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    <title>Author: Ananya Nayak | ArchDaily</title>
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      <title>
        <![CDATA[When Movement Becomes Sacred Space: The Architecture of India’s Pilgrimage Landscapes]]>
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      <link>https://www.archdaily.com/1042873/when-movement-becomes-sacred-space-the-architecture-of-indias-pilgrimage-landscapes</link>
      <pubDate>Mon, 06 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>At the helm of <a href="https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes">architectural discourse on sacred architecture</a>, attention almost always settles on the monument. <a href="https://www.archdaily.com/category/temple">Temples</a>, <a href="https://www.archdaily.com/search/projects/categories/mosque">mosques</a>, <a href="https://www.archdaily.com/search/projects/categories/monastery">monasteries</a>, and <a href="https://www.archdaily.com/search/projects/categories/churches">churches</a> dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across <a href="https://www.archdaily.com/country/india/page/1">India</a>, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which <a href="/tag/pilgrimage">pilgrimage</a> actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.</p>]]>
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        <![CDATA[Agricultural Afterlives: When Waste Becomes Architecture]]>
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      <link>https://www.archdaily.com/1042670/agricultural-afterlives-when-waste-becomes-architecture</link>
      <pubDate>Wed, 01 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>A building material rarely begins where architecture encounters it. By the time concrete reaches a construction site, its limestone has already been quarried, processed, and transformed. Timber arrives long after the forest. Glass appears detached from the sand from which it was made. By the time materials enter construction, much of the landscape and industry that produced them has already disappeared from view.</p>]]>
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        <![CDATA[The Ecological Intelligence of Sacred Landscapes]]>
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      <link>https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</link>
      <pubDate>Sun, 28 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture often speaks about <a href="https://www.archdaily.com/tag/ecological-design">ecological design</a> as though it were a recent discovery. Biodiversity corridors, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_campaign=normal-tag">regenerative landscapes</a>, sponge cities, and <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">more-than-human urbanism</a> are presented as emerging responses to contemporary environmental crises. Across <a href="/tag/india">India</a> and the SWANA region, landscapes shaped through religious practice have long organized relationships between people, water, vegetation, and animals. <a href="https://www.researchgate.net/publication/307742632_Heritage_management_of_temple_tanks_in_an_urban_scenario_-_a_case_study_of_Thirupporur_a_traditional_town_in_the_state_of_Tamilnadu_India?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Long before ecological performance became a design metric, temple tanks stored monsoon water,</a> sacred groves protected biodiversity, and oasis settlements sustained life in some of the world's most arid environments. Few of these places emerged from explicit environmental agendas. They emerged through cultural and spiritual practices. Their environmental logic remains highly relevant today. Many of the conditions now discussed through more-than-human design have existed for centuries within landscapes architects rarely study as ecological infrastructure.</p>]]>
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        <![CDATA[Designing for Stray Cities: Architecture Beyond the Human]]>
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      <link>https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</link>
      <pubDate>Sat, 20 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture continues to draw cities as though humans occupy them alone. Plans trace circulation routes, zoning maps assign functions, and buildings are evaluated according to human comfort, safety, and efficiency. Walking through cities across <a href="https://www.archdaily.com/country/india">India</a> and Southwest Asia reveals something much more complex. Dogs sleep beneath market stalls, monkeys move across rooftops, birds nest in temple towers and mosque façades, and insects pollinate urban landscapes hidden in plain sight. These <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species?ad_campaign=normal-tag">species are woven into daily urban life</a> as consistently as human occupants. Streets, courtyards, roofs, drainage systems, markets, and vacant lots are <a href="https://www.archdaily.com/1042201/when-facades-become-habitats-architecture-making-room-for-other-species?ad_campaign=normal-tag">already occupied by multiple species simultaneously</a>. Architectural thinking has been slower to account for this reality.</p>]]>
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        <![CDATA[PREVI Lima and the Politics of Resident Authorship in Social Housing]]>
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      <link>https://www.archdaily.com/1042148/previ-lima-and-the-politics-of-resident-authorship-in-social-housing</link>
      <pubDate>Tue, 09 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architects are accustomed to being credited for buildings long after construction ends. Names remain attached to projects through photographs, publications, and histories, often decades after the original drawings were produced. Buildings, on the other hand, rarely remain faithful to that narrative for long. Families grow, technologies change, businesses emerge, and daily life introduces demands that no plan can fully anticipate. Over time, architecture accumulates modifications, repairs, additions, and improvisations that gradually distance it from its original form.</p>]]>
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        <![CDATA[Designed to Repeat, Forced to Adapt: The Parallel Architecture of Socialist Housing]]>
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      <link>https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</link>
      <pubDate>Sat, 06 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p>]]>
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        <![CDATA[Climate, Culture, and Modernism: The Postcolonial Campus as Architectural Laboratory]]>
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      <link>https://www.archdaily.com/1041645/climate-culture-and-modernism-the-postcolonial-campus-as-architectural-laboratory</link>
      <pubDate>Mon, 25 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>In the decades following independence, some of the most ambitious architectural experiments in the world did not emerge through <a href="https://www.archdaily.com/871555/23-examples-of-impressive-museum-architecture">museums</a>, <a href="https://www.archdaily.com/986307/monumental-question-how-are-the-places-of-memory-in-the-future-of-cities?ad_campaign=normal-tag">monuments</a>, or <a href="https://www.archdaily.com/1027169/brutalism-and-bureaucracy-an-architectural-language-of-authority-in-the-postwar-united-states?ad_campaign=normal-tag">government palaces</a>. They emerged through universities. Across <a href="https://www.archdaily.com/tag/south-asia">South Asia</a> and <a href="https://www.archdaily.com/tag/africa">Africa</a>, newly formed nations turned campuses into testing grounds for entirely new ways of imagining collective life. These <a href="https://www.archdaily.com/989449/campus-sacred-spaces-are-changing?ad_campaign=normal-tag">campuses</a> functioned as more than <a href="https://www.archdaily.com/943322/letter-from-berkeley-campus-planning-in-an-increasingly-virtual-world?ad_campaign=normal-tag">educational institutions</a>. They became territories where states tested how modernity might be organized, for citizens to gather, institutions to function, climate to shape architecture, and imported ideas to transform local realities.</p>]]>
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        <![CDATA[Oil, Glass, and Identity: Gulf Modernism Between Global Image and Local Climate]]>
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      <link>https://www.archdaily.com/1041515/oil-glass-and-identity-gulf-modernism-between-global-image-and-local-climate</link>
      <pubDate>Mon, 18 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Step from the heat of <a href="https://www.archdaily.com/tag/dubai">Dubai</a> into the lobby of a glass tower, and the <a href="https://www.archdaily.com/1039911/the-line-at-a-crossroads-revisiting-neoms-vision-for-a-utopian-city?ad_campaign=normal-tag">desert seems to disappear.</a> Outside, temperatures climb past 45 degrees Celsius; inside, the air is cold, sealed, and perfectly controlled. For decades, this contrast became the defining image of Gulf modernity. <a href="/tag/architecture">Architecture</a> became less a negotiation with climate, and more a<a href="https://www.archdaily.com/1022847/revisiting-skyscraper-design-the-benefits-of-responsive-facades-and-passive-designs?ad_campaign=normal-tag"> demonstration that climate could be overcome</a>. <a href="https://www.archdaily.com/1026899/diller-scofidio-plus-renfro-unveils-100-meter-wellness-tower-in-dubai-uae">Towers of reflective glass</a> rose from the desert as symbols of arrival, projecting financial power, technological confidence, and global ambition. Beneath this <a href="https://www.archdaily.com/1039737/unearthing-the-ground-architecture-and-the-politics-of-oil?ad_content=1039737&amp;ad_medium=widget&amp;ad_name=editors-choice">urban image sat an infrastructure built on oil</a>, cheap energy, and the continuous mechanical suppression of heat.</p>]]>
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        <![CDATA[Furniture as Architecture: Micro-Modernisms Inside the Home]]>
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      <link>https://www.archdaily.com/1041170/furniture-as-architecture-micro-modernisms-inside-the-home</link>
      <pubDate>Sat, 16 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a> is often encountered through built form, photographed facades, canonical plans, concrete manifestos. For most people, its first encounter was far more immediate. It was a chair in an office, a shelf in a living room, a compact unit that reorganized how one sat, stored, or slept. Long before modern architecture could be widely commissioned, it was <a href="https://www.archdaily.com/1037695/from-industry-to-the-living-room-metal-furniture-in-interior-architecture?ad_campaign=normal-tag">furniture that entered everyday space</a>, carrying with it a new logic of living. Modernism's promise of <a href="https://www.archdaily.com/1030844/the-importance-of-intention-in-furniture-design">transforming life</a> was often delivered through these smaller, repeatable objects.</p>]]>
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        <![CDATA[Tropical Modernism Beyond Aesthetics: The Politics of Shade and Air ]]>
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      <link>https://www.archdaily.com/1041076/tropical-modernism-beyond-aesthetics-the-politics-of-shade-and-air</link>
      <pubDate>Mon, 04 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041076/tropical-modernism-beyond-aesthetics-the-politics-of-shade-and-air</guid>
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        <![CDATA[<p>The image is familiar, a façade layered with <a href="https://www.archdaily.com/897428/21-examples-of-brise-soleils-in-mexico-and-its-diverse-applications">brise-soleil</a>, light softened into a patterned shadow, <a href="https://www.archdaily.com/1020060/how-to-choose-shade-structures-strategies-based-on-solar-angles-and-seasons?ad_campaign=normal-tag">interiors kept cool without machines</a>. It appears as intelligence made visible, architecture that understands the sun. This image is rarely examined closely. The same devices that temper heat also organize access, distribute comfort, and depend on particular forms of labor. What looks like a <a href="https://www.archdaily.com/1037049/building-optimism-lessons-from-climate-adaptation-in-2025?ad_campaign=normal-tag">climatic response</a> is also a decision about who gets relief from heat, and how. <a href="https://www.archdaily.com/955979/reset-a-norm-for-sustainable-architecture-in-the-tropics?ad_campaign=normal-tag">Tropical modernism</a>, often reduced to a visual language of shade and porosity, emerges instead as a set of situated practices where climate, labor, and power are negotiated differently across contexts.</p>]]>
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        <![CDATA[The Courtyard as Architecture’s Lightest Cooling System]]>
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      <link>https://www.archdaily.com/1040845/the-courtyard-as-architectures-lightest-cooling-system</link>
      <pubDate>Mon, 27 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/courtyard?width=288">courtyard</a> is often remembered as a figure from the past, an inward-looking space of nostalgia, culture, and domestic ritual. But this framing misses its primary role. Before it was symbolic, the <a href="https://www.archdaily.com/966445/polished-private-and-passive-traditional-courtyard-houses-and-their-timeless-architectural-features">courtyard was operational</a>. It organized air, moderated light, and absorbed heat. It did not decorate architecture; it made it habitable. In contemporary housing, these functions are normally delegated to mechanical systems, applied after form is fixed. <a href="https://www.archdaily.com/1033040/unfolding-privacy-centering-the-home-around-the-courtyard?ad_campaign=normal-tag">In courtyard houses, they are resolved spatially</a>, before a wall is even built.</p>]]>
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        <![CDATA[Jaali, Mashrabiya, Cobogó: The Lightest Skins in Architecture]]>
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      <link>https://www.archdaily.com/1040651/jaali-mashrabiya-cobogo-the-lightest-skins-in-architecture</link>
      <pubDate>Mon, 20 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1014637/reimagining-the-mashrabiyya-functionality-and-symbolism-in-contemporary-architecture">A perforated screen</a> is often treated as an afterthought, something applied to soften light, to decorate a façade, or to add texture where a wall might otherwise feel flat. It is photographed as a surface, drawn as a pattern, and discussed as a craft. But in many buildings across the <a href="https://www.archdaily.com/510226/light-matters-mashrabiyas-translating-tradition-into-dynamic-facades">Indian subcontinent and the Islamic world</a>, the screen was never an addition. It was the wall itself. Remove it, and the building does not simply change in appearance; it loses its ability to regulate heat, move air, and mediate between inside and outside.</p>]]>
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        <![CDATA[Elevated Infrastructure and Public Space: Reclaiming the Ground Below]]>
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      <link>https://www.archdaily.com/1040374/elevated-infrastructure-and-public-space-reclaiming-the-ground-below</link>
      <pubDate>Sat, 18 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Elevation is often framed as progress, lifting movement above the friction of the city and smoothing circulation into uninterrupted flow. Every act of <a href="https://www.researchgate.net/publication/384775199_Evaluation_of_the_Literature_on_the_Use_of_Space_Underneath_Elevated_Highways_in_Urban_Leftover_Space_Renewal?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">lifting produces a secondary condition</a> in its wake. Beneath <a href="https://www.archdaily.com/985166/one-green-mile-mvrdv">flyovers</a>, <a href="https://www.archdaily.com/998657/vltavska-underground-u-u-studio-plus-re-place">metro lines</a>, and<a href="https://www.archdaily.com/992585/wuxiang-987-high-line-park-ningbo-urban-construction-design-and-research-institute"> railway viaducts</a>, a second ground emerges as shaded, ambiguous, and rarely planned with the same intent as what moves above. These spaces are not incidental leftovers. They are the spatial consequence of a design decision that privileges speed, clearance, and efficiency, redistributing value and visibility across the city in the process.</p>]]>
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        <![CDATA[Building Light in a Flood Zone: Architecture for Seasonal Inundation]]>
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      <link>https://www.archdaily.com/1040233/building-light-in-a-flood-zone-architecture-for-seasonal-inundation</link>
      <pubDate>Sat, 11 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040233/building-light-in-a-flood-zone-architecture-for-seasonal-inundation</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/955018/why-landscapes-designed-to-flood-are-environmentally-sound">flood</a> does not arrive as a surprise. It returns, following the same swollen rivers and monsoon skies, loosening the ground and entering homes that were never meant to resist it. Walls are untied before they are lost, materials are gathered before they drift, and structures are rebuilt with a familiarity that suggests this is not destruction, but sequence. In landscapes where <a href="https://www.archdaily.com/931720/how-cities-are-using-architecture-to-combat-flooding">water returns</a> each year, survival is defined by the ability to begin again.</p>]]>
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        <![CDATA[Logistics Landscapes: The Architecture of the 24-Hour Supply Chain]]>
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      <link>https://www.archdaily.com/1039863/logistics-landscapes-the-architecture-of-the-24-hour-supply-chain</link>
      <pubDate>Fri, 27 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039863/logistics-landscapes-the-architecture-of-the-24-hour-supply-chain</guid>
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        <![CDATA[<p>At the edge of most cities, beyond the ring roads and interchanges, a <a href="https://www.archdaily.com/1039255/rethinking-architecture-at-the-scale-of-planetary-systems?ad_campaign=special-tag">different kind of architecture is taking shape</a>. It is not designed to be seen, visited, or remembered. It does not gather people; it moves things. Inside, thousands of parcels travel continuously, being sorted, lifted, scanned, and dispatched with minimal interruption. These <a href="https://www.archdaily.com/1039268/compute-isnt-weightless-ai-infrastructure-and-the-architecture-of-the-city?ad_campaign=special-tag">buildings rarely enter architectural discourse</a>, yet they are among the most consequential spaces of our time. The defining typology of the 21st century is increasingly the warehouse.</p>]]>
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        <![CDATA[Jahad Metro Plaza in Tehran: Reclaiming Infrastructure as Civic Space]]>
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      <link>https://www.archdaily.com/1039662/jahad-metro-plaza-in-tehran-reclaiming-infrastructure-as-civic-space</link>
      <pubDate>Fri, 20 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039662/jahad-metro-plaza-in-tehran-reclaiming-infrastructure-as-civic-space</guid>
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        <![CDATA[<p>In Iran's capital, <a href="https://www.archdaily.com/search/projects/categories/public-space/country/iran">Tehran</a>, movement defines the city. Each day, millions navigate a landscape shaped by highways, traffic corridors, and dense urban blocks. Over decades of rapid expansion, <a href="https://www.archdaily.com/tag/public-infrastructure">infrastructure</a> has become the dominant language of development. Streets prioritize vehicles, sidewalks function as narrow conduits, and many <a href="https://www.archdaily.com/1037119/european-prize-for-urban-public-space-2026?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">public spaces</a> operate primarily as passages rather than places of gathering. Across parts of West Asia, ongoing conflict has also reshaped the region's <a href="https://www.archdaily.com/1037479/who-owns-public-space-three-active-models-of-shared-management-shaping-urban-commons-in-europe-and-new-york?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">urban landscapes</a>, where <a href="https://www.archdaily.com/1039470/cultural-heritage-sites-in-the-middle-east-damaged-as-war-reaches-historic-urban-areas" target="_blank" rel="noopener">significant architectural environments have been damaged or transformed</a>. Within this broader context, the preservation and creation of everyday civic space becomes increasingly meaningful. Recognized with the <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Aga Khan Award for Architecture</a>, the <a href="https://www.archdaily.com/1033623/jahad-metro-plaza-ka-architecture-studio-mohammad-khavarian" target="_blank" rel="noopener">Jahad Metro Plaza</a> project, designed by <a href="https://www.archdaily.com/office/ka-architecture-studio-mohammad-khavarian?ad_source=search&amp;ad_medium=search_result_projects">KA Architecture Studio, </a>demonstrates how modest infrastructural interventions can reshape the civic life of a city.</p>]]>
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        <![CDATA[Designing the Sensory City: Architecture, Light Pollution, and Urban Noise]]>
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      <link>https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</link>
      <pubDate>Fri, 13 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</guid>
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        <![CDATA[<p>For most of human history, night arrived as a planetary certainty. Darkness spread across landscapes, and the sky revealed thousands of stars. Today, that sky is disappearing. <a href="https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Artificial light spills upward from cities</a>, scattering through the atmosphere and turning night into a permanent haze. Research mapping global sky brightness shows that more than <a href="https://www.science.org/doi/10.1126/sciadv.1600377?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">80 percent of humanity now lives under light-polluted skies</a>, and the Milky Way has vanished from view for over a third of the world's population. The disappearance of dark skies is usually discussed within astronomy, but the sources of that change are deeply embedded in the built environment. Buildings emit light, reflect it through glass façades, and extend illumination far beyond their walls. In the technosphere, the vast system of infrastructures and materials humans have constructed, architecture now shapes both physical space and the sensory conditions surrounding it.</p>]]>
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        <![CDATA[Mapping Space Without Sight: Inside SEAlab’s Sensory Architecture]]>
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      <link>https://www.archdaily.com/1039285/mapping-space-without-sight-inside-sealabs-sensory-architecture</link>
      <pubDate>Fri, 06 Mar 2026 05:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039285/mapping-space-without-sight-inside-sealabs-sensory-architecture</guid>
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        <![CDATA[<p>Founded in 2015 in <a href="https://www.archdaily.com/tag/ahmedabad">Ahmedabad</a> by <a href="https://www.archdaily.com/photographer/anand-sonecha?ad_name=project-specs&amp;ad_medium=single">Anand Sonecha</a>, <a href="https://www.archdaily.com/office/sealab">SEAlab</a> is a practice shaped by a slow, contemplative engagement with place, proportion, and participation. Recognized as one of the winners of the <a href="https://www.archdaily.com/tag/archdaily-next-practices" target="_blank" rel="noopener">ArchDaily 2025 Next Practices Awards</a>, the studio builds with simple materials and local techniques, pursuing environments that are experienced as much as they are seen. This ethos became particularly tangible in Gandhinagar, where the <a href="https://www.archdaily.com/984721/school-for-blind-and-visually-impaired-children-sealab?ad_medium=office_landing&amp;ad_name=article">School for Blind and Visually Impaired Children</a> did not begin as a purpose-built institution. The school had been operating from an existing primary <a href="https://www.archdaily.com/1036343/archdaily-curators-picks-2025-a-look-back-at-12-key-project-reviews?ad_campaign=normal-tag">school building</a>, with classrooms stacked above dormitories and twelve children sharing a single room. Space was limited, and so were growth opportunities. The new academic building was required to expand capacity, improve living conditions, and support greater student independence.</p>]]>
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