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    <title>Office: stpmj | ArchDaily</title>
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        <![CDATA[Mega Floor (Seoul AI Hub) / stpmj]]>
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      <link>https://www.archdaily.com/en/1026864/mega-floor-seoul-ai-hub-stpmj</link>
      <pubDate>Sat, 15 Feb 2025 21:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[Office buildings]]>
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        <![CDATA[<p>Georgia's Savannah and New York's Manhattan have very different approaches to forming and using parks within the city. Savannah adopts the form of an absorbing Pocket Park, placing several small parks at regular intervals to provide nearby residents with everyday rest. In contrast, Manhattan's Central Park is large and in the center of the city, utilized as an integrated park that the entire public shares and enjoys, allowing for various activities and events. This large park integrates the areas of roads within the city's grid into the park, saving unnecessary movement and serving as a large shared and social space that accommodates various activities and events.</p>]]>
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        <![CDATA[Montage Hannam Film Studio and Headquarters / stpmj]]>
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      <link>https://www.archdaily.com/en/1024257/montage-hannam-film-studio-and-headquarters-stpmj</link>
      <pubDate>Wed, 04 Dec 2024 00:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[Office buildings]]>
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        <![CDATA[<p>Montage Hannam, located in a residential area of Hannam in Seoul, is the film studio and headquarters of a commercial production company. It is a single building with four stories and two basements, designed by vertically stacking variable film sets, which are normally found in suburban areas.</p>]]>
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        <![CDATA[FACE-LIFT Sangdo / stpmj]]>
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      <link>https://www.archdaily.com/en/959778/face-lift-sangdo-building-stpmj</link>
      <pubDate>Thu, 08 Apr 2021 23:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p>During the past decade, Sangdo has undergone rapid redevelopment, with approximately ten-thousand housing units being constructed. Housing supply soared, but parts of Sangdo that were not subject to the redevelopment quickly became vacant. Consequently, streets with vacant buildings deteriorated, and the floating population plummeted. Small buildings and lots on these streets were not profitable.</p>]]>
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        <![CDATA[The Surface Interactive Installation / stpmj]]>
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      <link>https://www.archdaily.com/en/950341/the-surface-interactive-installation-stpmj</link>
      <pubDate>Wed, 28 Oct 2020 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
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        <![CDATA[<p><em>The Surface</em> is situated in a public space with an important environmental context: the strong visual presence of the Cheonngye and Maebong Mountain is afar, and the splendid landscape of the museum is in close proximity. The site itself is a gently sloped grass field that is connected to the nearby mountain trail. Walking up and down the slope allows one to experience the site as part of the larger natural landscape, and this interaction between the visitors and the topographic/geographic features became an essential premise for the project, <em>The Surface</em>.</p>]]>
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        <![CDATA[Salon Guui House and Office / stpmj]]>
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      <link>https://www.archdaily.com/en/923001/salon-guui-house-and-office-stpmj</link>
      <pubDate>Thu, 15 Aug 2019 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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        <![CDATA[<p>‘Salon Guui’ seeks a new possibility of refurbishment for an 80’s popular residential building type in Korea. The old building is 3 stories; semi-basement, uplifted 1st floor and the 2nd floor, which has independent accesses representing spatial features of the 80’s building. It used to hold 5 residential units: 2 units for semi-basement, 1 for the 1st and 2 for the 2nd floor. The refurnished holds an office in semi basement and the 1st floor, and a single family residential for the owner of the office in the 2nd floor.</p>]]>
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        <![CDATA[Five Story House / stpmj]]>
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      <link>https://www.archdaily.com/en/908712/five-story-house-stpmj</link>
      <pubDate>Wed, 02 Jan 2019 23:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential]]>
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        <![CDATA[<p>‘Five story house’ is the vertically stacked result of a single- family house on a small site in highly dense city, Seoul, Korea. In less than 100m2 property area with required setbacks and parking regulation, this tall and skinny house creates ‘vertical living’ with different floor zonings. In Korea where the real estate is one of the most effective investment tools, purchasing a flat is the common way to increase ones assets.  Living in a flat with living room, kitchen, dining and bedrooms in a single floor, is typical residential environment in Seoul. Considering economic value of flats through redevelopment and the familiarity of living infrastructure, a vertically stacked house with small floor area is a provocative residential type in this culture. The additional cost based on complicated construction on small site, increased area of interior &amp; exterior envelop and neighbors’ complaints within dense urban fabric are downsides of the developing this type of vertical house. Nonetheless, recently this vertical house is at the fore among the people who had grown up at the flats in 80s/ 90s and look for their living values in diverse spatial qualities which cannot be achieved from the flats.</p>]]>
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        <![CDATA[Red Chimney / stpmj]]>
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      <link>https://www.archdaily.com/en/895065/red-chimney-stpmj</link>
      <pubDate>Sun, 01 Jul 2018 20:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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      <description>
        <![CDATA[<p>Red Chimney, a guest house, translates a chimney, an architectural element, to a new figure and program. Instead of conducting smoke, the oversized chimney, filled with various plants and allowing natural light and ventilation, holds diverse programs and functions.</p>]]>
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        <![CDATA[The Masonry House / stpmj]]>
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      <link>https://www.archdaily.com/en/881837/the-masonry-house-stpmj</link>
      <pubDate>Wed, 18 Oct 2017 22:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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      <description>
        <![CDATA[<p>The Masonry, a multi-family house in Korea, seeks a playful game of “scale” in two aspects, the building itself and bricks in its façade. The site sits at the corner, facing its long-north and short-east sides to the roads. Due to the town planning, the entrance and the long side of the house need to be facing South. It makes a contradictory condition of pitched roof direction and the main face of the house.</p>]]>
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      <title>
        <![CDATA[Stratum House  / stpmj]]>
      </title>
      <link>https://www.archdaily.com/en/879659/tratum-house-stpmj</link>
      <pubDate>Thu, 14 Sep 2017 20:00:00 +0000</pubDate>
      <dc:creator>Cristobal Rojas</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Stratum House seeks a new way of concrete casting method simulating a geologic formation. Concrete works in a combination of cement, water and aggregate. Cement is mixed with water to form a paste, and its properties are strengthened together with aggregates. These pastes wrap and fill aggregates of various sizes and become hardened. The project started with a curiosity of concrete composition, its casting process, and reaction on the results from testing the changes of its constituents.</p>]]>
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        <![CDATA[Shear House / stpmj]]>
      </title>
      <link>https://www.archdaily.com/en/792501/shear-house-stpmj</link>
      <pubDate>Tue, 02 Aug 2016 20:00:00 +0000</pubDate>
      <dc:creator>Daniela Cardenas</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p class="p1">Shear House, a single family house in Korea, seeks how a simple treatment in pitched roof typology improves environmental qualities and influences to program organization. The volume of gable on the West end changes its placement along with body of house. It projects out toward South at the East end, while maintaining its triangular shape. The sheared volume is continuously pulled out towards South responding to sun orientation. It creates a deep eave in South and a terrace in North. The eave blocks direct sunlight in summer and allow natural lighting in winter. Openings at terrace in second level increase natural ventilation throughout the whole house. In addition double skin-facade controls heat and humidity thus the house reduces 20% of heat gain and loss in summer and winter.</p>]]>
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        <![CDATA[Invisible Barn / stpmj]]>
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      <link>https://www.archdaily.com/en/770303/invisible-barn-stpmj</link>
      <pubDate>Thu, 16 Jul 2015 12:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Barn]]>
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        <![CDATA[<p>Invisible Barn is a site-specific design proposal that re-contextualizes the landscape of the site by projecting the landscape on the structural proposition. A barn shaped-wooden structure is sheeted with reflective film on its surfaces. This mirror-finished folly is placed in the middle of the grove and reflects its surrounding environment: different species of trees and plants, sky, ground and the seasonal changes of the site. The reflection of the folly within its enclosed grove allows the structure to smoothly assimilate into the nature. The incisions that penetrate through the folly allow visitors to maneuver in, out, and around the structure. Invisible Barn is a folly that loses its man-made architectural presence in nature but adds novel experience and interaction to the users.</p>]]>
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