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    <title>Office: ŠÉPKA ARCHITEKTI | ArchDaily</title>
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        <![CDATA[GAMPA and Sféra with Public Spaces of Automatic Mills in Pardubice / Šépka architekti]]>
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      <link>https://www.archdaily.com/1025495/gampa-and-sfera-with-public-spaces-of-automatic-mills-in-pardubice-sepka-architekti</link>
      <pubDate>Sat, 11 Jan 2025 09:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
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        <![CDATA[<p>The complex of the former Winternitz Automatic Mills in <a href="/tag/pardubice">Pardubice</a>, one of the first implementations of the architect Josef Gočár, ceased to serve its purpose in 2013. A year later, it became a national cultural monument. Our intention was to integrate the listed building into the new complex, where it will have a central position. The city, the region and a private person participated financially in the whole event. The aim was to create a new multifunctional urban space for cultural, educational institutions, and private activities. Thus, a kind of triangle of important urban spaces and objects was created, consisting of the Renaissance castle, Perštýn Square and the complex of the Automatic Mills. By removing some existing buildings, we enhance the dominant frontal portal with the entrance arch and at the same time allow an unobstructed view of the entire site from the side of the historic part of the city. The creation of two new public spaces, which intentionally have a different character and function, is absolutely fundamental from the point of view of the revitalization of the mills. We confirm the main entrance with a designed square with a sycamore bosquet, where a water channel made of bricks for irrigation is led to each tree. It is primarily a quiet, representative entry point, but we assume that, for example, markets can be held here. Inside the new complex, we are creating the Mill Courtyard, which will be a lively space for holding exhibitions, concerts, or theatre performances in the open air. The proposed public spaces are considered only for the movement of pedestrians. An integral part of the overall concept is the colour solution. The entire complex includes a number of objects of various functions, which were treated by four architectural studios. It was therefore very important to coordinate individual plans together. Our effort was to harmonize all new interventions into a uniform colour that follows the existing brick colour of the Automatic Mills. With this, we wanted to make the entire area more unified, including the walking areas, which are made of bricks and red mortar. The variety of individual objects with various functional uses should not create a chaotic impression.</p>]]>
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        <![CDATA[Exhibition Hall in the Attic of the Olomouc Archdiocesan Museum / Šépka architekti]]>
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      <link>https://www.archdaily.com/1006309/exhibition-hall-in-the-attic-of-the-olomouc-archdiocesan-museum-sepka-architekti</link>
      <pubDate>Sun, 03 Sep 2023 09:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
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        <![CDATA[<p>The design of the exhibition hall in the attic of the chapter deanery follows up on the modifications from 1998‒2006 when the <a href="/tag/olomouc">Olomouc</a> Archdiocesan Museum was created. When thinking through it, we asked ourselves the question of the degree of intervention in the existing attic. We did not find it appropriate to insulate the wooden structures, and for that reason, we rejected the standard thermal insulation of the attic space.</p>]]>
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        <![CDATA[House in a Steel Corset / ŠÉPKA ARCHITEKTI]]>
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      <link>https://www.archdaily.com/928202/house-in-a-steel-corset-sepka-architekti</link>
      <pubDate>Fri, 16 Apr 2021 02:00:00 +0000</pubDate>
      <dc:creator>María Francisca González</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>It is the construction modification of a family house in Prague, which was completed and reconstructed several times as an originally recreational building from the 1930s for permanent residence. Considering these interventions, its stability was no longer sufficient. The fundamental decision was thus to complement and in general stiffen the construction with a steel corset. Another problem was the original mansard roof, which had a thickness of only 15 cm.</p>]]>
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        <![CDATA[Modification of the Chateau Hill in Litomyšl / ŠÉPKA ARCHITEKTI, HŠH ARCHITEKTI]]>
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      <link>https://www.archdaily.com/885590/modification-of-the-chateau-hill-in-litomysl-sepka-architekti</link>
      <pubDate>Mon, 18 Dec 2017 11:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
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        <![CDATA[<p><strong>Overall Conception</strong><br>Along with its historical buildings and adjacent parks, the chateau has created an entirely unique complex for centuries. Our design works from the idea of the rooms - spaces, which are defined by the individual buildings of the chateau hill. To support this reflection and to define more clearly the individual spaces, we have added two new objects to the existing configuration of buildings. The first is the bench set between the entrance courtyard and the farm courtyard.</p>]]>
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        <![CDATA[House in the Orchard / ŠÉPKA ARCHITEKTI]]>
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      <link>https://www.archdaily.com/803824/house-in-the-orchard-sepka-architekti</link>
      <pubDate>Tue, 24 Jan 2017 03:00:00 +0000</pubDate>
      <dc:creator>Cristobal Rojas</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>On the northern sloping plot, from whence there is a beautiful view into the valley, there are now six fully grown trees. The proposed construction of a family house endeavours through its small size and character to integrate itself among these trees. In short, it would thus be possible to label the concept as a “house in an orchard”. Besides the influence of the garden, also the orientation and slope of the plot had a significant part in the shape and layout resolution.</p>]]>
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