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    <title>Office: Itm Yooehwa Architects | ArchDaily</title>
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        <![CDATA[Itami Jun Museum / Itm Yooehwa Architects]]>
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      <link>https://www.archdaily.com/1036765/itami-jun-museum-itm-yooehwa-architects</link>
      <pubDate>Mon, 15 Dec 2025 19:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Museum]]>
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        <![CDATA[<p>This is an art museum dedicated to the late Japanese-Korean architect, The Itami Jun Museum was designed with his architectural philosophy that "architecture should be rooted in and bear fruit from the local context and traditions" in mind, as well as the main architectural languages. By adapting to the <a href="/tag/jeju">Jeju</a> locales, he sought not to disturb the horizontal and serene nature of the surrounding Jeju forest, Gokjawal.</p>]]>
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        <![CDATA[FEZH / Itm Yooehwa Architects]]>
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      <link>https://www.archdaily.com/1036764/fezh-itm-yooehwa-architects</link>
      <pubDate>Wed, 10 Dec 2025 19:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Cultural Architecture]]>
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        <![CDATA[<p>FEZH reinterprets the spatial logic of Fes El Bali, where clustered dwellings form the foundation of an organic urban fabric. Drawing from this precedent, the project aspires to create a "minimal urban unit" that consolidates essential communal functions for healing, culture, and everyday life. Within the gentle alleyways of Hannam-dong, FEZH positions itself as a compact city—an intersection of architecture, nature, and human experience—embodying its name, which merges Fez, Healing, and Hannam-dong.</p>]]>
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        <![CDATA[Handong University Prayer Room Heaven's Voice / Itm Yooehwa Architects]]>
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      <link>https://www.archdaily.com/1036744/handong-university-prayer-room-heavens-voice-itm-yooehwa-architects</link>
      <pubDate>Tue, 09 Dec 2025 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[Educational Architecture]]>
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        <![CDATA[<p>The prayer room "Heaven's Voice" at Handong University began as a project initiated by a donation from an elder of a local church. While there were several potential sites for a chapel on campus, the current location was chosen without hesitation. To the eyes of the architect, who is also a Christian, the overall shape of Handong University resembled a sheep, and a small hill at its heart caught his attention. This site is strategically positioned, visible from surrounding campus buildings, and the intention was to inscribe the cross from a heavenly perspective, rather than from the human eye level.</p>]]>
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        <![CDATA[SIHOJAE Gallery, Guesthouse, Cafe / Itm Yooehwa Architects]]>
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      <link>https://www.archdaily.com/1036423/sihojae-gallery-guesthouse-cafe-itm-yooehwa-architects</link>
      <pubDate>Wed, 03 Dec 2025 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>'Sihojae' means 'a bow that shoots towards time'. It is a private gallery that doubles as a guesthouse and cafe. The client, an art lover, required a house for himself and a space in which to display his private collection, as well as a guesthouse for his children. At first, the site appeared to be a relaxing, low-lying basin surrounded by mountains. Tired of the multilayered and discordant cityscape of today, I didn't want to interrupt the flow of the beautiful ridge leading up to Palgongsan Mountain. I designed the building with a symphony in mind, playing on the scents and caress of the breeze across this beautiful basin.</p>]]>
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        <![CDATA[Seowon Golf Club House / Itm Yooehwa Architects + Itami Jun Architects ]]>
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      <link>https://www.archdaily.com/573851/seowon-golf-club-house-itm-yooehwa-architects-itami-jun-architects</link>
      <pubDate>Tue, 09 Dec 2014 00:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Learning]]>
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        <![CDATA[<p>The Seowon Golf Club House is located at the outskirt of Seoul called ‘Paju’. The initial building design was motivated from the shape of the contractor’s eye, Jun Itami’s last posthumous work aimed to contain the intensity and genuineness of the contractor seen form his eye. From the elevation the curved roof attracts the viewer attention first; the roof shape was derived from the image of swan landing on the water.</p>]]>
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