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    <title>Author: Finn MacLeod | ArchDaily</title>
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        <![CDATA[Spotlight: David Chipperfield]]>
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      <link>https://www.archdaily.com/579018/spotlight-david-chipperfield</link>
      <pubDate>Wed, 18 Dec 2019 03:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>The career of British architect&nbsp;<a href="http://www.archdaily.com/tag/david-chipperfield/" target="_blank">David Chipperfield</a>'s&nbsp;(born 18 December 1953) has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of&nbsp;<a href="http://www.archdaily.com/office/david-chipperfield-architects/" target="_blank">David Chipperfield Architects</a>, an award winning firm with over 180 staff at offices in&nbsp;<a href="http://www.archdaily.com/tag/london/" target="_blank">London</a>,&nbsp;<a href="http://www.archdaily.com/tag/berlin/" target="_blank">Berlin</a>,&nbsp;<a href="http://www.archdaily.com/tag/milan/" target="_blank">Milan</a>, and&nbsp;<a href="http://www.archdaily.com/tag/shanghai/" target="_blank">Shanghai</a>. Chipperfield is an honorary fellow of the&nbsp;<a href="http://www.archdaily.com/tag/aia/" target="_blank">American Institute of Architects</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/germany/" target="_blank">Germany's</a>&nbsp;Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (DBE) in 2004.&nbsp;In 2012, Chipperfield curated the&nbsp;<a href="http://www.archdaily.com/tag/venice-biennale-2012/" target="_blank">Venice Biennale of Architecture</a>&nbsp;under the theme&nbsp;<em>Common Ground.</em></p>]]>
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        <![CDATA[Spotlight: Steven Holl]]>
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      <link>https://www.archdaily.com/575852/spotlight-steven-holl</link>
      <pubDate>Mon, 09 Dec 2019 03:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>As the founder of&nbsp;<a href="http://www.archdaily.com/office/steven-holl-architects/" target="_blank">Steven Holl Architects</a>,&nbsp;<a href="http://www.archdaily.com/tag/steven-holl/" target="_blank">Steven Holl</a>&nbsp;is&nbsp;recognized as one of the world's leading architects, having received prestigious&nbsp;awards for his contributions to design over the course of nearly forty years in practice,&nbsp;including the prestigious&nbsp;Alvar Aalto&nbsp;Medal in 1998,&nbsp;<a href="http://www.archdaily.com/190888/steven-holl-awarded-2012-aia-gold-medal/" target="_blank">the&nbsp;AIA&nbsp;Gold Medal in in 2012</a>, and the&nbsp;<a href="http://www.archdaily.com/528240/steven-holl-named-2014-praemium-imperiale-laureate/" target="_blank">2014 Praemium Imperiale</a>. In 1991, <em>Time</em> Magazine named Holl America's Best Architect. He is revered for his&nbsp;ability to harness light to create structures with remarkable sensitivity to their locations, while his&nbsp;written works&nbsp;have been published in many&nbsp;preeminent volumes,&nbsp;sometimes&nbsp;collaborating with&nbsp;world-renowned architectural thinkers such as&nbsp;<a href="http://www.archdaily.com/tag/juhani-pallasmaa/" target="_blank">Juhani Pallasmaa</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/alberto-perez-gomez/" target="_blank">Alberto P&eacute;rez-G&oacute;mez</a>.</p>]]>
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        <![CDATA[Spotlight: Ricardo Bofill]]>
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      <link>https://www.archdaily.com/575361/spotlight-ricardo-bofill</link>
      <pubDate>Thu, 05 Dec 2019 03:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/office/ricardo-bofill/" target="_blank">Ricardo Bofill</a>&nbsp;(born 5 December 1939),&nbsp;a&nbsp;graduate of the&nbsp;<a href="http://www.archdaily.com/tag/barcelona/" target="_blank">Barcelona</a>&nbsp;University School of Architecture and the School of&nbsp;<a href="http://www.archdaily.com/tag/geneva/" target="_blank">Geneva</a>, and&nbsp;the founder of interdisciplinary firm Taller de Arquitectura,&nbsp;is renowned for his extensive body of work and ever-changing design aesthetic. His career has spanned over 50 years, encompassing more than&nbsp;1000 buildings in cities ranging from&nbsp;<a href="http://www.archdaily.com/tag/lisbon/" target="_blank">Lisbon</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/boston/" target="_blank">Boston</a>&nbsp;to&nbsp;<a href="http://www.archdaily.com/tag/boston/" target="_blank">Tokyo</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/st-petersburg/" target="_blank">St. Petersburg</a>. His architectural approach&nbsp;has evolved over the decades and has permeated dozens of countries&nbsp;worldwide.</p>]]>
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        <![CDATA[The 'Manhattan of the Desert': Shibam, Yemen's Ancient Skyscraper City]]>
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      <link>https://www.archdaily.com/771154/the-manhattan-of-the-desert-shibam-yemens-ancient-skyscraper-city</link>
      <pubDate>Fri, 01 Nov 2019 05:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Walking through narrow chaotic alleys dwarfed by soaring towers, few would estimate the age of <a href="http://www.archdaily.com/country/yemen">Yemen</a>'s city of <a href="/tag/shibam">Shibam</a> at nearly 1,700 years. Located in Yemen's central Hadhramaut district, Shibam has roots in the pre-Islamic period, and evidence of construction dating from the 9th century.</p>]]>
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        <![CDATA[Spotlight: Sir Christopher Wren]]>
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      <link>https://www.archdaily.com/558958/spotlight-sir-christopher-wren</link>
      <pubDate>Sun, 20 Oct 2019 03:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Sir Christopher Wren (20 October 1632 &ndash; 25 February 1723) is one the most significant architects in British&nbsp;history,&nbsp;and was a recognized astronomer, scholar, and physicist-mathematician. Wren was classically trained at the&nbsp;<a href="http://www.archdaily.com/tag/oxford-university/" target="_blank">University of Oxford</a>&nbsp;in physics and engineering where he developed his interest in&nbsp;architecture. He is perhaps most famous for designing&nbsp;<a href="http://www.archdaily.com/tag/london/" target="_blank">London</a>'s iconic St Paul's Cathedral,&nbsp;however&nbsp;he is credited with the design of dozens of other churches, government buildings, and hospitals in England. Wren was knighted in 1673.</p>]]>
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        <![CDATA[Spotlight: Henry Hobson Richardson]]>
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      <link>https://www.archdaily.com/552221/spotlight-henry-hobson-richardson</link>
      <pubDate>Fri, 29 Sep 2017 06:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Henry Hobson Richardson (29 September 1838&nbsp;<em>&ndash;</em>&nbsp;27 April 1886) was known across&nbsp;<a href="http://www.archdaily.com/tag/north-america/">North America</a>&nbsp;as the father of the Romanesque Revival. Although he only lived to age 47, Richardson is revered across the northeast&nbsp;<a href="http://www.archdaily.com/tag/united-states/">United States</a>&nbsp;for his appreciation of&nbsp;classic&nbsp;architecture and is the namesake for Richardsonian Romanesque, a movement he pioneered. Richardson&nbsp;studied engineering at&nbsp;<a href="http://www.archdaily.com/tag/harvard-university-graduate-school-of-design/">Harvard University</a>, a discipline he abandoned in favor of his interest in architecture.</p>]]>
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        <![CDATA[London's Silver Forest Redefines the Concrete Jungle]]>
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      <link>https://www.archdaily.com/774498/londons-silver-forest-redefines-the-concrete-jungle</link>
      <pubDate>Fri, 05 Feb 2016 04:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>A new type of greenery has arrived in central <a href="http://www.archdaily.com/tag/london" target="_blank">London</a>. Placed along the western façade of Westminster City Hall (known as Kingsgate Walk), a sprawling concrete frieze in relief depicts shimmering nocturnal birch trees photographed in forests from <a href="http://www.archdaily.com/tag/beijing" target="_blank">Beijing</a> to <a href="http://www.archdaily.com/tag/london" target="_blank">London</a>. Created using emerging technology, the relief was rendered through the concrete casting of a photograph by artist <a href="http://www.rca.ac.uk/more/staff/rut-blees-luxemburg/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Rut Blees Luxemburg</a>, a photographic artist and a reader in Urban Aesthetics at London's <a href="http://www.archdaily.com/tag/royal-college-of-art/" target="_blank">Royal College of Art</a>. The textured surface of the frieze changes according to ambient light, creating a perplexing effect in the image from day to night. </p>]]>
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        <![CDATA[Earth, Air, Water and Blurred Boundaries at La Festival des Architectures Vives 2015]]>
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      <link>https://www.archdaily.com/779098/earth-air-water-and-blurred-boundaries-at-festival-des-architectures-vives-2015</link>
      <pubDate>Fri, 25 Dec 2015 06:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>The south of <a href="http://www.archdaily.com/country/france" target="_blank">France</a> is known for its endless beaches, nineteenth century architecture, lush greenery, and monuments to its storied history. For nearly a decade, <a href="http://www.archdaily.com/tag/festival-des-architectures-vives" target="_blank">Le Festival des Architectures Vives</a> (Festival of Lively Architecture) has been infusing contemporary architecture into the staid Southern French landscape through the creation of an array of artful temporary pavilions. Beginning in 2006 and 2013 respectively, the towns of <a href="/tag/montpellier">Montpellier</a> and La Grande Motte have played host to a series of structures designed to animate historical segments of the two cities. Founded with a mission to celebrate the seminal work of burgeoning architects, the festival aims to produce meaningful and interactive works designed to activate the historic centres of the two ageing cities. </p>]]>
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        <![CDATA[Dear Architecture: Letters on Love, Apologies and Gratuitous Selfies ]]>
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      <link>https://www.archdaily.com/778442/dear-architecture-letters-on-love-apologies-and-gratuitous-selfies</link>
      <pubDate>Thu, 10 Dec 2015 04:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>"Dear Architecture," writes Craig L. Wilkins, "I’ve been wondering why you don’t speak to me. Is it because you don’t see me? Are you ignoring me? Maybe it’s because you really don’t care for me; but whatever it is, you sure don’t. Speak, that is. At least, not to me." In his winning entry to '<a href="http://www.archdaily.com/tag/dear-architecture" target="_blank">Dear Architecture</a>', a competition initiated by <a href="http://blankspaceproject.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Blank Space</a> (of <a href="http://blankspaceproject.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fairytale</a> fame), Wilkins describes misgivings through the lens of a disenfranchised city dweller, illustrating a missed connection felt by one resident towards his surroundings.</p>]]>
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        <![CDATA[Synthesized Ornament and the Emerging Role of Minimalist Decoration ]]>
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      <link>https://www.archdaily.com/777615/synthesized-ornament-and-the-emerging-role-of-minimalist-decoration</link>
      <pubDate>Sat, 28 Nov 2015 14:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Is ornament seeing a resurgence in architectural design? Writing for&nbsp;<em><a href="http://www.archdaily.com/tag/financial-times" target="_blank">The Financial Times</a></em>, Edwin Heathcote examines&nbsp;the rising phenomenon of decoration as a&nbsp;growing&nbsp;element of contemporary architectural design. Describing&nbsp;<a href="http://www.archdaily.com/tag/fat" target="_blank">FAT</a>&nbsp;and Grayson Perry's&nbsp;<a href="http://www.archdaily.com/629718/grayson-perry-on-a-house-for-essex-and-his-collaboration-with-fat" target="_blank">recently completed 'kitsch' abode 'A House for Essex'</a>&nbsp;Heathcote justifies&nbsp;the assimilation of decoration into the central design philosophy, thus creating an entirely new aesthetic category. "The building sits somewhere between outsider art, high culture and the most sophisticated&nbsp;<a href="http://www.archdaily.com/tag/postmodernism" target="_blank">postmodernism</a>," Heathcote explains, adding that its decoration "is not just applied as a layer but subsumed into the architecture."</p>]]>
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        <![CDATA[Three Hundred Years Later, Enter Paris' Newly Restored Musée Rodin ]]>
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      <link>https://www.archdaily.com/777272/three-hundred-years-later-enter-paris-newly-restored-musee-rodin</link>
      <pubDate>Wed, 25 Nov 2015 06:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>After a meticulous multi-year restoration the Musée Rodin in <a href="http://www.archdaily.com/tag/paris" target="_blank">Paris</a> has reopened to the public. Dedicated exclusively to the work of Auguste Rodin, the state-owned museum has undergone a ground-up facelift designed to breathe new life into the ageing home of the artist's diverse body of work. Housed in an estate originally built in 1732 and open to the public since 1919, the comprehensive renovation has left no stone unturned, including a full structural and cosmetic overhaul. Project architect Richard Duplat was challenged to "recreate the atmosphere it must have had in Rodin’s day" while implementing current accessibility and safety standards, all with the goal to better represent Rodin's influential work. </p>]]>
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        <![CDATA[Willem Dudok: Meet the Father of Dutch Modernism]]>
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      <link>https://www.archdaily.com/777559/willem-dudok-meet-the-father-of-dutch-modernism</link>
      <pubDate>Sun, 22 Nov 2015 12:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/willem-marinus-dudok" target="_blank">Willem Marinus Dudok</a> (6 July 1884 - 6 July 1974) was one of The Netherlands' most influential <a href="http://www.archdaily.com/tag/modernism" target="_blank">Modernist</a> architects. Formally trained as an engineer, Dudok spent his formative years designing military barracks for the Dutch forces, and his time with the military has been credited with the development of his early linear style, though he was known to borrow elements from <a href="http://www.archdaily.com/tag/frank-lloyd-wright" target="_blank">Frank Lloyd Wright</a>'s prairie school of architecture. Dudok's architectural legacy is undeniable: with a career spanning several decades, his portfolio encompasses nearly all civic buildings in <a href="http://www.archdaily.com/tag/hilversum" target="_blank">Hilversum</a>, along with a series of projects in <a href="http://www.archdaily.com/tag/rotterdam" target="_blank">Rotterdam</a>, <a href="http://www.archdaily.com/tag/utrecht" target="_blank">Utrecht</a>, and <a href="http://www.archdaily.com/tag/paris" target="_blank">Paris</a>, among others.</p>]]>
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        <![CDATA[OMA's 15 Most Outrageous Unbuilt Skyscrapers]]>
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      <link>https://www.archdaily.com/774141/omas-fifteen-best-unbuilt-skyscrapers</link>
      <pubDate>Tue, 17 Nov 2015 09:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Since 1975, the <a href="http://www.archdaily.com/tag/rotterdam" target="_blank">Rotterdam</a>-based <a href="http://www.archdaily.com/tag/oma" target="_blank">Office for Metropolitan Architecture</a> has produced some of the world's most provocative buildings. Led by <a href="http://www.archdaily.com/tag/rem-koolhaas" target="_blank">Rem Koolhaas</a> and his nine partners, the firm's most notable built projects include seminal works such as the <a href="http://www.archdaily.com/236175/cctv-headquarters-oma" target="_blank">CCTV Headquarters</a> in <a href="http://www.archdaily.com/tag/beijing" target="_blank">Beijing</a>, the <a href="http://www.archdaily.com/11651/seattle-central-library-oma-lmn" target="_blank">Seattle Central Library</a>, and <a href="http://www.archdaily.com/619294/casa-da-musica-oma" target="_blank">Casa da Musica</a> in <a href="http://www.archdaily.com/tag/porto" target="_blank">Porto</a>, <a href="http://www.archdaily.com/country/portugal" target="_blank">Portugal</a>. Known as one of the world's leading creators of boundary-pushing design, OMA's influence on the global architectural landscape is undeniable.</p>]]>
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        <![CDATA[Hello Wood 2015: It Takes a Village to Raise Outstanding Architecture ]]>
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      <link>https://www.archdaily.com/776805/hello-wood-2015-it-takes-a-village-to-raise-outstanding-architecture</link>
      <pubDate>Thu, 12 Nov 2015 06:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Set in the depths of rural <a href="http://www.archdaily.com/country/hungary" target="_blank">Hungary</a>, <a href="http://www.archdaily.com/tag/hello-wood" target="_blank">Hello Wood</a> has emerged from the landscape for its 2015 edition, entitled 'Project Village'. Since 2010, the Hungarian-led collective of architects, designers, students and artists have gathered from around the world to create temporary wooden installations. Now in its sixth year, <a href="http://www.hellowood.eu?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Hello Wood</a> was realized with the help of 150 volunteers from 30 countries, and co-curated by Johanna Muszbek, with the shared vision to build a series of community-driven pavilions. Together the teams created fifteen unique wooden pavilions, each centred on a different component of the architecture of a village. </p>]]>
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        <![CDATA[Carbon Nanotubes, Kevlar and Spider Silk: Meet the World's Strongest New Materials]]>
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      <link>https://www.archdaily.com/776483/carbon-nanotubes-kevlar-and-spider-silk-meet-the-worlds-strongest-new-materials</link>
      <pubDate>Wed, 11 Nov 2015 16:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Since the advent of the industrial revolution in the eighteenth century, materials experts have been in constant pursuit of the world's strongest materials. From stone to bricks, concrete to steel, innovation in building material has become a crucial element of architectural progression. For decades, steel has been considered the industry leader in building strength with applications in structures of all types. In <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=Z5fYkHB4_3o" target="_blank">a recent online documentary</a>, researchers delved into the possibilities for alternatives to the strongest building materials on the market and arrived at some surprising results.</p>]]>
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        <![CDATA[Granby Workshop: Assemble Launch an Eclectic Range of Socially Conscious Homeware]]>
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      <link>https://www.archdaily.com/776243/granby-workshop-assemble-launch-eclectic-range-of-socially-conscious-homewares</link>
      <pubDate>Fri, 06 Nov 2015 08:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>In the late nineteenth century the rise of the industrial revolution inspired a counter-movement to reignite the production of handmade goods across the world. Led by classically trained artisans from rural <a href="http://www.archdaily.com/tag/england" target="_blank">England</a>, the Arts and Crafts movement briefly swept <a href="http://www.archdaily.com/tag/europe" target="_blank">Europe</a> and <a href="http://www.archdaily.com/tag/north-america" target="_blank">North America</a> on principles of celebrating high calibre and unique goods resulting in an array of furniture, textiles, wallpaper and architecture, among others.</p>]]>
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        <![CDATA[LOBBY #3: Meaningful Defiance in a Disengaged Culture]]>
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      <link>https://www.archdaily.com/775721/lobby-number-3-meaningful-defiance-in-a-disengaged-culture</link>
      <pubDate>Fri, 23 Oct 2015 04:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p style="text-align: left;">'Defiance' manifests itself in many forms: riots in <a href="http://www.archdaily.com/tag/baltimore" target="_blank">Baltimore</a>, makeshift housing in <a href="http://www.archdaily.com/country/rwanda" target="_blank">Rwanda</a>, Pink Floyd in <a href="http://www.archdaily.com/tag/venice" target="_blank">Venice</a> and plants growing where they ought not sprout. To defy the norm is an act of rebellion and in architecture, doubly so. In the third issue of <strong><a href="http://bartlettlobby.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">LOBBY</a></strong>, the burgeoning magazine from London's <a href="http://www.archdaily.com/tag/bartlett-school-of-architecture/" target="_blank">Bartlett School of Architecture</a>, the notion of defiance and its incarnations are investigated in a collection of essays, interviews and discussions with leading and emerging thinkers in urbanism and architecture. From Swiss master <a href="http://www.archdaily.com/tag/mario-botta/" target="_blank">Mario Botta</a> to <a href="http://www.archdaily.com/tag/carme-pinos" target="_blank">Carme Pinós</a>, former partner to <a href="http://www.archdaily.com/tag/enric-miralles" target="_blank">Enric Miralles</a>, this latest LOBBY investigates the act of defiance as a core tenet of architectural practice.</p>]]>
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        <![CDATA[TED Talk: Takaharu Tezuka on Tokyo's Newest Open-Air Kindergarten ]]>
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      <link>https://www.archdaily.com/775479/ted-talk-takaharu-tezuka-on-toykos-newest-open-air-kindergarten</link>
      <pubDate>Sun, 18 Oct 2015 14:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>"When you put many children in a quiet box, some of them get really nervous," says <a href="http://www.archdaily.com/country/japan" target="_blank">Japanese</a> architect <a href="/tag/takaharu-tezuka">Takaharu Tezuka</a>, founder of <a href="http://www.archdaily.com/office/tezuka-architects" target="_blank">Tezuka Architects</a>. "In this kindergarten, there is no reason for them to get nervous. There is no boundary." Speaking at TEDx<a href="http://www.archdaily.com/tag/kyoto" target="_blank">Kyoto</a> on his design for an open-air kindergarten in <a href="http://www.archdaily.com/tag/toyko" target="_blank">Tokyo</a>, Tezuka discusses his playful and unorthodox approach to the creation of the eccentric building. The unconventional space blurs interior with exterior while accommodating a varied program of athletic, educational and relaxed space. According to Tezuka, the concept was based on a progressive philosophy employed by the school administration: "The principal says: if the boy doesn't want to stay in the room, let him go. He will come back eventually." On children, Tezuka's own philosophy is one of empowerment: "Don't control them. Don't protect them too much. They need to tumble sometimes. They need to get injured. That makes them learn how live in this world."</p>]]>
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