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    <title>Tag: architectural-criticism | ArchDaily</title>
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        <![CDATA[Go East: What Tirana's Bread & Heart Festival Reveals About Architecture and Landscape]]>
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      <link>https://www.archdaily.com/en/1042325/go-east-what-tiranas-bread-and-heart-festival-reveals-about-architecture-and-landscape</link>
      <pubDate>Mon, 22 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Something has been happening in <a href="https://www.archdaily.com/city/tirana">Tirana</a> that the architectural world has not quite found the language for. In the space of a few years, a city of less than a million people in one of Europe's least-known countries has become the site of an extraordinary concentration of architectural ambition — a place where offices that rarely work in the same city, let alone the same decade, are building simultaneously, and where the questions that preoccupy contemporary architecture seem to arrive with an unusual urgency.</p>]]>
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        <![CDATA[The Intelligens Biennale Gathers the Data, But Fails to Synthesize It ]]>
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      <link>https://www.archdaily.com/en/1035972/the-intelligens-biennale-gathers-the-data-but-fails-to-synthesize-it</link>
      <pubDate>Sun, 16 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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      <description>
        <![CDATA[<p><em>This article introduces our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[The Architect as Writer: Expanding the Discipline Beyond Buildings]]>
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      <link>https://www.archdaily.com/en/1033609/the-architect-as-writer-expanding-the-discipline-beyond-buildings</link>
      <pubDate>Thu, 04 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p>Architecture has always been more than bricks and mortar. It is equally constructed through words, ideas, and narratives. From ancient treatises to radical manifestos, from technical manuals to poetic essays, the written word has served as a spatial, pedagogical, and political tool within the field. Writing shapes how architecture is conceptualized, communicated, and critiqued — often long before, or even in the absence of, physical construction.</p>]]>
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        <![CDATA[Léon Krier, Influential Voice in New Urbanism, Passes Away at 79]]>
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      <link>https://www.archdaily.com/en/1031546/leon-krier-influential-voice-in-new-urbanism-passes-away-at-79</link>
      <pubDate>Thu, 26 Jun 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/leon-krier">Léon Krier</a>, the <a href="https://www.archdaily.com/country/luxembourg/page/1">Luxembourg</a>-born architect and urban theorist renowned for his critical stance against <a href="https://www.archdaily.com/tag/modernist">modernist</a> planning and his influential role in the <a href="https://www.archdaily.com/tag/new-urbanism">New Urbanism</a> movement, passed away on June 17, 2025, at the age of 79. Known for his uncompromising critique of modernist planning and his vision for human-scaled, walkable communities, Krier leaves behind a substantial body of built work, theoretical writing, and educational influence. </p>]]>
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        <![CDATA[Learning from Artists: New Perspectives on Public Space]]>
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      <link>https://www.archdaily.com/en/1030983/learning-from-artists-new-perspectives-on-public-space</link>
      <pubDate>Thu, 19 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/public-space">Public space</a> has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary masterplans</a>, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.</p>]]>
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        <![CDATA[This Is Not Architecture: Resisting the Illusion of AI Design]]>
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      <link>https://www.archdaily.com/en/1029469/this-is-not-architecture-resisting-the-illusion-of-ai-design</link>
      <pubDate>Fri, 02 May 2025 01:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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      <description>
        <![CDATA[<p>In the past, AI-generated images often resembled <a href="https://aiartists.org/alexander-mordvintsev?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">psychedelic experiences</a>—filled with strange, sometimes unsettling colors and forms. But recent advancements in artificial intelligence have transformed that landscape. Today, we are surrounded by images whose origins are often unknown. From playful mashups to portraits turned into works of art, it's undeniable that Artificial Inteligence has become a lasting part in our visual landscape. As <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=7JkPWHr7sTY" target="_blank">Yuval Noah Harari noted</a> in a 2023 interview with The Economist, "AI has gained some remarkable abilities to manipulate and generate language — whether through words, sounds, or images. It has, in effect, hacked the operating system of our civilization."</p>]]>
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        <![CDATA[International Women’s Day 2025: The Diverse Approaches of Emerging Woman-Led Architecture Practices]]>
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      <link>https://www.archdaily.com/en/1027786/international-womens-day-2025-the-diverse-approaches-of-emerging-woman-led-architecture-practices</link>
      <pubDate>Mon, 10 Mar 2025 08:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>This <a href="https://www.archdaily.com/tag/archdaily-international-days">International Women's Day</a>, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, <a href="https://www.archdaily.com/tag/esther-mccoy">Ester McCoy</a> took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism <a href="https://www.archdaily.com/931569/west-coast-modernism-las-new-class-of-single-family-homes">developing along the West Coast</a> during the 1950s, bringing names such as <a href="https://www.archdaily.com/office/richard-neutra">Richard Neutra</a>, or <a href="https://www.archdaily.com/office/luis-barragan">Luis Barragan</a> to the forefront of architectural discussions. Similarly, the name <a href="https://www.archdaily.com/990572/when-architectural-history-meets-personal-history">Aline Louchheim</a> may not be a widely recognized one among architects, but, because of her, the name <a href="https://www.archdaily.com/tag/eero-saarinen">Eero Saarinen</a> surely is. <a href="https://press.princeton.edu/books/hardcover/9780691206677/when-eero-met-his-match?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The profession of architectural publicist</a> also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.</p>]]>
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        <![CDATA[Formal and Material Experimentation: Key Lessons from Modernist Architecture Pioneers]]>
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      <link>https://www.archdaily.com/en/1026242/formal-and-material-experimentation-key-lessons-from-modernist-architecture-pioneers</link>
      <pubDate>Tue, 11 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Wars, <a href="https://www.archdaily.com/981654/moma-exhibition-explores-the-architectures-of-decolonization-in-south-asia?ad_source=search&amp;ad_medium=search_result_articles">decolonization</a>, economic crises, <a href="https://www.archdaily.com/903010/words-on-the-street-art-architecture-and-the-public-protest?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">civil movements</a>, and industrial-technological revolutions: the 20th century was a period of radical and far-reaching transformations. These upheavals reshaped societies and redefined how people expressed their evolving aspirations, with architecture leading the way. Machines and industrialization promised technological progress and modernization, advocating for a clean break from <a href="https://www.archdaily.com/1003676/is-ornament-still-a-crime?ad_source=search&amp;ad_medium=search_result_articles">the ornamented, historically rooted styles</a> of the past while embracing a vision focused on functionality, efficiency, and innovation. This shift, <a href="https://www.archdaily.com/tag/archdaily-topic-2025-100-years-of-modernism">embodied by modernism</a>, introduced new concepts, methods, and material uses—all shaped through experimentation.</p>]]>
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        <![CDATA[From Colonization to Le Corbusier: Was Modernism in India an Imposition or an Invitation?]]>
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      <link>https://www.archdaily.com/en/1026202/from-colonization-to-le-corbusier-was-modernism-in-india-an-imposition-or-an-invitation</link>
      <pubDate>Mon, 27 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>When <a href="/en/tag/india">India</a> gained independence in 1947, the nation faced a decision that would determine the course of its architectural future: brick or concrete. A seemingly mundane choice of material was rooted in a deeper philosophical divide between two potential outcomes for post-colonial India's built environment. Pioneering figures in India's struggle for independence held opposing views - Mahatma Gandhi advocated for traditional craftsmanship while Jawaharlal Nehru embraced modernism. The architecture one sees in the subcontinent today <a href="https://www.archdaily.com/1000294/what-makes-residential-architecture-indian" target="_blank" rel="noopener">is a mosaic of both</a>, begging the question: was modernism in India a foreign imposition or a celebrated import?</p>]]>
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        <![CDATA[Upper Lawn: A Manifestation of Alison and Peter Smithson's Architectural Vision]]>
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      <link>https://www.archdaily.com/en/1025366/upper-lawn-a-manifestation-of-alison-and-peter-smithsons-architectural-vision</link>
      <pubDate>Fri, 10 Jan 2025 05:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Nestled near the <a href="https://www.ucldigitalpress.co.uk/Book/Article/68/92/5157/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ruins of Fonthill Abbey</a> in the English countryside, Upper Lawn Pavilion — also known as the Solar Pavilion — is a modest yet profound <a href="https://www.archdaily.com/tag/experimental-architecture">architectural experiment</a> by <a href="https://www.archdaily.com/office/alison-and-peter-smithson">Alison and Peter Smithson</a>. Built between 1959 and 1962 as a weekend retreat and laboratory for ideas, the pavilion embodies their ethos of economy, material honesty, and respect for context, reflecting the <a href="https://www.archdaily.com/645128/spotlight-alison-and-peter-smithson">pioneering spirit of New Brutalism</a>.</p>]]>
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        <![CDATA[A Compact Yet Fundamental Survey of the Modern Movement: In Conversation with Kenneth Frampton]]>
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      <link>https://www.archdaily.com/en/1025082/a-compact-yet-fundamental-survey-of-the-modern-movement-in-conversation-with-kenneth-frampton</link>
      <pubDate>Thu, 26 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>If there is one book every architecture student must have on their shelf, it must be an architectural history. There is no more comprehensive yet compact alternative than <a href="https://www.archdaily.com/tag/kenneth-frampton" target="_blank" rel="noopener">Kenneth Frampton</a>'s <a href="https://www.amazon.com/Modern-Architecture-Critical-History-Fourth/dp/0500203954?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Modern <a href="/en/tag/architecture">Architecture</a>: A Critical History, </em></a>originally published in 1980 by Thames &amp; Hudson. Its much-expanded latest fifth 734-page, 813-illustration edition came out in 2020. In 2023, I discussed the book at length with the author in a video interview, now available on YouTube.</p>]]>
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        <![CDATA[Pioneers of Architecture Criticism: 5 Women Who Are Shaping the Built Environment Through Words]]>
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      <link>https://www.archdaily.com/en/990487/pioneers-of-architecture-criticism-5-women-who-are-shaping-the-built-environment-through-words</link>
      <pubDate>Wed, 27 Nov 2024 05:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Architecture criticism and journalism are often expected to announce "the good, the bad, and the ugly" in architecture and the built environment. Its purposes go however further than that. As <a href="https://www.architectural-review.com/essays/critical-mass-why-architectural-criticism-matters?utm_campaign=Recommended_Articles&amp;utm_medium=Recommendation&amp;utm_source=WordPress" target="_blank">Michael Sorkin put it</a>, "seeing beyond the glittering novelty of form, it is criticism's role to assess and promote the positive effects architecture can bring to society and the wider world". In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.</p>]]>
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        <![CDATA[Iwona Buczkowska and Angela Davis Receive the Jane Drew and Ada Louise Huxtable Prizes 2023]]>
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      <link>https://www.archdaily.com/en/1013191/iwona-buczkowska-and-angela-davis-awarded-jane-drew-and-ada-louise-huxtable-prizes-2023</link>
      <pubDate>Fri, 09 Feb 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/jane-drew-prize#:~:text=The%20Jane%20Drew%20Prize%20for,Journal%20and%20The%20Architectural%20Review." target="_blank" rel="noopener">Jane Drew Prize for Architecture</a> 2024 and the <a href="https://www.archdaily.com/tag/ada-louise-huxtable-prize#:~:text=Beatriz%20Colomina%20Receives%20Ada%20Louise%20Huxtable%20Prize&amp;text=Architecture%20theorist%2C%20historian%2C%20and%20curator,Architecture%20from%20the%20W%20Awards." target="_blank" rel="noopener">Ada Louise Huxtable Prize for Contribution to Architecture</a> 2024 have been awarded to Polish-French architect <a href="/en/tag/iwona-buczkowska">Iwona Buczkowska</a> and American political activist and author <a href="/en/tag/angela-davis">Angela Davis</a>, respectively. Honoring their work and <a href="https://www.archdaily.com/995747/kazuyo-sejima-and-phyllis-lambert-are-the-recipients-of-the-2023-jane-drew-and-ada-louise-huxtable-prizes-celebrating-women-in-architecture?ad_campaign=normal-tag">commitment to their practices, the awards highlight their efforts to raise the profile of women in architecture</a>. The Jane Drew Prize celebrates Buczkowska’s innovative approach to <a href="https://www.archdaily.com/tag/social-housing" target="_blank" rel="noopener">social housing</a> and public buildings in France. Meanwhile, the Ada Louise Huxtable Prize recognizes Angela Davis’s leadership in the movement to abolish the <a href="https://www.archdaily.com/tag/prisons" target="_blank" rel="noopener">prison</a> system.</p>]]>
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        <![CDATA[Paying Tribute to the Influential Architects We Have Lost in 2023]]>
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      <link>https://www.archdaily.com/en/1011791/paying-tribute-to-the-influential-architects-we-have-lost-in-2023</link>
      <pubDate>Thu, 04 Jan 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.</p>]]>
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      <title>
        <![CDATA[Architecture and Communication: Dissemination, Curators and Architecture News]]>
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      <link>https://www.archdaily.com/en/1007272/architecture-and-communication-dissemination-curators-and-architecture-news</link>
      <pubDate>Fri, 13 Oct 2023 04:00:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.</p>]]>
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        <![CDATA[Can Architectural Journalism Shape the Future of the Profession?]]>
      </title>
      <link>https://www.archdaily.com/en/993671/can-architectural-journalism-shape-the-future-of-the-profession</link>
      <pubDate>Sun, 19 Mar 2023 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>Koolhaas' journalism work won him fame in architecture before he completed a single building. The switch from storyteller to architect was more a change in the script than a professional shift. He pointed out that "<em>[architecture] is a form of scriptwriting that implicitly describes human and spatial relationships.</em>" Restating the role of architecture in defining daily life beyond buildings and cities' construction, architecture is also a written and spoken tool capable of explaining daily worldwide events, giving voices to unspoken projects, and actively shaping the future of the architect's role. </p>]]>
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        <![CDATA[“As Architects, We Don’t Discover Our Identity, We Construct It”: In Conversation with Rahul Mehrotra]]>
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      <link>https://www.archdaily.com/en/996087/as-architects-we-dont-discover-our-identity-we-construct-it-in-conversation-with-rahul-mehrotra</link>
      <pubDate>Tue, 21 Feb 2023 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/rahul-mehrotra">Rahul Mehrotra</a> is a practicing architect based in Boston and <a href="/en/tag/mumbai">Mumbai</a> and he has been teaching at Harvard’s GSD where he is currently Chair of the Department of Urban Planning and Design and Director of the Master in Architecture in Urban Design Degree Program. Born in 1959, Mehrotra grew up in <a href="/en/tag/lucknow">Lucknow</a>, a city in Northern <a href="/en/tag/india">India</a> and an important cultural and artistic hub. His father was a manager at a large machine tool company. The family moved a lot following Mehrotra senior’s frequent promotions, which led to changing residences owned by his company. Besides a few years in Lucknow and Delhi, they lived in different neighborhoods within Mumbai.</p>]]>
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        <![CDATA[The Fetishization of Architecture: the Object Above the Subject and Processes]]>
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      <link>https://www.archdaily.com/en/996432/the-fetishization-of-architecture-the-object-above-the-subject-and-processes</link>
      <pubDate>Fri, 17 Feb 2023 04:00:00 +0000</pubDate>
      <dc:creator>Mariana Ordoñez y Jesica Amescua</dc:creator>
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      <description>
        <![CDATA[<p class="p1">The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.</p>]]>
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