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    <title>Photographer: Niveditaa Gupta | ArchDaily</title>
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        <![CDATA[House Between Walls / Studio UF+O]]>
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      <link>https://www.archdaily.com/1181863/house-between-walls-studio-uf-plus-o</link>
      <pubDate>Fri, 31 Jul 2026 02:00:00 +0000</pubDate>
      <dc:creator>Pratik Mour</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>In villages across Rajasthan, houses are traditionally shaped around courtyards, built to absorb social life during festivals and family gatherings, while also offering protection from heat, dust, and constant public visibility. These homes are rarely static. They expand and contract with occupation, shifting between intense communal use and private life. It is within this layered condition of climate, community, and absence that House Between Walls in <a href="/tag/rewatra">Rewatra</a> finds its ground.</p>]]>
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      <title>
        <![CDATA[2021 Best Commercial Architecture]]>
      </title>
      <link>https://www.archdaily.com/1132404/2021-best-commercial-architecture</link>
      <pubDate>Tue, 07 Jul 2026 15:03:00 +0000</pubDate>
      <dc:creator>July Shao</dc:creator>
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        <![CDATA[<p>Against the backdrop of a global culture steeped in consumerism, every aspect of our lives is being consumed. As the physical medium of consumer behavior, commercial architecture is undeniably a vital link in this consumer society. "Insta-worthy" spaces—embodying trends, spectacle, and the culture of the gaze—are a direct manifestation of this influence. Yet, looking back at architectural history, we must also acknowledge that the rise of consumerism has largely driven architectural development. The influx of capital and the keen interest of real estate developers have, in some ways, granted architects more opportunities to realize their creative ideals within commercial projects.</p>]]>
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        <![CDATA[The future of Spanish architecture runs through Granada]]>
      </title>
      <link>https://www.archdaily.com/1114590/the-future-of-spanish-architecture-runs-through-granada</link>
      <pubDate>Sat, 04 Jul 2026 20:00:00 +0000</pubDate>
      <dc:creator>Javier García Librero</dc:creator>
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      <description>
        <![CDATA[<p>It was in Granada, specifically at the <a href="https://www.wmf.org/project/palacio-la-alhambra?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alhambra Palace</a>, where on October 14 and 15, 1952, a group of Spanish architects including Miguel Fisac, Secundino Zuazo, and Fernando Chueca met to reflect on and establish a new direction and foundation for modern Spanish architecture. The outcomes of that meeting were summarized in a document whose tenets remain remarkably relevant today, known as the <a href="http://dadun.unav.edu/bitstream/10171/16625/1/RE_Vol%2017_09.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alhambra Manifesto</a> [pdf].</p>]]>
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      <title>
        <![CDATA[Studio ALT / Rushnaiwala Architects]]>
      </title>
      <link>https://www.archdaily.com/1041426/studio-alt-rushnaiwala-architects</link>
      <pubDate>Tue, 12 May 2026 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Mixed Use Architecture]]>
      </category>
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        <![CDATA[<p>Set within a 125-acre organic farm in Bilasya, Kathwada, two creative practices, hand-painted ceramics and bespoke speaker design, converge. The result is a design gallery that is a layered, adaptable space and resists singular definition. Its architecture reflects this plurality through exposed brick, concrete, and steel to negotiate the intersection of material and spatial dualities. The robust external mass sits in contrast to an internal tectonic lightness, recalling Henri Labrouste's Bibliothèque nationale de France. This duality informed the foundational approach of the project, balancing nostalgia and innovation while sensitively reconciling a brief for an exposed material palette. It draws from Brutalism and contemporary industrial design, allowing the gallery to hold space for both public display and private creative practice, and thus generate a layered and tactile dialogue between the built form, wood-crafted speakers, and vibrant ceramics.</p>]]>
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        <![CDATA[Nandivardhanam House / Studio Inscape]]>
      </title>
      <link>https://www.archdaily.com/1036631/nandivardhanam-studio-inscape</link>
      <pubDate>Thu, 04 Dec 2025 20:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>Set within an agricultural landscape on the outskirts of the city, Nandivardhanam is conceived as a residence that embraces the ethos of slow living. Positioned among sprawling fields, the house establishes an architecture of grounding, where material authenticity, climate responsiveness, and domestic rituals shape the spatial narrative.</p>]]>
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        <![CDATA[Transformation House / Studio Juggernaut]]>
      </title>
      <link>https://www.archdaily.com/1035398/transformation-house-studio-juggernaut</link>
      <pubDate>Sun, 26 Oct 2025 21:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>Our urban landscapes are undergoing a rapid transformation, pressured by burgeoning populations and increasing demands on city infrastructure. To address these escalating challenges, urban planners continually revise zoning regulations. In Delhi, for instance, a significant regulatory change introduced mandatory stilt parking on small urban lots with four habitable floors above. <a href="/tag/gurugram">Gurugram</a>, a satellite city, subsequently adopted similar amendments. A key distinction, however, lies in the underlying demand: Delhi's housing demand is genuine, whereas Gurugram's is largely speculative, evidenced by numerous vacant lots across its neighborhoods.</p>]]>
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        <![CDATA[Ekasham House / Portal 92]]>
      </title>
      <link>https://www.archdaily.com/1031623/ekasham-house-portal-92</link>
      <pubDate>Tue, 01 Jul 2025 00:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Nestled in the foothills of the Shivalik range, the Himalayas is our latest project, Ekasham — a private residence-refurbishment and redevelopment project, spread across an area of 2177 sqm. The home, through its volumes, composed of old and new structures, merges into a singular silhouette: evoking the presence of a monolith, from which the project derives its name.</p>]]>
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      <title>
        <![CDATA[Grounded Interiors: Exploring Earth-Based Flooring Through 10 Contemporary Interiors]]>
      </title>
      <link>https://www.archdaily.com/1031002/grounded-interiors-exploring-earth-based-flooring-through-10-contemporary-interiors</link>
      <pubDate>Fri, 13 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/933775/9-projects-that-demonstrate-the-versatility-of-brick-floor" target="_blank" rel="noopener">Earth-based flooring materials</a> comprise natural elements such as clay, sand, silt, lime, and organic fibres. They offer both structural performance and sensory engagement when used in both outdoor and interior spaces. Due to their thermal properties, <a href="https://endeavourcentre.org/resources-for-building-green/free-encyclopedia-of-sustainable-building-materials/flooring/earthen-floors/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">durability, and sustainable qualities</a>, these materials have evolved from vernacular construction techniques into high-value architectural elements that are always being reinvented and optimized. There are several types of earthen floorings, each offering unique benefits, and they are increasingly used in interior settings.</p>]]>
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      <title>
        <![CDATA[Architecture in Mumbai: A Kaleidescope of Cultures]]>
      </title>
      <link>https://www.archdaily.com/1028168/architecture-in-mumbai-a-kaleidescope-of-cultures</link>
      <pubDate>Thu, 20 Mar 2025 01:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>To a first-time visitor, <a href="/tag/mumbai">Mumbai</a> presents itself as a kaleidoscope of sensory overload. Architecturally, the peninsula city is host to numerous styles. Mumbai's architectural identity emerges from centuries of cultural exchange and colonial influence. What makes the experience unlike that of other historical cities is the density and the proximity in which juxtapositions occur.</p>]]>
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      <title>
        <![CDATA[2025 Color Trends in Architecture: Embracing Earth Tones and Vibrant Hues]]>
      </title>
      <link>https://www.archdaily.com/1025929/2025-color-trends-in-architecture-embracing-earth-tones-and-vibrant-hues</link>
      <pubDate>Tue, 21 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025929/2025-color-trends-in-architecture-embracing-earth-tones-and-vibrant-hues</guid>
      <description>
        <![CDATA[<p>Unlike the <a href="https://www.archdaily.com/1008888/2024-color-of-the-year-picks-unveiled-by-paint-leaders-such-as-benjamin-moore-and-sherwin-williams" target="_blank" rel="noopener">2024 Color of the Year selections</a>, the 2025 picks reveal more commonalities among the <a href="https://www.archdaily.com/tag/colors" target="_blank" rel="noopener">colors</a> chosen by major <a href="https://archdaily.com/tag/paint?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">paint</a> industry leaders. Each year, designers and enthusiasts from various fields gather within companies worldwide to reignite the conversation about color and its connection to contemporary <a href="https://www.archdaily.com/tag/culture" target="_blank" rel="noopener">culture</a>. For the 2025 forecast, earth tones seem to be the big winners: <a href="https://www.archdaily.com/tag/pantone" target="_blank" rel="noopener">Pantone</a>'s <a href="https://www.archdaily.com/1024436/pantone-announces-mocha-mousse-as-color-of-the-year-2025" target="_blank" rel="noopener">Mousse Chocolate</a> is joined by cinnamon, brown, and burgundy shades from Benjamin Moore, Graham &amp; Brown, Behr, and C2 Paint. Companies like <a href="/tag/akzonobel">AkzoNobel</a>, Valspar, and Comex opted for more vibrant colors to celebrate optimism and joy, while <a href="/tag/sherwin-williams">Sherwin-Williams</a> and Jotun didn't limit themselves to a single color. Instead, they introduced entire palettes centered on tranquility and relaxation. These concepts appear to be the guiding themes for 2025.</p>]]>
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        <![CDATA[Sona University Centre & Library Block / IMK Architects]]>
      </title>
      <link>https://www.archdaily.com/1024858/sona-university-centre-and-library-block-imk-architects</link>
      <pubDate>Thu, 19 Dec 2024 00:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[University]]>
      </category>
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        <![CDATA[<p>Established in 1993, the Sona College of Technology campus has grown into a hub of educational excellence in <a href="/tag/salem">Salem</a>, the "Steel City" of Tamil Nadu, fostering a dynamic learning environment for growth and innovation amidst the city's industrial backdrop. Initially catering to a thousand students, the institute's rapid growth has called for continuous expansion, and the adaptable masterplan has continuously evolved to accommodate a flourishing student body that now numbers over 8,000. This growth mirrors the aspirations of the people of Salem and surrounding areas for upward mobility and diverse educational opportunities. IMK has been associated with the project since its inception, and the recent additions to this continuously growing hub are the Sona College's Admin and Library Block. These have been collectively designed as modern landmarks symbolizing the college's commitment to progress. Designed as "Stepping Blocks to the Future", the two buildings stand as a beacon of architectural innovation in Salem. The distinct facade of the Library Block is the new face of the Sona College of Technology. It has been conceptualized as a symbol of progression, and the building features a stepped facade with striking designs and materials, culminating in a clock tower offering panoramic views of the city.</p>]]>
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        <![CDATA[Garden School / JDAP]]>
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      <link>https://www.archdaily.com/1022165/garden-school-jdap</link>
      <pubDate>Thu, 10 Oct 2024 03:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Elementary & Middle school]]>
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        <![CDATA[<p>The city in general, and a South Asian megacity in particular, is a challenging place for a child. To learn and grow, she needs an environment that fosters freedom and exploration – these are hard to come by in today's city. The Garden School in <a href="/tag/mumbai">Mumbai</a> is conceived as this protective space, holding off the oppressive conventions and constraints of the city, for a child to be free.</p>]]>
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        <![CDATA[Residence 91 / Charged Voids]]>
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      <link>https://www.archdaily.com/1022047/residence-91-charged-voids</link>
      <pubDate>Tue, 08 Oct 2024 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p><em>Patterned brick walls create an inward-looking oasis for a multigenerational family at this Chandigarh residence.</em><em> </em>Located in Chandigarh, on a site facing a busy sector road on one side and an arterial road on another, Residence 91 by Charged Voids houses a nine-member family spanning three generations. The client desired a humble, meditative sanctuary—a sacred space that prioritizes wellness and tranquility and sparks joy. The architecture responds to this brief by celebrating nature and the elements, harnessing a powerful combination of light, materials, and familial warmth.</p>]]>
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        <![CDATA[Bandhan Residential School of Business / Abin Design Studio]]>
      </title>
      <link>https://www.archdaily.com/1015605/bandhan-residential-school-of-business-abin-design-studio</link>
      <pubDate>Mon, 15 Apr 2024 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Dorms]]>
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        <![CDATA[<p>Micro initiatives are turned into enduring assets by an unconventional take on traditional practices in the Bandhan School of Business. Weaving a romance of the connection between the site and the architect, it represents that between the sky and the water, there is “material”, which is Earth, and the architecture borrows from the contextual landscape of this earth to showcase the context it sits in, rather than standing out from it – it rather creates a frame to emphasize the natural views. The form is conceived as masses and voids carved out of the mounds.</p>]]>
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        <![CDATA[JSW Sanjeevani Multispeciality Hospital / SJK Architects]]>
      </title>
      <link>https://www.archdaily.com/1015582/jsw-sanjeevani-multispeciality-hospital-sjk-architects</link>
      <pubDate>Sat, 13 Apr 2024 16:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[hospital]]>
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        <![CDATA[<p>As the first multispeciality hospital in Maharashtra’s infrastructure-starved Dolvi village, the JSW Sanjeevani Hospital not only provides better healthcare to the local community but also facilitates the region’s economic and infrastructural growth. The hospital prioritizes physical and emotional well-being by integrating nature, art, and social spaces.</p>]]>
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        <![CDATA[Figured Ground - University Sports Arena / Thirdspace Architecture Studio]]>
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      <link>https://www.archdaily.com/1015219/figured-ground-university-sports-arena-thirdspace-architecture-studio</link>
      <pubDate>Wed, 03 Apr 2024 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[University]]>
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        <![CDATA[<p>Can a building wear two faces, presenting itself with dual fronts and no back? How does it gracefully blend into its surroundings from one angle while commanding attention as a singular force from another? How can opposing elements find harmony within a single structure? These were the inquiries driving the design of the Indoor Sports Arena at KLE Technological University—a quest to reconcile the dichotomies of architecture and landscape, figure and ground, city and campus.</p>]]>
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        <![CDATA[Vegan Metrix Restaurant / RENESA Architecture Design Interiors Studio]]>
      </title>
      <link>https://www.archdaily.com/1012679/vegan-metrix-restaurant-renesa-architecture-design-interiors-studio</link>
      <pubDate>Mon, 29 Jan 2024 01:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Restaurant & Bar Interiors]]>
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        <![CDATA[<p>Staying true to the studio’s penchant for a design that is expressive, bold, and well-rounded in its identity, <em>V-Spot Café </em>carves a rightful niche for itself, celebrating the almost theatrical DNA of the venue! </p>]]>
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        <![CDATA[One Tree Hill Community Hall / Samira Rathod Design Atelier]]>
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      <link>https://www.archdaily.com/1008029/one-tree-hill-community-hall-samira-rathod-design-atelier</link>
      <pubDate>Tue, 10 Oct 2023 18:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Community center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1008029/one-tree-hill-community-hall-samira-rathod-design-atelier</guid>
      <description>
        <![CDATA[<p><em>We would like to express our gratitude to the late Mr. HRS Rao, Mr. Kamlesh Rao, his son and the entire Rao Family for their support through the journey of making this building. Great thanks to Muniraj, Balachandran and Srinath who have been the onsite pillars for getting this building executed in the way SRDA envisioned it. And the biggest thank you to the entire team of craftsmen that have put their blood and sweat into making this building for the people of Byrasandra.</em></p>]]>
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