<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: adjaye-associates | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 10 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[World Architecture Festival 2025: Day Two Winners Announced]]>
      </title>
      <link>https://www.archdaily.com/1036039/world-architecture-festival-2025-day-two-winners-announced</link>
      <pubDate>Fri, 14 Nov 2025 04:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036039/world-architecture-festival-2025-day-two-winners-announced</guid>
      <description>
        <![CDATA[<p>The second round of award winners of the 2025 <a href="https://www.worldarchitecturefestival.com/WorldArchitectureFestival2025/en/page/home?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">World Architecture Festival (WAF)</a> has been announced, following Day Two of the <a href="https://www.youtube.com/@worldarchitecturefestival246/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">world's largest international live-judged architectural event</a>, held at the <a href="/tag/miami-beach-convention-center">Miami Beach Convention Center</a> in Florida.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6916/afce/bd4b/8001/a03e/75b4/newsletter/world-architecture-festival-2025-day-two-winners-announced_1.jpg?1763094488"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[New Cultural Venues, Awards and Transformative Architecture From Ghana to New York: This Week’s Review]]>
      </title>
      <link>https://www.archdaily.com/1035984/new-cultural-venues-awards-and-transformative-architecture-from-ghana-to-new-york-this-weeks-review</link>
      <pubDate>Thu, 13 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035984/new-cultural-venues-awards-and-transformative-architecture-from-ghana-to-new-york-this-weeks-review</guid>
      <description>
        <![CDATA[<p>This week's architecture news highlights a diverse global landscape of design innovation, cultural investment, and <a href="https://www.archdaily.com/tag/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a>. Across continents, new museums and cultural venues are opening to foster dialogue around art, design, and community engagement. At the same time, major recognitions and project announcements underscore the growing importance of sustainable, socially conscious practices in shaping contemporary architecture. From adaptive transformations in New York, Tainan, and Milan, including preparations for the <a href="https://www.archdaily.com/tag/milano-cortina-2026" target="_blank" rel="noopener">Milano Cortina 2026 Winter Games</a>, to new cultural landmarks in Ghana and Qatar, this week's overview features projects by leading firms such as <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a>, <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a>, and <a href="https://www.archdaily.com/office/mecanoo" target="_blank" rel="noopener">Mecanoo</a>, alongside initiatives from emerging practices like <a href="https://www.archdaily.com/tag/limbo-accra" target="_blank" rel="noopener">Limbo Accra</a> in West Africa.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6915/6284/463c/7e01/7d0c/b401/newsletter/weekly-recap_19.jpg?1763009168"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Studio Museum in Harlem Opens Its First Purpose-Built Home by Adjaye Associates]]>
      </title>
      <link>https://www.archdaily.com/1035878/the-studio-museum-in-harlem-opens-its-first-purpose-built-home-by-adjaye-associates</link>
      <pubDate>Mon, 10 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035878/the-studio-museum-in-harlem-opens-its-first-purpose-built-home-by-adjaye-associates</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/769783/david-adjaye-unveils-plans-for-studio-museum-in-harlem?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">The Studio Museum</a> in <a href="https://www.archdaily.com/tag/harlem/page/1">Harlem</a> is preparing to open its new purpose-built home to the public on November 15 with a Community Day celebration. Designed by <a href="https://www.archdaily.com/office/adjaye-associates?ad_source=search&amp;ad_medium=search_result_professionals">Adjaye Associates</a> in collaboration with <a href="https://www.archdaily.com/office/cooper-robertson?ad_source=search&amp;ad_medium=search_result_professionals">Cooper Robertson</a>, the seven-story, 82,000-square-foot building is located on West 125th Street in <a href="https://www.archdaily.com/tag/harlem/page/1">Harlem</a>, <a href="https://www.archdaily.com/tag/new-york-city/page/1">New York City</a>. Serving as a major institution dedicated to <a href="https://www.archdaily.com/tag/artist">artists</a> of <a href="https://www.archdaily.com/tag/africa/page/1">African</a> descent, the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a>'s new facility marks the first structure in its fifty-seven-year history conceived specifically for its mission. The opening signals a new chapter for the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a>'s engagement with <a href="https://www.archdaily.com/tag/art">art</a>, <a href="https://www.archdaily.com/tag/education">education</a>, and the local community through expanded spatial and programmatic capacities.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6911/ac46/1072/7b04/d2a3/f1ca/newsletter/the-studio-museum-in-harlem-opens-its-first-purpose-built-home-by-adjaye-associates_2.jpg?1762765960"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Rising Architectural Voices and New Commissions: The Week’s Review]]>
      </title>
      <link>https://www.archdaily.com/1034894/rising-architectural-voices-and-new-commissions-the-weeks-review</link>
      <pubDate>Thu, 09 Oct 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034894/rising-architectural-voices-and-new-commissions-the-weeks-review</guid>
      <description>
        <![CDATA[<p>This week, architectural conversations were shaped by themes of resilience, equity, and cultural relevance, brought into focus by <a href="https://www.archdaily.com/tag/world-architecture-day/page/1">World Architecture Day</a>. Across global contexts, the discipline continues to expand its understanding of strength, not only as structural endurance but as a framework for <a href="https://www.archdaily.com/tag/inclusivity">inclusive</a>, <a href="https://www.archdaily.com/tag/adaptability">adaptable</a>, and environmentally conscious design. From strategies for gender-equitable <a href="https://www.archdaily.com/tag/public-spaces">public space</a> to new commissions grounded in memory and reconciliation, recent developments reflect how <a href="https://www.archdaily.com/tag/architecture">architecture</a> is increasingly positioned as a tool for social engagement and long-term stewardship in the face of ongoing <a href="https://www.archdaily.com/tag/global-challenge">global challenges</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68e7/7d5e/9f15/2801/89b4/5406/newsletter/rising-architectural-voices-and-new-commissions-the-weeks-review_6.jpg?1760001417"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Reclaiming the Narrative: A New Generation of Museums in West Africa]]>
      </title>
      <link>https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa</link>
      <pubDate>Sun, 05 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa</guid>
      <description>
        <![CDATA[<p>As countries in <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a> emerged from <a href="https://www.archdaily.com/tag/colonialism" target="_blank" rel="noopener">colonialism</a> in the mid-twentieth century, many expressed their independent identities through architecture. This process continues several decades later, exemplified by several new <a href="https://www.archdaily.com/tag/museums" target="_blank" rel="noopener">museums</a> in <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>, recently completed or in planning. Although varying in purpose and form, they have some common goals: addressing the need for restitution of many artifacts taken during colonialism and mostly kept in European museums; and defining a museum with local identity as opposed to a non-contextual import.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68dc/6b1f/4a4d/ea01/885d/ac00/newsletter/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa_14.jpg?1759275905"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Adjaye Associates Unveil First Phase of Barbados National Performing Arts Centre]]>
      </title>
      <link>https://www.archdaily.com/1034546/adjaye-associates-unveil-first-phase-of-barbados-national-performing-arts-centre</link>
      <pubDate>Mon, 29 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034546/adjaye-associates-unveil-first-phase-of-barbados-national-performing-arts-centre</guid>
      <description>
        <![CDATA[<p>The first phase of the Barbados National Performing Arts Centre, designed by <a href="https://www.archdaily.com/office/adjaye-associates?ad_source=search&amp;ad_medium=search_result_professionals">Adjaye Associates</a>, has officially opened in Bridgetown, marking the commencement of a significant cultural initiative. Originally conceived as a <a href="https://www.archdaily.com/tag/temporary">temporary</a> <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> for Carifesta XV, the <a href="https://www.archdaily.com/tag/timber">timber</a> structure serves as both a functional venue for <a href="https://www.archdaily.com/tag/performance">performances</a> and the foundation for the forthcoming 85,000-square-foot permanent complex, slated for completion in 2026. Developed in collaboration with structural engineer <a href="https://www.archdaily.com/professional/structurecraft?ad_source=search&amp;ad_medium=search_result_professionals">StructureCraft</a>, the project features mass <a href="https://www.archdaily.com/tag/timber-construction">timber construction</a>, <a href="https://www.archdaily.com/tag/low-carbon">low-carbon</a> design strategies, and <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> of components. This approach provides Barbadians with a "meanwhile use" venue while laying the groundwork for a future national hub within the <a href="https://www.archdaily.com/973017/david-adjaye-commissioned-to-design-the-barbados-heritage-district-documenting-the-imprint-of-slavery">Barbados Heritage District</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68da/4d8a/d33e/c030/7435/5270/newsletter/adjaye-associates-unveil-first-phase-of-barbados-national-performing-arts-centre_10.jpg?1759137179"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Luxury Without Context Is Just Excess": Elisa Orlanski Ours on Bridging Design Vision with Market Realities]]>
      </title>
      <link>https://www.archdaily.com/1032238/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities</link>
      <pubDate>Thu, 17 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032238/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities</guid>
      <description>
        <![CDATA[<p>In the <a href="https://www.archdaily.com/1013899/how-to-measure-performance-for-architecture-and-design-firms?ad_campaign=normal-tag" target="_blank" rel="noopener">complex ecosystem of architectural development</a>, where innovative concepts meet market realities, a distinct role exists to bridge diverse professional interests and realize impactful spaces. <a href="/tag/elisa-orlanski-ours">Elisa Orlanski Ours</a> exemplifies this function. This is the domain of Elisa Orlanski Ours, a designer, educator, and industry leader. As Chief Planning &amp; Design Officer at <a href="https://www.corcoran.com/new-developments/search/for-sale/company/corcoran-sunshine?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Corcoran Sunshine Marketing Group</a>, Elisa founded her department two decades ago. Now, her extensive portfolio spans condominium skyscraper master plans and individual branded villas across continents, including significant <a href="/tag/new-york">New York</a> City developments like <a href="https://www.archdaily.com/tag/hudson-yards" target="_blank" rel="noopener">Hudson Yards</a> and <a href="https://www.archdaily.com/tag/220-central-park-south" target="_blank" rel="noopener">220 Central Park South</a>, as well as international developments in collaboration with prominent architectural firms like <a href="https://www.archdaily.com/office/shop-architects" target="_blank" rel="noopener">SHoP Architects</a>, <a href="https://www.archdaily.com/office/big" target="_blank" rel="noopener">BIG</a>, <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a>, <a href="https://www.archdaily.com/office/adjaye-associates" target="_blank" rel="noopener">Adjaye Associates</a>, and <a href="https://www.archdaily.com/office/so-il" target="_blank" rel="noopener">SO-IL</a>. Her strategic perspective on bringing projects from schematic phase to final sale provides valuable insights into <a href="https://www.archdaily.com/1022575/the-triple-bottom-line-in-architecture-developing-properties-for-people-planet-and-profit?ad_campaign=normal-tag" target="_blank" rel="noopener">the industry's intricate workings</a>. ArchDaily's Managing Editor, Maria-Cristina Florian, had the opportunity to discuss these critical topics with Elisa in the following interview<strong>.</strong></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6878/db53/30ea/9701/57f7/0117/newsletter/luxury-without-context-is-just-excess-elisa-orlanski-ours-on-bridging-design-vision-with-market-realities_30.jpg?1752750959"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[On Juneteenth, Discover 8 Museums and Cultural Institutions Dedicated to African American History and Culture]]>
      </title>
      <link>https://www.archdaily.com/1031343/on-juneteenth-discover-8-museums-and-cultural-institutions-dedicated-to-african-american-history-and-culture</link>
      <pubDate>Thu, 19 Jun 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031343/on-juneteenth-discover-8-museums-and-cultural-institutions-dedicated-to-african-american-history-and-culture</guid>
      <description>
        <![CDATA[<p>Juneteenth, observed annually on June 19th, commemorates the emancipation of enslaved African Americans in the <a href="/tag/united-states">United States</a>, marking a moment of liberation and reflection on a complex and often overlooked history. Originally celebrated in <a href="/tag/texas">Texas</a>, Juneteenth has grown to symbolize broader themes of freedom, resilience, and cultural identity, fostering conversations about justice and representation. This day also presents an opportunity to highlight the ways in which architecture can serve as<a href="https://www.archdaily.com/1023915/preserving-black-modernism-celebrating-the-architectural-legacy-of-african-american-visionaries" target="_blank" rel="noopener"> a medium for preserving and presenting African American history</a> and cultural values.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6853/c92a/1dcf/f36a/c993/33c9/newsletter/on-juneteenth-discover-8-museums-and-cultural-institutions-dedicated-to-african-american-history-and-culture_4.jpg?1750321458"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Adjaye Associates Designs International Children’s Cancer Research Centre in Ghana]]>
      </title>
      <link>https://www.archdaily.com/1030379/adjaye-associates-designs-international-childrens-cancer-research-centre-in-ghana</link>
      <pubDate>Thu, 22 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030379/adjaye-associates-designs-international-childrens-cancer-research-centre-in-ghana</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/adjaye-associates?ad_name=project-specs&amp;ad_medium=single">Adjaye Associates</a> has revealed the design for the International Children's Cancer <a href="/tag/research-centre">Research Centre</a> (ICCRC) in Kyebi, <a href="https://www.archdaily.com/country/ghana/page/1">Ghana</a>. Commissioned by the Wish4Life Foundation, the project marks a step in the development of pediatric <a href="https://www.archdaily.com/tag/healthcare">healthcare</a> in <a href="https://www.archdaily.com/tag/west-africa/page/1">West Africa</a>. Situated on a 225,000-square-meter site along the eastern slopes of the Atewa Range, the ICCRC is envisioned as an integrated facility dedicated to healing, <a href="https://www.archdaily.com/tag/research">research</a>, <a href="https://www.archdaily.com/tag/education">education</a>, and <a href="https://www.archdaily.com/tag/community">community</a> engagement. It will be the first center in the region solely focused on the treatment of <a href="https://www.archdaily.com/tag/childhood">childhood</a> cancers. The project is currently on view at the <a href="https://www.archdaily.com/tag/time-space-existence" target="_blank" rel="noopener"><em data-start="693" data-end="715">Time Space Existence</em></a> exhibition, part of the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">Venice Architecture Biennale 2025</a>, held at Palazzo Bembo until 23 November 2025.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/682e/e542/82d8/2601/88bc/d294/newsletter/adjaye-associates-designs-international-childrens-cancer-research-centre-in-kyebi-ghana_2.jpg?1747903830"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Interfaith Spaces: Architectural Responses to Religious Diversity]]>
      </title>
      <link>https://www.archdaily.com/1019961/interfaith-spaces-architectural-responses-to-religious-diversity</link>
      <pubDate>Fri, 27 Dec 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1019961/interfaith-spaces-architectural-responses-to-religious-diversity</guid>
      <description>
        <![CDATA[<p>In an increasingly diverse world, the emergence of <a href="https://www.archdaily.com/tag/multifaith">multi-faith spaces </a>represents a significant shift in architectural design, reflecting the evolving <a href="https://www.archdaily.com/891984/is-religious-architecture-still-relevant">religious landscape of contemporary society</a>. These spaces, which began to be <a href="https://www.centerforarchitecture.org/digital-exhibitions/article/the-global-phenomenon-of-multifaith-worship-spaces/what-is-a-multifaith-worship-space/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">formally established in the 1950s</a> in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of <a href="https://www.archdaily.com/tag/inclusive-architecture">inclusivity</a>, <a href="https://www.archdaily.com/tag/architectural-flexibility">flexibility</a>, and <a href="https://www.archdaily.com/tag/adaptability">adaptability</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66c5/b62a/55d7/9901/7b2c/1f6c/newsletter/spaces-of-coexistence-architectural-responses-to-religious-diversity_32.jpg?1724233265"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Exploring the Architectural and Cultural Projects of Saadiyat Cultural District in Abu Dhabi, UAE]]>
      </title>
      <link>https://www.archdaily.com/1024786/exploring-the-architectural-and-cultural-projects-of-saadiyat-cultural-district-in-abu-dhabi-uae</link>
      <pubDate>Tue, 17 Dec 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024786/exploring-the-architectural-and-cultural-projects-of-saadiyat-cultural-district-in-abu-dhabi-uae</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/saadiyat-island">The Saadiyat Cultural District </a>in Abu Dhabi is a site of several cultural and architectural developments designed by prominent architects. Notable projects include the <a href="https://www.archdaily.com/883157/louvre-abu-dhabi-atelier-jean-nouvel">Louvre Abu Dhabi by Jean Nouvel,</a> the <a href="https://www.archdaily.com/tag/guggenheim-abu-dhabi">Guggenheim Abu Dhabi by Frank Gehry,</a> the Zayed National Museum by <a href="/tag/foster-partners">Foster + Partners</a>,<a href="https://www.archdaily.com/979715/mecanoo-designs-natural-history-museum-in-abu-dhabi"> the Natural History Museum Abu Dhabi by Mecanoo</a>, and the<a href="https://www.archdaily.com/1002032/abrahamic-family-house-adjaye-associates"> Abrahamic Family House by Adjaye Associates</a>. Striving to establish itself as a global hub for cultural dialogue, creativity, and knowledge exchange, the master plan prioritizes forming connections between local <a href="https://www.archdaily.com/tag/heritage">heritage</a> and global perspectives. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6760/2d26/6fb4/f001/89fc/5bbe/newsletter/saadiyat-cultural-district-masterplan-takes-shape-in-abu-dhabi-uae_19.jpg?1734356287"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Look at the Last 8 Editions of the Serpentine Pavilion]]>
      </title>
      <link>https://www.archdaily.com/976381/a-look-at-the-last-5-editions-of-the-serpentine-pavilion</link>
      <pubDate>Fri, 07 Jun 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/976381/a-look-at-the-last-5-editions-of-the-serpentine-pavilion</guid>
      <description>
        <![CDATA[<p>Since its launch in 2000, <a href="https://www.archdaily.com/tag/serpentine-pavilion" target="_blank" rel="noopener">the Serpentine Pavilion</a> has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. Each year, the commissioned architects and designers envision a temporary structure that speaks not only to their roots as creators, but also brings into focus what they consider to be important themes in the architectural world, from the need to redefine spaces for contemplation or conviviality, to explorations into the potential of natural materials or vernacular building techniques. On the day of the <a href="https://www.archdaily.com/1017370/the-23rd-serpentine-pavilion-designed-by-minsuk-cho-opens-to-the-public-on-june-7th-2024?ad_campaign=normal-tag" target="_blank" rel="noopener">public opening of the 2024 Serpentine Pavilion, the "Archipelagic Void" </a>designed by Korean architect <a href="https://www.archdaily.com/tag/minsuk-cho">Minsuk Cho</a> and his firm <a href="https://www.archdaily.com/office/mass-studies">Mass Studies</a>, we look back at the last eight editions of the famous annual structure.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6662/e60e/3265/2840/d5fe/72f8/newsletter/a-look-at-the-last-8-editions-of-the-serpentine-pavilion_10.jpg?1717757462"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Does Size Really Matter? Debunking the Obsession with Super Tall Buildings]]>
      </title>
      <link>https://www.archdaily.com/1014838/does-size-really-matter-debunking-the-obsession-with-super-tall-buildings</link>
      <pubDate>Wed, 27 Mar 2024 05:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014838/does-size-really-matter-debunking-the-obsession-with-super-tall-buildings</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.architectsjournal.co.uk/news/foster-partners-behind-plans-for-2km-tall-saudi-tower?utm_campaign=later-linkinbio-architectsjournal&amp;utm_content=later-41477532&amp;utm_medium=social&amp;utm_source=linkin.bio" target="_blank" rel="noopener">future Saudi tower</a> designed by <a href="https://www.archdaily.com/office/foster-plus-partners" target="_blank" rel="noopener">Foster + Partners</a> is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the <a href="https://www.archdaily.com/882100/burj-khalifa-som" target="_blank" rel="noopener">Burj Khalifa</a> in <a href="https://www.archdaily.com/tag/dubai" target="_blank" rel="noopener">Dubai</a>, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a <a href="https://www.archdaily.com/1012457/saudi-arabias-2030-vision-unveiled-through-mega-projects" target="_blank" rel="noopener">development program</a> led by <a href="https://www.archdaily.com/tag/saudi-arabia" target="_blank" rel="noopener">Saudi Arabia</a>, driven by the vision of Crown Prince Mohammad bin Salman to establish the country's presence through ambitious, large-scale projects. While these <a href="https://www.archdaily.com/tag/skyscraper" target="_blank" rel="noopener">super-tall towers</a> symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65fc/ad5a/9fcc/1d18/9ed2/e02e/newsletter/o-tamanho-realmente-importa-tanto-assim-uma-analise-sobre-fascinio-pelos-edificios-super-altos_3.jpg?1711058279"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Reviving Collaboration: Seeking a Place for Artistry in Mass-Produced Building Elements]]>
      </title>
      <link>https://www.archdaily.com/1009443/reviving-collaboration-seeking-a-place-for-artistry-in-mass-produced-building-elements</link>
      <pubDate>Tue, 26 Mar 2024 04:00:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009443/reviving-collaboration-seeking-a-place-for-artistry-in-mass-produced-building-elements</guid>
      <description>
        <![CDATA[<p>Historically, architecture has served as a canvas for artistic expression. Building elements have been adorned with relief-carved garlands, inscriptions, fresco murals, portrait busts, and classicizing figurative sculptures, all of which emphasize the unique and intentional nature of each component. However, the industrialization of the 19th century brought about a shift in ideals, that stripped architectural components of their decorative elements. Instead, it preferenced the search for beauty in <a href="/tag/standardization">standardization</a> and the economic accessibility provided by mass-produced building elements.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/654b/47f5/08e4/4423/0741/5a33/newsletter/seeking-a-place-for-artistry-in-mass-produced-building-elements_13.jpg?1699432442"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Incremental Iconation: A Path for Developing Monumental Buildings in the Global South]]>
      </title>
      <link>https://www.archdaily.com/1009854/incremental-iconation-a-path-for-developing-monumental-buildings-in-the-global-south</link>
      <pubDate>Fri, 17 Nov 2023 08:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009854/incremental-iconation-a-path-for-developing-monumental-buildings-in-the-global-south</guid>
      <description>
        <![CDATA[<p>Buildings that are designed to layer stories and memories, evoke a sense of aspiration, define cultural narratives, and build a national identity will always be important in all societies. When buildings have this power to<a href="https://www.re-thinkingthefuture.com/architectural-community/a11068-the-sociocultural-implications-of-iconic-architecture/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> shape communities</a>, make an impact on a city’s image, and change the course of socio-economic growth, then they can be identified as <a href="https://www.sciencedirect.com/science/article/pii/S1110016820300211?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">iconic</a>. Though the term “iconic” is subjective, it is one that pushes the boundaries of architecture in any context. It calls for spatial originality, proposes innovative material technology, and necessitates a radical socio-economic investment to be realized.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6556/47fe/f96c/763a/5b24/090c/newsletter/incremental-iconation-a-path-for-developing-monumental-buildings-in-the-global-south_1.jpg?1700153346"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Museum of West African Art Reveals Vision for a Vibrant Creative Hub in Benin City, Developed with Adjaye Associates]]>
      </title>
      <link>https://www.archdaily.com/1003081/the-museum-of-west-african-art-reveals-vision-for-a-vibrant-creative-hub-in-benin-city-developed-with-adjaye-associates</link>
      <pubDate>Wed, 28 Jun 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1003081/the-museum-of-west-african-art-reveals-vision-for-a-vibrant-creative-hub-in-benin-city-developed-with-adjaye-associates</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/951474/adjaye-associates-reveals-preliminary-design-for-edo-museum-of-west-african-art-in-nigeria" target="_blank" rel="noopener">The Museum of West African Art </a>(MOWAA) has just unveiled a 20-acre project for a Creative District in the historic center of Benin City in Edo State, <a href="https://www.archdaily.com/country/nigeria" target="_blank" rel="noopener">Nigeria</a>. MOWAA, in collaboration with <a href="https://www.archdaily.com/office/adjaye-associates" target="_blank" rel="noopener">Adjaye Associates</a>, is planning to establish a comprehensive environment dedicated to the artistic and cultural realms of the past, present, and future. The space provides support and collaboration opportunities for young professionals in the creative and cultural fields while also fostering partnerships with institutions throughout West Africa. At the heart of the project is the Creative District’s role in contributing to economic growth and development.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/649d/2887/cb9c/4659/2908/44e5/newsletter/the-museum-of-west-african-art-reveals-vision-for-a-vibrant-creative-hub-in-benin-city-developed-with-adjaye-associates_8.jpg?1688021151"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Representing Africa at the 2023 Venice Architecture Biennale: Recurring Concepts and Approaches]]>
      </title>
      <link>https://www.archdaily.com/1001329/representing-africa-at-the-2023-venice-architecture-biennale-recurring-concepts-and-approaches</link>
      <pubDate>Fri, 02 Jun 2023 07:30:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1001329/representing-africa-at-the-2023-venice-architecture-biennale-recurring-concepts-and-approaches</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023">18th International Architecture Exhibition</a>, curated by Ghanaian-Scottish architect, educator, and novelist <a href="https://www.archdaily.com/tag/lesley-lokko">Lesley Lokko</a> – who is also Founder and Director of the <a href="https://www.africanfuturesinstitute.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">African Futures Institute</a> (AFI) based in Accra, Ghana – officially <a href="https://www.archdaily.com/1001261/the-2023-venice-architecture-biennale-opens-to-the-public-on-may-20th">opened to the public on May 20th</a> and is now on view through Nov. 26. Entitled <a href="https://www.archdaily.com/982873/the-laboratory-of-the-future-the-2023-venice-architecture-biennale-announces-title-and-theme-of-its-18th-edition"><em>The Laboratory of the Future</em></a>, this year's Venice <a href="/tag/architecture-biennale">Architecture Biennale</a> for the first time highlights the African continent as a leading force in shaping the world to come and Lokko's curatorial mission prompts entries to question traditional notions of what the future can hold and what architecture looks like.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6478/3ae5/20e8/d306/993e/7408/newsletter/representing-africa-at-the-2023-venice-architecture-biennale-recurring-concepts-and-approaches_13.jpg?1685601009"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Abu Dhabi Architecture City Guide: 50 Years of City Making]]>
      </title>
      <link>https://www.archdaily.com/999506/abu-dhabi-architecture-city-guide-50-years-of-city-making</link>
      <pubDate>Mon, 17 Apr 2023 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/999506/abu-dhabi-architecture-city-guide-50-years-of-city-making</guid>
      <description>
        <![CDATA[<p>Capital city of the <a href="https://www.archdaily.com/tag/uae">United Arab Emirates,</a> the city of <a href="https://www.archdaily.com/city/abu-dhabi">Abu Dhabi </a>is located on an island in the Persian Gulf, connected to the mainland by a short bridge. Home to the local and federal government offices, as well as to the President of the UAE, <a href="https://www.archdaily.com/city/abu-dhabi">Abu Dhabi </a>was formerly an undeveloped town with only local significance that transformed into a large metropolis, at a record speed of development and urbanization.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6439/54e6/4d5c/4615/e3ac/c756/newsletter/abu-dhabi-architecture-city-guide_20.jpg?1681478936"></enclosure>
    </item>
  </channel>
</rss>
