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    <title>Office: Malik Architecture | ArchDaily</title>
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        <![CDATA[J-House / Malik Architecture]]>
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      <link>https://www.archdaily.com/1022063/j-house-malik-architecture</link>
      <pubDate>Tue, 08 Oct 2024 06:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>The streets of Khar used to be lined with low rise homes set back from the street and hidden behind trees and shallow front gardens. Densification and the demand for floor space has transformed these neighbourhoods' into rows of tall structures battling for light and air and eliminating any manner of dialogue with the street, owing to the concentration of "decorative" multi-storey parking structures at the ground level. The sea lies to the west of the site, a direction from which the harshest sun and rain originate.</p>]]>
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        <![CDATA[Radisson Resort & Spa / Malik Architecture]]>
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      <link>https://www.archdaily.com/1022005/radisson-resort-and-spa-malik-architecture</link>
      <pubDate>Mon, 07 Oct 2024 02:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Spa]]>
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        <![CDATA[<p>Lonavla, a hill station in the Sahyadris, is the nearest and most popular weekend retreat for the residents of Bombay. Its natural topography, cooler+drier climate, verdant landscapes, and history (Ancient forts + Buddhist cave temples) have attracted uncontrolled development leading to a substantial erosion of the character that defined it.</p>]]>
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        <![CDATA[IF.BE  Ice Factory Ballard Estate / Malik Architecture]]>
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      <link>https://www.archdaily.com/1004691/ie-ice-factory-ballard-estate-malik-architecture</link>
      <pubDate>Mon, 31 Jul 2023 01:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
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        <![CDATA[Restoration]]>
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        <![CDATA[<p class="s16">The 140-year-old Ambico Ice Factory is located in Ballard estate, the heart of Mumbai's heritage precinct. We have reimagined the space as IF.BE (Ice Factory Ballard Estate), is an organism that merges art, exhibition, events, performances, gatherings, food, and design. Essentially it is a space for encounter, organized within beautiful but aging structures surrounding a large Banyan tree. Time, arbitrary additions, and asymmetric structural and infrastructural loading had caused a level of damage and decay that was revealed through a patient and assiduous examination of walls, foundations, roofs, etc. The drawing archives revealed a continuous courtyard connecting Calicut and Cochin Street, which was now cluttered with ad-hoc structures and metal roofs. Within this courtyard, an old banyan tree sits alongside the chimney of the factory. The coherence of the load-bearing, wooden-trussed, north-lit interior spaces has been somewhat vitiated by successive divisions and alterations. The roots of the tree, growing within the premises, had been choked under rubble and concrete. This tree provided the spark of inspiration that birthed the project - the shift from the Ambico Ice Factory to IF.BE.</p>]]>
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        <![CDATA[Lateral Verandah House / Malik Architecture]]>
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      <link>https://www.archdaily.com/999666/lateral-verandah-house-malik-architecture</link>
      <pubDate>Wed, 19 Apr 2023 02:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>The Lateral Verandah House is, in many ways, a natural extension of the House of Three Streams. They are located on the same site and were designed concurrently but built in separate phases.</p>]]>
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        <![CDATA[House of Voids / Malik Architecture]]>
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      <link>https://www.archdaily.com/999661/house-of-voids-malik-architecture</link>
      <pubDate>Tue, 18 Apr 2023 18:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Delhi’s existing neighborhoods have traditionally been defined by 2 story houses set back from the tree-lined road and buffered from it by a front garden. This relationship has been altered by the new planning regulations that permit taller structures, consuming greater area and with reduced setbacks. The resulting urban condition creates the sensation of buildings imposing themselves on the street and within the homes, the absence of green cover/courtyards and light are palpable. The ground plane, formerly garden and patio/living spaces, has been given over to parking, eliminating any meaningful connection to the street outside.</p>]]>
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        <![CDATA[House of Three Streams / Malik Architecture]]>
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      <link>https://www.archdaily.com/966232/house-of-three-streams-malik-architecture</link>
      <pubDate>Fri, 06 Aug 2021 22:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>The topography of the land, the material memory of the surrounding forts, the light of the forest, and the deep-water discharging ravines have created a dominant palimpsest of contextual parameters onto which the house has been woven. As a home for 4 generations, it behaves like a condensed village, allowing for private and communal life. The flow of the large load-bearing wall that traces the ridge between two ravines anchors the proposal and establishes itself as a “found” element, resonating the contours and material of the walls of the Tungi and Lohgad forts to the east and north of the site. As the site flows to Pawna lake, so too does the house, picking clearings within the trees to capture the views of the lake.</p>]]>
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        <![CDATA[Stone House / Malik Architecture]]>
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      <link>https://www.archdaily.com/966220/stone-house-malik-architecture</link>
      <pubDate>Wed, 04 Aug 2021 22:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Rajasthan is synonymous with sandstone as a building material but sadly, over the last few decades, this material has been reduced to a '<em>cladding</em> 'medium and its potential as a robust and sustainable structural element has not been explored. The house in <a href="/tag/jaipur">Jaipur</a> presented us with an opportunity to explore and evolve a method of building that has been prevalent in traditional buildings for centuries. We laid out a simple brief: no material other than stone should be used for construction.</p>]]>
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