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    <title>Office: Supervoid | ArchDaily</title>
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        <![CDATA[San Saba House Extension / adamo-faiden + Supervoid]]>
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      <link>https://www.archdaily.com/1034013/san-saba-house-extension-supervoid-plus-adamo-faiden</link>
      <pubDate>Wed, 17 Sep 2025 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Extension]]>
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        <![CDATA[<p>The <strong>refurbishment</strong>, a collaboration between Buenos Aires–based AdamoFaiden and Rome–based Supervoid, transforms a five-story early 20th-century building in Rome's San Saba neighborhood. The project <strong>reinterprets the historic structure while adapting it to contemporary living.</strong></p>]]>
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        <![CDATA[La Mistica  / Supervoid]]>
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      <link>https://www.archdaily.com/992729/la-mistica-villa-supervoid</link>
      <pubDate>Wed, 06 Dec 2023 07:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>The Campagna Romana is the context of the redevelopment of the <em>Borgo della Mistica</em>, a farm dating from the early 20<sup>th</sup> century. The project is part of a larger urban intervention in a peripheral area of the city typical of the outlying Roman landscape where conflicting elements coexist: monumental archaeological ruins, unplanned industrial sites, the main ring road, some fragments of countryside left wedged in the city, and finally, new public facilities.</p>]]>
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        <![CDATA[Garage Dallegret Exhibition / Supervoid]]>
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      <link>https://www.archdaily.com/1001690/garage-dallegret-exhibition-supervoid</link>
      <pubDate>Wed, 31 May 2023 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Museums & Exhibit]]>
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        <![CDATA[<p>Garage Dallegret hosts François Dallegret's visionary imagination between design, fine arts, architecture, and technology. The drawings, the objects, and the ephemera exposed describe an imaginative practice of futurity that brings down the disciplinary limits between the human body and object, subjectivity and urban context, and reality and imagination. This is the first Italian monographic exhibition of the artist and architect, which is set up at Spazio Punch (Giudecca Island, Venice) based upon an idea conceived by Augusto Maurandi with Alessandra Ponte.</p>]]>
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        <![CDATA[Pizzicarola Store  / Supervoid]]>
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      <link>https://www.archdaily.com/979431/pizzicarola-store-supervoid</link>
      <pubDate>Thu, 31 Mar 2022 02:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[Grocery Store]]>
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        <![CDATA[<p>Pizzicarola is a new grocery store that opened at the beginning of 2022 in the Monteverde district of <a href="/tag/rome">Rome</a>. Created to respond to the changing needs related to the purchase and experience of food in the post-pandemic reality, the store intends to redefine a consolidated typology, expanding the possibilities of social and symbolic interaction between customers, space, and products.</p>]]>
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        <![CDATA[Cochrane Store / Supervoid]]>
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      <link>https://www.archdaily.com/913540/cochrane-store-supervoid</link>
      <pubDate>Sat, 13 Apr 2019 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Store]]>
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        <![CDATA[<p>How to show and shield at the same time? The project mediates between these two opposite needs in the small space of a jewellery boutique and laboratory located in the historical neighbourhood of Trastevere, Rome.</p>]]>
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        <![CDATA[Garden Pavilion / Supervoid]]>
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      <link>https://www.archdaily.com/907019/garden-pavilion-supervoid</link>
      <pubDate>Mon, 03 Dec 2018 09:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
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        <![CDATA[Small Scale]]>
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        <![CDATA[<p dir="ltr">The Garden Pavilion is a temporary structure built inside the Certosa Di <a href="/tag/pontignano">Pontignano</a>, an ancient charterhouse located in the countryside outside Siena which dates back to thirteenth century. The pavilion lls up one quarter of the entrance cloister, one of the four courts around which the complex is articulated. The metal structure derives from a 12 x 12 meters square in plan, formed by triangular modules. Two modules are removed to make room for the ancient well at the centre of the cloister and a cypress at the centre of the pavilion.</p>]]>
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        <![CDATA[Palazzo Doria Pamphilj Apartment Renovation / Supervoid]]>
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      <link>https://www.archdaily.com/890721/palazzo-doria-pamphilj-apartment-renovation-supervoid</link>
      <pubDate>Mon, 19 Mar 2018 03:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Apartment Interiors]]>
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        <![CDATA[<p>Palazzo Doria Pamphilj as we know it today is the result of at least five diﬀerent construction phases spanning four centuries. Through a process of successive agglomeration, the monumental complex finally became a unitarian urban block. The construction on the site along Via Lata - now Via del Corso - started with Cardinal Fazio Santorio's tribune, which forms the first nucleus of the entire complex, built around the bramatesque courtyard from 1505 to 1507. The porch, whose second order later became the Gallery, remembers closely Bramante's design for Palazzo Riario. For this reason, it was wrongly attributed to the latter by many authors.</p>]]>
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