<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: archdaily-interview | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[“Earth Is Not Nostalgia”: Hand Over on Design-Build and Local Materials]]>
      </title>
      <link>https://www.archdaily.com/1040963/earth-is-not-nostalgia-hand-over-on-design-build-and-local-materials</link>
      <pubDate>Fri, 01 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040963/earth-is-not-nostalgia-hand-over-on-design-build-and-local-materials</guid>
      <description>
        <![CDATA[<p>Each year, the <a href="https://www.archdaily.com/tag/archdaily-next-practices" target="_blank" rel="noopener">ArchDaily Next Practices Awards</a> highlights emerging studios that are expanding the scope of architecture through new methods, materials, and ways of working. Selected from a global pool, these practices reflect a shift away from singular definitions of the discipline, engaging instead with broader questions of construction, environment, and social impact. Rather than operating within fixed categories, many of these studios position themselves across fields, combining design, research, and production to respond to contemporary conditions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ee/6124/e2d9/9109/703c/ed16/newsletter/earth-is-not-nostalgic_1.jpg?1777230133"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Users Are the Experts on Themselves”: How People Shape the Spaces They Use]]>
      </title>
      <link>https://www.archdaily.com/1037747/users-are-the-experts-on-themselves-how-people-shape-the-spaces-they-use</link>
      <pubDate>Mon, 16 Feb 2026 07:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037747/users-are-the-experts-on-themselves-how-people-shape-the-spaces-they-use</guid>
      <description>
        <![CDATA[<p>Does design guide usage, or does usage guide design? Students struggle to maintain focus, employees flinch under harsh lighting, and occupants withdraw from rigid spaces, often in response to environmental conditions that only become visible once a space is occupied. <a href="/tag/light">Light</a> falling across a room, the resonance of sound, the texture of surfaces, or the rhythm of circulation can support focus, calm, or inspire creativity, but each can also inadvertently heighten stress and distraction. Architects and designers are exploring and questioning: how are design decisions informed, and whose knowledge is considered essential in shaping space?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6964/ea85/51eb/1206/94d1/d6dd/newsletter/users-are-the-experts-on-themselves-how-people-shape-the-spaces-they-use_5.jpg?1768221348"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Rethinking Museums: A Conversation with Béatrice Grenier on Architecture as Cultural Policy]]>
      </title>
      <link>https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</link>
      <pubDate>Sat, 10 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">opening of the new Fondation Cartier pour l'Art Contemporain in Paris</a> last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, <a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Architecture for <a href="/tag/culture">Culture</a>: Rethinking Museums</em></a>, written by architectural historian and curator <a href="/tag/beatrice-grenier">Béatrice Grenier</a>, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6959/1aaf/239d/3201/8ac9/36fd/newsletter/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy_1.jpg?1767447307"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Best Interviews of 2025: Architecture’s Year of Reflection, Repair, and Optimism]]>
      </title>
      <link>https://www.archdaily.com/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</link>
      <pubDate>Thu, 18 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</guid>
      <description>
        <![CDATA[<p>In 2025, the architectural field has been marked by a dense calendar of <a href="https://www.archdaily.com/1035780/beyond-the-exhibition-architecture-interior-and-landscape-as-a-single-narrative?ad_source=search&amp;ad_medium=search_result_articles">exhibitions</a>, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge?ad_medium=gallery">intelligence</a> (artificial and natural)—both on professional practice and<a href="https://www.archdaily.com/975264/workplace-culture-design-trends-and-the-impact-of-gen-z?ad_source=search&amp;ad_medium=search_result_articles"> workplace culture</a>, as well as its use as a<a href="https://www.archdaily.com/1033238/environments-of-curiosity-designing-for-children-teaching-and-imagination?ad_source=search&amp;ad_medium=search_result_articles"> pedagogical tool</a>. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&amp;As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, <a href="https://www.archdaily.com/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic?ad_source=search&amp;ad_medium=search_result_articles">AI and intelligence</a>, <a href="https://www.archdaily.com/1035639/dialogue-with-the-code-calibrating-standards-for-adaptive-reuse-to-thrive?ad_source=search&amp;ad_medium=search_result_articles">adaptive reuse</a> and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/693f/f084/0943/f046/1d85/dceb/newsletter/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism_19.jpg?1765798026"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ArchDaily Interviews From the 2025 Venice Architecture Biennale as the Exhibition Enters Its Final Week]]>
      </title>
      <link>https://www.archdaily.com/1036108/archdaily-interviews-from-the-2025-venice-architecture-biennale-as-the-exhibition-enters-its-final-week</link>
      <pubDate>Mon, 17 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036108/archdaily-interviews-from-the-2025-venice-architecture-biennale-as-the-exhibition-enters-its-final-week</guid>
      <description>
        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">the 19th International Architecture Exhibition</a> enters its final week before closing on November 23, <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">the 2025 Venice Architecture Biennale</a> offers a lens through which to revisit the ideas and experiments that have shaped this year's global architectural conversation. Curated by <a href="https://www.archdaily.com/tag/carlo-ratti">Carlo Ratti</a> under <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale">the theme "Intelligens. Natural. Artificial. Collective."</a>, the <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a> brings together <a href="https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale?ad_campaign=normal-tag">more than 750 participants</a> across <a href="https://www.archdaily.com/1029630/meet-the-full-list-of-the-65-national-pavilions-at-the-2025-venice-architecture-biennale">national pavilions</a>, <a href="https://www.archdaily.com/1029831/11-collateral-events-to-explore-while-visiting-the-2025-venice-architecture-biennale">collateral events</a>, and city-wide <a href="https://www.archdaily.com/tag/installations">installations</a>. Framed around interconnected forms of intelligence, this edition examines <a href="https://www.archdaily.com/tag/architecture">architecture</a>'s role in navigating climatic instability, evolving <a href="https://www.archdaily.com/tag/technologies">technologies</a>, and emerging forms of collaboration.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/691a/e6dc/bd4b/8007/0666/6705/newsletter/archdaily-interviews-from-the-2025-venice-architecture-biennale-as-the-exhibition-enters-its-final-week_1.jpg?1763370728"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["To Emerge Naturally from the Site": Zhang Pengju on His Aga Khan Award-Winning West Wusutu Village]]>
      </title>
      <link>https://www.archdaily.com/1033902/to-emerge-naturally-from-the-site-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village</link>
      <pubDate>Fri, 12 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1033902/to-emerge-naturally-from-the-site-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">2025 Aga Khan Award for Architecture</a>, one of the most prestigious honors in the field, celebrates projects that not only exhibit architectural excellence but also profoundly <a href="https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture" target="_blank" rel="noopener">improve the quality of life for their communities</a>. Among this year's winners is the <a href="https://www.archdaily.com/1033160/west-wusutu-village-community-centre-zhang-pengju?ad_source=search&amp;ad_medium=projects_tab" target="_blank" rel="noopener">West Wusutu Village Community Centre</a>, a project in <a href="https://www.archdaily.com/tag/hohhot/page/1">Hohhot</a>, Inner <a href="https://www.archdaily.com/country/mongolia/page/1">Mongolia</a>, by Chinese architect <a href="https://www.archdaily.com/office/zhang-pengju?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">Zhang Pengju</a>. In an era when <a href="https://www.archdaily.com/tag/rural-architecture" target="_blank" rel="noopener">rural areas</a> often face social fragmentation and a loss of identity, this community center offers a powerful counter-narrative. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68be/8cf5/fafa/a901/80e9/b638/newsletter/an-exclusive-interview-with-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village-community-centre_2.jpg?1757318420"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The City as a Laboratory of Processes: A Decade of Urban Experimentation with Concéntrico]]>
      </title>
      <link>https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</link>
      <pubDate>Mon, 08 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</guid>
      <description>
        <![CDATA[<p>As cities continue to develop, we are seeing ever more <a href="https://www.archdaily.com/992594/rethinking-traditional-city-planning-14-projects-from-emerging-practices-in-europe?ad_source=search&amp;ad_medium=search_result_articles">well-planned</a>, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and <a href="https://www.archdaily.com/994586/new-uses-and-contemporary-guidelines-for-public-spaces?ad_source=search&amp;ad_medium=search_result_articles">guidelines improve</a> and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, <a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles">shedding the messy</a>, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing <a href="https://www.archdaily.com/1032309/co-designing-with-nature-how-communities-are-becoming-stewards-of-urban-biodiversity?ad_source=search&amp;ad_medium=search_result_articles">community improvisation</a> in the grey zones of regulation.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68be/32e5/12c6/4945/8419/abf6/newsletter/short-term-long-impact-how-concentrico-turns-the-city-into-a-public-forum_3.jpg?1757295340"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Our Message This Time Was Optimism”: In Conversation with Farrokh Derakhshani, Director of the Aga Khan Award for Architecture]]>
      </title>
      <link>https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</link>
      <pubDate>Tue, 02 Sep 2025 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</guid>
      <description>
        <![CDATA[<p>Today, September 2, <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">the seven winners of the 16th Cycle (2023–2025) </a>of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture" target="_blank" rel="noopener">Aga Khan Award for Architecture</a> were announced, following on-site reviews of <a href="https://www.archdaily.com/1030912/aga-khan-award-for-architecture-2025-announces-19-shortlisted-projects-from-15-countries?ad_campaign=normal-tag" target="_blank" rel="noopener">the 19 shortlisted projects revealed in June</a>. Established in 1977, the Award seeks to identify and encourage building concepts that respond to the physical, social, and economic needs of communities with a significant Muslim presence, while also addressing their cultural aspirations. To understand the vision behind this cycle's winners, ArchDaily's Editor-in-Chief, Christele Harrouk, spoke with Farrokh Derakhshani, who has been with the award for over four decades. He described the initiative as "a curated message to the world," a message that evolves with the times.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68b6/9b00/bfa2/0d01/8a1b/bc0a/newsletter/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture_8.jpg?1756797704"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Luxury Without Context Is Just Excess": Elisa Orlanski Ours on Bridging Design Vision with Market Realities]]>
      </title>
      <link>https://www.archdaily.com/1032238/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities</link>
      <pubDate>Thu, 17 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032238/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities</guid>
      <description>
        <![CDATA[<p>In the <a href="https://www.archdaily.com/1013899/how-to-measure-performance-for-architecture-and-design-firms?ad_campaign=normal-tag" target="_blank" rel="noopener">complex ecosystem of architectural development</a>, where innovative concepts meet market realities, a distinct role exists to bridge diverse professional interests and realize impactful spaces. <a href="/tag/elisa-orlanski-ours">Elisa Orlanski Ours</a> exemplifies this function. This is the domain of Elisa Orlanski Ours, a designer, educator, and industry leader. As Chief Planning &amp; Design Officer at <a href="https://www.corcoran.com/new-developments/search/for-sale/company/corcoran-sunshine?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Corcoran Sunshine Marketing Group</a>, Elisa founded her department two decades ago. Now, her extensive portfolio spans condominium skyscraper master plans and individual branded villas across continents, including significant <a href="/tag/new-york">New York</a> City developments like <a href="https://www.archdaily.com/tag/hudson-yards" target="_blank" rel="noopener">Hudson Yards</a> and <a href="https://www.archdaily.com/tag/220-central-park-south" target="_blank" rel="noopener">220 Central Park South</a>, as well as international developments in collaboration with prominent architectural firms like <a href="https://www.archdaily.com/office/shop-architects" target="_blank" rel="noopener">SHoP Architects</a>, <a href="https://www.archdaily.com/office/big" target="_blank" rel="noopener">BIG</a>, <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a>, <a href="https://www.archdaily.com/office/adjaye-associates" target="_blank" rel="noopener">Adjaye Associates</a>, and <a href="https://www.archdaily.com/office/so-il" target="_blank" rel="noopener">SO-IL</a>. Her strategic perspective on bringing projects from schematic phase to final sale provides valuable insights into <a href="https://www.archdaily.com/1022575/the-triple-bottom-line-in-architecture-developing-properties-for-people-planet-and-profit?ad_campaign=normal-tag" target="_blank" rel="noopener">the industry's intricate workings</a>. ArchDaily's Managing Editor, Maria-Cristina Florian, had the opportunity to discuss these critical topics with Elisa in the following interview<strong>.</strong></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6878/db53/30ea/9701/57f7/0117/newsletter/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities_30.jpg?1752750959"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Hong Kong's Queensway Reimagined: Sara Klomps on the Genesis and Ambition of The Henderson by Zaha Hadid Architects]]>
      </title>
      <link>https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects</link>
      <pubDate>Mon, 07 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects</guid>
      <description>
        <![CDATA[<p>Architectural landmarks often cluster together. In <a href="https://www.archdaily.com/tag/tokyo">Tokyo</a>, the iconic Omotesando is a well-known stretch where global "<a href="https://www.archdaily.com/tag/starchitect">starchitects</a>" built flagship luxury retail spaces in the 2000s. <a href="https://www.archdaily.com/city/hong-kong">Hong Kong</a> has a lesser-known but equally powerful architectural agglomeration along Queensway—though historically more corporate and less publicly engaging. Beginning in the 1980s, this corridor became home to a series of landmark buildings by some of the world's most prominent architects: Norman Foster's <a href="https://www.archdaily.com/152495/ad-classics-hong-kong-and-shanghai-bank-foster-partners">HSBC Headquarters</a>,<a href="https://www.archdaily.com/office/im-pei?ad_name=project-specs&amp;ad_medium=single"> I.M. Pei</a>'s<a href="https://www.archdaily.com/153297/ad-classics-bank-of-china-tower-i-m-pei"> Bank of China Tower</a>, <a href="https://www.archdaily.com/office/paul-rudolph">Paul Rudolph</a>'s <a href="https://paulrudolph.org/project/lippo-center/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lippo Centre</a>, and the nearby <a href="https://www.archdaily.com/894626/the-murray-foster-plus-partners">Murray Building</a> by Ron Phillips—now revitalized as a hotel by <a href="https://www.archdaily.com/office/foster-plus-partners?ad_name=project-specs&amp;ad_medium=single">Foster + Partners</a>. The area is further enriched later on by Heatherwick Studio's renovation of <a href="https://heatherwick.com/project/pacific-place/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pacific Place</a> and <a href="https://www.archdaily.com/office/tod-williams-billie-tsien-architects?ad_name=project-specs&amp;ad_medium=single">Tod Williams Billie Tsien Architects</a>' <a href="https://www.archdaily.com/784052/asia-society-hong-kong-center-tod-williams-billie-tsien-architects">Asia Society Hong Kong Center</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/686a/2771/fa62/953d/373c/51d0/newsletter/queensway-reimagined-the-henderson-renews-a-hong-kong-iconic-corridor_1.jpg?1751787394"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Fragility to Resilience: Curating the Inaugural Pan-African Architecture Biennale]]>
      </title>
      <link>https://www.archdaily.com/1031391/from-fragility-to-resilience-organizing-the-inaugural-pan-african-architecture-biennale</link>
      <pubDate>Wed, 25 Jun 2025 03:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031391/from-fragility-to-resilience-organizing-the-inaugural-pan-african-architecture-biennale</guid>
      <description>
        <![CDATA[<p>A Pan-African <a href="/tag/biennale">Biennale</a> of <a href="/tag/architecture">Architecture</a> is planned for 2026 in <a href="https://www.archdaily.com/tag/nairobi/page/1" target="_blank" rel="noopener">Nairobi</a>, <a href="/tag/kenya">Kenya</a>. According to the curator, it "represents an unprecedented opportunity to reclaim Africa's architectural narrative, reasserting the continent's role as a global leader in urban resilience, sustainability, and cultural expression."</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/685b/68db/1dcf/f36c/a000/4eee/newsletter/from-fragility-to-resilience-organizing-the-inaugural-pan-african-biennale_9.jpg?1750821124"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Before Architecture, There Is Land”: In Conversation With Lynn Chamoun, Elias Tamer, Shereen Doummar, and Edouard Souhaid, Curators of the Lebanese Pavilion]]>
      </title>
      <link>https://www.archdaily.com/1031060/before-architecture-there-is-land-in-conversation-with-lynn-chamoun-elias-tamer-shereen-doummar-and-edouard-souhaid-curators-of-the-lebanese-pavilion</link>
      <pubDate>Wed, 11 Jun 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031060/before-architecture-there-is-land-in-conversation-with-lynn-chamoun-elias-tamer-shereen-doummar-and-edouard-souhaid-curators-of-the-lebanese-pavilion</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1028125/the-land-remembers-lebanons-pavilion-at-the-2025-venice-biennale-confronts-ecocide-through-architecture?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">The Lebanese Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">Venice Architecture Biennale 2025</a> explores the land as a site of memory, intelligence, and resistance. Titled <em>The Land Remembers</em>, the exhibition is presented by the <a href="https://www.archdaily.com/tag/collective-for-architecture-lebanon" target="_blank" rel="noopener">Collective for Architecture Lebanon</a>, composed of Lynn Chamoun, Elias Tamer, Shereen Doummar, and Edouard Souhaid, and takes the form of a fictional public institution: the Ministry of Land Intelligens. The pavilion addresses the ongoing ecological <a href="https://www.archdaily.com/tag/crisis">crisis</a> in Lebanon through an architectural lens, framing ecocide as both an environmental and <a href="https://www.archdaily.com/tag/social">social</a> injustice. Positioned within this year's curatorial framework<a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale"> <em>Intelligens: Natural. Artificial. Collective.</em></a> the project calls for a reevaluation of how <a href="https://www.archdaily.com/tag/architecture">architecture</a> engages with damaged landscapes. In this interview with ArchDaily editors during the Biennale, the curators explain how the project impels a rethinking of architecture's foundational commitment to the land.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6849/4175/3524/c659/ec14/a53d/newsletter/before-architecture-there-is-land-in-conversation-with-lynn-chamoun-elias-tamer-shereen-doummar-and-edouard-souhaid-curators-of-the-lebanese-pavilion_7.jpg?1749631359"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Designing a Living and Dying Structure: Picoplanktonics and the Canadian Pavilion in Venice]]>
      </title>
      <link>https://www.archdaily.com/1030729/designing-a-living-and-dying-structure-picoplanktonics-and-the-canadian-pavilion-in-venice</link>
      <pubDate>Wed, 04 Jun 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030729/designing-a-living-and-dying-structure-picoplanktonics-and-the-canadian-pavilion-in-venice</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1030289/canada-pavilion-presents-picoplanktonics-a-living-experiment-in-regenerative-architecture-at-the-2025-venice-biennale" target="_blank" rel="noopener">The Canada Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=1">19th International Architecture Exhibition – La Biennale di Venezia</a>, hosted <em>Picoplanktonics. </em>A research that emerged as a radical rethinking of how architecture can become a platform that blends biology, computation, and fabrication to propose an alternative future, one where buildings don't just minimize harm, but actively participate in planetary repair. At its core lies a humble organism: marine cyanobacteria, capable of both capturing carbon and contributing to the material growth of the structure it inhabits. The project has been developed over 5 years by a group of researchers at <a href="/tag/eth-zurich">ETH Zurich</a>, led by <a href="https://www.archdaily.com/tag/andrea-shin-ling">Andrea Shin Ling</a> and a group of interdisciplinary contributors and collaborators. Together, they formed the <a href="https://www.archdaily.com/tag/living-room-collective" target="_blank" rel="noopener">Living Room Collective</a>, founded a year ago to build upon this work and showcase it at the <a href="/tag/venice">Venice</a> Biennale. The Core team members include <a href="https://www.archdaily.com/tag/nicholas-hoban">Nicholas Hoban</a>, <a href="https://www.archdaily.com/tag/vincent-hui">Vincent Hui</a>, and <a href="https://www.archdaily.com/tag/clayton-lee">Clayton Lee</a>. This conversation with the team behind the project shares the philosophy, technical challenges, and speculative horizons that animated their work from printing living sand lattices to maintaining microbial life in a public exhibition. Their aim is to inspire people to reconsider architecture not as a static object, but as a living, evolving process. One that requires care, patience, and a radical shift in mindset.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6840/0da2/3524/c657/f0b8/88f8/newsletter/designing-with-living-materials-at-an-architectural-scale-picoplanktonics-and-the-canadian-pavilion-in-venice_11.jpg?1749028267"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Between Housing Demand and Environmental Goals: Alejandro Aravena on Incremental Solutions and Net-Zero Concrete]]>
      </title>
      <link>https://www.archdaily.com/1030245/between-housing-demand-and-environmental-goals-alejandro-aravena-on-incremental-solutions-and-net-zero-concrete</link>
      <pubDate>Fri, 16 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030245/between-housing-demand-and-environmental-goals-alejandro-aravena-on-incremental-solutions-and-net-zero-concrete</guid>
      <description>
        <![CDATA[<p>During the <a href="https://www.archdaily.com/1029585/ecc-announces-the-2025-time-space-existence-exhibition-in-venice-as-a-call-to-repair-regenerate-and-reuse">Time Space Existence exhibition</a>, organized by the <a href="https://www.archdaily.com/tag/european-cultural-center">European Cultural Centre</a> in <a href="/tag/venice">Venice</a>, Pritzker Prize-winning architect <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> and his firm <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a> unveiled a full-scale prototype for a new approach in incremental housing solutions. Titled the USB Core, standing for <a href="https://www.archdaily.com/1026339/alejandro-aravenas-elemental-and-holcim-collaborate-on-carbon-neutral-housing-at-the-2025-venice-biennale?ad_campaign=normal-tag">Basic Services Unit housing prototype</a>, this proposal aims to demonstrate how efficient construction can provide all the essential housing components in a minimal space. The prototype is also the result of a collaboration between the architecture office and <a href="/tag/concrete">concrete</a> manufacturer and researcher <a href="https://www.archdaily.com/tag/holcim">Holcim</a>, and is built out of a newly developed type of net-zero concrete mix. It also incorporates fully recycled aggregates, in alignment with circular economy principles. The collaboration aims to demonstrate a more environmentally conscious yet cost-effective way of providing essential services to at-risk communities without harming the planet.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6826/fa32/6d7a/ff01/88e4/8d46/newsletter/between-housing-demand-and-environmental-goals-alejandro-aravena-on-incremental-solutions-and-net-zero-concrete_1.jpg?1747384921"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["The Logic Is to Let the Content Be Open to the Possibilities": In Conversation with Andrea Caputo, Founder of DROPCITY]]>
      </title>
      <link>https://www.archdaily.com/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</link>
      <pubDate>Tue, 29 Apr 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</guid>
      <description>
        <![CDATA[<p data-start="0" data-end="547"><a href="https://www.dropcity.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">DROPCITY</a> is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by <a href="/tag/andrea-caputo">Andrea Caputo</a> in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During <a href="/tag/milan">Milan</a> Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6810/9874/52b0/7701/8782/37d9/newsletter/the-logic-is-to-let-the-content-be-open-to-the-possibilities-andrea-caputo-on-the-dropcity-platform-for-architecture_16.jpg?1745918075"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From AI to Artisans: How MEAN* Merges Computational Design with Middle Eastern Craftsmanship]]>
      </title>
      <link>https://www.archdaily.com/1027870/from-ai-to-artisans-how-mean-merges-computational-design-with-middle-eastern-craftsmanship-star</link>
      <pubDate>Wed, 12 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027870/from-ai-to-artisans-how-mean-merges-computational-design-with-middle-eastern-craftsmanship-star</guid>
      <description>
        <![CDATA[<p data-start="0" data-end="890">Named one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices">ArchDaily's Best New Practices in 2024</a>, <a href="https://www.archdaily.com/tag/mean">MEAN*<em data-start="53" data-end="96"> (Middle East <a href="/tag/architecture">Architecture</a> Network)</em></a> is redefining the architectural landscape of the region by merging <a href="https://www.archdaily.com/tag/computational-design">computational design, </a><a href="https://www.archdaily.com/tag/digital-fabrication">digital fabrication</a>, and material research with <a href="https://www.archdaily.com/tag/heritage">local heritage</a>. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67d0/b518/c0be/6901/89b3/a810/newsletter/bridging-heritage-and-innovation-how-mean-star-is-redefining-middle-eastern-architecture_11.jpg?1741731107"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["You Have to Leave Some Space for the Future People to Interpret": In Conversation with Zhu Pei]]>
      </title>
      <link>https://www.archdaily.com/1026107/you-have-to-leave-some-space-for-the-future-people-to-interpret-in-conversation-with-zhu-pei</link>
      <pubDate>Thu, 23 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026107/you-have-to-leave-some-space-for-the-future-people-to-interpret-in-conversation-with-zhu-pei</guid>
      <description>
        <![CDATA[<p>Over the last eight years, I have <a href="https://www.archdaily.com/1019978/i-let-architecture-be-deeply-rooted-in-a-specific-culture-in-conversation-with-zhu-pei" target="_blank" rel="noopener">interviewed Beijing-based architect and educator Zhu Pei</a> several times. His persistent quest to combine traditional planning and construction principles with innovative formal and spatial sensibilities intrigues me. His latest projects, including <a href="https://www.archdaily.com/1009234/zijing-international-conference-camp-studio-zhu-pei?ad_medium=office_landing&amp;ad_name=article" target="_blank" rel="noopener">Zijing International Conference Camp </a>(2022) and <a href="https://www.archdaily.com/948083/jingdezhen-imperial-kiln-museum-studio-zhu-pei?ad_medium=office_landing&amp;ad_name=article" target="_blank" rel="noopener">Jingdezhen Imperial Kiln Museum</a> (2020), are widely published and represent his most mature works. Yet, he is convinced that his best building is in the making. "This is going to be amazing! I feel so excited!" the architect told me, referring to his now under-construction Majiayao Ruins Museum and Observatory in Gansu province in Northwestern <a href="/tag/china">China</a>. "I hate column-beam solutions. I want column-free spaces for the public building," he continued. Our conversation took place earlier this year on a video call, complete with dozens of relevant illustrations.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6792/38ea/e4b3/5801/8aa5/9399/newsletter/you-have-to-leave-some-space-for-the-future-people-to-interpret-in-conversation-with-zhu-pei_1.jpg?1737636181"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Do Architects Forecast Trends? In Conversation with Research and Innovation Co-Directors of Perkins&Will]]>
      </title>
      <link>https://www.archdaily.com/1025918/how-do-architects-forecast-trends-in-conversation-with-research-and-inovation-co-directors-of-perkins-and-will</link>
      <pubDate>Mon, 20 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025918/how-do-architects-forecast-trends-in-conversation-with-research-and-inovation-co-directors-of-perkins-and-will</guid>
      <description>
        <![CDATA[<p>Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/678a/f4bf/f6ca/3e01/88ac/3627/newsletter/shaping-the-future-of-architecture-innovation-at-the-intersection-of-design-and-technology_2.jpg?1737159881"></enclosure>
    </item>
  </channel>
</rss>
