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    <title>Tag: architectural-copyright | ArchDaily</title>
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        <![CDATA[Architectural Authorship in the Age of the Collective Practices]]>
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      <link>https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices</link>
      <pubDate>Wed, 17 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[Copyrights for Architectural Imagery in the AI Era]]>
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      <link>https://www.archdaily.com/992140/copyrights-for-architectural-imagery-in-the-ai-era</link>
      <pubDate>Sat, 18 Feb 2023 08:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>Architecture is a referential discipline. From ziggurats, machines for living, to contemporary biophilic high-rises designs, it is impossible to know whether ideas are genuinely novel or whether they have been conceptualized before. Artificial intelligence has ignited the conversation on <a href="https://www.wipo.int/portal/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">intellectual property (IP)</a> even more. As millions generate unique graphic work by typing keywords, controversies have arisen, specifically concerning protecting creative work and the <a href="/tag/copyright">Copyright</a> of architects in their creations. Therefore, understanding the scope of what is protected helps determine whether<a href="https://creativecommons.org/about/cclicenses/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> licenses</a> are sufficient, whether <a href="https://auditoriodetenerife.com/images/auditorio/Congresos_eventos_y_localizaciones/AUDITORIO._CONDICIONES_USO_IMAGEN.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">trademark</a> registration's long road is worth it; or perhaps a graphic piece cannot be protected and belongs to the public domain.</p>]]>
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        <![CDATA[Copycat: Why Is Copying a Style Bad for Cities?]]>
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      <link>https://www.archdaily.com/981720/copycat-why-is-copying-a-style-bad-for-cities</link>
      <pubDate>Sun, 15 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Marília Matoso</dc:creator>
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        <![CDATA[<p>CopyCat is the act of emulating something that's already been created and using it in a different context. Copycats can exist in music, arts&nbsp;and design; but they are not exactly a design inspiration or a style reference, but rather a literal copy with almost no modification of the original work.</p>]]>
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        <![CDATA[Freedom of Panorama: The Internet Copyright Law that Should Have Architects Up in Arms]]>
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      <link>https://www.archdaily.com/785138/freedom-of-panorama-the-internet-copyright-law-that-should-have-architects-up-in-arms</link>
      <pubDate>Thu, 07 Apr 2016 10:30:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p dir="ltr">Earlier this week, the Supreme Court of Sweden ruled against Wikimedia Sverige in a landmark case over “<a href="https://en.wikipedia.org/wiki/Freedom_of_panorama?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Freedom of Panorama</a>,” a ruling which The Wikimedia Foundation has <a href="http://blog.wikimedia.org/2016/04/04/strike-against-freedom-panorama/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">“respectfully disagreed with” in a blog post</a>. The Swedish Supreme Court’s ruling, in short, states that Wikimedia Sverige is not entitled to host photographs of copyrighted works of art on its website <a href="http://offentligkonst.se/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Offentligkonst.se</a>, which provides maps, descriptions and images of artworks placed in public spaces in Sweden.</p>]]>
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        <![CDATA[Exhibition: Un/Fair Use]]>
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      <link>https://www.archdaily.com/773688/exhibition-un-fair-use</link>
      <pubDate>Wed, 16 Sep 2015 07:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Un/fair Use is an exhibition of research and proposals related to copying and copyright in architecture.</p>
<p>Appropriation is as much a part of architecture as the expectation of novelty, and so it is at the very core of the discipline. Architecture advances via comment, criticism, parody, and innovation, forms of appropriation that fall under the umbrella of fair use. But what about when appropriation is deemed unfair? Where and how are the lines drawn around permissible use? Un/fair Use probes that legal boundary.</p>
<p>In Un/fair Use, models of common, and therefore uncopyrightable, tropes and formal themes are juxtaposed with those protected under the Architecture Works Copyright Protection Act of 1990.</p>]]>
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        <![CDATA[Want to Work Internationally? Here's What You Need to Know About Copyright]]>
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      <link>https://www.archdaily.com/772313/want-to-work-internationally-heres-what-you-need-to-know-about-copyright</link>
      <pubDate>Mon, 31 Aug 2015 09:30:00 +0000</pubDate>
      <dc:creator>Dario Goodwin</dc:creator>
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        <![CDATA[<p style="text-align: left;">Ideas are precious, precious things. A good one can upend a movement or make a career and they are, of course, worth a great deal. Architects live in a competitive globalized world, and in the race to succeed, defining who owns ideas is becoming increasingly important in an architect's professional life. ArchDaily has previously explained the essential points of architectural copyright and explored the complexities of legal judgments, but what if you want to work internationally? It's a much more complex issue than "<a href="http://www.archdaily.com/country/china" target="_blank">China</a> will let people copy what they want" or "<a href="http://www.archdaily.com/country/belgium" target="_blank">Belgians</a> will sue you" and if you want to work outside your home country then it's essential you understand the variables.</p>]]>
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