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    <title>Author: Keshia Badalge | ArchDaily</title>
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        <![CDATA[In World's First 3-D Printed Home Community, Houses will be Built in a Day for $4000]]>
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      <link>https://www.archdaily.com/891065/in-worlds-first-3d-printed-community-houses-cost-4000-dollars-and-are-built-in-24-hours</link>
      <pubDate>Tue, 13 Nov 2018 08:30:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
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        <![CDATA[<p><em>Editor's Note: This story was originally published 27 March 2018. It was recently announced that ICON, the construction company leading the project, has successfully raised $9 million in seed funding for the project. A new video of the project is included below. </em></p>]]>
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        <![CDATA[Rem Koolhaas and Son Tomas Talk About The Years-Long Process of Shooting “REM”]]>
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      <link>https://www.archdaily.com/895878/rem-koolhaas-and-son-tomas-talk-about-the-years-long-process-of-shooting-rem</link>
      <pubDate>Wed, 06 Jun 2018 12:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p dir="ltr"><em>ArchDaily</em> had the chance to catch <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> and his son, <a href="https://www.archdaily.com/tag/tomas-koolhaas">Tomas Koolhaas</a>, together, when they met for a weekend in Los Angeles. In their first ever interview together, following the release of “<a href="https://www.archdaily.com/793219/rem-tomas-koolhaas-film-retroactive-redacted-study-of-the-worlds-greatest-living-architect">REM</a>” online, we spoke with the pair about the documentary that was four years in the making. The film had Tomas following his father from the desert to the ocean to the <a href="https://www.archdaily.com/tag/venice-biennale-2014">2014 Venice Biennale</a>, as well as inside several <a href="https://www.archdaily.com/office/oma">OMA</a> projects around the world, like the <a href="https://www.archdaily.com/11651/seattle-central-library-oma-lmn">Seattle Central Library</a> in America and <a href="https://www.archdaily.com/104724/ad-classics-maison-bordeaux-oma">Maison à Bordeaux</a> in France.</p>]]>
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      <title>
        <![CDATA[What Makes a City Livable to You?]]>
      </title>
      <link>https://www.archdaily.com/893435/what-makes-a-city-livable-to-you</link>
      <pubDate>Sat, 28 Apr 2018 09:30:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p class="p1">Mercer released their annual list of the <a href="https://www.archdaily.com/891943/these-are-the-20-most-livable-cities-in-the-world-in-2018">Most Livable Cities in the World</a> last month. The list ranks 231 cities based on factors such as crime rates, sanitation, education and health standards, with Vienna at #1 and Baghdad at #231. There’s always some furor over the results, as there ought to be when a city we love does not make the top 20, or when we see a city rank highly but remember that one time we visited and couldn’t wait to leave.</p>]]>
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        <![CDATA[Bjarke Ingels' Twisting High Line Towers Presented in New Art Installation]]>
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      <link>https://www.archdaily.com/893264/bjarke-ingels-twisting-high-line-towers-presented-in-new-art-installation</link>
      <pubDate>Thu, 26 Apr 2018 10:30:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p class="p1">It was an early morning in Chelsea, and men in suits were standing around the street, ushering in guests into a dark, 12,000 square-foot exhibition space at the XI gallery. Inside, the room was lit by a centerpiece installation of the <a href="https://www.archdaily.com/tag/new-york-city">New York City</a> skyline, sprawling upwards towards the ceiling with its reflection. <a href="https://www.archdaily.com/tag/bjarke-ingels">Bjarke Ingels </a>was going to unveil new plans for <a href="https://www.archdaily.com/890574/new-rendering-shows-off-the-final-design-of-bigs-twisting-high-line-towers-as-construction-moves-forward">The XI</a> (‘The Eleventh’), a pair of twisting towers set between 17th and 18th Streets and 10th and 11th Avenue. Es Devlin, a British artist who has stage-designed for Beyoncé and Katy Perry, was tapped by HFZ Capital Group to create three installations to present the project.</p>]]>
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        <![CDATA[Can Architecture Save China’s Rural Villages? DnA’s Xu Tiantian Thinks So]]>
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      <link>https://www.archdaily.com/892947/can-architecture-save-chinas-rural-villages-dnas-xu-tiantian-thinks-so</link>
      <pubDate>Fri, 20 Apr 2018 09:30:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p class="p1">Travel seven hours by car in a Southwest direction from Shanghai and you will arrive in Songyang County. The name is unfamiliar to many Chinese people, and even more foreign to those living abroad. The county consists of about 400 villages, from Shicang to Damushan.</p>]]>
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        <![CDATA[Elizabeth Diller of Diller Scofidio + Renfro Named Again in Time's 100 Most Influential People List]]>
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      <link>https://www.archdaily.com/892993/elizabeth-diller-of-diller-scofidio-plus-renfro-named-in-times-list-of-100-most-influential-people</link>
      <pubDate>Fri, 20 Apr 2018 04:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/892993/elizabeth-diller-of-diller-scofidio-plus-renfro-named-in-times-list-of-100-most-influential-people</guid>
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        <![CDATA[<p class="p1">Architect <a href="https://www.archdaily.com/tag/elizabeth-diller">Elizabeth Diller</a> of firm <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro">Diller Scofidio + Renfro</a> has once again been named one of TIME’s most influential people in 2018. TIME Magazine’s annual ‘Time 100’ List recognizes the achievement of artists, leaders, activists, entrepreneurs, and athletes who are exemplary in their fields. Diller has been named to the category of “<strong><em>Titans</em></strong>,” along with Roger Federer, Oprah Winfrey, Jeff Bezos, Elon Musk and Kevin Durant. This is Diller’s second time on the list but the first time being honored as a "Titan."</p>]]>
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        <![CDATA[Sou Fujimoto, Nicolas Laisné and Dimitri Roussel to Build 28,000 sqm "Village Vertical" in Grand Paris]]>
      </title>
      <link>https://www.archdaily.com/892748/sou-fujimoto-nicolas-laisne-and-dimitri-roussel-to-build-28000-sqm-village-vertical-in-grand-paris</link>
      <pubDate>Tue, 17 Apr 2018 12:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/sou-fujimoto/">Sou Fujimoto</a>, Nicolas Laisné and <a href="/tag/dimitri-roussel">Dimitri Roussel</a> will be building a new gateway to the city of Rosny-sous-Bois in Grand <a href="/tag/paris">Paris</a>. Their project, <strong>Village Vertical</strong>, has been chosen as the winning proposal for the "Inventons la Métropole du Grand Paris" competition. The team includes landscape and urban designers from Atelier Georges and urban developers from La Compagnie de Phalsbourg and REI Habitat. </p>]]>
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      <title>
        <![CDATA[A New Roof by Nieto Sobejano Arquitectos Turned This Ancient German Castle Into an Enlarged Exhibition Space ]]>
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      <link>https://www.archdaily.com/892010/a-new-roof-by-nieto-sobejano-arquitectos-turned-this-ancient-german-castle-into-an-enlarged-exhibition-space</link>
      <pubDate>Mon, 09 Apr 2018 06:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/892010/a-new-roof-by-nieto-sobejano-arquitectos-turned-this-ancient-german-castle-into-an-enlarged-exhibition-space</guid>
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        <![CDATA[<p>The Moritzburg castle in the city of <a href="https://www.archdaily.com/tag/halle">Halle</a> is exemplary of the Gothic military architecture in 15th century <a href="/tag/germany">Germany</a>. Despite the partial destruction of the north and west wings during the Thirty Years War, the site has managed to retain most of its original features: a surrounding wall, three of the four round towers at the corners, and a central courtyard.</p>]]>
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        <![CDATA[What It’s Like to Be an Architect Who Doesn’t Design Buildings]]>
      </title>
      <link>https://www.archdaily.com/891862/what-its-like-to-be-an-architect-who-doesnt-design-buildings</link>
      <pubDate>Fri, 06 Apr 2018 06:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>There's an old, weary tune that people sing to caution against being an architect: the long years of academic training, the studio work that takes away from sleep, and the small job market in which too many people are vying for the same positions. When you finally get going, the work is trying as well. Many spend months or even years working on the computer and doing models before seeing any of the designs become concrete. If you're talking about <em>the grind, </em>architects know this well enough from their training, and this time of ceaseless endeavor in the workplace only adds to that despair.</p>]]>
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        <![CDATA[On Cottesloe Beach, Gjøde & Partnere Arkitekter Create a Floating Desert Island for Sculpture By The Sea]]>
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      <link>https://www.archdaily.com/891884/gjode-and-partnere-arkitekters-sculpture-by-the-sea-transforms-cottesloe-beach-into-floating-desert-island</link>
      <pubDate>Wed, 04 Apr 2018 04:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/891884/gjode-and-partnere-arkitekters-sculpture-by-the-sea-transforms-cottesloe-beach-into-floating-desert-island</guid>
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        <![CDATA[<p>On The Desert Island in <a href="/tag/cottesloe-beach">Cottesloe Beach</a>, Australia, a 72-meter wall of mirrors partitions out a section of the sand, creating a cove of its own. The wall faces the Indian Ocean, and the curved reflection of sand merging with the soft-blue waters and the horizon beyond creates an illusion of an enclosed space; a desert island floating in an endless sea.</p>]]>
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      <title>
        <![CDATA[Celebrating A Generation of Women Leaders in Architectural Practices Around the World]]>
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      <link>https://www.archdaily.com/891501/let-us-celebrate-the-women-who-are-shaping-architectural-practices-around-the-world</link>
      <pubDate>Tue, 03 Apr 2018 16:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p dir="ltr">"<em>Where are the women architects?</em>" Despina Stratigakos, an architectural historian and professor, lamented in her book about women in the practice. (She even titled her book that very question.) The sentiment was certainly a resounding one, well-understood by many women who have worked in the profession and had to break through a male citadel. We know the number of women in architecture is small, and it gets smaller the higher up we look. </p>]]>
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        <![CDATA[Laurian Ghinitoiu Captures Dreamlike Nature of Junya Ishigami's Work at Fondation Cartier in Paris]]>
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      <link>https://www.archdaily.com/891648/laurian-ghinitoiu-captures-dreamlike-nature-of-junya-ishigamis-work-at-fondation-cartier-in-paris</link>
      <pubDate>Thu, 29 Mar 2018 13:34:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/891648/laurian-ghinitoiu-captures-dreamlike-nature-of-junya-ishigamis-work-at-fondation-cartier-in-paris</guid>
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        <![CDATA[<p>From March 30 to June 10, 2018, the Fondation Cartier pour l'art contemporain will host <a href="https://www.archdaily.com/tag/junya-ishigami-associates">J</a><a href="https://www.archdaily.com/tag/junya-ishigami-associates">unya Ishigami</a>'s exhibition, <em>Freeing Architecture. </em>This is the first major solo exhibition that the <a href="https://www.archdaily.com/84666/ad-classics-fondation-cartier-jean-nouvel">Fondation Cartier</a> in <a href="/tag/paris">Paris</a> has devoted to an architect, and fitting that it would lend itself to an important and singular figure of Japan's young architecture scene.</p>]]>
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        <![CDATA[BIG's Shenzhen International Energy Mansion Captured by Laurian Ghinitoiu]]>
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      <link>https://www.archdaily.com/890886/bigs-shenzhen-international-energy-mansion-captured-by-laurian-ghinitoiu</link>
      <pubDate>Sat, 24 Mar 2018 08:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/34496/shenzhen-international-energy-mansion-big">Shenzhen International Energy Mansion</a> is the main headquarters of the Shenzhen Energy Company in China. In designing the building, <a href="https://www.archdaily.com/tag/big">Bjarke Ingels Group</a> (BIG) paid special attention to one feature: the building's facade. The firm knew that in such a tropical climate, using a traditional curtain wall glass envelope would overheat the buildings and make people crank up their air conditioners. What <a href="/tag/big">BIG</a> came up with in their winning design, and what is now the building's most defining feature, is a folded, origami-like facade. This facade provides high insulation and diffuses incoming sunlight, while reflecting the strongest rays onto solar panels.</p>]]>
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        <![CDATA[Why Does The Gender Pay Gap Issue Make People Uncomfortable?]]>
      </title>
      <link>https://www.archdaily.com/890823/why-does-the-gender-pay-gap-issue-make-people-uncomfortable</link>
      <pubDate>Mon, 19 Mar 2018 06:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p dir="ltr">Last week, ArchDaily covered <a href="https://www.archdaily.com/890336/theres-a-gender-pay-gap-at-foster-plus-partners-unsurprisingly">a story</a> about the gender pay gap at <a href="https://www.archdaily.com/tag/foster-partners">Foster + Partners</a>. We thought such a story was "unsurprising" given that the gender pay gap is something that is widely reported on, and present in almost every industry, and we wanted to share a case of it happening in an architectural firm many of us are familiar with. What we did not expect was that readers would think it is a non-issue, or that such reporting was sensational. Is it possible for us to talk about gender in the workplace without being up in arms? Why does the gender pay gap issue make people uncomfortable? </p>]]>
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        <![CDATA[David Chipperfield's Amorepacific Headquarters in Seoul Photographed by Laurian Ghinitoiu]]>
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      <link>https://www.archdaily.com/890884/david-chipperfields-amorepacific-headquarters-in-seoul-photographed-by-laurian-ghinitiou</link>
      <pubDate>Sat, 17 Mar 2018 09:30:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p>Amorepacific, Korea's largest beauty company, occupies a site in the centre of <a href="https://www.archdaily.com/tag/seoul">Seoul</a>, <a href="https://www.archdaily.com/tag/korea">Korea</a>. Their headquarters was designed by <a href="https://www.archdaily.com/tag/david-chipperfield-architects">David Chipperfield Architects</a> as a single clear volume, with large urban openings and a central void. In the middle of a bustling downtown landscape, the building strikes a bright, open figure.</p>]]>
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        <![CDATA[Is the Pritzker Prize Still Relevant Today?]]>
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      <link>https://www.archdaily.com/890193/is-the-pritzker-prize-still-relevant-today</link>
      <pubDate>Tue, 06 Mar 2018 07:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/890193/is-the-pritzker-prize-still-relevant-today</guid>
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        <![CDATA[<p dir="ltr">“<em>The Nobel Prize in Architecture.</em>” “<em>The profession’s highest honor.</em>” These are some of the terms used to describe the <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a>. One day before the 2018 Pritzker Prize winner is to be revealed, ArchDaily’s editors discuss whether the prize still lives up to its hype.</p>]]>
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        <![CDATA[This Once-Abandoned Chinese Cloth Factory Was Refurbished Into a Thriving Cultural Center by O-Office]]>
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      <link>https://www.archdaily.com/888146/id-town-by-o-office</link>
      <pubDate>Wed, 28 Feb 2018 11:15:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p class="p1">The iD Town in Shenzhen, Guangdong, China, is a project with many charms. The building itself has a distinctive history: in its prime, it used to be the Honghua Dyeing factory, but then was abandoned. Topographically, too, this building occupies a unique place, perched on a hilltop and surrounded by the mountains and the coast of the Southern Chinese Sea. </p>]]>
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        <![CDATA[Laurian Ghinitoiu Captures Visitors' Delight at Asif Khan and Hyundai's Interactive Olympic Pavilion]]>
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      <pubDate>Sat, 24 Feb 2018 17:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p dir="ltr">Earlier this month, the Winter <a href="/tag/olympics">Olympics</a> was officially opened in South Korea. <a href="http://www.archdaily.com/photographer/laurian-ghinitoiu" target="_blank">Laurian Ghinitiou</a> visited <a href="https://www.archdaily.com/tag/pyeongchang">PyeongChang</a> to capture the celebrations and the festivities of the Winter Olympic Games. At the Olympic Park, he turned his lens towards the now-famous Vantablack VBx2 building designed by Hyundai and <a href="https://www.archdaily.com/tag/asif-khan">Asif Khan</a>. The pavilion was conceived of as a "narrative" and everything from the facade to the five rooms within -- water, solar, electrolysis, hydrogen fuel stack and recreation of water -- were part of the story. </p>]]>
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