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Superstudio and Archigram were the pioneers of the dystopia they had popularized in 1960, when they experienced a crisis that tore world economies, positioning Italy in a historic moment of boom and bust that harbored dreams and despair.

The Jan Shrem and Maria Manetti Shrem Museum of Art by SO-IL and Bohlin Cywinski Jackson is the first contemporary arts museum for the University of California and the city of Davis. The museum’s signature element is the grand canopy that stretches over the surrounding site and building.

Creative duo another : have collaborated with music composer Yu Miyashita and released a short film that explores the geometric composition of the museum's structure in an exceptional way.

Having explored the design that establishes 'emotional ownership' and the antipatrons of social housing, Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit continue their series of articles on social housing in Latin America. This time, the proposal studies how control influences the urban form and the form of housing.

It is expected that within the next few of decades, Earth will have absolutely nothing left to offer whoever/whatever is capable of surviving on it. Although the human race is solely responsible for the damages done to the planet, a thin silver lining can still be seen if radical changes were to be done to the way we live on Earth and how we sustain it.

Since architects and designers carry a responsibility of building a substantial future, we have put together an A-Z list of every sustainability term that you might come across. Every week, a new set of letters will be published, helping you stay well-rounded on everything related to sustainable architecture and design. Here are the terms that start with letters J, K, and L.

Islam, other than describing a religious belief, is a word that identifies a unique type of architecture that dates back thousands of years. It has been formed by a civilization that transformed the qualities of this belief into visible and tangible material, building structures with a striking focus on details and experiences within enclosed spaces. 

Islamic architecture is an architecture that does not change its form easily. In fact, its principles have been more or less the same since thousands of years ago, with minor changes based on functional adaptations. To this day, hundreds of buildings still stand as a representation of the history of Islamic architecture and are still used just as they have been in the past.

War, however, has no religion or cultural nostalgia, and even the holiest, most historically-significant sites are threatened with complete destruction. The Great Umayyad Mosque in Aleppo, originally built by the first imperial Islamic dynasty and currently situated within a UNESCO World Heritage Site, stood yet again as a battlefield during the recent Syrian War, but this time, lost its most significant and resilient element, an 11th-century Seljuk Minaret.

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Cities’ greatness should be judged by whether they have succeeded in accumulating extraordinary works of architecture. They can be fantastic for their food, music, or lifestyle overall, but if there is no architecture, they are hard to grasp, they are not anchored, not grounded, not memorable… not real, in a way. Maybe I am a maximalist but there are a number of cities that I visited with just one goal in mind – to see a single extraordinary building. For the record, these cities are Fort Worth, Bilbao, Valencia, San Sebastian, Guangzhou, Sydney, and Kuala Lumpur, among others. The last one on this list has acquired its instantly recognizable image in 1996, when the 88-story Petronas Twin Towers have risen high above it. These unique buildings remained the world’s tallest until 2004. This iconic structure was designed by Argentine-American architect César Pelli who passed away last week at the age of 92.

Though born in Tehran and remaining deeply inspired by her native Iran, architect Yasaman Esmaili has worked on projects all around the world. These primarily include humanitarian and crisis intervention works that deeply engage the local communities in which they are situated. A recent article by Metropolis Magazine discusses these projects in depth, as well as Esmaili’s story and inspirations.

Unlike its TV and film counterparts, which imagine the future as an over-populated dystopian nightmare overrun with violence and chaos, Black Mirror paints a picture of a near future that aligns far more with our current reality--and nowhere is this more apparent than in the architecture shown in the series.

There are many kinds of white, all have no color but they are very different from each other: some silent, others deafening; there is the white of absence and also the one of eloquent presence; neutral white is very common, which one day may be painted with other tones; but there are also things born to be white, which could not be of any another color. Fran Silvestre’s architecture is composed of few essential signs, lines, planes and volumes thought and built with great geometric control.

In the context of the AIA Conference on Architecture 2019, Turkish architect Emre Arolat (EAA) gave ArchDaily some insights about technologies in architecture, how will the future role of the architect evolve, and the importance of the materials in his projects.