<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: ancient-rome | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[STARTT Designs New Access to the Archaeological Areas Behind the Pantheon in Rome]]>
      </title>
      <link>https://www.archdaily.com/1040964/startt-designs-new-access-to-the-archaeological-areas-behind-the-pantheon-in-rome</link>
      <pubDate>Mon, 27 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040964/startt-designs-new-access-to-the-archaeological-areas-behind-the-pantheon-in-rome</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/802201/ad-classics-roman-pantheon-emperor-hadrian" target="_blank" rel="noopener">The Pantheon in Rome</a> is globally known as a major tourist and architectural icon, <a href="https://www.archdaily.com/981140/rome-architecture-city-guide-30-sites-that-celebrate-the-citys-rich-culture-and-history" target="_blank" rel="noopener">a built testimony to both Greek culture and Roman technique, and a symbol of the Roman Empire</a>. The monument was recently intervened upon by the Italian architecture studio STARTT (Studio of <a href="/tag/architecture">Architecture</a> and Territorial Transformations). The project, titled <em>Pantheon – Micro Architectures for Archaeology</em>, was promoted by the Italian Ministry of Culture as part of a program of interventions initiated in 2019 to open public access to the archaeological areas of the Pantheon. STARTT's project represents the first phase of the program, focusing on opening a new entrance from the <em>Pozzo del Diavolo</em>, an area located behind the monument's Rotunda, allowing visitors to access parts of the building's archaeological fabric that were previously reserved for technical functions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ee/a342/e2d9/9109/703c/ed27/newsletter/startt-opens-new-access-into-the-archeological-areas-behind-the-pantheon-in-rome_5.jpg?1777247076"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Can Hidden Niches Transform Walls into Functional Architecture?]]>
      </title>
      <link>https://www.archdaily.com/1036640/how-can-hidden-niches-transform-walls-into-functional-architecture</link>
      <pubDate>Wed, 10 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036640/how-can-hidden-niches-transform-walls-into-functional-architecture</guid>
      <description>
        <![CDATA[<p>The niche has been a space of visible intention throughout the history of architecture. <a href="https://www.archdaily.com/tag/ancient-rome">In ancient Roman architecture</a>, it served as a formal device carved into masonry to display statues, vases, or other objects. These recesses animated the walls of temples, bath complexes, and civic buildings, adding rhythm, depth, and focal points to otherwise massive structures. <a href="https://www.archdaily.com/802201/ad-classics-roman-pantheon-emperor-hadrian">The interior spaces of the Pantheon</a> framed statues of gods, and the Baths of Caracalla used similar voids to structure expansive halls. <a href="https://www.archdaily.com/tag/renaissance">By the Renaissance</a>, the niche evolved into a refined architectural frame. In Florence, the external cavities of Orsanmichele held guild-commissioned statues, while the Uffizi Palace's recesses displayed sculptural works. Whether filled or intentionally left empty, these openings articulated internal and external walls and facades, introduced hierarchy, and provided visual interest, serving as deliberate gestures meant to be seen. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6930/6734/8f2e/d301/883d/8359/newsletter/how-can-the-niche-transform-walls-into-functional-architecture_10.jpg?1764779837"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Public Pools as Public Spaces: The Role of Swimming and Bathing in Cities]]>
      </title>
      <link>https://www.archdaily.com/1002494/public-pools-as-public-spaces-the-role-of-swimming-and-bathing-in-cities</link>
      <pubDate>Thu, 31 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1002494/public-pools-as-public-spaces-the-role-of-swimming-and-bathing-in-cities</guid>
      <description>
        <![CDATA[<p>When one thinks of public spaces, the image of a pool rarely comes to mind. Public spaces are the center of civic life, places where most interactions, activities, and behaviors follow strict social and cultural norms to ensure the safety and comfort of all users. In contrast, swimming and bathing represent something more intimate and primordial, a sensorial experience distinct from any other. In addition to the health benefits, the act of floating in space creates a break from everyday life and its constraints.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/648a/f4bd/5921/1809/3ef6/32fb/newsletter/public-pools-as-public-spaces-the-role-of-swimming-and-bathing-in-cities_18.jpg?1686828280"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Architecture of Dune: Leveraging the Past to Create a Myth of the Future]]>
      </title>
      <link>https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</link>
      <pubDate>Thu, 28 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</guid>
      <description>
        <![CDATA[<p>Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by <a href="https://www.imdb.com/name/nm0898288/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">director Denis Villeneuve </a>and <a href="https://www.imdb.com/name/nm0894411/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">production designer Patrice Vermette</a> in creating the cinematic adaptation of <a href="https://www.amazon.com/Dune-Frank-Herbert/dp/044117261X?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Frank Herbert's 1965 novel</a>. The two Dune movies, released <a href="https://www.imdb.com/title/tt1160419/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">in 2021 </a>and<a href="https://www.imdb.com/title/tt15239678/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> 2024</a>, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6605/590c/ac59/6f6b/13cc/d805/newsletter/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future_1.jpg?1711626520"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Rome Architecture City Guide: 30 Sites that Celebrate the City's Rich Culture and History]]>
      </title>
      <link>https://www.archdaily.com/981140/rome-architecture-city-guide-30-sites-that-celebrate-the-citys-rich-culture-and-history</link>
      <pubDate>Thu, 21 Sep 2023 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/981140/rome-architecture-city-guide-30-sites-that-celebrate-the-citys-rich-culture-and-history</guid>
      <description>
        <![CDATA[<p>Spanning over 3 millennia with one of the highest concentrations of architecture in the world, Rome is a transcendental influence on the world's culture. Often called “The Eternal City,” it developed as the capital and seat of power of the <a href="/tag/roman-empire">Roman Empire</a>, regarded by many as the first Imperial city and among the first ancient metropolises. As a city continuously occupied for over 28 centuries, <a href="/tag/rome">Rome</a> has maintained its countless layers of history to become a perfect depiction of <em>old meets new. </em>Rich in history, academia, and art, the Italian capital is now one of the most visited cities in the world.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/626e/e492/3e4b/31bc/4f00/00c1/newsletter/3.jpg?1651434635"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Italy to Rebuild the Colosseum with Retractable Floor]]>
      </title>
      <link>https://www.archdaily.com/954743/italy-to-rebuild-the-colosseum-with-retractable-floor</link>
      <pubDate>Tue, 12 Jan 2021 05:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/954743/italy-to-rebuild-the-colosseum-with-retractable-floor</guid>
      <description>
        <![CDATA[<p>The <a href="/tag/colosseum">Colosseum</a> will undergo a renovation with a new, retractable floor platform. In ancient <a href="/tag/rome">Rome</a>, thousands gathered to watch enslaved gladiators, criminals, and wild animals fight to the death. These fighters and caged animals would emerge from the ground through secret tunnels beneath the arena’s wooden and sand-covered floor. Colosseum director Alfonsina Russo <a href="https://www.thetimes.co.uk/article/wanted-engineer-to-restore-rome-s-colosseum-gladiators-need-not-apply-l958hjhd7?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">told the <em>Times</em></a> that the plan is to host concerts and theater productions on the new floor.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ffa/4bb5/63c0/17a5/d600/0169/newsletter/Henry_Paul_Unsplash.jpg?1610238891"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Explore This 1:250 Model of Ancient Rome Which Took 38 Years to Construct]]>
      </title>
      <link>https://www.archdaily.com/892031/explore-this-1-250-model-of-ancient-rome-which-took-38-years-to-construct</link>
      <pubDate>Tue, 10 Apr 2018 08:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/892031/explore-this-1-250-model-of-ancient-rome-which-took-38-years-to-construct</guid>
      <description>
        <![CDATA[<p>The city of <a href="/tag/rome">Rome</a> attracts millions of visitors each year to explore its ancient ruins and to learn about how the culture and architecture has transformed over thousands of years. Now, after many years of tedious construction, visitors will be able to see the city as it has never been seen before, through a 1:250 <a href="/tag/model">model</a> of imperial Rome, known as the <em>Plastico di Roma Imperiale</em>. The plaster model, which was commissioned by Mussolini in 1933 and completed in 1971, depicts Rome as it stood in the 4<sup>th</sup> century under the reign of Constantine I. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ac6/9297/f197/ccbb/7000/04dc/newsletter/18462958283_1d6c99545d_o.jpg?1522963083"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Marvel at the Scope, Scale and Splendor of Ancient Rome With This Virtual Fly-Through]]>
      </title>
      <link>https://www.archdaily.com/871002/marvel-at-the-scope-scale-and-splendor-of-ancient-rome-with-this-virtual-fly-through</link>
      <pubDate>Wed, 10 May 2017 12:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/871002/marvel-at-the-scope-scale-and-splendor-of-ancient-rome-with-this-virtual-fly-through</guid>
      <description>
        <![CDATA[<p>We can all recognise the great architectural landmarks of Ancient <a href="/tag/rome">Rome</a>: the <a href="http://www.archdaily.com/802201/ad-classics-roman-pantheon-emperor-hadrian" target="_blank">Pantheon</a>, the Colosseum, Trajan's Column – but do you know how they originally appeared or, perhaps more interestingly, how they sat within the context of the historic city? In this captivating 14-minute-long virtual fly-through by the <a href="https://www.khanacademy.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kahn Academy</a> and <em><a href="https://www.youtube.com/user/smarthistoryvideos?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Smarthistory</a></em>, a YouTube channel dedicated to historical video essays, the ancient splendor of the Eternal City (at around 320AD) is presented alongside expert commentary.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5913/0f87/e58e/ce70/9200/0082/newsletter/Platner-forum-romanum-96-ssh.jpg?1494421377"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[AGi Wins Competition to Transform Galician Roman Ruins into Sensory Museum]]>
      </title>
      <link>https://www.archdaily.com/804116/agi-wins-competition-to-transform-galician-roman-ruins-into-sensual-museum</link>
      <pubDate>Sat, 28 Jan 2017 14:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/804116/agi-wins-competition-to-transform-galician-roman-ruins-into-sensual-museum</guid>
      <description>
        <![CDATA[<p><a href="http://www.archdaily.com/office/agi-architects" target="_blank" data-mce-href="http://www.archdaily.com/office/agi-architects">AGi Architects</a> has won a <a href="/tag/competition">competition</a> to transform 18 ancient <a href="http://www.archdaily.com/tag/rome" target="_blank" data-mce-href="http://www.archdaily.com/tag/rome">Roman</a> sites into a natural museum in <a href="http://www.archdaily.com/tag/pontevedra" target="_blank" data-mce-href="http://www.archdaily.com/tag/pontevedra">Pontevedra</a>, <a href="http://www.archdaily.com/tag/galicia" target="_blank" data-mce-href="http://www.archdaily.com/tag/galicia">Galicia</a>, <a href="http://www.archdaily.com/country/spain" target="_blank" data-mce-href="http://www.archdaily.com/country/spain">Spain</a>. The winning proposal, entitled <em>In Natura Veritas</em>, was selected from 26 submissions in a competition organized by the Spanish Ministry of Public Works. The AGi scheme, due to be realized in the coming months, aims to preserve the memory of the natural environment chosen as a living place by the Roman settlers hundreds of years ago and to treat the visitor to a multi-sensory journey through the 18 sites across the Pontevedra landscape.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5888/e8aa/e58e/ce61/eb00/0333/newsletter/SP.16.0358_VISTA1_In_Natura_Veritas_AGi_architects.jpg?1485367437"></enclosure>
    </item>
  </channel>
</rss>
