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    <title>Author: Oscar Lopez | ArchDaily</title>
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        <![CDATA[The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation ]]>
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      <link>https://www.archdaily.com/174340/the-architecture-and-transformation-of-elbulli-from-worlds-best-restaurant-to-culinary-research-foundation</link>
      <pubDate>Wed, 23 Nov 2011 13:00:38 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>Food is as much about architecture as it is the concept of taste. With food comes the sum of its parts to create the whole, the great attention to detail and the emotion of first bite like that of entering a memorable space for the first time.</p> ]]>
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        <![CDATA[Tucson-based Architects Line and Space Wins 2011 AIA-Arizona Architectural Firm of the Year Award]]>
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      <link>https://www.archdaily.com/180704/tucson-based-architects-line-and-space-wins-2011-aia-arizona-architectural-firm-of-the-year-award</link>
      <pubDate>Tue, 22 Nov 2011 15:00:11 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>Architecture firm <strong><a href="http://www.lineandspace.com/home.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Line and Space</a>,</strong> has been selected as the 2011 Architectural Firm of the Year by the <strong><a href="http://aia-arizona.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Arizona Chapter of the American Institute of Architects (AIA)</a></strong>. The award recognizes a firm that has produced distinguished architecture for over ten years, has made significant contributions to the profession and the community, and has transcended local boundaries in making these contributions. Awarded by an out of state jury comprised of architects, the honor was given to Line and Space at the Institute’s Celebrate Architecture Awards Gala held in Phoenix on October 22.</p>]]>
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        <![CDATA[AIAS FORUM 2011 To Be Held In Sunny Phoenix Arizona]]>
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      <link>https://www.archdaily.com/180693/aias-forum-2011-to-be-held-in-sunny-phoenix-arizona</link>
      <pubDate>Mon, 21 Nov 2011 13:00:57 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/180693/aias-forum-2011-to-be-held-in-sunny-phoenix-arizona</guid>
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        <![CDATA[<p>The annual <strong><a href="http://www.aias.org/website/article.asp?id=8&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">AIAS</a></strong> <strong><a href="http://forum.aias.org/?linkid=1765&amp;navitemid=325&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">FORUM</a></strong> meeting for 2011 will take a break from the snow of the past two years (2009 Minnesota, 2010 Toronto) and be held in sunny downtown <a href="/tag/phoenix">Phoenix</a>, Arizona. <strong><a href="http://forum.aias.org/?linkid=1765&amp;navitemid=325&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">FORUM</a></strong> is the annual meeting of the AIAS and the premier global gathering of architecture and design students. The conference provides students with the opportunity to learn about important issues facing architectural education and the profession, to meet students, educators, and professionals with common interests, and to interact with some of today’s leading architects through keynote addresses, tours, workshops and seminars, last years FORUM was attended by over 1,000 young and ambitious architecture students and AIAS members. This years Keynote Speakers will be <strong><a href="http://www.inaba.us/+/INABA.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jeffrey Inaba</a></strong>, founder of C-Lab and former project manager with <a href="/tag/rem-koolhaas">Rem Koolhaas</a> and OMA, <strong><a href="http://www.harvestingrainwater.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Brad Lancaster</a></strong>, author of <strong><a href="http://www.harvestingrainwater.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">www.harvestingrainwater.com</a></strong>, and University of Californa, San Diego architect and professor <strong><a href="http://estudioteddycruz.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Teddy Cruz</a></strong>.</p>]]>
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        <![CDATA[BDP Architects Completes Russian Masterplan in Samara]]>
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      <link>https://www.archdaily.com/180705/bdp-architects-completes-russian-masterplan-in-samara</link>
      <pubDate>Sun, 13 Nov 2011 19:00:35 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/180705/bdp-architects-completes-russian-masterplan-in-samara</guid>
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        <![CDATA[<p><strong><a href="http://www.bdp.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">BDP</a></strong> has completed a masterplan study in <a href="http://wp.archdaily.com/tag/samara/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Samara</a>, the sixth largest city in Russia, won against strong international competition earlier this year. BDP was masterplanner, architect, landscape architect and sustainability consultant supported by WSP highways and Davis Langdon cost consultant for client <a href="http://wp.archdaily.com/tag/samara/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Samara</a>-Center, reuniting the same core masterplan team as the Stirling Prize shortlisted Liverpool One Masterplan.</p>]]>
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        <![CDATA[Manifestations : The Immediate Future of 3D Printing Buildings and Materials Science]]>
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      <link>https://www.archdaily.com/179148/manifestations-the-immediate-future-of-3d-printing-buildings-and-materials-science</link>
      <pubDate>Sat, 12 Nov 2011 13:00:49 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/179148/manifestations-the-immediate-future-of-3d-printing-buildings-and-materials-science</guid>
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        <![CDATA[<p>The future potential to build and realize the concepts of the human mind lie just there, within the potential of the human mind. For years the architectural world has been struggling to keep up with the ability of pen-to-paper and the recent advents in NURB surface computer modeling, algorithmic and parametric architecture. This in-return has led to the  building and technology industry playing catch-up with the recent advances in 3D architectural visualizations. In fact, as computer-aided design invaded these practices in the 1980s, radically transforming their generative foundations and productive capacities, architecture found itself most out-of-step and least alert, immersed in ideological and tautological debates and adrift in a realm of referents severed from material production.</p> ]]>
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        <![CDATA[Zaha Hadid Architects Launch iPhone &amp; iPad App]]>
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      <link>https://www.archdaily.com/179254/zaha-hadid-architects-launch-iphone-ipad-app</link>
      <pubDate>Tue, 01 Nov 2011 13:00:04 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/179254/zaha-hadid-architects-launch-iphone-ipad-app</guid>
      <description>
        <![CDATA[<p>On October 2nd <strong><a href="http://www.zaha-hadid.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Zaha Hadid Architects</a></strong> launched their much anticipated (to us architecture nerds anyways) iPhone and <a href="http://wp.archdaily.com/tag/ipad/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">iPad</a> App, made available through <strong><a href="http://www.apple.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Apple</a></strong> and <strong><a href="http://www.apple.com/itunes/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">iTunes</a></strong>. This new App will allow users to browse through ZHA current portfolio of design and architecture. In a future update to the App there will be exclusive access and insight into some of the award winning buildings in the form of interactive guides (coming soon) to be used when visiting Zaha Hadid’s buildings.</p>]]>
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        <![CDATA[Saemangum Exhibition Center / poly.m.ur]]>
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      <link>https://www.archdaily.com/173445/saemangum-exhibition-center-poly-m-ur</link>
      <pubDate>Mon, 10 Oct 2011 16:00:53 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>Saemangum is the name for the newly reclaimed area on the west coast of Korea by the architecture and urbanism firm <strong><a href="http://polymur.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">poly.m.ur</a></strong>. It has been the country’s most anticipated reclamation project of recent years and promises enormous new opportunities for cultural commercial developments in the region. The brief was to provide an exhibition space to commemorate the completion of the work and showcase the visions and plans for this new land. The concept of the design was inspired by the lost mud flat in the area as the result of reclamation. Analogous to the mud flat, the building was designed to act as a ‘living field’, which breathe environment, programs, and activities.</p>]]>
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        <![CDATA[A Musical Interlude with Simon &amp; Garfunkel / So Long, Frank Lloyd Wright]]>
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      <link>https://www.archdaily.com/173492/a-musical-interlude-with-simon-garfunkel-so-long-frank-lloyd-wright</link>
      <pubDate>Sat, 08 Oct 2011 13:00:17 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>For those of you who may not know who <a href="http://wp.archdaily.com/tag/simon-garfunkel/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Simon &amp; Garfunkel</a> are (don’t worry I wouldn’t admit to it either), they were an American duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. Most notably known for their hit single “The Sound of Silence” and also for their music being featured in the film The Graduate which featured another one of their hits “Mrs. Robinson”.</p>]]>
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        <![CDATA[Jeju World Natural Heritage Center / poly.m.ur]]>
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      <link>https://www.archdaily.com/172739/jeju-world-natural-heritage-center-poly-m-ur</link>
      <pubDate>Tue, 04 Oct 2011 07:30:40 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/172739/jeju-world-natural-heritage-center-poly-m-ur</guid>
      <description>
        <![CDATA[<p><a href="http://wp.archdaily.com/tag/jeju/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jeju</a> is an island formed by volcanic activities and celebration of its distinctive geological features was one of the main objectives of the brief. The design started from answering the brief which explicitly requested that the scheme to symbolise the volcanic landscape of <a href="http://wp.archdaily.com/tag/jeju/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jeju</a> consists of caves and mounds. <strong><a href="http://polymur.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">poly.m.ur</a></strong> viewed these two geological feature in terms of their morphological forma-tions – one as constructive space (volcanic mounds) and the other one as subtractive space (volcanic caves), and were repre-sented in the formation of the massing of our scheme.</p>]]>
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        <![CDATA[Jeju University Cultural Heritage Center / poly.m.ur]]>
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      <link>https://www.archdaily.com/172712/jeju-university-cultural-heritage-center-poly-m-ur</link>
      <pubDate>Sat, 01 Oct 2011 16:00:07 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/172712/jeju-university-cultural-heritage-center-poly-m-ur</guid>
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        <![CDATA[<p>The design of the new <a href="http://wp.archdaily.com/tag/jeju/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jeju</a> Cultural Heritage Centre started from an attempt to interpret the cultural value of the traditional artifacts that are to be exhibited here with contemporary view. <strong><a href="http://polymur.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">poly.m.ur</a></strong> was intrigued by the fact that these artifacts are exemplary in showing the influence of regional material on the life of early settlers, and they wanted their proposal to be seen as an object which can symbolize the local characteristics shaped by the abundant availability of basalt as raw material and the indigenous techniques of tool making.</p>]]>
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        <![CDATA[Bernhard Leitner: Sound Spaces]]>
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      <link>https://www.archdaily.com/168979/bernhard-leitner-sound-spaces</link>
      <pubDate>Fri, 23 Sep 2011 13:00:48 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/168979/bernhard-leitner-sound-spaces</guid>
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        <![CDATA[<p>“I can hear with my knee better than with my calves.” This statement made by Bernhard Leitner, which initially seems absurd, can be explained in light of an interest that he still pursues today with unbroken passion and meticulousness: the study of the relationship between sound, space, and body. Since the late 1960s, Bernhard Leitner has been working in the realm between architecture, sculpture, and music, conceiving of sounds as constructive material, as architectural elements that allow a space to emerge. Sounds move with various speeds through a space, they rise and fall, resonate back and forth, and bridge dynamic, constantly changing spatial bodies within the static limits of the architectural framework. Idiosyncratic spaces emerge that cannot be fixed visually and are impossible to survey from the outside, audible spaces that can be felt with the entire body. Leitner speaks of “corporeal” hearing, whereby acoustic perception not only takes place by way of the ears, but through the entire body, and each part of the body can hear differently.</p> ]]>
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        <![CDATA[Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)!]]>
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      <link>https://www.archdaily.com/169392/batmans-rumored-new-home-for-the-dark-knight-rises-welcome-to-the-batcave-maybe</link>
      <pubDate>Fri, 16 Sep 2011 13:00:44 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>Batman’s rumored new home in the upcoming The Dark Knight Rises is none other than the long awaited arrival of the <a href="http://wp.archdaily.com/tag/batcave/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">batcave</a>. Located in <a href="http://wp.archdaily.com/tag/turda/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Turda</a> Romania, the abandoned <a href="http://wp.archdaily.com/tag/turda/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Turda</a> Salt Mine is flooding the internet with buzz that this will be the location where filming will take place for the <a href="http://wp.archdaily.com/tag/batcave/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">batcave</a>. Leaving fanboy’s everywhere lusting for more information that this is in fact where batman will store his batsuit, batmobile, and all of his other gadgets. While filming for The Dark Knight Rises has already begun, it is with high hopes that the Turda Salt Mine will be added to the filming locations and serve as batmans’s new home.</p>]]>
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        <![CDATA[Paolo Soleri's Bridge Design Collection: Connecting Metaphor  ]]>
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      <link>https://www.archdaily.com/163889/paolo-soleris-bridge-design-collection-connecting-metaphor</link>
      <pubDate>Sun, 11 Sep 2011 13:00:32 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/163889/paolo-soleris-bridge-design-collection-connecting-metaphor</guid>
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        <![CDATA[<p>“Of all things that are man-made, bridges are, with dams, the most “structural,” single-minded, and imposing. As connectors at a breaking point, they have a heroic force that is aided by a challenging structuralism. As a strand of continuity in a non-continuum, the bridge is full of implied meanings. It is the opposite of devisiveness, separation, isolation, irretrievability, loss, segregation, abandonment. To bridge is as cogent in the psychic realm as it is in the physical world. The bridge is a symbol of confidence and trust. It is a communications medium as much as a connector.”</p> ]]>
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        <![CDATA[Paolo Soleri's Arcosanti : The City in the Image of Man]]>
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      <link>https://www.archdaily.com/159763/paolo-soleris-arcosanti-the-city-in-the-image-of-man</link>
      <pubDate>Sat, 03 Sep 2011 13:00:15 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[[OVER]fill / Architekton]]>
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      <link>https://www.archdaily.com/160868/overfill-architekton</link>
      <pubDate>Sat, 03 Sep 2011 07:30:06 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>The <strong><a href="http://www.smoca.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Scottsdale Museum of Contemporary Art</a></strong> Flip a Strip competition challenged designers around the country to re-imagine the suburban strip mall as an urban typology, proposing an alternative to the ubiquitous developments which have emerged as an economic response to a rapidly outward expanding residential market and the availability of inexpensive land.</p>]]>
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        <![CDATA[AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis]]>
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      <link>https://www.archdaily.com/157658/ad-classics-expo-58-philips-pavilion-le-corbusier-and-iannis-xenakis</link>
      <pubDate>Thu, 25 Aug 2011 21:00:49 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>In 1956, preparations had begun for the <a href="http://www.expomuseum.com/1958/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1958 World’s Fair in Brussels</a>. This was to be the first World’s Fair held since the end of World War II, the concept behind the Expo was to celebrate the rejuvenation of civilization from the destruction of war through the use of technology. This World Fair is best known for the musical advances that was combined with architecture, creating a gestalt through an experiential encounter where body meets sound and space.</p>]]>
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        <![CDATA[Roth House / Debartolo Architects]]>
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      <link>https://www.archdaily.com/159070/roth-house-debartolo-architects</link>
      <pubDate>Wed, 24 Aug 2011 12:50:47 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p>The studio of <strong><a href="http://debartoloarchitects.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Debartolo Architects</a></strong> is a unique architectural design firm in that they are passionately committed to architectural excellence parallel with their commitment to serving clients and creating relevant and functionally-tuned environments for people. Founded in 1996 as a collaboration of the father-son team, the firm is built on the rich history of Jack Debartolo Jr. <strong><a href="http://www.aia.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">FAIA’s</a></strong> 22-year partnership with <strong>Anderson DeBartolo Pan, Inc.</strong> Through creativity, innovation and careful listening, their team has become one of the leading studios in creating highly-custom, well-tuned built-environments that respond to their client, context, culture and community.</p>]]>
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        <![CDATA[Arizona State University School of Earth and Space Exploration (ISTB4) / Ehrlich Architects ]]>
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      <pubDate>Sun, 21 Aug 2011 16:00:47 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
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        <![CDATA[<p><strong> </strong></p> ]]>
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