE EXPOSURE: (re)program · (re)adapt · (re)construct," the event was organized around the idea of "understanding architecture not as the production of the new, but as the ability to reactivate what already exists." Based on this premise, the curatorial team, composed of Ángela Carvajal and Sebastián López (<a href="https://www.archdaily.cl/cl/office/anagramma-arquitectos" target="_blank" rel="noopener">Anagramma Arquitectes</a>) together with Óscar Aceves, conceived a circuit of eight venues located in <a href="https://www.archdaily.com/992337/santiago-architecture-city-41-buildings-complexes-and-parks-to-visit-in-the-chilean-capital" target="_blank" rel="noopener">downtown Santiago</a>. Their goal was to revive and reclaim urban spaces through a series of free public activities that drew around 70,000 visitors. Among the reactivated sites, the ruins of the San Francisco de Borja <a href="/tag/church">Church</a> stood out. Burned during <a href="https://en.wikipedia.org/wiki/Social_Outburst_(Chile)?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">the social outburst of October 2019</a>, the site hosted a <a href="https://www.archdaily.com/tag/temporary-pavilion" target="_blank" rel="noopener">temporary pavilion</a> that served as a venue for talks, readings, art installations, discussions, and community events.</p>]]>
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      <title>
        <![CDATA[Architecture After Civilization: Design in the Post-Apocalypse]]>
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      <link>https://www.archdaily.com/998267/architecture-after-civilization-design-in-the-post-apocalypse</link>
      <pubDate>Tue, 21 Mar 2023 04:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/998267/architecture-after-civilization-design-in-the-post-apocalypse</guid>
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        <![CDATA[<p>We’re all familiar with the plot of a movie that occurs in a city still standing in a post-apocalyptic era. The streets are empty, except for a few survivors who wander aimlessly, searching for signs of life. Buildings begin to crumble and rust away after years of neglect, public transportation sits idle, and overgrown weeds spring from the cracks in the unmanaged sidewalks and streets. The scene feels eerie because we can’t imagine letting our physical environment sit in decay. It seems impossible that our built environments where we live and work each day suddenly fall silent. It’s a city without a pulse.</p>]]>
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        <![CDATA[Architecture Between a Glorious Past and a Questionable Present: Interview with Greek Architect Andreas Angelidakis]]>
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      <link>https://www.archdaily.com/984893/unauthorized-buildings-and-people-finding-new-ways-to-think-architecture-with-andreas-angelidakis</link>
      <pubDate>Fri, 08 Jul 2022 04:00:00 +0000</pubDate>
      <dc:creator>Victor Delaqua</dc:creator>
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        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>How might your persona or act differ if you were to put yourself before society’s expectations and limitations, embracing your queerness and preferences? Looking into the impact of individuality, we talked with <a href="https://www.angelidakis.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Andreas Angelidakis</a>, an architect to who refers to himself as “an architect who doesn’t build”, but views architecture as a site of social interaction, creating works that reflect on the urban culture by mixing ruins, digital media, and psychology to better understand the power of finding different design paths. </p>]]>
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      <title>
        <![CDATA[Fascination and Repulsion for the Aesthetics of Abandonment]]>
      </title>
      <link>https://www.archdaily.com/982274/fascination-and-repulsion-for-the-aesthetics-of-abandonment</link>
      <pubDate>Fri, 20 May 2022 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982274/fascination-and-repulsion-for-the-aesthetics-of-abandonment</guid>
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        <![CDATA[<p>The hands hold the weight of the entire body, feeling the rough texture of unplastered mortar on its thin membrane. Even with the whole body stretched out against the wall, it still was not possible to see what was behind it. Sweat, in a mixture of adrenaline and heat, ran down his temples, indicating the movement for a final effort, a last impulse before the imminent fall that, for a few seconds, allowed him to overcome the last row. The field of vision was then opened to a fragmented, disconnected and oddly free world. An urban power that allowed itself to be strangled by the breath of tropical vegetation while being consumed by abandonment amidst an active and dynamic city.</p>]]>
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      <title>
        <![CDATA[Rebuilding Somalia’s Ruined Cities]]>
      </title>
      <link>https://www.archdaily.com/912084/rebuilding-somalias-ruined-cities</link>
      <pubDate>Mon, 25 Feb 2019 05:00:00 +0000</pubDate>
      <dc:creator>Jehan Latief</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/912084/rebuilding-somalias-ruined-cities</guid>
      <description>
        <![CDATA[<p>Rebuilding lives also means rebuilding living spaces, and this is where Italian-born architect, Omar Degan, comes in.</p>]]>
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      <title>
        <![CDATA[The Øm Museum Juxtaposes Archaeological Ruins With A Modern Interpretation of Medieval Monastic Architecture]]>
      </title>
      <link>https://www.archdaily.com/902778/the-om-museum-juxtaposes-archaeological-ruins-with-a-modern-interpretation-of-medieval-monastic-architecture</link>
      <pubDate>Sat, 29 Sep 2018 12:00:00 +0000</pubDate>
      <dc:creator>Lindsay Duddy</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/902778/the-om-museum-juxtaposes-archaeological-ruins-with-a-modern-interpretation-of-medieval-monastic-architecture</guid>
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        <![CDATA[<p dir="ltr"><a href="https://www.archdaily.com/country/denmark" target="_blank">Denmark’s</a> natural landscape along the shoreline of Mossø lake was once home to a vibrant <a href="https://www.archdaily.com/tag/religious-architecture" target="_blank">monastic</a> community. All that remains are <a href="https://www.archdaily.com/tag/archaeology" target="_blank">ruins</a> and unearthed artifacts - the reminisce of an active, self-sustaining monastic compound.</p>]]>
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      <title>
        <![CDATA[The Architecture of Chernobyl: Past, Present, and Future]]>
      </title>
      <link>https://www.archdaily.com/893523/the-architecture-of-chernobyl-past-present-and-future</link>
      <pubDate>Mon, 30 Apr 2018 14:30:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/893523/the-architecture-of-chernobyl-past-present-and-future</guid>
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        <![CDATA[<p>April 26th saw the 32nd anniversary of the 1986 <a href="https://www.archdaily.com/tag/chernobyl" target="_blank">Chernobyl</a> Nuclear Disaster, with the explosion of the Reactor 4 of the <a href="https://www.archdaily.com/tag/chernobyl" target="_blank">Chernobyl</a> Nuclear Power Plant in <a href="https://www.archdaily.com/country/ukraine" target="_blank">Ukraine</a> causing the direct deaths of 31 people, the spreading of radioactive clouds across <a href="/tag/europe">Europe</a>, and the <a href="https://www.archdaily.com/154885/the-chernobyl-exclusion-zone" target="_blank">effective decommissioning of 19 miles of land in all directions from the plant</a>. Thirty-two years later, a dual reading of the landscape is formed: one of engineering extremes, and one of <a href="https://www.archdaily.com/874242/8-extraordinary-examples-of-abandoned-architecture" target="_blank">eeriness and desolation</a>.</p>]]>
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