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    <title>Office: REX | ArchDaily</title>
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        <![CDATA[205 North Quay / Hassell + REX + Richards and Spence]]>
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      <link>https://www.archdaily.com/1042192/205-north-quay-hassell-plus-rex-plus-richards-and-spence</link>
      <pubDate>Fri, 05 Jun 2026 03:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[Office buildings]]>
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        <![CDATA[<p>205 North Quay asserts its commercial value not by willful form, but by shrink-wrapping a slender, highly efficient structure in an equally resourceful, state-of-the-art enclosure tailored to Brisbane's subtropical climate. To enable the façade's high glazing ratio and VLT, and excellent interior lighting and color rendition, the building's long northwest and southeast faces are veiled by a copper-anodized, rolled-aluminum sunscreen composed of large ovals, geometrically tailored to their orientation.</p>]]>
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        <![CDATA[Five Manhattan West / REX]]>
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      <link>https://www.archdaily.com/884867/five-manhattan-west-rex</link>
      <pubDate>Wed, 06 Dec 2017 10:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Retail]]>
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        <![CDATA[<p>Designed by architecture rm Davis Brody (now Davis Brody Bond) and completed in 1969, 450 West 33rd Street (now Five Manhattan West) was an exemplar of late Brutalist architecture. The edifice’s structure is effectively a steel bridge spanning the Penn Station rail lines leading to Hudson Yards, supporting a cast-in-place concrete column-and-slab frame. The building’s enclosure was originally composed of precast concrete in- ll panels with integrated windows. </p>]]>
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        <![CDATA[REX Designs Conjoined Media Towers with Retractable Facade for Middle East]]>
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      <link>https://www.archdaily.com/497572/rex-designs-conjoined-reactive-media-towers-in-middle-east</link>
      <pubDate>Wed, 16 Apr 2014 01:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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        <![CDATA[<p>Two sister Middle Eastern media companies have commissioned <b><a href="http://rex-ny.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">REX</a></b> to design <span style="line-height: 1.45em;">a conjoined headquarters that references traditional Arab iconography. The result, two ultra-thin, stone-clad towers that are shielded from the <a href="/tag/middle-east">Middle East</a>’s “unrelenting sun” by an array of retractable sunshades whose shape was inspired by the Arab Mashrabiya pattern. </span></p>]]>
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        <![CDATA[REX Proposes Retractable Facade for 'Equator Tower' in Malaysia]]>
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      <link>https://www.archdaily.com/466553/rex-proposes-retractable-facade-for-equator-tower-in-malaysia</link>
      <pubDate>Mon, 13 Jan 2014 01:00:00 +0000</pubDate>
      <dc:creator>Jose Luis Gabriel Cruz</dc:creator>
      <category>
        <![CDATA[Skyscrapers]]>
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      <guid isPermaLink="false">https://www.archdaily.com/466553/rex-proposes-retractable-facade-for-equator-tower-in-malaysia</guid>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/rex/" target="_blank"><b></b></a><b><a href="http://www.rex-ny.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">REX</a></b> has been selected as one of five finalists for a 173,000 square meter proposal located near the equator in <a href="/tag/kuala-lumpur">Kuala Lumpur</a>, <a href="http://www.archdaily.com/tag/malaysia/" target="_blank">Malaysia</a>. Dubbed as the "Equator Tower," the concept wraps a retractable, PTFE-coated, glass fiber-reinforced sun shade around a slender 80-story tower, blocking direct sun exposure from all four sides. <br></p>]]>
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        <![CDATA[Necklace Residence / REX]]>
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      <link>https://www.archdaily.com/444914/necklace-residence-rex</link>
      <pubDate>Sat, 02 Nov 2013 01:00:00 +0000</pubDate>
      <dc:creator>Barbara Porada</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
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        <![CDATA[<p><a href="archdaily.com/tag/rex">REX</a> has just released their winning competition design for a unique residential competition: a private residence for three generations. The estate includes the parents’ home, four children’s homes, event space, indoor and outdoor swimming pools, gym, spa, library, study, home cinema, and performance space.</p>]]>
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      <title>
        <![CDATA[Dee and Charles Wyly Theatre / REX + OMA]]>
      </title>
      <link>https://www.archdaily.com/37736/dee-and-charles-wyly-theatre-rex-oma</link>
      <pubDate>Wed, 13 Jul 2011 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
      <category>
        <![CDATA[theater]]>
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        <![CDATA[<p>The <a href="/tag/dallas">Dallas</a> Theater Center (DTC) is known for its innovative work, the result of its leadership’s constant experimentation and the provisional nature of its long-time home. DTC was housed in the Arts District Theater, a dilapidated metal shed that freed its resident companies from the limitations imposed by a fixed-stage configuration and the need to avoid harming expensive interior finishes. The directors who worked there constantly challenged the traditional conventions of theater and often reconfigured the form of the stage to fit their artistic visions. As a result, the Arts District Theater was renowned as the most flexible theater in America. The costs of constantly reconfiguring its stage, however, became a financial burden and eventually DTC permanently fixed its stage into a “thrust-cenium.”</p>]]>
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        <![CDATA[Vakko Headquarters and Power Media Center / REX]]>
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      <link>https://www.archdaily.com/56149/vakko-headquarters-and-power-media-center-rex-2</link>
      <pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
      <dc:creator>David Basulto</dc:creator>
      <category>
        <![CDATA[Institutional buildings]]>
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      <description>
        <![CDATA[<p>Last year we presented you this interesting project by REX during its construction stage, where you could see how an unused structure was converted into the new headquarters for Vakko, integrated with a new complex steel structure. The project is now completed, and we can see the final result with  photos by Iwan Baan and a complete set of drawings and diagrams courtesy of REX.</p> ]]>
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