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    <title>Tag: adobe | ArchDaily</title>
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        <![CDATA[Escuelita Lochiel: An ArchDaily Student Project Awards Winner Reframing Education Through Adobe]]>
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      <link>https://www.archdaily.com/1041005/escuelita-lochiel-an-archdaily-student-project-awards-winner-reframing-education-through-adobe</link>
      <pubDate>Thu, 30 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>In the high desert of the San Rafael Valley, a few miles from the United States-Mexico border in Lochiel, Arizona, an adobe schoolhouse has stood for more than a century. Built before 1905, before Arizona was an incorporated state, the schoolhouse served <a href="https://www.archdaily.com/1038594/beyond-the-classroom-six-unbuilt-projects-rethinking-educational-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">generations of Mexican American students from Arizona and Sonora, cultivating shared cultural experiences,</a> stories, and relationships that transcend physical and political boundaries. Over decades of <a href="https://www.archdaily.com/1038975/when-the-school-becomes-the-city-community-centered-projects-in-the-global-south?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">education and shared histories, it became a place where language and narrative moved freely,</a> even as geopolitical tensions continued to rise along the border. Today, it is one of the last remaining one-room adobe schoolhouses in the United States.</p>]]>
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        <![CDATA[The Earthen Towers of Shibam: A Vertical City in the Desert of Yemen]]>
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      <link>https://www.archdaily.com/1039429/the-earthen-towers-of-shibam-a-vertical-city-in-the-yemeni-desert</link>
      <pubDate>Mon, 16 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Symbols of <a href="https://www.archdaily.com.br/br/926864/inovacao-na-construcao-novos-materiais-e-novas-tecnologias">technological development</a> and <a href="https://www.archdaily.com.br/br/986625/o-que-e-densidade-urbana-e-quais-sao-suas-vantagens-e-desvantagens">urban density</a>, <a href="https://www.archdaily.com.br/br/tag/edificios-em-altura">tall buildings</a> as we know them today emerged in the late 19th century, primarily in the <a href="https://www.archdaily.com.br/br/country/estados-unidos">United States</a>, in <a href="https://www.archdaily.com.br/br/983080/rem-koolhaas-sobre-o-fenomeno-dos-arranha-ceus-e-o-potencial-dos-emirados-de-reinventar-a-urbanizacao?ad_medium=widget&amp;ad_name=related-tags-article-show">response to rapid growth</a> in urban commerce and the need to expand cities without consuming more land. The term <em><a href="https://www.archdaily.com.br/br/category/arranha-ceu">skyscraper</a></em>, for instance, was coined in the 1880s and originally referred to buildings of about 10 to 20 stories—an impressive height at the time.</p>]]>
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        <![CDATA[Building with Earth: Traditional Knowledge in Contemporary Architecture ]]>
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      <link>https://www.archdaily.com/1039425/building-with-earth-traditional-knowledge-in-contemporary-architecture</link>
      <pubDate>Fri, 13 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>In recent years, earthen construction has gained renewed attention in architecture. Materials such as <a href="https://www.archdaily.com/1035199/beyond-disaster-relief-the-evolution-of-super-adobe-into-permanent-structures-in-hormuz-iran">adobe</a>, <a href="https://www.archdaily.com/1011722/what-is-the-difference-between-hand-rammed-earth-and-rammed-earth-with-a-mold">rammed earth</a>, and compressed earth blocks, once mainly associated with vernacular traditions, are increasingly being explored by <a href="https://www.archdaily.com/1035447/kere-architecture-breaks-ground-on-museum-ehrhardt-museum-in-pluschow-germany">contemporary architects</a>. Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.</p>]]>
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        <![CDATA[Global Heating: How Vernacular Architecture is Affected by the Climate Crisis]]>
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      <link>https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</link>
      <pubDate>Sun, 02 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">Vernacular architecture</a> is often referred to as harboring lessons for creating <a href="https://www.archdaily.com/tag/low-carbon" target="_blank" rel="noopener">low-energy buildings</a> and the fight against climate change. Yet, as <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">weather patterns</a> are changing, there are cases where traditional building techniques are themselves becoming at risk. As well as changes in temperature, different regions have faced becoming wetter or drier, experiencing increased risk of droughts, flooding, storms, and changes to local flora. The <a href="https://www.archdaily.com/1002826/the-painted-houses-of-tiebele-a-model-for-communal-collaboration" target="_blank" rel="noopener">painted houses of Tiébélé</a> in <a href="https://www.archdaily.com/country/burkina-faso/page/1" target="_blank" rel="noopener">Burkina Faso</a>, recognized as a <a href="https://www.archdaily.com/tag/unesco-world-heritage-site" target="_blank" rel="noopener">UNESCO World Heritage Site</a>, are one example.</p>]]>
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        <![CDATA[Slow Architecture as an Ethical Practice of Design and Construction]]>
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      <link>https://www.archdaily.com/1031734/slow-food-and-slow-architecture-an-analysis-of-materials-and-construction-systems</link>
      <pubDate>Tue, 15 Jul 2025 06:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>At the <a href="https://www.archdaily.com/106352/bruder-klaus-field-chapel-peter-zumthor">Bruder Klaus Field Chapel, designed by Peter Zumthor</a>, the construction process involved the direct participation of residents from the small Swiss village of Mechernich. Using an internal formwork made of vertically placed wooden logs, concrete was prepared in small batches and poured manually, day after day, forming layers marked by subtle variations in the mix and application. At the end of the process, the wooden structure was reduced to ashes, leaving the chapel's interior impregnated with traces of fire and revealing a dark, tactile surface. The result was a quiet and deeply meaningful space, where collective action, time, and <a href="https://www.archdaily.com/1017671/what-is-low-tech-architecture-comparing-shigeru-ban-and-yasmeen-laris-approaches" target="_blank" rel="noopener">material transformation became part of the architecture</a>. Centered on locally available resources and manual techniques, this construction method highlights how the choice of materials and building system can shape the experience of a space, reveal the time invested, and embed the culture of a place into the very matter of architecture. In doing so, it offers an example of how construction itself can become a regenerative act, restoring meaning, connecting communities, and honoring material cycles.</p>]]>
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        <![CDATA[Grounded Interiors: Exploring Earth-Based Flooring Through 10 Contemporary Interiors]]>
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      <link>https://www.archdaily.com/1031002/grounded-interiors-exploring-earth-based-flooring-through-10-contemporary-interiors</link>
      <pubDate>Fri, 13 Jun 2025 06:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031002/grounded-interiors-exploring-earth-based-flooring-through-10-contemporary-interiors</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/933775/9-projects-that-demonstrate-the-versatility-of-brick-floor" target="_blank" rel="noopener">Earth-based flooring materials</a> comprise natural elements such as clay, sand, silt, lime, and organic fibres. They offer both structural performance and sensory engagement when used in both outdoor and interior spaces. Due to their thermal properties, <a href="https://endeavourcentre.org/resources-for-building-green/free-encyclopedia-of-sustainable-building-materials/flooring/earthen-floors/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">durability, and sustainable qualities</a>, these materials have evolved from vernacular construction techniques into high-value architectural elements that are always being reinvented and optimized. There are several types of earthen floorings, each offering unique benefits, and they are increasingly used in interior settings.</p>]]>
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        <![CDATA[Zaha Hadid Architects Breaks Ground on Asaan Museum in Diriyah, Saudi Arabia]]>
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      <link>https://www.archdaily.com/1030338/zaha-hadid-architects-breaks-ground-on-asaan-museum-in-diriyah-saudi-arabia</link>
      <pubDate>Wed, 21 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030338/zaha-hadid-architects-breaks-ground-on-asaan-museum-in-diriyah-saudi-arabia</guid>
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        <![CDATA[<p>Designed by <a href="https://www.archdaily.com/office/zaha-hadid-architects">Zaha Hadid Architects</a>, construction works for the Asaan Museum have recently begun. Located in the historic At-Turaif district of <a href="https://www.archdaily.com/1025750/diriyah-biennale-foundation-bricklab">Diriyah</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi Arabia</a>, the Asaan <a href="https://www.archdaily.com/tag/museum/page/1">Museum</a> aims to be a new cultural institution designed to preserve and celebrate the nation's <a href="https://www.archdaily.com/tag/heritage">heritage</a>. Deriving its name from the Arabic word meaning "inheritance passed down through generations," Asaan underscores its role in connecting past and present. Situated within a site renowned for its mud-brick <a href="https://www.archdaily.com/tag/architecture">architecture</a> and centuries-old urban fabric, the museum draws inspiration from traditional Najdi building techniques. Planned to be constructed using locally sourced clay mud-bricks, Asaan Museum will mark <a href="https://www.archdaily.com/tag/zaha-hadid-architects/page/1">Zaha Hadid Architects</a>' first project to employ <a href="https://www.archdaily.com/tag/adobe">adobe construction</a>.</p>]]>
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        <![CDATA[Comfort and Seclusion: 5 Hotels in the Deserts of Latin America]]>
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      <link>https://www.archdaily.com/1027844/comfort-and-seclusion-5-hotels-in-the-deserts-of-latin-america</link>
      <pubDate>Wed, 12 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027844/comfort-and-seclusion-5-hotels-in-the-deserts-of-latin-america</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/deserto" target="_blank" rel="noopener">desert</a> is a landscape in constant transformation. Shaped by the wind, its dunes, ridges, and fissures emerge and fade in an <a href="https://www.archdaily.com.br/br/941806/dia-mundial-de-combate-a-seca-11-projetos-construidos-no-deserto" target="_blank" rel="noopener">ever-shifting expanse</a>, as if the scenery itself were alive. It is a land of stark contrasts, where the scorching heat of the day gives way to the crisp coolness of the night, revealing nature in its most primal form. In such a<a href="https://www.archdaily.com/1002473/designing-for-water-scarcity-how-architects-are-adapting-to-arid-environments" target="_blank" rel="noopener"> dynamic and untamed environment</a>, how can architecture not only <a href="https://www.archdaily.com/921678/christophe-benichou-architecture-designs-minimalist-desert-residence" target="_blank" rel="noopener">integrate</a> but also <a href="https://www.archdaily.com/917008/amey-kandalgaonkar-explores-the-architectural-possibilities-of-combining-desert-rocks-and-geometric-forms" target="_blank" rel="noopener">respect and engage with its surroundings</a>? This is the challenge faced by hotels built within <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin America</a>’s vast desert landscapes.</p>]]>
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        <![CDATA[Beyond Green Architecture: 5 Middle Eastern Projects Redefining Landscape Design]]>
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      <link>https://www.archdaily.com/1020737/beyond-green-architecture-5-middle-eastern-projects-redefining-landscape-design</link>
      <pubDate>Wed, 04 Sep 2024 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>Landscape architecture has traditionally been associated with lush <a href="https://www.archdaily.com/tag/green">greenery</a>, rooted in the historical development of gardens and parks as spaces that bring nature into <a href="https://www.archdaily.com/tag/urban-areas">urban areas</a>. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the <a href="https://www.archdaily.com/tag/middle-east">Middle East,</a> where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as <a href="https://www.archdaily.com/tag/sand">sand</a>, <a href="https://www.archdaily.com/tag/stone">stone</a>, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the <a href="https://www.archdaily.com/tag/environment">environmental</a> and cultural contexts of the region.</p>]]>
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        <![CDATA[What Are Vernacular Technologies?]]>
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      <link>https://www.archdaily.com/1017464/what-are-vernacular-technologies</link>
      <pubDate>Wed, 12 Jun 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/951667/what-is-vernacular-architecture" target="_blank" rel="noopener">Vernacular architecture</a> has been gaining more and more space in <a href="https://www.archdaily.com/tag/theory" target="_blank" rel="noopener">theory</a> and <a href="https://www.archdaily.com/tag/archdaily-topic-2023-design-process" target="_blank" rel="noopener">design practice</a>, with its characteristics being studied and revised. An impulse related to different factors, but mainly to the context of <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a> that we are experiencing, which calls for more <a href="https://www.archdaily.com/tag/sustainability" target="_blank" rel="noopener">sustainable</a> and context-connected <a href="https://www.archdaily.com/tag/building-systems" target="_blank" rel="noopener">construction solutions</a>.</p>]]>
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        <![CDATA[7 Bioclimatic Façade Strategies for Tropical Architecture]]>
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      <link>https://www.archdaily.com/1015392/7-bioclimatic-facade-strategies-for-tropical-architecture</link>
      <pubDate>Sun, 14 Apr 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>When we think of the word "<a href="https://www.archdaily.com/928807/design-guidelines-for-contemporary-tropical-architecture" target="_blank" rel="noopener">tropic</a>," the image that typically comes to mind is an <a href="https://www.archdaily.com/tag/tropical-climate" target="_blank" rel="noopener">exotic space</a>, characterized by perpetual warmth and humidity, with frequent and heavy <a href="https://www.archdaily.com/tag/rain" target="_blank" rel="noopener">rainfall</a> nurturing lush <a href="https://www.archdaily.com/tag/vegetation" target="_blank" rel="noopener">vegetation</a>. Throughout history, this <a href="https://www.archdaily.com/1000663/tropical-houses-creating-a-dialogue-between-nature-and-the-built-environment" target="_blank" rel="noopener">tropical climate</a> has been romanticized as a paradise and criticized for potentially fostering weakness due to its perceived clemency.</p>]]>
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        <![CDATA[The Merits of Greenwashing: Social Stigma around Natural Construction in India]]>
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      <link>https://www.archdaily.com/1013861/the-merits-of-greenwashing-social-stigma-around-natural-construction-in-india</link>
      <pubDate>Wed, 28 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>In recent years, <a href="https://www.archdaily.com/992851/pioneering-the-revival-of-earth-architecture-egypt-france-and-india">India has seen a resurgence of interest in natural building materials</a>, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature. </p>]]>
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        <![CDATA[How Rammed Earth Walls are Built]]>
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      <link>https://www.archdaily.com/933353/how-rammed-earth-walls-are-built</link>
      <pubDate>Tue, 26 Dec 2023 07:30:00 +0000</pubDate>
      <dc:creator>Lilly Cao</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
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        <![CDATA[<p>Rammed earth has been used in construction for thousands of years, with evidence of its use dating as far back as the Neolithic Period. Commonly used especially in China, the technique was applied to both ancient monuments and vernacular architecture, with the Great Wall utilizing the technique. Though interest in rammed earth declined in the 20th century, some continue to advocate its use today, citing its sustainability in comparison to more modern construction methods. Most notably, rammed earth structures use local materials, meaning they have low <a href="https://www.archdaily.com/931249/embodied-energy-in-building-materials-what-it-is-and-how-to-calculate-it" target="_blank">embodied energy</a> and produce little waste. Below, we describe how to build with this material.</p>]]>
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        <![CDATA[Does AI Correlate Materiality with Contemporary Architecture? An Experiment with Six Building Materials]]>
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      <link>https://www.archdaily.com/1010723/does-ai-correlate-materiality-with-contemporary-architecture-an-experiment-with-six-building-materials</link>
      <pubDate>Thu, 21 Dec 2023 04:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>As AI has become more accessible, we have witnessed examples illustrating its diverse applications. Prominent among these are generative AIs, which excel in their ability to “create” <a href="https://www.archdaily.com/1010426/prompting-creativity-the-role-of-ai-in-visualization-and-design-tools-for-architects?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">images through prompts</a>, many distinguished by their composition and vividness. These AI systems are neural networks with billions of parameters, trained to create images from natural language, using a dataset of text–image pairs. Thus, although the initial question posed by Turing in the 1950s, “<a href="https://medium.com/@jetnew/a-summary-of-alan-m-turings-computing-machinery-and-intelligence-fd714d187c0b?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Can machines think?</a>” still recurs today, the <a href="https://www.archdaily.com/999710/how-does-artificial-intelligence-perceive-the-contemporary-home-different-perspectives-from-15-countries?ad_source=search&amp;ad_medium=search_result_articles">generation of images</a> and text is grounded in existing information, limiting their capabilities.</p>]]>
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        <![CDATA[Materials That Define the Contemporary Mexican Architectural Aesthetic]]>
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      <link>https://www.archdaily.com/1005554/materials-that-define-the-contemporary-mexican-architectural-aesthetic</link>
      <pubDate>Tue, 22 Aug 2023 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, <a href="https://www.bbc.com/travel/article/20220710-the-empire-the-aztecs-couldnt-conquer?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Purepecha</a>, and <a href="https://www.bbc.com/future/article/20180622-tenochtitlan-the-mexican-metropolis?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mexica (Aztec)</a> thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, <a href="https://www.archdaily.com/tag/mexican-architecture">Mexican architecture</a> showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate <a href="https://www.nobelprize.org/prizes/literature/1990/paz/biographical/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Octavio Paz</a> argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.</p>]]>
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        <![CDATA[Which Building Construction Materials Are Ecological?]]>
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      <link>https://www.archdaily.com/983303/which-building-construction-materials-are-ecological</link>
      <pubDate>Tue, 14 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/983303/which-building-construction-materials-are-ecological</guid>
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        <![CDATA[<p>In the current scenario of a climate crisis, thinking about an architectural project without defining ecological guidelines has become practically unacceptable. One of the main emitters of carbon dioxide and other pollutants, the construction sector is increasingly looking for new ways and means that can make works more sustainable and, in some way, mitigate damage to the environment. Thinking about ecological materials can be one of the fundamental steps, but, which materials are these?</p>]]>
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        <![CDATA[The Comeback of Curved Design: Materials That Can Bend and Curl]]>
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      <link>https://www.archdaily.com/977895/the-comeback-of-curved-design-materials-that-can-bend-and-curl</link>
      <pubDate>Thu, 10 Mar 2022 04:00:00 +0000</pubDate>
      <dc:creator>Valeria Montjoy</dc:creator>
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        <![CDATA[<p>Take a second to imagine a building or a room. Chances are you are envisioning flat rectangular surfaces and straight lines. Whether it be walls, beams or windows, most architectural elements come in standard and extremely practical orthogonal shapes. However, the pandemic has shed light on designs that are not only functional, but also that improve our mood and well-being. In that sense, the power of curved, free-flowing surfaces is unmatched, which explains why they have been making a comeback as <a href="https://www.archdaily.com/973490/10-interior-design-trends-of-2021">a modern design trend</a>. Adopting beautiful nature-inspired shapes, organic curls and bends energize rooms and make users feel good. In fact, neuroscientists have shown that this affection is hard-wired into the brain; in a <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3690611/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2013 study</a>, they found that participants were most likely to consider a space beautiful if it was curvilinear instead of rectilinear. In short, humans love curves.</p>]]>
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        <![CDATA[Colors Of the Earth: Ghana's Incredible, Rammed Earth Walls]]>
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      <link>https://www.archdaily.com/914736/colors-of-the-earth-the-incredible-designs-of-rammed-earth-walls-in-ghana</link>
      <pubDate>Thu, 18 Nov 2021 05:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p dir="ltr">Rammed earth constructions are not a novelty, on the contrary, some sections of the Great Wall of China were made using this technique. Relegated and replaced by modern methods of construction, the mud walls are currently re-emerging as an economic, sustainable solution, with low environmental impact. Even <a href="/tag/joelle-eyeson">Joelle Eyeson</a>, a young African entrepreneur, is betting that it may be the answer to the housing deficit in her region.<br><br>This is a rudimentary construction system in which earth is compressed into wooden boxes. The clay is horizontally placed in layers of 15 cm in height, and compacted with manual or pneumatic tools, to achieve its ideal density creating a resistant and durable structure.</p>]]>
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