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    <title>Author: Romullo Baratto | ArchDaily</title>
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        <![CDATA[ArchDaily Student Ambassadors 2026/2027. Apply now!]]>
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      <link>https://www.archdaily.com/1054649/archdaily-student-ambassadors-2026-2027-apply-now</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>ArchDaily was born in a university, founded by two architecture students who believed architectural knowledge should reach further than it did at the time. Eighteen years later, that conviction remains unchanged—but perspectives, tools, and opportunities have grown. <a href="https://daaily.clickup.com/forms/3064445/f/2xgkx-101735/E7XC6BBXQO9QB6P4P8?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">We are launching the Student Ambassador Program</a><a href="https://daaily.clickup.com/forms/3064445/f/2xgkx-101735/E7XC6BBXQO9QB6P4P8?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> </a>to give the next generation of architects a direct role in connecting their universities to the global architectural conversation.</p>]]>
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        <![CDATA[Architectures of Movement: ArchDaily's July Editorial Focus]]>
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      <link>https://www.archdaily.com/1042807/architectures-of-movement-archdailys-july-editorial-focus</link>
      <pubDate>Wed, 01 Jul 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Every twelve years, the banks of the Ganges at Prayagraj become one of the largest cities on Earth — and then disappear. The Maha Kumbh Mela draws over 400 million pilgrims across six weeks, requiring the construction of a full urban infrastructure: pontoon bridges, field hospitals, kilometers of temporary roads, a grid of tent cities visible from space. When the festival ends, it is dismantled entirely. No gathering in human history produces a more complete architecture of movement; built for arrival, engineered for transience, and designed to leave no permanent trace. The Kumbh Mela is exceptional in scale, but not in condition: movement has become a defining spatial problem of the century.</p>]]>
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        <![CDATA[Architectural Decisions, Planetary Implications: Interview with UIA 2026 Barcelona Curatorial Team]]>
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      <link>https://www.archdaily.com/1042737/architectural-decisions-planetary-implications-interview-with-uia-2026-barcelona-curatorial-team</link>
      <pubDate>Mon, 29 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042737/architectural-decisions-planetary-implications-interview-with-uia-2026-barcelona-curatorial-team</guid>
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        <![CDATA[<p>Barcelona is the first city in the <a href="https://www.archdaily.com/1042418/the-history-of-the-uia-world-congress-of-architecture-and-the-cities-that-shaped-it?ad_campaign=special-tag" target="_blank" rel="noopener">history of the UIA World Congress of Architects </a>to host the event twice. The 1996 edition, <em>Present and Futures: Architecture in Cities</em>, arrived at a charged moment, when the post-Olympic city was consolidating an urban model that would become one of the most studied and contested in contemporary urbanism, and when architecture was learning to think through the large metropolis as its primary site of inquiry. Thirty years later, the same city reopens the question under a different condition: one in which the built environment can no longer be understood as a self-contained object, but only through the wider ecological, material, and political systems that sustain it. The theme of the 2026 Congress — <a href="https://www.archdaily.com/1039827/uia-2026-barcelona-reveals-program-structured-around-six-thematic-becomings?ad_campaign=special-tag" target="_blank" rel="noopener"><em>Becoming. Architectures for a Planet in Transition</em></a> — does not abandon the urban concerns of 1996; it reopens them from a planetary scale.</p>]]>
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        <![CDATA[Transspecies Architecture: ArchDaily’s June Editorial Focus]]>
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      <link>https://www.archdaily.com/1042066/transspecies-architecture-archdailys-june-editorial-focus</link>
      <pubDate>Tue, 02 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Western philosophical tradition has long placed culture in opposition to nature. This dual thinking has shaped the canon of the sciences and humanities, and architecture was not left aside. Under that logic, everything that is not human exists to be exploited by them and is named "natural resource". This extractivist mindset has shaped the development of many parts of the world in the last centuries, leaving deep—sometimes irreparable—marks on the planet. Nevertheless, other ways of living have always existed. From West-African religious practices based on animism to the herbal sciences of the masters of the Sacred Jurema in Brazil; from <a href="https://www.archdaily.com/1040233/building-light-in-a-flood-zone-architecture-for-seasonal-inundation" target="_blank" rel="noopener">indigenous communities in India whose life rhythm mirrors the monsoons</a>, to the Arctic's Inuits who can see dozens of shades of white: humans and nature bear no distinction, what exists is life.</p>]]>
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        <![CDATA[20th Century Design in Flux: ArchDaily’s May Editorial Focus]]>
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      <link>https://www.archdaily.com/1041123/20th-century-design-in-flux-archdailys-may-editorial-focus</link>
      <pubDate>Fri, 01 May 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>"The story of architecture is not wrong," argued <a href="https://www.labiennale.org/en/architecture/2023/introduction-lesley-lokko?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Lesley Lokko in her introduction</a> to the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023" target="_blank" rel="noopener">Venice Architecture Biennale 2023</a>, "but it is incomplete." For most of the 20th century, architectural history spoke in one tongue: a singular, dominant narrative centered on a handful of movements, names, and cities, whose reach and influence appeared universal precisely because alternative voices were rendered inaudible. <a href="/tag/design">Design</a> movements, however, rarely traveled intact across borders. They were frequently absorbed, resisted, reinterpreted, and transformed depending on geography, politics, economy, climate, and available materials. What arrived in one place as doctrine became, somewhere else, something entirely different.</p>]]>
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        <![CDATA[Choreographing Lagos: Dele Adeyemo on Dance, Cosmology, and Spatial Practices]]>
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      <link>https://www.archdaily.com/1039851/choreographing-lagos-dele-adeyemo-on-dance-cosmology-and-spatial-practices</link>
      <pubDate>Sat, 04 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Having thrown a stone today, Eshu kills a bird of yesterday. The Yoruba proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions. The saying offers a poetic entry point to broader <a href="https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa">West African</a> traditions and to the practice of Scottish-Nigerian artist and architect <a href="https://www.archdaily.com/tag/dele-adeyemo">Dele Adeyemo</a>. Named one of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards">winners of the ArchDaily 2025 Next Practices Awards,</a> Adeyemo's work brings together ecology, spirituality, dance, and territory, examining how embodied cultural practices can generate alternative spatial possibilities within and against the architecture of racial capitalism.</p>]]>
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        <![CDATA[Light, Lighter, Lightest: ArchDaily’s April Editorial Focus]]>
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      <link>https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus</link>
      <pubDate>Wed, 01 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Architecture has long been drawn upward. In <em>Air and Dreams</em>, Gaston Bachelard writes about an imagination shaped by movement; by the urge to rise, to drift, to escape the pull of the ground. Air, for him, invites imagination to distort, to invent, to go beyond what is given rather than simply reproduce it. In that sense, lightness is not only a physical condition, but a feeling: a desire to transcend the weight of the earth and move toward<a href="https://www.archdaily.com/960205/cloth-and-linen-walls-translucent-and-weightless" target="_blank" rel="noopener"> something less tangible.</a> This impulse can be traced across architecture's enduring attempts to lift itself, <a href="https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere?ad_campaign=normal-tag" target="_blank" rel="noopener">from pilotis</a> and long spans to <a href="https://www.archdaily.com/1025601/how-textiles-shaped-architecture-prehistoric-structures-for-modern-buildings?ad_campaign=normal-tag" target="_blank" rel="noopener">suspended systems and tensile membranes</a>. To build lightly, then, is not only a technical ambition, but also a cultural one – a way of reaching toward the sky.</p>]]>
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        <![CDATA[Smiljan Radić Clarke Receives the 2026 Pritzker Prize, The Artist of Unspoken Architecture]]>
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      <link>https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Chilean architect <a href="https://www.archdaily.com/office/smiljan-radic">Smiljan Radić Clarke</a> has been announced as the laureate of the <a href="https://www.pritzkerprize.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2026 Pritzker Architecture Prize</a>, regarded as one of the highest honors in the field of architecture. The award recognizes Radić for a body of work that explores architecture through material experimentation, spatial perception, and a careful engagement with landscape and context. Born in <a href="https://www.archdaily.com/tag/santiago">Santiago</a>, <a href="https://www.archdaily.com/country/chile">Chile</a>, where he continues to live and work, Radić leads the practice Smiljan Radić Clarke, established in 1995. As the second Chilean to receive the prize, after <a href="https://www.archdaily.com/780203/alejandro-aravena-wins-2016-pritzker-prize" target="_blank" rel="noopener">Alejandro Aravena in 2016</a>, he joins a distinguished list of previous laureates, including <a href="https://www.archdaily.com/1027571/chinese-architect-liu-jiakun-receives-the-2025-pritzker-architecture-prize?ad_campaign=special-tag">Liu Jiakun in 2025</a>, <a href="https://www.archdaily.com/1014028/japanese-architect-riken-yamamoto-receives-the-2024-pritzker-architecture-prize">Riken Yamamoto in 2024</a>, <a href="https://www.archdaily.com/997513/sir-david-chipperfield-selected-as-the-2023-laureate-of-the-pritzker-architecture-prize">David Chipperfield in 2023</a>, and <a href="https://www.archdaily.com/978446/francis-kere-receives-the-2022-pritzker-architecture-prize">Diébédo Francis Kéré in 2022</a>.</p>]]>
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        <![CDATA[The Technosphere: ArchDaily’s March Editorial Focus]]>
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      <link>https://www.archdaily.com/1039242/the-technosphere-archdailys-march-editorial-focus</link>
      <pubDate>Wed, 04 Mar 2026 09:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039242/the-technosphere-archdailys-march-editorial-focus</guid>
      <description>
        <![CDATA[<p>How heavy is a house? In his 1965 essay <a href="https://pablomadridra.wordpress.com/2012/11/25/a-home-is-not-a-house-traduccion-al-castellano/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><em>A Home Is Not a House</em></a>, Reyner Banham observed that modern American dwellings were becoming structurally lighter while growing heavier in mechanical services, such as plumbing, wiring, heating, and cooling. The true weight of architecture, he argued, was no longer in walls and roofs, but in the energy-intensive systems that sustained comfort. </p>]]>
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        <![CDATA[Intestines of a Building: Aziza Chaouni on Architecture’s Systems and Resources]]>
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      <link>https://www.archdaily.com/1038912/intestines-of-a-building-aziza-chaouni-on-architectures-systems-and-resources</link>
      <pubDate>Sun, 01 Mar 2026 08:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>In an age so obsessed with skincare and appearances, few architects are truly interested in the intestines of our buildings. With a practice rooted in<a href="https://www.archdaily.com/1036611/beyond-universal-models-the-turn-toward-situated-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> contextual awareness </a>and technical pragmatism, sensitive to the needs of the people it serves and to resource limitations, Moroccan architect <a href="https://www.archdaily.com/tag/aziza-chaouni-projects" target="_blank" rel="noopener">Aziza Chaouni</a> focuses on the hidden systems that allow architecture to be. Over the past two decades, she has been working on projects across different geographies, <a href="https://www.archdaily.com/1038830/land-of-wells-designing-for-saharan-nomads" target="_blank" rel="noopener">particularly in the Saharan region</a>, actively engaging with its communities and heritage.</p>]]>
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        <![CDATA[Rethinking Heritage: ArchDaily’s February Editorial Focus]]>
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      <link>https://www.archdaily.com/1038348/rethinking-heritage-archdailys-february-editorial-focus</link>
      <pubDate>Tue, 03 Feb 2026 06:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>"We know we are not born to die," often said Brazilian architect Paulo Mendes da Rocha. "We are born to continue." In architecture, this idea of continuity lies at the heart of heritage, not as a static inheritance, but as something that endures, transforms, and is constantly reinterpreted. Yet what continues, and what is allowed to disappear, is never neutral. Decisions about preservation are shaped by power, memory, and value, raising a fundamental question for contemporary practice: who defines what is worth carrying forward, and for whom?</p>]]>
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        <![CDATA[Coming Together and the Making of Place: ArchDaily’s January Editorial Focus]]>
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      <link>https://www.archdaily.com/1037581/coming-together-and-the-making-of-place-archdailys-january-editorial-focus</link>
      <pubDate>Thu, 08 Jan 2026 06:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Long before architecture took the form of walls, roofs, or cities,<a href="https://www.archdaily.com/962817/fire-and-architecture-how-fire-shapes-the-design-of-buildings?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> it gathered people around fire</a>. The simple fire pit was one of humanity's earliest spatial devices: a place for warmth, food, storytelling, and ritual. Around it, space took shape through proximity rather than enclosure, through shared presence rather than prescribed use. The fire organized bodies in a circle, fostered alliances, and turned survival into collective life. Today, this ancestral logic persists: architecture has the potential of bringing people together not by commanding how they gather, but by creating the <a href="https://www.archdaily.com/1037387/architecture-that-shapes-health-lessons-of-design-and-well-being-in-2025?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">conditions that make togetherness possible</a>.</p>]]>
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        <![CDATA[Indigenous Materials Towards an African Modernity: An Interview with Worofila]]>
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      <link>https://www.archdaily.com/1021081/indigenous-materials-towards-an-african-modernity-an-interview-with-worofila</link>
      <pubDate>Mon, 05 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Founded by Senegalese architect Nzinga Mboup and French architect Nicolas Rondet, <a href="https://www.instagram.com/worofila/?hl=ar&amp;locale=pt_BR&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Worofila</a> is a studio dedicated to bioclimatic and ecological architecture. Based in Dakar, <a href="/tag/senegal">Senegal</a>, the firm explores the potential of <a href="https://www.archdaily.com/1017464/what-are-vernacular-technologies" target="_blank" rel="noopener">vernacular</a> materials like earth bricks and typha, applying modern techniques to create effective construction solutions. Their work addresses key issues of the environment, sustainability, and urbanization, merging traditional materials with innovative practices.</p>]]>
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        <![CDATA[Best Articles of 2025: Plural Practices, Environmental Responses, and an Architecture of Care]]>
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      <link>https://www.archdaily.com/1037263/best-articles-of-2025-plural-practices-environmental-responses-and-an-architecture-of-care</link>
      <pubDate>Wed, 24 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Across <a href="https://www.archdaily.com/1024995/2024-best-articles-architectures-new-voices-rediscovered-territories-and-a-spirit-of-shared-knowledge?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">recent years</a>, architectural discourse has been shaped by the<a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener"> emergence of new voices</a>, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">rediscovered territories</a>, and a growing commitment to <a href="https://www.archdaily.com/1036351/local-knowledge-and-ecological-context-city-making-lessons-from-chicagos-wild-mile?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">shared forms of knowledge</a>. These concerns remain fully present in 2025 as ongoing debates that continue to gain density and nuance. Questions of who produces architecture, from which contexts, and under what conditions remain central, increasingly informed by practices that operate collectively, across disciplines, and <a href="https://www.archdaily.com/1032507/architectural-authorship-in-the-age-of-the-collective-practices?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">beyond singular authorship</a>.</p>]]>
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        <![CDATA[Frank Gehry, Visionary Architect of the Bilbao Guggenheim, Dies at 96]]>
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      <link>https://www.archdaily.com/1036716/frank-gehry-visionary-architect-of-the-bilbao-guggenheim-dies-at-96</link>
      <pubDate>Fri, 05 Dec 2025 15:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036716/frank-gehry-visionary-architect-of-the-bilbao-guggenheim-dies-at-96</guid>
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        <![CDATA[<p data-start="428" data-end="830"><a href="https://www.archdaily.com/337756/happy-birthday-frank-gehry" target="_blank" rel="noopener">Frank Gehry, one of the most influential and widely recognized architects</a> of the past six decades, has died at his home in Santa Monica at the age of 96. His chief of staff, Meaghan Lloyd, confirmed that the cause was a brief respiratory illness. Gehry's death marks the passing of a designer whose work transformed not only architectural culture but the global imagination of what a building could be.</p>]]>
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        <![CDATA[The Year in Review: ArchDaily’s December Editorial Focus]]>
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      <link>https://www.archdaily.com/1036469/the-year-in-review-archdailys-december-editorial-focus</link>
      <pubDate>Tue, 02 Dec 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>From the pavilions of <a href="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" data-sk="tooltip_parent">Osaka</a> and <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/venice-architecture-biennale-2025" data-sk="tooltip_parent">Venice</a>, to the roundtables of <a href="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" data-sk="tooltip_parent">Belém</a>, another year comes to a close. December invites us to pause and look back at the moments that defined architecture and cities in 2025. Reflection is not only an act of memory, but of foresight — a way to understand where we've been in order to imagine where we might go next. From shifting cultural narratives to material and technological breakthroughs, this past year underscored the importance of experimentation and adaptation across the built environment.</p>]]>
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        <![CDATA[Wang Shu and Lu Wenyu Named Curators of the Venice Architecture Biennale 2027]]>
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      <link>https://www.archdaily.com/1036425/wang-shu-and-lu-wenyu-named-curators-of-the-venice-architecture-biennale-2027</link>
      <pubDate>Thu, 27 Nov 2025 03:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036425/wang-shu-and-lu-wenyu-named-curators-of-the-venice-architecture-biennale-2027</guid>
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        <![CDATA[<p>La Biennale di Venezia <a href="https://www.labiennale.org/en/news/wang-shu-and-lu-wenyu-curators-biennale-architettura-2027?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has announced that architects Wang Shu and Lu Wenyu</a> will curate the 20th International Architecture Exhibition, opening in May 2027. Founders of <a href="https://www.archdaily.com/tag/amateur-architecture-studio" target="_blank" rel="noopener">Amateur Architecture Studio</a> and leading voices in contemporary practice, the duo is known for an approach rooted in craftsmanship, material reuse, and deep engagement with place. Their appointment brings renewed attention to vernacular knowledge, construction cultures, and the social realities shaping architecture today.</p>]]>
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        <![CDATA[Building Less: ArchDaily’s November Editorial Focus]]>
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      <link>https://www.archdaily.com/1035535/building-less-archdailys-november-editorial-focus</link>
      <pubDate>Mon, 03 Nov 2025 04:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035535/building-less-archdailys-november-editorial-focus</guid>
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        <![CDATA[<p>As the late urban planner Jaime Lerner once argued, the future of architecture lies not in building new cities but in updating those that already exist. In a world where resources are finite and urban space is increasingly saturated, his statement feels more urgent than ever. It calls for architects to look inward, to rethink what truly needs to be built, and to recognize the creative potential of what is already there. Within the constraints of existing structures lies an opportunity to design differently: to repair, adapt, and reuse. Or, as French poet Louis Aragon would have it, to reinvent the past to see the beauty of the future.</p>]]>
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