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    <title>Author: Mohieldin Gamal | ArchDaily</title>
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        <![CDATA[City-Making Through Participation: Lessons from Utopian Hours 2026]]>
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      <link>https://www.archdaily.com/1042568/city-making-through-participation-lessons-from-utopian-hours-2026</link>
      <pubDate>Fri, 19 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Who has the right to the <a href="https://www.archdaily.com/tag/city" target="_blank" rel="noopener">city</a>? <a href="https://en.wikipedia.org/wiki/Right_to_the_city?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Henri Lefebvre</a>'s writings question the structures that control <a href="https://www.archdaily.com/tag/urban-space" target="_blank" rel="noopener">urban space</a> and, instead, put the citizens at the center of decision-making. His ideas have influenced the way <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> and <a href="https://www.archdaily.com/tag/urban-design" target="_blank" rel="noopener">urban design</a> are practiced, bringing about community <a href="https://www.archdaily.com/tag/participatory-design" target="_blank" rel="noopener">participation</a> and <a href="https://www.archdaily.com/tag/co-design" target="_blank" rel="noopener">co-design</a>. These have been some of the most prominent themes at <a href="https://utopianhours.it/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Utopian Hours 2026</a>, the festival of city-making, the first part of which was held in the Dutch city of <a href="https://www.archdaily.com/tag/rotterdam" target="_blank" rel="noopener">Rotterdam</a> to mark its tenth anniversary edition. </p>]]>
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        <![CDATA[Ecologies of Repair: Reconciling Our Relationship with Water]]>
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      <link>https://www.archdaily.com/1042181/ecologies-of-repair-reconciling-our-relationship-with-water</link>
      <pubDate>Mon, 08 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Ola Hassanain is a <a href="https://www.archdaily.com/country/sudan/page/1" target="_blank" rel="noopener">Sudanese</a> architect and artist operating in the <a href="https://www.archdaily.com/tag/netherlands" target="_blank" rel="noopener">Netherlands</a>, and will be exhibiting at the <a href="https://www.archdaily.com/tag/pan-african-architecture-biennale" target="_blank" rel="noopener">Pan-African Architecture Biennale</a> in <a href="https://www.archdaily.com/tag/nairobi" target="_blank" rel="noopener">Nairobi</a>, <a href="https://www.archdaily.com/country/kenya/page/1" target="_blank" rel="noopener">Kenya</a>, later in 2026. All three locations tell stories of the built environment's relationship with <a href="https://www.archdaily.com/tag/water" target="_blank" rel="noopener">water</a>. These illustrate the continuous battles between the amorphous forces of <a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">nature</a> that are the rivers and seas, and human attempts to shape and control them. In most cases, they are attempts at extraction. Catastrophes happen as a result of the overreach of these attempts or of their mismanagement, or both.</p>]]>
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        <![CDATA[MASS: A Non-Profit Model for Architecture in Service of Society]]>
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      <link>https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society</link>
      <pubDate>Fri, 22 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society</guid>
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        <![CDATA[<p>At the time of writing, an article by Martyn Evans asked '<a href="https://www.bdonline.co.uk/opinion/is-architecture-in-crisis/5141978.article?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Is Architecture in Crisis</a>?' In the same year, Reinier de Graaf published the book '<a href="https://www.amazon.com/Architecture-Against-Manifesto-Reinier-Graaf/dp/B0FFG3C6GB/ref=sr_1_1?crid=2MADIEELUJV39&amp;dib=eyJ2IjoiMSJ9.NRzTEN8J65e7QBpRQJkRoSag3eZCl8LsPcurPh3hjyTYarnGbO1c12Y9S4ZqG0Uzod6MeLQF5vKX-vuLImnlKaWqndYyRmULob_2U5VA81SvTLiSlMzOwuPx2JXVS7MPf_s0i9tX2x0RuOVFK33d_qW_iCkeQ3PEOe5N3lcZYGOAStaagxg047AZobyN_HSnzO4PE3L-jw7nE3-Uum8aVWn4LHUzoR4WzRopeSzNiQc.uqBFtn8zW20w7fpVuRYT1oUmJedSYW-bGs2pY23A3cU&amp;dib_tag=se&amp;keywords=architecture+against+architecture&amp;qid=1779021333&amp;sprefix=architecture+against+arc%2Caps%2C300&amp;sr=8-1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architecture Against Architecture</a>,' where he set out fourteen problems with the profession and discipline. The question of a <a href="https://www.archdaily.com/tag/crisis" target="_blank" rel="noopener">crisis</a> in architecture is a perennial one. Referring to <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> as a profession, it rears its head especially when <a href="https://www.archdaily.com/tag/economical-crisis" target="_blank" rel="noopener">economic downturns</a> are expected or in full swing. Simultaneously, there are ongoing questions regarding the effectiveness of architecture at dealing with the pressing matters of the globe and society—<a href="https://www.archdaily.com/tag/housing" target="_blank" rel="noopener">housing</a>, <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a>, and <a href="https://www.archdaily.com/tag/development" target="_blank" rel="noopener">human development</a>. One venture that attempts to address these questions is <a href="https://www.archdaily.com/tag/mass" target="_blank" rel="noopener">MASS</a>, established in <a href="https://www.archdaily.com/country/rwanda/page/1" target="_blank" rel="noopener">Rwanda</a> not long after the 2008 financial crisis. The clue is in the name, which stands for <em>Model of Architecture Serving Society</em>. MASS was created as a different way of practicing architecture. </p>]]>
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        <![CDATA[Alternate Futures: Five Modernist Landmarks Reimagined for the 21st Century]]>
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      <link>https://www.archdaily.com/1041097/alternate-futures-five-modernist-landmarks-reimagined-for-the-21st-century</link>
      <pubDate>Wed, 06 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernism</a> in architecture was perhaps the first truly global building design philosophy. Established at the beginning of the twentieth century, its early proponents were heavyweights from Europe, such as <a href="https://www.archdaily.com/tag/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>, <a href="https://www.archdaily.com/tag/walter-gropius" target="_blank" rel="noopener">Walter Gropius</a>, and <a href="https://www.archdaily.com/tag/mies-van-der-rohe" target="_blank" rel="noopener">Mies van der Rohe</a>. In 1923, Le Corbusier published his seminal written work, usually translated into English as <em>Towards a New Architecture</em>. Newness, and a rejection of history, was one of the central tenets of modernism. This manifested itself in the use of new <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> such as <a href="https://www.archdaily.com/tag/steel" target="_blank" rel="noopener">steel</a> and <a href="https://www.archdaily.com/tag/concrete" target="_blank" rel="noopener">concrete</a>, which gave rise to an unprecedented freedom of formal expression. </p>]]>
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        <![CDATA[Hôtel de la Paix: An Alternative Approach to Modern Heritage in Togo]]>
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      <link>https://www.archdaily.com/1040704/hotel-de-la-paix-an-alternative-approach-to-modern-heritage-in-togo</link>
      <pubDate>Fri, 24 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>In late 2024, an event was held in the grounds of the recently refurbished colonial-era <a href="https://www.archdaily.com/934791/palace-in-lome-exhibition-space-and-workshops-segond-guyon-architectes" target="_blank" rel="noopener">Palais de Lomé</a> in the capital of <a href="https://www.archdaily.com/search/projects/country/togo" target="_blank" rel="noopener">Togo</a>. Students from the architecture university of Lomé were attending the first <a href="https://www.studioneida.com/les-rencontres-architecturales-de-lome-ral-1?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Lomé Architecture Encounters</a> (RAL #1), curated by the transdisciplinary <a href="https://www.archdaily.com/1040373/material-is-where-the-story-begins-studio-neida-on-building-through-craft-and-context" target="_blank" rel="noopener">Studio NEiDA</a>, and which involved lectures, film screenings, workshops, and building visits. A parallel exhibition displayed the country's most significant architecture through history. The purpose of the event was to explore the <a href="/tag/architectural-heritage">architectural heritage</a> of Togo, and it would be the start of a journey that crosses borders, asking questions about the <a href="/tag/conservation">conservation</a> of <a href="https://www.archdaily.com/tag/colonial-architecture" target="_blank" rel="noopener">modern heritage</a>. Unlike colonial buildings like the Palais de Lomé itself, which are more appreciated and readily restored, neglected modern buildings like the <a href="https://www.archdaily.com/1029846/togo-pavilion-biennale-architettura-2025" target="_blank" rel="noopener">Hôtel de la Paix</a> require creative, bottom-up approaches to return them to their former vitality.</p>]]>
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        <![CDATA[Elevating Earth: Reviving and Advancing an Indigenous Building Material]]>
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      <link>https://www.archdaily.com/1040348/elevating-earth-reviving-and-advancing-an-indigenous-building-material</link>
      <pubDate>Sun, 12 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Twenty meters tall and four thousand years old, the <a href="https://en.wikipedia.org/wiki/Western_Deffufa?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Western Deffufa</a> towers over the adjacent date orchards and ancient city remains in the desert. It is a former religious and administrative building near the modern-day <a href="https://www.archdaily.com/country/sudan/page/1" target="_blank" rel="noopener">Sudanese</a> town of Kerma. Its significance is not only in its age and size, but also in that it is one of the oldest <a href="https://www.archdaily.com/tag/earth-construction" target="_blank" rel="noopener">mud brick buildings</a> in the world. And as the nearby mud brick houses also attest, earth is a material of continuous use from ancient times to the present. Yet, conversations around contemporary building systems have largely ignored this essential material. Some architects on the continent of <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a>, however, are changing that.</p>]]>
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        <![CDATA[Deir ez-Zor: Raising Hope Through Heritage Documentation]]>
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      <link>https://www.archdaily.com/1039786/deir-ez-zor-raising-hope-through-heritage-documentation</link>
      <pubDate>Sun, 22 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>The historic city of <a href="https://www.archdaily.com/tag/deir-ez-zor-heritage-library" target="_blank" rel="noopener">Deir ez-Zor</a> in eastern <a href="https://www.archdaily.com/country/syria/page/1" target="_blank" rel="noopener">Syria</a> has had more than its fair share of calamity after the outbreak of the war in 2011. After seeing destruction caused by fierce battles between armed groups and the central government, as well as occupation by ISIL, the earthquake in February 2023 brought further damage. Behind the headlines, however, is an ancient city tracing its founding to the dawn of civilization on the banks of the Euphrates River, with living architecture from the Ottoman and French Mandate periods. A winner of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">ArchDaily 2025 Next Practices Awards</a>, the<a href="https://www.archdaily.com/tag/deir-ez-zor-heritage-library" target="_blank" rel="noopener"> Deir ez-Zor Heritage Library</a> aims to revitalize the city and support sensitive <a href="https://www.archdaily.com/tag/reconstruction" target="_blank" rel="noopener">reconstruction</a> by documenting and promoting its built heritage.</p>]]>
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        <![CDATA[Ethiopian Modernism: Mid-Century Architecture of Africa's Capital]]>
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      <link>https://www.archdaily.com/1039211/ethiopian-modernism-mid-century-architecture-of-africas-capital</link>
      <pubDate>Tue, 03 Mar 2026 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039211/ethiopian-modernism-mid-century-architecture-of-africas-capital</guid>
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        <![CDATA[<p>In January 2026, the <a href="https://www.archdaily.com/tag/world-monuments-fund-knoll-modernism-prize" target="_blank" rel="noopener">World Monuments Fund/Knoll Modernism Prize</a> was awarded to <a href="https://www.archdaily.com/country/australia/page/1" target="_blank" rel="noopener">Australian</a> firm <a href="https://www.archdaily.com/office/architectus" target="_blank" rel="noopener">Architectus</a> for their conservation of the Africa Hall in <a href="https://www.archdaily.com/tag/addis-ababa" target="_blank" rel="noopener">Addis Ababa</a>, <a href="https://www.archdaily.com/country/ethiopia/page/1" target="_blank" rel="noopener">Ethiopia</a>. The award recognizes that <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernist</a> buildings, once seen as a vanguard of architecture, are falling into disrepair and are underappreciated by the public. The situation in <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a> is typical of this global sentiment, and this was the first time a building on the continent was graced with this award. The prize also spotlights Ethiopia's rich Modernist inventory, which marks its continental role in the <a href="https://www.archdaily.com/tag/mid-century" target="_blank" rel="noopener">mid and late twentieth century</a>.</p>]]>
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        <![CDATA[Land of Wells: Designing for Saharan Nomads]]>
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      <link>https://www.archdaily.com/1038830/land-of-wells-designing-for-saharan-nomads</link>
      <pubDate>Sun, 22 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>In some languages, the very word for <a href="https://en.wiktionary.org/wiki/immeuble?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">building</a> refers to its immovability. The discipline of <a href="https://www.archdaily.com/tag/structural-engineering" target="_blank" rel="noopener">engineering</a> related to buildings is referred to as <em>statics</em>. Thus, architecture is closely related to the fixed and the immobile. And yet, for millions of nomadic people around the world, shelters must be of a light and distinctly movable structure, while home is the vast landscape in which they reside. Such lifestyles, which carry centuries of traditions, are constantly under threat from the pull factors of sedentary life in towns and <a href="https://www.archdaily.com/tag/cities" target="_blank" rel="noopener">cities</a>. In <a href="/tag/tunisia">Tunisia</a>, one project acknowledges the risk of <a href="https://www.archdaily.com/tag/archdaily-topic-2026-rethinking-heritage" target="_blank" rel="noopener">heritage</a> loss and attempts to improve conditions for nomadic herders.</p>]]>
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        <![CDATA[Tashkent Architecture City Guide: Ten Buildings of Soviet Hybrid Modernism]]>
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      <link>https://www.archdaily.com/1038318/soviet-architecture-of-tashkent-ten-key-buildings-of-hybrid-modernism</link>
      <pubDate>Tue, 03 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Situated along the historic Silk Road in <a href="https://www.archdaily.com/tag/central-asia" target="_blank" rel="noopener">Central Asia</a>, <a href="https://www.archdaily.com/tag/Tashkent" target="_blank" rel="noopener">Tashkent</a> is a city with a long history spanning thousands of years. Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of <a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">Uzbekistan</a> today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the <a href="https://www.archdaily.com/tag/soviet-union" target="_blank" rel="noopener">Soviet Union</a>, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> monuments for which Tashkent is known today.</p>]]>
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        <![CDATA[Architecture as Nation-Building: Modernism and Independence in Africa]]>
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      <link>https://www.archdaily.com/1037931/architecture-as-nation-building-modernism-and-independence-in-africa</link>
      <pubDate>Sat, 24 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Launched in September 2024, the <em><a href="https://www.archdaily.com/1021063/rediscovering-modernism-in-africa-from-nostalgia-to-optimism" target="_blank" rel="noopener">Rediscovering Modernism in Africa</a></em> series joined a growing worldwide interest in this topic. Previously underrepresented in architectural discussions, the work of architects and researchers on the continent and abroad has continued to tell the story of these high-quality <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modern</a> works of architecture. These buildings represent designers striving to create locally suited architecture using global concepts and technologies, coinciding with huge political changes as most <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">African</a> countries gained their independence.</p>]]>
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        <![CDATA[Modern Spolia: Harvesting Building Materials from Demolition Sites]]>
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      <link>https://www.archdaily.com/1032354/modern-spolia-harvesting-building-materials-from-demolition-sites</link>
      <pubDate>Wed, 07 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/circular-economy" target="_blank" rel="noopener">circular economy</a>, including the <a href="https://www.archdaily.com/tag/salvaged-materials" target="_blank" rel="noopener">reuse of building materials</a>, is fast becoming a key component in the fight against <a href="https://www.archdaily.com/tag/low-carbon" target="_blank" rel="noopener">carbon emissions</a>. This involves designing to minimize waste and utilize materials that can be reused at the end of the building's life. On the opposing side, the reuse of materials from partially or wholly <a href="https://www.archdaily.com/tag/demolition" target="_blank" rel="noopener">demolished</a> buildings can also reduce waste and carbon emissions that would have resulted from using virgin materials. <a href="/tag/sustainability">Sustainability</a> purposes aside, the reuse of building materials has a centuries-old history, both for symbolic reasons and simply out of necessity.</p>]]>
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        <![CDATA[Narratives of Syrian Modernism: Rediscovering the Center for Marine Research]]>
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      <link>https://www.archdaily.com/1027556/narratives-of-syrian-modernism-rediscovering-the-center-for-marine-research</link>
      <pubDate>Thu, 25 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027556/narratives-of-syrian-modernism-rediscovering-the-center-for-marine-research</guid>
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        <![CDATA[<p>As <a href="https://www.archdaily.com/country/syria" target="_blank" rel="noopener">Syria </a>is emerging from over a decade of conflict at the time of writing, it is an opportunity to rediscover its architectural gems. Just to the north of the country's principal port city of <a href="https://en.wikipedia.org/wiki/Latakia?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Latakia </a>is a <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernist </a>creation that is the <a href="https://www.amasyria.com/en/the-center-for-marine-research/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Center for Marine Research</a>. Its pyramidal structure is situated on a prominent headland surrounded by sea on three sides. To the east is a bay with hotels and beaches while to the north and west is the open <a href="/tag/mediterranean-sea">Mediterranean Sea</a> reaching Turkey and Cyprus beyond. Despite its importance both as a research institution and as a piece of architecture, it lies abandoned and isolated today.</p>]]>
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        <![CDATA[Interior Design Trends of 2025]]>
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      <link>https://www.archdaily.com/1036727/interior-design-trends-of-2025</link>
      <pubDate>Tue, 09 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036727/interior-design-trends-of-2025</guid>
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        <![CDATA[<p>As 2025 approaches its end, we look back at an eventful year in the world of interior design. <a href="https://www.archdaily.com/1024255/10-interior-design-trends-of-2024" target="_blank" rel="noopener">Last year</a>, designers favored reserved, modest approaches, a trend that continued from previous years. The emergence of artificial intelligence generated intense discussions on digital equity and misinformation, which continued into 2025, especially with the topic of the Venice <a href="/tag/architecture">Architecture</a> Biennale, <a href="https://www.archdaily.com/1031098/an-unfolding-crisis-with-a-hopeful-outlook-highlights-from-the-projects-exhibited-at-venice-architecture-biennale-2025" target="_blank" rel="noopener">Intelligens</a>. This opened the conversation to the opportunities of digital technologies, attempting a more hopeful outlook. On the other hand, completed interior design projects over the year focused more on the tangible and the pragmatic, with expressed raw materials and an appreciation of history.</p>]]>
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        <![CDATA[Moroccan Modern: The Architecture of Jean-François Zevaco]]>
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      <link>https://www.archdaily.com/1036341/moroccan-modern-the-architecture-of-jean-francois-zevaco</link>
      <pubDate>Thu, 27 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernism</a> has a long history in <a href="https://www.archdaily.com/country/morocco/page/1" target="_blank" rel="noopener">Morocco</a>. Being close to <a href="https://www.archdaily.com/tag/europe" target="_blank" rel="noopener">Europe</a> and under French Protectorate rule, it kept pace with architectural developments in the movement. Its relative peace after the Second World War further strengthened its role as some European architects sought a hub for new ideas. Architects in independent Morocco adopted Modernism as they were tasked to build the infrastructure of a new nation. The architect Jean-François Zevaco, born in Morocco to French parents, practiced across these formative periods, developing his own expressive version of modern architecture.</p>]]>
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        <![CDATA[Bugs, Bees, and Trees: How to Integrate Biodiversity in the Built Environment]]>
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      <link>https://www.archdaily.com/1035869/bugs-bees-and-trees-how-to-integrate-biodiversity-in-the-built-environment</link>
      <pubDate>Tue, 11 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035869/bugs-bees-and-trees-how-to-integrate-biodiversity-in-the-built-environment</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/biodiversity" target="_blank" rel="noopener">Biodiversity</a>, defined by the World Wide Fund for Nature (WWF) as the different kinds of life found in an area, is in a state of crisis all across the world, with declines in the numbers of organisms and many species declared as at risk of extinction. All types are affected, from plants and fungi to large mammals, and there is a clear link to human activity being the cause. Although farming methods and <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a> due to <a href="https://www.archdaily.com/tag/greenhouse-gas-emissions" target="_blank" rel="noopener">greenhouse gases</a> play a major role, cities and buildings can play a small but important role in countering this decline.</p>]]>
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        <![CDATA[Global Heating: How Vernacular Architecture is Affected by the Climate Crisis]]>
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      <link>https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</link>
      <pubDate>Sun, 02 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">Vernacular architecture</a> is often referred to as harboring lessons for creating <a href="https://www.archdaily.com/tag/low-carbon" target="_blank" rel="noopener">low-energy buildings</a> and the fight against climate change. Yet, as <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">weather patterns</a> are changing, there are cases where traditional building techniques are themselves becoming at risk. As well as changes in temperature, different regions have faced becoming wetter or drier, experiencing increased risk of droughts, flooding, storms, and changes to local flora. The <a href="https://www.archdaily.com/1002826/the-painted-houses-of-tiebele-a-model-for-communal-collaboration" target="_blank" rel="noopener">painted houses of Tiébélé</a> in <a href="https://www.archdaily.com/country/burkina-faso/page/1" target="_blank" rel="noopener">Burkina Faso</a>, recognized as a <a href="https://www.archdaily.com/tag/unesco-world-heritage-site" target="_blank" rel="noopener">UNESCO World Heritage Site</a>, are one example.</p>]]>
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        <![CDATA[The Safari Lodge: An Overlooked Typology with Social and Environmental Potential]]>
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      <link>https://www.archdaily.com/1035059/the-safari-lodge-an-overlooked-typology-with-social-and-environmental-potential</link>
      <pubDate>Fri, 17 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035059/the-safari-lodge-an-overlooked-typology-with-social-and-environmental-potential</guid>
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        <![CDATA[<p>In Eastern and Southern <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a>, safari <a href="https://www.archdaily.com/tag/cabins-and-lodges" target="_blank" rel="noopener">lodges</a> attract tourists from around the world wishing to witness the landscapes and fauna of the natural world. Usually situated in <a href="https://www.archdaily.com/tag/national-park" target="_blank" rel="noopener">national parks</a> and game reserves, their remote locations make for costly journeys and are therefore suitable for luxury stays. Often overlooked as an architectural typology, many lodges risk falling into the trap of being contextually insensitive or crudely mimicking vernacular building methods, resulting in pastiche. On the other hand, the safari lodge sits at the intersection of <a href="https://www.archdaily.com/1031841/architecture-as-an-invitation-to-explore-25-visitor-centers-around-the-world?ad_campaign=normal-tag" target="_blank" rel="noopener">the man-made and natural worlds</a>, bringing together rural dwellers and townfolk, wealth and poverty, wildlife and humans. Thus, it can be an opportunity to design with the highest <a href="https://www.archdaily.com/tag/social-responsibility" target="_blank" rel="noopener">social</a> and <a href="https://www.archdaily.com/tag/environment" target="_blank" rel="noopener">environmental</a> responsibility.</p>]]>
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