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    <title>Office: Piuarch | ArchDaily</title>
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        <![CDATA[Fendi Factory / Piuarch]]>
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      <link>https://www.archdaily.com/994593/fendi-factory-piuarch</link>
      <pubDate>Tue, 05 Mar 2024 02:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Offices]]>
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        <![CDATA[<p>The Milan-based studio has collaborated with the Fendi Maison to design an architecture that disappears into the landscape, placing itself in open dialogue with the surrounding nature. A raised garden is conceived to mend a long-standing rift in the terrain and recreate the hillside of the site in which it is located. This is what the new Fendi production building in <a href="/tag/bagno-a-ripoli">Bagno a Ripoli</a> (FI) looks like, whose design concept was conceived and developed by the Milan-based Piuarch studio and subsequently continued and coordinated by Fendi's Architecture Department. A complex of about 14,000 square meters rising in the Tuscan countryside, conceived around a high standard of landscaping and advanced energy efficiency, the brainchild of the Maison seeks to combine the excellence of its product with the creation of an architectural landmark having significant aesthetic and environmental value. Piuarch interprets this concept in a project that becomes an integral part of its surroundings rather than a mere graft.</p>]]>
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        <![CDATA[Collegio di Milano / Piuarch]]>
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      <link>https://www.archdaily.com/979939/collegio-di-milano-piuarch</link>
      <pubDate>Sat, 16 Apr 2022 15:00:00 +0000</pubDate>
      <dc:creator>Luciana Pejić</dc:creator>
      <category>
        <![CDATA[Student Hall]]>
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      <guid isPermaLink="false">https://www.archdaily.com/979939/collegio-di-milano-piuarch</guid>
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        <![CDATA[<p dir="ltr">Winner of the competition held by the Collegio Foundation of the Milanese Universities, the project is distinguished by its close dialogue with the existing building designed in the 1970s by Marco Zanuso, respecting its elevations, chromatic scheme, and branched form. The project began with a careful, in-depth functional analysis and a study of the relationships between itself and the existing building. The 50 residential units of the new structure are configured in two contiguous blocks, one facing southwest and the other southeast, such that the main façades do not clash with the existing ones.</p>]]>
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        <![CDATA[Gucci Hub / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/889603/gucci-hub-piuarch</link>
      <pubDate>Mon, 26 Feb 2018 03:00:00 +0000</pubDate>
      <dc:creator>Cristobal Rojas</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
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      <guid isPermaLink="false">https://www.archdaily.com/889603/gucci-hub-piuarch</guid>
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        <![CDATA[<p>The old Caproni factory, built in 1915 in the eastern suburbs of <a href="/tag/milan">Milan</a>, has been brought back to life thanks to a renovation and redevelopment project transforming this old plant into the new Milan offices of the famous fashion brand Gucci. The premises in via Mecenate, which were used for designing, assembling and testing airplanes, have now been developed into a large complex holding offices, showroom and spaces for holding fashion shows and operations connected with graphics, as well as a canteen and restaurant.</p>]]>
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        <![CDATA[IDF Habitat Headquarters / Piuarch + Stefano Sbarbati Architecte]]>
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      <link>https://www.archdaily.com/882977/idf-habitat-headquarters-piuarch</link>
      <pubDate>Mon, 06 Nov 2017 08:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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      <guid isPermaLink="false">https://www.archdaily.com/882977/idf-habitat-headquarters-piuarch</guid>
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        <![CDATA[<p dir="ltr">In March 2017 IDF Habitat proudly announced its new address, 15 km from the heart of Paris. Designed by Piuarch, Stefano Sbarbati and Incet Ingénierie, the winners of a competition held in 2013, the <a href="/tag/champigny-sur-marne">Champigny-sur-Marne</a> headquarters were inspired by the desire to create an efficient, functional complex, and above all one that stands as an indispensable element in the area’s transformation process. The building is in fact part of the so-called “ZAC des Bords de Marne,” an ambitious redevelopment program aimed at defining a new social, cultural and productive sector connected with the city, interpreting expectations and generating a system with a strong identity.</p>]]>
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        <![CDATA[Mansarda Restaurant / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/882661/mansarda-restaurant-piuarch</link>
      <pubDate>Wed, 01 Nov 2017 11:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Adaptive reuse]]>
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      <guid isPermaLink="false">https://www.archdaily.com/882661/mansarda-restaurant-piuarch</guid>
      <description>
        <![CDATA[<p>Everything is built like a maze of canals, bridges, domes, and towers decorated in a variety of colors, artfully designed gardens, squares, and monuments. We’re not in Venice, nor in Amsterdam, but in chameleon-like St. Petersburg, which changed its name three times in less than a century – from St. Petersburg to Petrograd to Leningrad – only to go back to its historic name after the fall of the Berlin Wall. The so-called “Russian gastronomic revolution” took root in the heart of the Soviet “Second Capital,” with innovative chefs and unconventional locales running parallel to institutional propositions and providing a dynamic alternative where design is a fundamental element.</p>]]>
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        <![CDATA[Caritas Pavilion / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/876911/caritas-pavilion-piuarch</link>
      <pubDate>Thu, 03 Aug 2017 05:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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      <guid isPermaLink="false">https://www.archdaily.com/876911/caritas-pavilion-piuarch</guid>
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        <![CDATA[<p>Designed for the Expo 2015 area in <a href="/tag/milan">Milan</a>, the Caritas Pavilion is based around the message: “Divide to multiply. Break the bread” or, in other words, the idea of sharing wealth. The Edicola, this is the name of the small pavilion, has the appearance of a fragmented cube that translates into architectural terms the idea of crating wealth by sharing. The structure has been designed keeping simplicity at the core of its composition and the unadorned nature of its appearance.</p>]]>
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        <![CDATA[M89 Hotel  / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/876020/m89-hotel-piuarch</link>
      <pubDate>Wed, 19 Jul 2017 05:00:00 +0000</pubDate>
      <dc:creator>Cristobal Rojas</dc:creator>
      <category>
        <![CDATA[Hotels]]>
      </category>
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        <![CDATA[<p>Opposite the building, there is the rhythmic series of brick blocks of the Caproni factory, with their shed roof and industrial archaeology charm: the M89 Hotel – the new four-star destination at number 89 of via Mecenate– faces the factory halls that one hundred years ago hosted one of the leading aviation companies and which are now home to Gucci, after a meticulous renovation and expansion project by Piuarch.</p>]]>
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        <![CDATA[Piuarch Wins Competition To Build a New Cooperative Dairy In the Alps]]>
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      <link>https://www.archdaily.com/788919/piuarch-wins-competition-to-build-a-new-cooperative-dairy-in-the-alps</link>
      <pubDate>Wed, 15 Jun 2016 08:00:00 +0000</pubDate>
      <dc:creator>Inez Vilar</dc:creator>
      <category>
        <![CDATA[Heritage]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/788919/piuarch-wins-competition-to-build-a-new-cooperative-dairy-in-the-alps</guid>
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        <![CDATA[<p>Milan studio <a href="http://www.archdaily.com/office/piuarch">Piuarch</a> unveiled their design for the new <em>Latteria Sociale Valtellina</em> cooperative dairy in the <a href="/tag/italian-alps">Italian Alps</a>. The competition, commissioned by the <a href="/tag/latteria">Latteria</a>, sought to renovate the old building and expand it to include a sales outlet, restaurant, conference room and small museum. Piuarch's winning design builds on the economic and historic context of the area and surrounding landscape<em>.</em> </p>]]>
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        <![CDATA[Dolce&Gabbana Office / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/700220/dolce-and-gabbana-office-slash-piuarch</link>
      <pubDate>Mon, 05 Oct 2015 01:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/700220/dolce-and-gabbana-office-slash-piuarch</guid>
      <description>
        <![CDATA[<p>A new office for Dolce&amp;Gabbana, on Viale Piave in <a href="/tag/milan">Milan</a>. </p>]]>
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        <![CDATA[ENEL Pavilion / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/770230/enel-pavilion-piuarch</link>
      <pubDate>Sat, 18 Jul 2015 02:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/770230/enel-pavilion-piuarch</guid>
      <description>
        <![CDATA[<p>The Concept<br><br>In designing the ENEL Pavilion for Expo 2015, Piuarch wanted to express the concept of “energy sharing” in an architectural theme. Not through a “building-container,” but rather with the creation of a virtual volume: a place, generated by a grid onto which 650 polycarbonate vectors are grafted. The arrangement of these constantly changing, illuminated vertical elements defines the volume that encompasses within itself a series of other volumes and green courtyards.</p>]]>
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        <![CDATA[Givenchy Flagship Store in Seoul / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/599689/givenchy-flagship-store-in-seoul-piuarch</link>
      <pubDate>Wed, 18 Feb 2015 00:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Store]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/599689/givenchy-flagship-store-in-seoul-piuarch</guid>
      <description>
        <![CDATA[<p>The Milanese studio Piuarch realizes the new Givenchy flagship store in <a href="/tag/seoul">Seoul</a> (South Korea), in close collaboration with the art director of the Maison, Riccardo Tisci.</p>]]>
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        <![CDATA[IDF Habitat Headquarters / Piuarch + Stefano Sbarbati Architecte]]>
      </title>
      <link>https://www.archdaily.com/561532/piuarch-designs-new-headquarters-for-idf-habitat-in-champigny-sur-marne</link>
      <pubDate>Mon, 27 Oct 2014 01:00:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/561532/piuarch-designs-new-headquarters-for-idf-habitat-in-champigny-sur-marne</guid>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/piuarch/" target="_blank">Piuarch</a> and <a href="http://www.archdaily.com/tag/stefano-sbarbati-architecte/" target="_blank">Stefano Sbarbati Architecte</a> have won an international design contest to design the new headquarters of the <a href="http://www.archdaily.com/tag/france/" target="_blank">French</a> housing company IDF Habitat in <a href="http://www.archdaily.com/tag/champigny-sur-marne/" target="_blank">Champigny-sur-Marne</a>. Designed in collaboration with Stefano Sbarbati, the new building is described as "linear and efficient," but it also acts as a defining building in a new public square, offering "an example of how architecture can contribute to defining empty spaces, transforming them into social areas," according to the architects.</p>]]>
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        <![CDATA[White Wave / Piuarch]]>
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      <link>https://www.archdaily.com/484349/white-wave-piuarch</link>
      <pubDate>Mon, 10 Mar 2014 01:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Store]]>
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      <guid isPermaLink="false">https://www.archdaily.com/484349/white-wave-piuarch</guid>
      <description>
        <![CDATA[<p> As part of the Porta Nuova urban renewal project, the so called “White Wave” is a building for showrooms and offices, which has become the symbol of the new architectural dynamism of <a href="/tag/milan">Milan</a>. Designed by Piuarch as project winner of a Competition held in 2006 by Hines Italia. </p>]]>
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        <![CDATA[Dolce&Gabbana Office Building / Piuarch]]>
      </title>
      <link>https://www.archdaily.com/382989/dolce-and-gabbana-office-building-piuarch</link>
      <pubDate>Fri, 07 Jun 2013 00:00:00 +0000</pubDate>
      <dc:creator>Jonathan Alarcón</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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      <guid isPermaLink="false">https://www.archdaily.com/382989/dolce-and-gabbana-office-building-piuarch</guid>
      <description>
        <![CDATA[<p>The long, narrow shape of the lot and the volume of the preexisting building have led to a compositional solution involving three parallel buildings. The building on Viale Piave and the one farther back rise seven floors above ground. The central body, connected to the rest of the construction by means of a system of stairs and skyways, has three floors and is suspended over a body that connects the three buildings, perpendicular to Viale Piave and rising four floors above ground. This way a large, deep inner courtyard is created, overlooked by all the buildings. The plan also provides for three underground floors, two of which to be used for parking.</p>]]>
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        <![CDATA[Bentini Headquarters / Piuarch]]>
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      <link>https://www.archdaily.com/217355/bentini-headquarters-piuarch</link>
      <pubDate>Fri, 16 Mar 2012 00:00:00 +0000</pubDate>
      <dc:creator>Kritiana Ross</dc:creator>
      <category>
        <![CDATA[Institutional buildings]]>
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        <![CDATA[<p>The new administrative and operational headquarters of Bentini Building &amp; Engineering is in Faenza, set in a sparsely populated area where the landscape is strongly characterized by the presence of farmland. The office building consists of a single, linear volume set back from the road, and has been designed according to the highest standards of quality, combining great flexibility of the interior spaces with a simple and well-organized floor plan on different levels. The top floor can be utilized for events and conferences also by the local residents, offering townspeople an opportunity to experience the space of the company that opens onto the city that hosts it.</p> ]]>
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        <![CDATA[Quattro Corti Business Centre / Piuarch]]>
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      <link>https://www.archdaily.com/98221/quattro-corti-business-centre-piuarch</link>
      <pubDate>Fri, 24 Dec 2010 00:00:00 +0000</pubDate>
      <dc:creator>Andrew Rosenberg</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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      <description>
        <![CDATA[<p>After almost two centuries, Piuarch is the first italian architecture’s firm returning to project and build in the city of Peter the Great. The Quattro Corti Business Centre is located in the city centre of <a href="/tag/saint-petersburg">Saint Petersburg</a>, over an area of 5,000 square metres, a stone’s throw from the Hermitage and the Nevsky Prospect. The total built up area of the building is 23,500m2, distributed over six storeys above ground level and three below ground.</p>]]>
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        <![CDATA[Dolce & Gabbana Headquarters / Piuarch]]>
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      <link>https://www.archdaily.com/2458/dolce-gabbana-headquarters-studio-piuarch</link>
      <pubDate>Mon, 16 Jun 2008 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
      <category>
        <![CDATA[Institutional buildings]]>
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        <![CDATA[<p>The new D&amp;G headquarters in <a href="/tag/milan">Milan</a> contains the showrooms for the collections, offices, a restaurant and a series of image spaces, ina total area of 5.000 square meters. Two buildings dating back to the 1920s and the 1960s, facing three streets, are combined in a complex with five floors above ground and two basement levels. The project is based on an architectural principle of great rigor, with the use of natural materials like white Namibia stone, glass and unfinished steel sheet.</p>]]>
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