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    <title>Tag: ad-interviews | ArchDaily</title>
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      <title>
        <![CDATA[On Housing, Public Space, and Climate Resilience: In Conversation with the Winners of the 2026 UIA 2030 Award]]>
      </title>
      <link>https://www.archdaily.com/en/1042505/on-housing-public-space-and-climate-resilience-in-conversation-with-the-winners-of-the-2026-uia-2030-award</link>
      <pubDate>Wed, 17 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Established through a collaboration between the International <a href="https://www.archdaily.com/tag/uia">Union of Architects (UIA)</a> and <a href="https://www.archdaily.com/tag/UN-Habitat">UN-Habitat</a>, the <a href="https://www.archdaily.com/tag/uia-2030-award/page/1">UIA 2030 Award</a> recognizes projects that demonstrate how design can contribute to the achievement of the <a href="https://www.archdaily.com/tag/united-nations/page/1">United Nations</a> <a href="https://www.archdaily.com/tag/sustainable-development-goals/page/1">Sustainable Development Goals (SDGs)</a>. Announced during the <a href="https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion">2026 World Urban Forum</a> in <a href="https://www.archdaily.com/tag/baku/page/1">Baku</a>, <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>,<a href="https://www.archdaily.com/1041666/the-2026-edition-of-the-uia-2030-award-honors-built-projects-advancing-the-un-sustainable-development-goals"> the third cycle of the biennial award honored projects</a> that address issues ranging from <a href="https://www.archdaily.com/tag/water-management">water management</a> and <a href="https://www.archdaily.com/tag/affordable-housing">affordable housing</a> to participatory planning, access to public space, and climate resilience.</p>]]>
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      <title>
        <![CDATA["An Environment Where People Show Knowledge": In Conversation With David Gianotten of OMA on Salone Contract]]>
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      <link>https://www.archdaily.com/en/1041179/an-environment-where-people-show-knowledge-in-conversation-with-david-gianotten-of-oma-on-salone-contract</link>
      <pubDate>Tue, 05 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>At <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone del Mobile 2026</a>, the 64th edition of the fair unfolded at a moment of transition for the global design industry, where questions of production, collaboration, and long-term performance are reshaping established formats. Held at Rho Fiera Milano and extending across the city during <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week</a>, <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">this year's edition</a> brought together over 1,900 exhibitors while introducing new curatorial and strategic layers. Among the most significant developments was the first public iteration of "Salone Contract," a long-term initiative developed through a master plan by <a href="https://www.archdaily.com/tag/rem-koolhaas/page/1">Rem Koolhaas</a> and <a href="https://www.archdaily.com/tag/david-gianotten/page/1">David Gianotten</a> of <a href="https://www.archdaily.com/office/oma?ad_source=search&amp;ad_medium=search_result_professionals">OMA</a>. During the event, <a href="https://www.archdaily.com/tag/archdaily/page/1">ArchDaily</a>'s Managing Editor <a href="https://www.archdaily.com/author/romullo-baratto">Romullo Baratto</a> and Editor-in-Chief <a href="https://www.archdaily.com/author/christele-harrouk/page/1">Christele Harrouk</a> met with <a href="https://www.archdaily.com/tag/david-gianotten/page/1">David Gianotten</a>. In the conversation, <a href="https://www.archdaily.com/tag/david-gianotten/page/1">Gianotten</a> reflected on how the project responds to broader shifts in design practice, moving from object-based production toward integrated systems and collaborative frameworks.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/en/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</guid>
      <description>
        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[“Material Is Where the Story Begins”: Studio NEiDA on Building Through Craft and Context]]>
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      <link>https://www.archdaily.com/en/1040373/material-is-where-the-story-begins-studio-neida-on-building-through-craft-and-context</link>
      <pubDate>Fri, 10 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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      <description>
        <![CDATA[<p>Studio NEiDA operates at the intersection of architectural <a href="https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice?ad_source=search&amp;ad_medium=search_result_articles">practice</a>, research, and <a href="https://www.archdaily.com/1039787/concentrico-2026-features-smiljan-radic-installation-and-26-urban-interventions-in-logrono-spain?ad_source=search&amp;ad_medium=search_result_articles">curatorial work</a>, with a consistent focus on how buildings emerge from the <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=search_result_articles">material</a> and cultural conditions of a place. Rather than treating materiality as a finishing language, the studio frames it as the beginning of an architectural narrative—starting from what is locally available, they look at what <a href="https://www.archdaily.com/1039504/how-contemporary-design-fairs-are-redefining-craft?ad_source=search&amp;ad_medium=search_result_articles">craft knowledge</a> exists on the ground, and how those resources and skills situate a project within an architectural lineage. This approach foregrounds limitations and possibilities as productive forces, and positions design as an <a href="https://www.archdaily.com/1034118/the-continuous-project-a-case-of-iterative-placemaking-in-long-yau-china?ad_source=search&amp;ad_medium=search_result_articles">iterative process</a> of aligning spatial intent with the realities of construction culture and vernacular intelligence.</p>]]>
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        <![CDATA[“We Live in Toxic Interior Environments”: Interview with Healthy Materials Lab]]>
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      <link>https://www.archdaily.com/en/1040371/we-live-in-toxic-interior-environments-interview-with-healthy-materials-lab</link>
      <pubDate>Wed, 08 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040371/we-live-in-toxic-interior-environments-interview-with-healthy-materials-lab</guid>
      <description>
        <![CDATA[<p>The well-known phrase "man is what he eats" (<em>Der Mensch ist, was er isst</em>), by Ludwig Feuerbach, asserts that the physical, mental, and even moral constitution of human beings is directly linked to what they consume. Today, this idea is widely internalized, with growing awareness around food, nutrition, and the impact of what we ingest on our bodies. Yet, this same level of awareness doesn't extend to the environments we inhabit, where materials continue to be treated as technical decisions rather than active agents in the relationship between body and space. Considering that a large portion of the global population spends around <a href="https://www.epa.gov/indoor-air-quality-iaq/improving-your-indoor-environment?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">90% of their time indoors</a>, it is rarely discussed what actually composes these spaces at their most fundamental level: <a href="https://www.archdaily.com/1038929/legacy-in-matter-material-traditions-in-south-american-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">materials</a>. Walls, floors, and finishes are often approached as technical or aesthetic choices, when in reality they can function as continuous sources of exposure to potentially harmful substances.</p>]]>
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      <title>
        <![CDATA[The Best Interviews of 2025: Architecture’s Year of Reflection, Repair, and Optimism]]>
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      <link>https://www.archdaily.com/en/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</link>
      <pubDate>Thu, 18 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</guid>
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        <![CDATA[<p>In 2025, the architectural field has been marked by a dense calendar of <a href="https://www.archdaily.com/1035780/beyond-the-exhibition-architecture-interior-and-landscape-as-a-single-narrative?ad_source=search&amp;ad_medium=search_result_articles">exhibitions</a>, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge?ad_medium=gallery">intelligence</a> (artificial and natural)—both on professional practice and<a href="https://www.archdaily.com/975264/workplace-culture-design-trends-and-the-impact-of-gen-z?ad_source=search&amp;ad_medium=search_result_articles"> workplace culture</a>, as well as its use as a<a href="https://www.archdaily.com/1033238/environments-of-curiosity-designing-for-children-teaching-and-imagination?ad_source=search&amp;ad_medium=search_result_articles"> pedagogical tool</a>. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&amp;As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, <a href="https://www.archdaily.com/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic?ad_source=search&amp;ad_medium=search_result_articles">AI and intelligence</a>, <a href="https://www.archdaily.com/1035639/dialogue-with-the-code-calibrating-standards-for-adaptive-reuse-to-thrive?ad_source=search&amp;ad_medium=search_result_articles">adaptive reuse</a> and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.</p>]]>
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        <![CDATA[The City as a Laboratory of Processes: A Decade of Urban Experimentation with Concéntrico]]>
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      <link>https://www.archdaily.com/en/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</link>
      <pubDate>Mon, 08 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</guid>
      <description>
        <![CDATA[<p>As cities continue to develop, we are seeing ever more <a href="https://www.archdaily.com/992594/rethinking-traditional-city-planning-14-projects-from-emerging-practices-in-europe?ad_source=search&amp;ad_medium=search_result_articles">well-planned</a>, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and <a href="https://www.archdaily.com/994586/new-uses-and-contemporary-guidelines-for-public-spaces?ad_source=search&amp;ad_medium=search_result_articles">guidelines improve</a> and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, <a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles">shedding the messy</a>, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing <a href="https://www.archdaily.com/1032309/co-designing-with-nature-how-communities-are-becoming-stewards-of-urban-biodiversity?ad_source=search&amp;ad_medium=search_result_articles">community improvisation</a> in the grey zones of regulation.</p>]]>
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        <![CDATA[“Our Message This Time Was Optimism”: In Conversation with Farrokh Derakhshani, Director of the Aga Khan Award for Architecture]]>
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      <link>https://www.archdaily.com/en/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</link>
      <pubDate>Tue, 02 Sep 2025 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Today, September 2, <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">the seven winners of the 16th Cycle (2023–2025) </a>of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture" target="_blank" rel="noopener">Aga Khan Award for Architecture</a> were announced, following on-site reviews of <a href="https://www.archdaily.com/1030912/aga-khan-award-for-architecture-2025-announces-19-shortlisted-projects-from-15-countries?ad_campaign=normal-tag" target="_blank" rel="noopener">the 19 shortlisted projects revealed in June</a>. Established in 1977, the Award seeks to identify and encourage building concepts that respond to the physical, social, and economic needs of communities with a significant Muslim presence, while also addressing their cultural aspirations. To understand the vision behind this cycle's winners, ArchDaily's Editor-in-Chief, Christele Harrouk, spoke with Farrokh Derakhshani, who has been with the award for over four decades. He described the initiative as "a curated message to the world," a message that evolves with the times.</p>]]>
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        <![CDATA["Can We Think of a Building as a Microclimate?": In Conversation With Bas Smets and Dennis Pohl About the Belgian Pavilion in Venice]]>
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      <link>https://www.archdaily.com/en/1030984/can-we-think-of-a-building-as-a-microclimate-in-conversation-with-bas-smets-and-dennis-pohl-about-the-belgian-pavilion-in-venice</link>
      <pubDate>Fri, 08 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="151" data-end="1002">The <a href="https://www.archdaily.com/1023603/the-belgian-pavilion-explores-plant-based-architecture-at-the-venice-biennale-2025" target="_blank" rel="noopener">Belgian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">Venice Architecture Biennale 2025</a> presents a prototype that integrates <a href="https://www.archdaily.com/tag/landscape-architecture" target="_blank" rel="noopener">landscape architecture</a> into architectural interiors. Designed by <a href="https://www.archdaily.com/tag/bas-smets" target="_blank" rel="noopener">Bas Smets</a> in collaboration with Stefano Mancuso, the exhibition transforms the pavilion into a microclimate modeled after the understory of a subtropical forest, creating an indoor jungle that actively regulates temperature and humidity. The curatorial concept, supported by the <a href="https://www.archdaily.com/tag/flanders-architecture-institute" target="_blank" rel="noopener">Flanders Architecture Institute</a> and its director, Dennis Pohl, promotes landscape thinking as an active design force rather than exterior decoration. In this video interview from <a href="https://www.archdaily.com/city/venice" target="_blank" rel="noopener">Venice</a>, Bas Smets and Dennis Pohl explain to ArchDaily editors how the project positions architecture as a platform for climate resilience and proposes a shift in design paradigms, from static images to evolving, living processes.</p>]]>
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        <![CDATA[“Even If You Want to Be a Gardener, Study Architecture”: Archigram Co-Founder Sir Peter Cook on Boldness, Creativity, and Architectural Education]]>
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      <link>https://www.archdaily.com/en/1032859/even-if-you-want-to-be-a-gardener-study-architecture-archigram-co-founder-sir-peter-cook-on-boldness-creativity-and-architectural-education</link>
      <pubDate>Wed, 06 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1032859/even-if-you-want-to-be-a-gardener-study-architecture-archigram-co-founder-sir-peter-cook-on-boldness-creativity-and-architectural-education</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/sir-peter-cook" target="_blank" rel="noopener">Sir Peter Cook </a>is an English architect, professor, and writer, and a founding member of the neo-futuristic design group <a href="https://www.archdaily.com/tag/archigram" target="_blank" rel="noopener">Archigram</a>, alongside Warren Chalk, Ron Herron, David Greene, and Michael Webb. Beyond <a href="https://www.archdaily.com/1006203/ephemeral-cities-3-radical-city-concepts-that-propose-for-users-to-shape-their-built-form?ad_campaign=normal-tag" target="_blank" rel="noopener">the group's radical urban concepts</a> and <a href="https://www.archdaily.com/980256/architectural-drawings-imagining-the-future" target="_blank" rel="noopener">visionary imagery</a>, he co-founded CRAB Studio (Cook Robotham Architectural Bureau) with David Robotham in 2006, where they have developed built, conceptual, and speculative projects. He recently designed <a href="https://www.archdaily.com/1028969/peter-cook-designs-play-pavilion-for-serpentine-in-collaboration-with-the-lego-group?ad_medium=gallery" target="_blank" rel="noopener">the Play Pavilion, located next to Serpentine South in Kensington Gardens, which opened on World Play Day, June 11, 2025</a>. He is also known for the <a href="https://www.archdaily.com/89408/bix-light-and-media-facade-at-moma" target="_blank" rel="noopener">BIX Light and Media Façade at MoMA</a> and for his <a href="https://www.archdaily.com/972910/new-louisiana-museum-exhibition-showcases-drawings-by-peter-cook" target="_blank" rel="noopener">series of drawings and collages</a> that explore spaces, building elements, and organic landscapes.</p>]]>
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        <![CDATA["Helping the Existing to Reconfigure Itself":  In Conversation with Søren Pihlmann, Curator of the Danish Pavilion]]>
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      <link>https://www.archdaily.com/en/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion</link>
      <pubDate>Fri, 30 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion</guid>
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        <![CDATA[<p data-start="0" data-end="621"><a href="https://www.archdaily.com/tag/soren-pihlmann" target="_blank" rel="noopener">Søren Pihlmann</a> is the curator of the <a href="https://www.archdaily.com/tag/danish-pavilion" target="_blank" rel="noopener">Danish Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 Venice Architecture Biennale</a>. The exhibition, commissioned by the <a href="https://www.archdaily.com/tag/danish-architecture-centre" target="_blank" rel="noopener">Danish Architecture Center</a>, is titled <a href="https://www.archdaily.com/1026012/denmark-presents-build-of-site-by-soren-pihlmann-at-la-biennale-di-venezia-2025" target="_blank" rel="noopener"><em>Build of Site</em></a>, and focuses on exploring sustainable architectural practices through the lens of <a href="https://www.archdaily.com/tag/reuse">reuse</a> and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Biennale's Giardini</a>, into an active exhibition space for <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">material experimentation</a>. The installation highlights techniques that incorporate <a href="https://www.archdaily.com/tag/recycled-materials" target="_blank" rel="noopener">recycled</a> and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.</p>]]>
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        <![CDATA["The Logic Is to Let the Content Be Open to the Possibilities": In Conversation with Andrea Caputo, Founder of DROPCITY]]>
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      <link>https://www.archdaily.com/en/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</link>
      <pubDate>Tue, 29 Apr 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</guid>
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        <![CDATA[<p data-start="0" data-end="547"><a href="https://www.dropcity.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">DROPCITY</a> is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by <a href="/en/tag/andrea-caputo">Andrea Caputo</a> in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During <a href="/en/tag/milan">Milan</a> Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.</p>]]>
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        <![CDATA[From AI to Artisans: How MEAN* Merges Computational Design with Middle Eastern Craftsmanship]]>
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      <link>https://www.archdaily.com/en/1027870/from-ai-to-artisans-how-mean-merges-computational-design-with-middle-eastern-craftsmanship-star</link>
      <pubDate>Wed, 12 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p data-start="0" data-end="890">Named one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices">ArchDaily's Best New Practices in 2024</a>, <a href="https://www.archdaily.com/tag/mean">MEAN*<em data-start="53" data-end="96"> (Middle East <a href="/en/tag/architecture">Architecture</a> Network)</em></a> is redefining the architectural landscape of the region by merging <a href="https://www.archdaily.com/tag/computational-design">computational design, </a><a href="https://www.archdaily.com/tag/digital-fabrication">digital fabrication</a>, and material research with <a href="https://www.archdaily.com/tag/heritage">local heritage</a>. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.</p>]]>
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        <![CDATA[How Do Architects Forecast Trends? In Conversation with Research and Innovation Co-Directors of Perkins&Will]]>
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      <link>https://www.archdaily.com/en/1025918/how-do-architects-forecast-trends-in-conversation-with-research-and-inovation-co-directors-of-perkins-and-will</link>
      <pubDate>Mon, 20 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1025918/how-do-architects-forecast-trends-in-conversation-with-research-and-inovation-co-directors-of-perkins-and-will</guid>
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        <![CDATA[<p>Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.</p>]]>
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        <![CDATA[Creating Architecture in an Uncivil Time: In Conversation with Ali Karimi of Civil Architecture]]>
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      <link>https://www.archdaily.com/en/1018996/creating-architecture-in-an-uncivil-time-in-conversation-with-ali-karimi-of-civil-architecture</link>
      <pubDate>Thu, 02 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1018996/creating-architecture-in-an-uncivil-time-in-conversation-with-ali-karimi-of-civil-architecture</guid>
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        <![CDATA[<p>The <a href="/en/tag/arabian-peninsula">Arabian Peninsula</a> represents one of the world's leading exporters and users of fossil fuels, an economic reality that influences the area's visions for the future and, implicitly, architecture and urban planning's role in these scenarios. A number of emerging offices are however countering these narratives, turning to contextual research to reframe the area's production of architecture. Among these, cultural practice <a href="https://www.archdaily.com/office/civil-architecture">Civil Architecture</a> has become recognized for its provocative works that explore alternative narratives for the identity of the <a href="/en/tag/middle-east">Middle East</a>. While in <a href="/en/tag/bahrain">Bahrain</a>, ArchDaily's <a href="https://www.archdaily.com/author/christele-harrouk" target="_blank" rel="noopener">Christele Harrouk</a> had the chance to sit down with <a href="/en/tag/ali-karimi">Ali Karimi</a>, who, together with <a href="/en/tag/hamed-bukhamseen">Hamed Bukhamseen</a>, co-founded Civil Architecture. In the video interview, they discuss the practice of architecture in the Gulf region and the narrative and research-focused approach of the office.</p>]]>
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        <![CDATA[Estudio Rare: An Architecture of Experimentation Through Art]]>
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      <link>https://www.archdaily.com/en/1021073/estudio-rare-an-architecture-of-experimentation-through-art</link>
      <pubDate>Fri, 27 Dec 2024 08:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1021073/estudio-rare-an-architecture-of-experimentation-through-art</guid>
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        <![CDATA[<p>Selected as one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices" target="_blank" rel="noopener">ArchDaily's Best New Practices 2024</a>, <a href="https://www.archdaily.com/office/rare-studio-experimental" target="_blank" rel="noopener">Estudio Rare</a> defines itself as an interdisciplinary experimental space. Based in Córdoba, <a href="/en/tag/argentina">Argentina</a>, its three founding partners, Agustín Willnecker, Iván Ferrero, and Mateo Unamuno, met while studying at the <a href="https://www.unc.edu.ar/acad%C3%A9micas/facultad-de-arquitectura-urbanismo-y-dise%C3%B1o?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Faculty of Architecture of the National University of Córdoba</a>. With a young but notable trajectory, the <a href="https://estudiorare.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Rare </a>team offers a free and dynamic perspective on design, architecture, and construction. Their works, regardless of scale or commission, demonstrate a close relationship with art, reflecting the diverse interests and personal backgrounds of each team member and their collaborators.</p>]]>
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        <![CDATA[Designing Bombardier’s Aerospace Campus in Toronto, Canada: Insights from Lilia Koleva of NEUF architect(e)s]]>
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      <link>https://www.archdaily.com/en/1023961/designing-bombardiers-aerospace-campus-in-toronto-canada-insights-from-lilia-koleva-of-neuf-architect-e-s</link>
      <pubDate>Thu, 28 Nov 2024 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1023961/designing-bombardiers-aerospace-campus-in-toronto-canada-insights-from-lilia-koleva-of-neuf-architect-e-s</guid>
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        <![CDATA[<p>Adjacent to <a href="https://www.archdaily.com/tag/toronto" target="_blank" rel="noopener">Toronto's</a> Pearson International <a href="/en/tag/airport">Airport</a>, the Bombardier Aircraft Assembly Center represents a landmark project in Canadian <a href="/en/tag/aerospace">aerospace</a> design. Located next to <a href="https://www.archdaily.com/country/canada" target="_blank" rel="noopener">Canada's</a> largest<a href="https://www.archdaily.com/tag/airport" target="_blank" rel="noopener"> airport</a>, it blends 70,000 m2 (750,000 ft2) of technical precision with a focus on people. ArchDaily's editor <a href="https://www.archdaily.com/author/moises-carrasco" target="_blank" rel="noopener">Moises Carrasco</a> had the opportunity to speak with <a href="/en/tag/lilia-koleva">Lilia Koleva</a>, partner at <a href="https://www.archdaily.com/office/neuf-architect-e-s?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">NEUF architect(e)s</a> and founder of the firm's <a href="https://www.archdaily.com/tag/toronto" target="_blank" rel="noopener">Toronto </a>office, which led this project. Koleva shared insights into her professional journey and reflected on the challenges of building and growing NEUF's Toronto-based office. She also discusses the Bombardier Campus, describing it as a defining project in her career, and how it showcases<a href="https://www.archdaily.com/office/neuf-architect-e-s?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener"> NEUF's</a> ability to tackle large-scale, technically demanding projects while maintaining a focus on <a href="https://www.archdaily.com/903027/the-importance-of-understanding-the-human-body-designing-for-people-of-all-shapes-and-sizes?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">the people who use the space</a>. This project builds on the office's prior expertise in <a href="https://www.archdaily.com/tag/industrial" target="_blank" rel="noopener">industrial design</a> and <a href="https://www.neuf.ca/en/projects?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">expands its portfolio</a> of human-centered architectural solutions. Koleva also reflects on the importance of fostering collaboration, adaptability, and a clear understanding of client needs; qualities that have defined her approach to architecture and leadership at <a href="https://www.archdaily.com/office/neuf-architect-e-s?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">NEUF</a>.</p>]]>
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        <![CDATA[“Architecture is a Work of Generosity:” In Dialogue with Colectivo C733, Winners of Obel Award 2024]]>
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      <link>https://www.archdaily.com/en/1023225/architecture-is-a-work-of-generosity-in-dialogue-with-colectivo-c733-winners-of-obel-award-2024</link>
      <pubDate>Wed, 06 Nov 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1023225/architecture-is-a-work-of-generosity-in-dialogue-with-colectivo-c733-winners-of-obel-award-2024</guid>
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        <![CDATA[<p>Recognized for completing 36 distinct yet cohesive public projects across <a href="/en/tag/mexico">Mexico</a> in just 36 months, <a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener">Colectivo C733</a> showcases the impact of collaborative design on public spaces and communities. The 36 projects were part of a national effort to revitalize vulnerable urban and rural areas in Mexico, earning <a href="https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award">them the 2024 Obel Award focused on the theme of "Architectures With". </a> The team behind the designs, Colectivo C733, is a collaborative group formed by the joint offices of architects <a href="https://www.archdaily.com/tag/gabriela-carrillo">Gabriela Carrillo</a> (<a href="https://www.archdaily.com/office/taller-gabriela-carrillo">Taller Gabriela Carrillo</a>), <a href="https://www.archdaily.com/tag/carlos-facio">Carlos Facio,</a> and <a href="https://www.archdaily.com/tag/jose-amozurrutia">José Amozurrutia</a> (TO), along with <a href="https://www.archdaily.com/tag/eric-valdez">Eric Valdez</a> (Labg), and <a href="https://www.archdaily.com/office/israel-espin">Israel Espin</a>. In a recent conversation with ArchDaily's Editor-in-Chief, Christele Harrouk, the collective discussed their approach to public architecture, the process of integrating diverse voices, and remaining flexible to the challenges of local conditions.</p>]]>
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