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    <title>Tag: akihisa-hirata | ArchDaily</title>
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      <title>
        <![CDATA[Japanese Architecture Offices Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/1013971/japanese-architecture-offices-through-the-lens-of-marc-goodwin</link>
      <pubDate>Fri, 03 May 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Continuing his work <a href="https://www.archdaily.com/978173/explore-architecture-studios-from-around-the-world-through-the-lens-of-marc-goodwin">exploring the office spaces of architecture studios from around the world</a>, Archmospheres photographer <a href="https://www.archdaily.com/photographer/marc-goodwin">Marc Goodwin</a> has reached <a href="/tag/japan">Japan</a>, where he captured the workspace of architecture studios such as <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma &amp; Associates</a>, <a href="https://www.archdaily.com/office/tato-architects">Tato Architects</a>, <a href="https://www.archdaily.com/office/akihisa-hirata">Akihisa Hirata</a>, and <a href="https://www.archdaily.com/office/nori-architects">Nori Architects</a>. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.</p>]]>
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        <![CDATA[Taipei Roofs  / Akihisa Hirata]]>
      </title>
      <link>https://www.archdaily.com/961644/taipei-roof-akihisa-hirata</link>
      <pubDate>Sat, 14 May 2022 02:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Residential]]>
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      <guid isPermaLink="false">https://www.archdaily.com/961644/taipei-roof-akihisa-hirata</guid>
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        <![CDATA[<p>It is a 12-story collective house built in the shopping area of <a href="/tag/taipei">Taipei</a> City. People in Taiwan have devised various intermediary areas that go well with hot and humid climates in their lives. You can skillfully exploit the simple places on the extension of the road throughout the city and you can see the people enjoying meals and conversation. Is it possible to consider apartment buildings suitable for Taiwanese people who have created such a rich lifestyle but at the same time have a freshness in the 21st century?</p>]]>
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      <title>
        <![CDATA["I Am Always Inside the Architecture that I Design": In Conversation with Toyo Ito]]>
      </title>
      <link>https://www.archdaily.com/966848/i-am-always-inside-the-architecture-that-i-design-in-conversation-with-toyo-ito</link>
      <pubDate>Tue, 17 Aug 2021 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/966848/i-am-always-inside-the-architecture-that-i-design-in-conversation-with-toyo-ito</guid>
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        <![CDATA[<p>Examining the work of <a href="https://www.archdaily.com/381153/happy-72nd-birthday-toyo-ito" target="_blank">Tokyo architect Toyo Ito </a>(b. 1941) – particularly his now seminal <a href="https://www.archdaily.com/118627/ad-classics-sendai-mediatheque-toyo-ito?ad_medium=office_landing&amp;ad_name=article" target="_blank">Sendai Mediatheque</a> (1995-2001), <a href="https://www.archdaily.com/344319/serpentine-gallery-pavilion-2002-toyo-ito-cecil-balmond-arup?ad_medium=office_landing&amp;ad_name=article">Serpentine Gallery</a> (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), <a href="https://www.archdaily.com/22711/tama-art-university-library-toyo-ito-by-iwan-baan?ad_medium=office_landing&amp;ad_name=article">Tama Art University Library</a> (Tokyo, 2007), and <a href="https://www.archdaily.com/796428/toyo-itos-taichung-metropolitan-opera-house-photographed-by-lucas-k-doolan" target="_blank">National Taichung Theater </a>(2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.</p>]]>
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        <![CDATA[Renowned Japanese Architects and Artists Create A Series of Pavilions in Tokyo in Celebration of the Olympics]]>
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      <link>https://www.archdaily.com/965902/renowned-japanese-architects-and-artists-create-a-series-of-pavilions-in-tokyo-in-celebration-of-the-olympics</link>
      <pubDate>Thu, 29 Jul 2021 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>Accompanying the ongoing <a href="/tag/olympics">Olympics</a>, Pavilion <a href="/tag/tokyo">Tokyo</a> 2021 invited Japanese architects and artists, including Kazuyo Sejima, Sou Fujimoto, Junya Ishigami and <a href="/tag/yayoi-kusama">Yayoi Kusama</a>, to envision nine temporary structures to be placed in various locations around the National Stadium designed by Kengo Kuma. The initiative showcases experimental interventions within the urban landscape that illustrate a playful take on public space. Also participating in the project are <a href="/tag/terunobu-fujimori">Terunobu Fujimori</a>, <a href="/tag/akihisa-hirata">Akihisa Hirata</a>, <a href="/tag/teppei-fujiwara">Teppei Fujiwara</a>, as well as artists <a href="/tag/makoto-aida">Makoto Aida</a> and Daito Manabe + Rhizomatiks.</p>]]>
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      <title>
        <![CDATA[Overlap House / Akihisa Hirata]]>
      </title>
      <link>https://www.archdaily.com/961694/overlap-house-akihisa-hirata</link>
      <pubDate>Mon, 17 May 2021 01:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/961694/overlap-house-akihisa-hirata</guid>
      <description>
        <![CDATA[<p><strong>How much can you let the nature of the city flow in - </strong>The idea of designing architecture like a natural environment has not changed since I have founded my own office but recently its way of thinking has changed a bit. Even though the soft form and the space containing the difference have the certain possibility, it seems that "naturalness" is considered as the degree of influx of things that cannot be controlled completely by others.</p>]]>
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      <title>
        <![CDATA[A Conversation with Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami]]>
      </title>
      <link>https://www.archdaily.com/783068/a-conversation-with-toyo-ito-kazuyo-sejima-sou-fujimoto-akihisa-hirata-and-junya-ishigami</link>
      <pubDate>Wed, 02 Mar 2016 16:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/783068/a-conversation-with-toyo-ito-kazuyo-sejima-sou-fujimoto-akihisa-hirata-and-junya-ishigami</guid>
      <description>
        <![CDATA[<p>Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) hosts a conversation among five of the most influential contemporary Japanese architects: Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami. Moderated by Columbia GSAPP professors Jeffrey Inaba and Kenneth Frampton, the conversation aims to explore the relationships and creative exchanges among this prominent group of architects and designers.</p>]]>
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      <title>
        <![CDATA[Japanese and Chilean Architects Collaborate to Design Houses for the Ochoalcubo Project]]>
      </title>
      <link>https://www.archdaily.com/533159/japanese-and-chilean-architects-collaborate-on-proposals-for-the-ochoalcubo-project</link>
      <pubDate>Tue, 26 Aug 2014 01:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/533159/japanese-and-chilean-architects-collaborate-on-proposals-for-the-ochoalcubo-project</guid>
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        <![CDATA[<p><strong>Ochoalcubo</strong> (Eight-Cubed) is <a href="http://www.archdaily.com/372634/ochoalcubo-japan-chile/">a pioneering project in Chile</a> that seeks to unite leading <a href="http://www.archdaily.com/tag/chile/">Chilean</a> and <a href="http://www.archdaily.com/tag/japan/">Japanese</a> practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including <a href="http://www.archdaily.com/tag/smiljan-radic/">Smiljan Radic</a> (designer of the <a href="http://www.archdaily.com/485596/smiljan-radic-to-design-2014-serpentine-pavilion/">2014 Serpentine Pavilion</a>), the <a href="http://www.ochoalcubo.cl/index.php?id=3&amp;lang=eng&amp;op=ficha_etapa&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">third</a> and <a href="http://www.ochoalcubo.cl/index.php?id=4&amp;lang=eng&amp;op=ficha_etapa&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">fourth</a> stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.</p>]]>
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        <![CDATA[Ochoalcubo: Japan + Chile]]>
      </title>
      <link>https://www.archdaily.com/372634/ochoalcubo-japan-chile</link>
      <pubDate>Wed, 15 May 2013 01:00:00 +0000</pubDate>
      <dc:creator>David Basulto</dc:creator>
      <category>
        <![CDATA[Housing]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/372634/ochoalcubo-japan-chile</guid>
      <description>
        <![CDATA[<p>In <a href="/tag/chile">Chile</a>, a very special project is being developed.</p>]]>
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        <![CDATA[Milan Design Week 2013: Akihisa Hirata Designs 'Amazing Flow' for Lexus]]>
      </title>
      <link>https://www.archdaily.com/362943/milan-design-week-2013-akihisa-hirata-designs-amazing-flow-for-lexus</link>
      <pubDate>Sat, 20 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/362943/milan-design-week-2013-akihisa-hirata-designs-amazing-flow-for-lexus</guid>
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        <![CDATA[<p>Under the guidance of <b>Toyo Ito</b>, Japanese architect <b>Akihisa Hirata</b> envisioned an  futuristic, experienced-based installation which sought to express “manifestations of flow as they relate to people and nature” to the spectators of the 2013 Milan Design Week. Titled “Amazing Flow”, the installation offered a “vision of the city of tomorrow” with a multi-sensory experience that embodied the “Lexus’ world vision” and a glimpse into how cars flow throughout built environment  The display consisted of a continuous, wooden structure that represented a moment in which “roads, humans, wind and water flow as a single entity.”</p>]]>
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        <![CDATA[Milan Design Week 2013: Energetic Energies for Panasonic / Akihisa Hirata]]>
      </title>
      <link>https://www.archdaily.com/358319/milan-design-week-2013-energetic-energies-for-panasonic-akihisa-hirata</link>
      <pubDate>Wed, 10 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/358319/milan-design-week-2013-energetic-energies-for-panasonic-akihisa-hirata</guid>
      <description>
        <![CDATA[<p>Envision a future where undulating “solar plants” transform the rectangular masses of our cities into a vibrant metropolis where technology aids in the coexistence of humans and nature. Represented in the conceptual installation “Energetic Energies” at the <a href="/tag/milan-design-week-2013">Milan Design Week 2013</a>, this notion of redefining our relationship with the sky through photovoltaics is based on years of technological research and development by the <a href="/tag/panasonic">Panasonic</a> Corporation, who commissioned Japanese architect <a href="http://www.hao.nu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><b>Akihisa Hirata</b></a> to imagine the possibilities. </p>]]>
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        <![CDATA[AD Interviews: The Japan Pavilion at the Venice Biennale / Toyo Ito, Akihisa Hirata, Sou Fujimoto]]>
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      <link>https://www.archdaily.com/272181/ad-interviews-the-japan-pavilion-at-the-venice-biennale-toyo-ito-akihisa-hirata-sou-fujimoto</link>
      <pubDate>Mon, 10 Sep 2012 11:38:51 +0000</pubDate>
      <dc:creator>David Basulto</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/272181/ad-interviews-the-japan-pavilion-at-the-venice-biennale-toyo-ito-akihisa-hirata-sou-fujimoto</guid>
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        <![CDATA[<p>During the opening of the Venice Biennale, we had the chance to sit down and talk with the curator and participants of the <a href="http://www.archdaily.com/269252/venice-biennale-2012-photos-of-the-japanese-pavilion/">Japan Pavilion</a>, <a href="http://www.archdaily.com/268392/venice-biennale-2012-awards-ceremony-big-winners-alvaro-siza-japan-and-urban-think-tank/">awarded with the Gold Lion</a>.</p>]]>
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